Street Kings

Posted on April 9, 2008 at 6:00 pm

C
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for strong violence and pervasive language.
Profanity: Constant extremely strong language, racist epithets and insults
Alcohol/ Drugs: Drinking, smoking, drug use, drug dealing
Violence/ Scariness: Extreme, intense, graphic violence, characters injured and killed, explicit and disturbing images
Diversity Issues: Diverse characters
Date Released to Theaters: April 11, 2008

“Street Kings” is a like a Cliff’s Notes version of Training Day not that Training Day was any special challenge to the mental muscle. Corruption is bad, we get it.

At least that movie had a sizzling performance and an intriguing premise, a young cop’s introduction to the seamy underworld. This one has neither. It is big, dumb, loud, generic, and, worst of all, pretentious.

Keanu Reeves plays Tom Ludlow, and we meet him in what appears to be his daily waking ritual — grab gun, barf, and stop at the liquor store, as the bass line bangs away portentously. Then he and some gangstas try to out-tough each other with threats and insults over some deal. To no one’s surprise except the gangstas, he turns out to be a cop. He goes into the bad guys’ house, guns blazing, and takes everyone down all by himself, for no reason whatsoever except showing off.

Detective Washington, Tom’s former partner (Terry Crews) has been telling Internal Affairs about some of the ways that Tom and his colleagues under Captain Jack Wander (Forest Whitaker) cut corners. Let’s just say that they are not exactly scrupulous about due process. When Washington is killed, Tom is the likely suspect. Investigating that crime exposes the vast reaches of corruption and betrayal. And it provides the opportunity for many, many shoot-outs and other violent confrontations.

It is all supposed to be very tough and meaningful, but even an exceptionally strong cast can’t save dialog like, “This is your mess and I’m cleaning it up,” “It’s time to turn the page and close the book,” and “I gotta watch my own back these days.” Anyone who has ever seen a movie will be able to guess the twist within the first 10 minutes. After that, it’s just waiting for Tom to catch up to you.

Related Tags:

 

Action/Adventure Crime Drama Movies -- format

No Country for Old Men

Posted on March 11, 2008 at 8:00 am

“I’m fixin to go do somethin dumbern hell but I’m goin anyways. If I don’t come back tell Mother I love her.”
“Your mother’s dead Llewelyn.”
“Well I’ll tell her myself then.”
For the Coen brothers’ first-ever adaptation of another writer’s work, they found an author whose terse, wry, gritty dialogue is a perfect match. Cormac McCarthy’s book about a man who finds a case full of money at the scene of a drug deal gone very, very wrong is ideally suited for the Coen brother’s understated talk and striking visuals.

(more…)

Related Tags:

 

Crime Drama

The Bank Job

Posted on March 6, 2008 at 6:00 pm

B+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for sexual content, nudity, violence and language.
Profanity: Very strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Peril and graphic violence, torture, murder, disturbing images, characters injured and killed
Diversity Issues: Diverse characters
Date Released to Theaters: March 7, 2008

the_bank_job_poster.jpgAh, the pleasures of the heist film. Something for nothing. Sticking it to The Man. Tricky problems solved by clever people both in the planning stages and on the spot. And, just to make it really fun, sometimes, as here, it is based on a true story. Yes, as they say, now it can be told. Once upon a time back in 1970, when cameras, cops, bank security, and princesses were very different from what we get nowadays, the sister of the Queen of England was photographed in a compromising position by an enterprising gangster who used the photos to blackmail the government. The prints and film were tucked away in a safe deposit box at a bank frequented by somewhat shady types. And it seemed to MI-5, the British equivalent of the Secret Service, that the best way to clear up this spot of trouble was to rob the bank. Efficient and discreet as always, they dispatched one of their officers to find some criminals to do the job.

