The Muse

Posted on December 13, 2002 at 5:16 am

The latest film by writer/director/actor Albert Brooks has him portraying Steven Phillips, a Hollywood screenwriter who is let go by the studio when a young, arrogant executive tells him he has lost his “edge.” On the advice of a friend, he seeks inspiration from a muse (Sharon Stone), the daughter of Zeus, who now lives in Los Angeles under the name “Sarah.”

Sarah does indeed work miracles for Steven, inspiring him to write a successful script. But Sarah is demanding. She insists on lavish gifts and constant attention. And she is frustrating. Steven wants her full- time dedication, but she is busy inspiring his wife to start a cookie business and “Titanic” writer/director James Cameron to make something other than a sequel.

The satire and Hollywood in-jokes will have little appeal to kids, but Stone’s performance as the ravishing, maddening, and truly inspiring muse is wildly funny and can lead to family discussions about art and about relationships. Kids may also want to look up the mythological muses and talk about the costs and benefits of being inspired. Parents should note that there is some suggestion that Sarah is mentally ill, but this is intentionally left vague enough so that each viewer can decide if she really is a muse after all.

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Superstar

Posted on December 13, 2002 at 5:16 am

Even fans of the Mary Katherine Gallagher skits on Saturday Night Live will find this movie overlong at 82 minutes. It is one thing for a 30-something woman to play the part of a high school girl in a skit, but another to watch her try to act the part of a high school girl in a movie, even one as plotless as this one.

Mary Katherine (Molly Shannon) has one dream — she wants to be passionately kissed. While she waits, she practices on whatever is available, including a tree and a stop sign. Ultimately, she becomes a little more specific in her dream. She wants to be kissed by high school dream date Sky (Will Farrell, also from Saturday Night Live). And she decides that since he is going steady with pretty cheerleader Evian (Elaine Hendrix, repeating her meanie role from “The Parent Trap”) the only way to get his attention is to become a superstar. And she thinks she can do that by winning the Catholic Teen Magazine VD Awareness Talent Contest. Other attempts at humor include a boy with obsessive-compulsive disorder, a television falling on a dog, an Irish step-dancing tragedy, and repeated falling down and showing of the world’s whitest cotton underpants.

Younger teens will get a kick out of the naughty words and slapstick humor and may even relate to Mary Katherine’s struggle to become someone who is admired while staying true to herself. Any older folks who wander in by mistake may enjoy some references to old movies, especially Made-for-TV classics like “The Boy in the Plastic Bubble.” And families might take this opportunity to talk about the careless cruelty and need to conform of many high school students, and Mary Katherine’s growing understanding that “you have to be your own rainbow” and that what matters is what she thinks about herself, not what Sky thinks about her. But parents should know that there are a number of raunchy references and a portrayal of Mary Katherine’s vision of Jesus that may be offensive to some viewers.

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Comedy High School

The Parent Trap

Posted on December 13, 2002 at 5:16 am

This delightful remake of the Hayley Mills classic stars Lindsay Lohan as both Hallie and Annie, twin girls separated at birth, who meet up at summer camp and decide to switch places. Lohan is utterly adorable and does a masterful job of creating two separate characters, each of whom spends a large part of the movie impersonating the other. Their father, Nick (Dennis Quaid), owns a vinyard, and their mother Elizabeth (Natasha Richardson) designs wedding gowns. Meredith, the scheming girlfriend who hopes to marry their father for his money (Elaine Hendrix) has this year’s bad guy profession: publicist.

Parents may want to reassure their kids — one child who saw it with me was distressed that the parents had split up the twins and made no attempt to see the child they gave up. Divorced parents should make sure their children have no illusions of a reconciliation, and all parents should make sure that while it may be charming for the children in the movie to manipulate their parents, it is not appropriate for real life. Other parental concerns include Elizabeth’s getting drunk (portrayed as funny) because of her nervousness at seeing Nick again, and a truly grisly scene where one twin pierces the other’s ears. There is also a poker game bet which ends with a child jumping in the lake without any clothes. Children who enjoy this version will get a kick out of comparing it to the original. Make sure that they notice Joanna Barnes, who plays Vicki (the fiancee) in the original, playing Vicki (the fiancee’s mother) in the remake.

