Command and Control

Command and Control

Posted on September 22, 2016 at 5:30 pm

B+
Lowest Recommended Age: High School
MPAA Rating: Not rated
Profanity: Some strong language
Alcohol/ Drugs: None
Violence/ Scariness: Theme of nuclear weapons and accidents, peril and violence, sad death
Diversity Issues: None
Date Released to Theaters: September 23, 2016
Copyright 2016 Robert Kenner Films
Copyright 2016 Robert Kenner Films

You want to know what’s scary? A teenager dropping a wrench onto an aging but still very potent nuclear missile. Even scarier is that the wrench hit so hard it poked a hole in the missile, which led to a fuel leak, which led to a massive explosion, killing one man, injuring others, and destroying the launch facility. Scarier than that is that this happened in 1980, in Arkansas. It wasn’t a secret. Then-governor Bill Clinton appeared on television to reassure Arkansans that everything was all right. Here’s what’s scary: no one remembers it, and it was just one of many “broken arrow” accidents involving nuclear weapons stored on US soil, and that’s just the ones we know about that took place in America. Who knows what is going on in other countries?

Based on a book by reporter Eric Schlosser, “Command and Control” tells the story of the Titan II Missile explosion with riveting interviews and seamless re-creations, moment by moment of the night the young airman dropped the wrench and the steps taken at great risk and great speed to prevent contamination. We see how painful the events still are to the people involved and how terrifyingly close we — meaning all of us on the planet — were to complete annihilation. Schlosser, whose calm delivery somehow makes it seem even more dire, has assembled a terrifying dossier of denial and neglect.

Director Robert Kenner (“Merchants of Doubt”) wisely presents it like a “tick-tock” thriller, a “Mission: Impossible” or James Bond story come to life. But this film has no supervillain attempting total world domination. This is a Pogo-style “we have met the enemy and he is us” story. Somehow, it is easier for us to believe that a Dr. Evil out there can devise a strategy to destroy us than to believe that in a world where most of us cannot re-set our car clocks for Daylight Savings Time, we keep designing machines that are too complicated for us to operate, or, in this case, even store safely. The bombs used during WWII were built and dropped. The deterrence-arsenal built up during the Cold War has created an unprecedented maintenance problem. We simply do not know how to take care of them or even whether it is possible to do so for decades or centuries.

It seems pretty obvious that at some point, someone is going to drop a wrench. Indeed, that seems far more likely than someone breaking in to do intentional damage. And yet, Kenner and Schlosser show us, calmly, devastatingly, while we argue about every other political issue, this one keeps being overlooked. This movie should make it harder to continue to do so.

Parents should know that the topic of this film is nuclear weapons. There are scenes of peril and explosions and discussions of injuries and death.

Family discussion: Which politicians are paying attention to this issue?

If you like this, try: “Merchants of Death”

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Documentary Movies -- format
Floyd Norman: An Animated Life

Floyd Norman: An Animated Life

Posted on August 25, 2016 at 12:37 pm

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Not rated
Profanity: A bleeped word
Alcohol/ Drugs: Reference to alcohol
Violence/ Scariness: Reference to divorce
Diversity Issues: A theme of the movie
Date Released to Theaters: August 26, 2016
Copyright Michael Fiore Films 2016
Copyright Michael Fiore Films 2016

Disney foolishly forced legendary animator Floyd Norman to retire at age 65, but he was not foolish enough to stop coming to work. Every day, he brings his wife Adrienne to her job at Disney, and then he spends the day wandering around, asking questions, talking to people, and generally, to use the portmanteau word Adrienne came up with, “floitering.” “The whole Disney campus is Floyd’s office,” says one colleague. Eventually, Disney realized they could not do without him and they gave up and just hired him again.

This delightful documentary about the very “animated life” of Floyd Norman is a must-see for fans of animation, movie history, and stories of lives filled with creativity, courage, and a sense of adventure. His career extends from the classic “nine old men” era at Disney, where he worked for Walt Disney himself animating the prince, the horse, and the three fairy godmothers in “Cinderella” and Kaa the snake in “The Jungle Book” and the “Jolly Holiday” musical number in “Mary Poppins” to animating, writing, and directing for Hanna-Barbera, Pixar, and for his own company. He used Roy Disney’s camera to go into Watts and shoot footage of the riots that was broadcast on the NBC news, and he worked on iconic Saturday morning cartoon shows like “Fat Albert and the Cosby Kids,” “Johnny Quest,” and “Scooby-Doo.” (The only negative comment the sunny-tempered Norman makes in the whole documentary is a good-natured aside on Scooby — “I hate that dog!”) He even animated the opening logo for “Soul Train.”

Copyright Disney 1968
Copyright Disney 1968

More characteristic is his description of his childhood in Santa Barbara as “incredibly pleasant.” It was there he saw his first Disney animated film — “Dumbo” and knew that making cartoons would be his life’s work. It didn’t matter that Disney had no black animators. He was “just another kid who wanted to work for Disney,” and when they saw what he could do, they hired him as an “assistant in-betweener” on “Sleeping Beauty,” where he was expected to turn out eight “dead-on precise” completed drawings a day.

One of the highlights of the film is seeing Floyd Norman at San Diego Comic-Con’s Quick Draw, with MAD Magazine artist Sergio Aragonés. But every moment is pure pleasure, as we see the man who is still “in touch with his inner 20-year-old” demonstrate the skill, imagination, and dedication that has been central to much of the most creative entertainment of the past 60 years.

Parents should know that this movie has a bleeped bad word, a sexual reference, and references to drinking and divorce.

Family discussion: Which is your favorite Floyd Norman animation and why? How did he show flexibility and “shape-shifting?”

If you like this, try: “Waking Sleeping Beauty,” “Walt and El Groupo,” and, of course, “The Jungle Book,” and Norman’s other animated classics

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Biography Documentary Film History Movie History Movies -- format Race and Diversity

Broadcast Film Critics Announce New Critics Choice Awards for Documentaries

Posted on August 1, 2016 at 1:38 pm

I am delighted that the Broadcast Film Critics Association, of which I am a proud member, has established a new set of awards for documentaries, with the first to be awarded on November 3, 2016. This is a category that has been long overdue for more recognition than one category each year. Awards will include:

Best Documentary Feature Film (Theatrical Premiere)
Best Documentary Feature (Television Premiere)
Best Director of a Documentary
Best First Documentary Feature
Best Music Documentary
Best Sports Documentary
Most Compelling Living Subject of a Documentary
Best Limited Documentary Series for Television
Best Ongoing Documentary Series for Television
Best Unstructured Reality Series
Best Song in a Documentary
Most Innovative Documentary
Best Investigative Journalist

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Awards Documentary
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