(more…)

Related Tags:

 

Action/Adventure Based on a true story Crime Movies -- format

Illegal Tender

Posted on August 21, 2007 at 11:20 am

C
Lowest Recommended Age: High School
MPAA Rating: Rated R for violence, language and some sexuality.
Profanity: Very strong language, n-word in song lyrics
Alcohol/ Drugs: Characters are drug dealers, drinking
Violence/ Scariness: Intense and graphic violence, shoot-outs, torture, beatings, suicide
Diversity Issues: Diverse characters
Date Released to Theaters: 2007

There’s a chance, but a very slight chance that 20 years from now this could be one of those films whose pulpiness overcomes its dopiness. But I doubt it.


Oh, it is fun to see Wanda de Jesus get all Pam Grier and shoot off two big guns at once after making a peanut butter and jelly sandwich for her son. But the big dumb story and the big dumb dialogue keep getting in the way.


It begins in 1985, when drug dealer-but-nice-guy Wilson De Leon (Manny Perez) is killed on the same night his son, Wilson Jr., is born.


Fast forward to the present day. Wilson Junior (now played by the always-appealing Rick Gonzalez) is a student at genteel Danbury College. He lives with his mother (de Jesus as the older Millie) and little brother Randy (Antonio Ortiz) in a luxurious home in the suburbs of Connecticut. But everything changes when Millie runs into a friend from the old days. She knows this means that the men who killed her husband will be coming after her and her sons. She takes Wilson down into the cellar and opens up the safe. Inside are enough guns to arm a militia. “It’s called weight,” she explains.


But that is about all she explains. When he refuses to go on the run with Millie and Randy, she leaves him a gun and tells him to protect himself. Soon he is practicing his shooting face and taking aim at some tin cans. And soon after that he is taking aim at some assassins who come to his house, where he is staying with his girlfriend Ana (Dania Ramirez).


Her role in the story is to keep asking what is going on in a loud voice as the drug lord’s goons are tramping through the house shooting everything and call at inconvenient moments to tell Wilson she is worried. I’d be worried, too — Wilson and his mother return to the house when the bad guys are after them. Then, when they are after the bad guys, they stop for some retail therapy to pick up some bling. Millie’s explanation of her income (“You bought Microsoft?”) and justification for her late husband’s career choice (“everyone has stains”) is as silly as the rumble on the soundtrack that always seems to alert her to impending danger. A couple of developments near the end are intended to be plot twists, but there is so little to qualify here as plot that they are more like plot nudges. There isn’t much dialogue, either. At least a third of it seems to be various people saying “Wilson” when they speak to him, as though we need to be reminded who he is. And the other two-thirds is soapy tripe like, “Oh, God, I want this to end!”

Yeah. Me, too.

Parents should know that this is an intense and violent film with graphic images of shoot-outs, beatings, and torture. Characters are in peril and many are injured and killed and a character commits suicide. Characters are drug dealers and gangsters and some drink wine, champagne, and alcohol. They use strong language, including the n-word in song lyrics. The movie includes sexual references and brief explicit situations, dancers in skimpy clothes, and brief nudity.


Families who see this movie should talk about what Wilson and his mother told each other and did not tell each other.

Audiences who enjoy this movie will enjoy Pam Grier classics like Coffy.

Related Tags:

 

Crime Drama Movies -- format Thriller

Ocean’s 13

Posted on June 6, 2007 at 3:31 pm

B
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG-13 for brief sensuality.
Profanity: A few strong words
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Some peril and violence, no one hurt
Diversity Issues: Diverse characters
Date Released to Theaters: 2007
Date Released to DVD: 2007
Amazon.com ASIN: B000W1V5VU

The first one was fun for them to make and us to watch. For the second one, clearly the Oceanists were having more fun than the audience. George Clooney has joked that the third “Oceans” film should be called “The One We Should Have Made Last Time.” Clooney, Brad Pitt, Matt Damon, Don Cheadle, and the rest of the group are still having fun making them, but this time, thank goodness, it’s fun for us, too.


In Ocean’s Eleven, Danny (Clooney) and Rusty (Pitt) assembled a team of specialists to rob three Las Vegas casinos run by Terry Benedict (Andy Garcia) and not coincidentally get back Danny’s wife from Benedict, too. Ocean’s Twelve was the uneven sequel about Benedict’s revenge, a romance for Rusty with an Interpol agent, and a complicated European heist.