The Rugrats Movie

Posted on December 13, 2002 at 5:16 am

Fans of the television series will be happily at home with this movie, which takes its toddler heroes through two terrifying adventures — getting lost in the woods and having to share parents with a new baby. The children around me at the theater laughed joyously at the potty humor and only a couple of them seemed concerned by the drooling wolf, mischevious monkeys, or the other perils the children face as they try to find their way back home. Their parents smiled at a couple of sly jokes, the use of voice talents like David Spade, Busta Rhymes, and Whoopi Goldberg, and that failsafe bolster of flagging parental attention, baby boomer-friendly music. The Rugrats’ trademark “kid-cam” use of floor- level perspective provides a few bright moments, and the kids’ efforts to understand the world around them are occasionally fresh and funny. The movie is not much more than a long version of the television show, but for many in its targeted audience, that is just fine. Parents may use Tommy’s concerns about his new baby brother Dylan to talk about children’s fears of displacement and how Tommy, though frustrated, cares for his brother when they are lost. They should also be sensitive to any signs that children are scared when the babies are separated from their parents, though most will be very reassured by the way the Rugrats cooperate and (usually) support each other.

Galaxy Quest

Posted on December 13, 2002 at 5:16 am

This is one of the funniest movies of the year, hilariously but affectionately skewering television sci-fi, its stars, and its fans. Not since William Shatner told Trekkers Dana Carvey and Jon Lovitz to “get a life” back on Saturday Night Live has there been such a sublime look at this world, reminding us, in these days of Adam Sandler and the Farrelly brothers, that intelligence and humor are not mutually exclusive. The fast, funny, and fresh script takes a terrific premise and unreels it in a tightly constructed farce that is filled with surprises. Perhaps the biggest one is that we really come to care about the characters.

Tim Allen, Alan Rickman, and Sigourney Weaver play former stars of a cheesy “Star Trek”-style show that ended nearly 20 years ago. Their only paying jobs are appearances at conventions of fans and store openings with their co-stars. A group of aliens who received the television transmissions of the program’s reruns and thought they were documentaries comes to Earth to ask for their help.

The TV stars find themselves on a real-life replica of their television series spaceship, lovingly constructed by the aliens to replicate every detail from the show. And they find themselves in a real-life confrontation with a lizard-looking tyrant named Sarris, trying hard to remember lines and plots from old episodes to help them defeat him.

The people behind this movie have watched a lot of Star Trek. Rickman, who played a character somewhere between Dr. McCoy and Mr. Spock, stares glumly at his alien gill make-up in the mirror and murmurs about the time he got five curtain calls as Richard III. Sam Rockwell (very far from his role earlier this month as the evil prisoner in “The Green Mile”) plays an extra who was killed on one episode, worries that he’ll be killed for real on this mission, because “my character is not important enough for a last name.” Tony Shaloub, as the Scottie equivalent tries to reassure him: “Maybe you’re the plucky comic relief!” The responsibility assigned to Sigourney Weaver, the Lt. Uhura equivalent, is repeating everything the computer says (and wearing a low-cut uniform).

After a string of slob comedies, it is a special joy to see one that is so sharply written and performed. Acting! Satire! Dialogue! Plot! I remember those! I’m just glad someone else does, too. If movies got curtain calls, I’d give this one five. (Be sure to check out the brilliantly designed “unofficial” website at http://www.galaxyquest.com/galaxyquest)

Parents should know that there is some cartoonish sci-fi violence, some of it rather gross, and one sad death, a character gets so drunk he passes out, and is then very hung over, and there are mild references to Allen’s character sleeping “with every Terakian slave girl and moon princess” on the show.

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Comedy Satire Science-Fiction