The third episode might as well have a “No Girls Allowed” sign. The characters played by Julia Roberts and Catherine Zeta Jones in the last two episodes are briskly dismissed in the first couple of minutes with a quick “It’s not their fight.” And we’re off on a new adventure in which our anti-heroes will have to come up with a new fiendishly clever way to separate some nasty character from his money in a manner that allows for some choice wisecracks, some silly disguises, and enough “That’s impossible” and “It can’t be done” warnings to merit a drinking game.


Hotelier Reuben (Elliot Gould), who financed the first heist, has had a bad case of movie-disease-itis, meaning that it is one of those cases where the central casting doctor gravely stands by the bedside and tells the assembled loved ones that “it all depends on his will to live.” In other words, we have to have a reason to set up another Mission Impossible-style heist, and this time, it’s personal. Okay, it was personal the last two times, too, but this time it’s even more personal. We have to take care of Reuben.


Reuben has been snookered (In Las Vegas! Imagine!) by Willy Bank (Al Pacino), who has built an ostentatious new casino (In Las Vegas! Imagine!). So the gang gets back together to put on a show in Grandma’s barn, I mean to steal from Bank everything that really matters to him.

This means several cons and heists at once. It has to be more than money. Bank wants a five-diamond rating for the hotel. This results in a plot line somewhere between a sit-com episode and a summer camp prank. Next on the list is fixing the games at the casino, each category (slots, blackjack, roulette, craps) with its special challenges that send our guys off as far as Mexico (where the dice are made) and France (it has to do with digging the chunnel; you really don’t need to know about it).

They also have to go to Terry Benedict for some upfront money, and while they are in it for honor and loyalty, he, of course, wants the diamonds that Bank has stored in an “it’s impossible” burgle-proof room at the top of the hotel. And of course Saul (Carl Reiner) has to show us a new accent, Frank (Bernie Mac) has to show off some smooth talk, Basher (Don Cheadle) has to speak inscrutable rhyming slang and blow stuff up, Linus (Matt Damon) has to prove he can grift with the best of them, and Yen (Shaobo Qin) has to say things in Chinese that somehow everyone in our perfectly attuned group can understand.


It’s all glossily entertaining, but there are too many distractions that are not as cute as they think they are. Did we really need to see one of the Ocean-ites turn into Norma Rae? We come back to the five-diamond checker too many times for too little pay-off. Repeats of the gags and plot twists from the first two are not in-jokes; they’re just unimaginative. Once again, Yen’s only English vocabulary words are bleep-worthy. Once again, the Ocean-eers have colorful code words for their various scams and dodges: the Billy Martin, the Susan B. Anthony, the Gilroy, the reverse Big Store. It is not an homage, it’s just a lack of imagination to repeat the exact same major plot twist from one of the earlier movies. It is even at the same point in the script. Worse, the film wastes the wonderful Ellen Barkin on an underwritten role.


But the movie’s biggest mistake is making the guys into a bunch of softies. When they’re not rallying the troops because “Reuben would do it for any one of us,” they’re weeping through Oprah or giving money to needy children. The cast is so watchable that we cannot help but enjoy seeing them enjoying themselves. And Bank is such a rat that we can’t help rooting for them. But it was more fun when they were a little bit hungry and more than a little bit greedy. Let’s hope they remember that before the next one.

This time around, the characters are motivated by loyalty rather than money, but parents should know that this is a movie about a group of rogues, con artists, and thieves — and they are the good guys. Characters use a few strong words and there are brief mild sexual references and a comic (non-explicit) sexual situation.


Families who see this movie should talk about why audiences enjoy movies about robberies.

Families who enjoy this movie will also enjoy the first two and other heist classics like the original Thomas Crown Affair, Topkapi, and How to Steal a Million.

Related Tags:

 

Comedy Crime Movies -- format Thriller
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2026, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik