The Queen

Posted on October 7, 2006 at 12:45 pm

A
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for brief strong language.
Profanity: Brief strong language
Alcohol/ Drugs: Social drinking
Violence/ Scariness: References to sad deaths in car crash, hunting, animal carcasses
Diversity Issues: Class issues
Date Released to Theaters: 2006
Date Released to DVD: 2007
Amazon.com ASIN: B004SIP9B0

Tony Blair (Michael Sheen) is feeling more triumphant than nervous as he goes to Buckingham Palace for the queen’s formal invitation to serve. He and his wife all but snicker as they consider the anachronism of royalty in the modern age.

And then he goes in to meet her (Helen Mirren) and finds that she is, surprisingly…regal. She may dress in the world’s most expensive dowdy cardigans and head scarves and have the hairdo of a grade school principal. But there is something about her that reminds him that the British are not citizens but subjects. It’s not just that she gently reminds him of her place in history by mentioning her connection to both Queen Victoria and Winston Churchill as she coaches him through the protocol. She has her place in history. But there is something about her that is far from an historic leftover, something vitally present today.


Both Blair and the queen will shortly have to think more carefully about where the royal family is on that continuum between tradition and relevance. Almost immediately after this meeting, the queen’s former daughter-in-law, Diana, Princess of Wales, was killed in a shocking automobile crash. She was no longer a member of the royal family, but she was the mother of the heir to the throne. She was also the most widely recognized woman in the world. The very traits and faults that made her such an embarrassment to the royal family were the touches of humanity that millions of people found endearing. She was sometimes foolish but always genuine and she indisputably loved her sons with great warmth.


To her former in-laws, this was one final embarrassing and excessive incident. There seemed no question about the way to respond. Diana was no longer an official member of the Royal family, and it would be handled as a private matter with no public statement or display of grief and certainly no state funeral. The queen and her family went to their estate in Scotland.


But Blair, as a politician, knew that the people wanted more, needed more. He made his own deeply sympathetic statement. This only sharpened the contrast with the royal family. As literally tons of floral tributes were piled up by sobbing Brits outside the deserted Buckingham Palace, Blair knew his first great challenge as Prime Minister was to ask the queen to break with tradition and make a public statement about her loss as queen and grandmother to two now-motherless boys.


The performances are impeccable. Mirren, always splendid (most recently in the far showier role of the earlier Queen Elizabeth for HBO), here gives a performance of breathtaking tenderness and delicacy in evoking the subtle and complex conflict of emotions felt by the queen, the woman, the daughter, the mother, the grandmother, the prisoner of history and the maker of history. At one point, she and a huge stag being hunted by Prince Philip stop and gaze at each other. They understand each other, and that moment helps us to understand her.


Queen Elizabeth must find a way to bridge the assumptions and rules of the times of Queen Victoria and Winston Churchill to those of the time of cell phones that beam photos around the world. Her ancestor Henry VIII split the church to get a divorce and her great-uncle abdicated the throne to marry a divorced woman, making her father the king and putting her next in line for the throne. Her sister was not allowed to marry the man he loved because he was “unsuitable” because he was divorced. So, she married a suitable man she did not love and herself became a divorced woman. Three of Queen Elizabeth’s children are divorced. Where are the other royal families? The children of the Grimaldis of Monaco have out-of-wedlock children. How can a monarch retain credibility in a world that now believes in meritocracy? All she had was history and mystery. Both are not worth what they once were. Like Blair, we are moved from skepticism to sympathy and ultimately to respect by the exquisite performances and a perceptive screenplay that manages to be thoughtful not just about politics and celebrity but family, loss, and destiny. Like the queen, we know that a stag’s mystery and majesty may be both the reason for its appeal and the reason it is seen as prey.

Parents should know that the movie has brief strong language and references to adultery and to the car crash that caused the deaths of the former Princess of Wales, Dodi Al-Fayed, and security man Henri Paul. There are references to hunting and dead animal carcasses are displayed. There are some tense and sad family moments.


Families who see this movie should talk about why Tony Blair changed his mind about the queen. What was the influence of her uncle’s abdication? Who in this story has your sympathy and why?

Families who enjoy this movie will also enjoy the BBC series House of Cards. And they will enjoy a very different story about a very different princess, Roman Holiday, from an era when both princesses and journalists had a different idea about honor and responsibility. They can read Tony Blair’s statement on Diana’s death Time Magazine’s coverage of Diana’s life is here. The official website of the Royal Family has a great deal of historical and biographical information.

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Biography Drama Movies -- format

The Departed

Posted on October 4, 2006 at 12:50 pm

A-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for strong brutal violence, pervasive language, some strong sexual content and drug material.
Profanity: Extremely strong and crude language, including sexual references and racial, ethnic, and homophobic slurs
Alcohol/ Drugs: Drinking, smoking, street and pharmaceutical drugs, drug dealing
Violence/ Scariness: Extreme, intense, graphic, and grisly violence, guns, knives, fighting, torture, many characters injured and killed
Diversity Issues: Many racial and ethnic slurs, tribalism a theme of the movie
Date Released to Theaters: 2006
Date Released to DVD: 2007
Amazon.com ASIN: B000M341QE

Brilliantly acted, enthrallingly told, this vast, operatic saga centers on two men, Colin Sullivan (Matt Damon) and William Costigan (Leonardo DiCaprio), both Boston Southies. Both are pretending to be the opposite of what they really are. Both are caught between the fear of having their true selves revealed and the fear of hiding themselves so completely they can never come back.


It opens with a voice. A man is telling us how it works, and we can hear in his tone that he expects to be listened to, not just because he knows what he is talking about, but because he is used to power, having it and making the most of it, and especially enjoying it. We see him shaking down a store owner. His crude comment to the man’s young daughter shows more about his power over them and he fear he uses to wield it than the menacing men in his shadow. And we see that he plans to be around for a long time as he tosses a kid some money and plants a seed that there is more money to be had.


When that boy grows up, the man, Frank Costello (Jack Nicholson) tells him to get a job as a cop so he can provide information and cover from the inside. Sullivan proves to be a top student and is quickly promoted to the elite detective squad assigned to bring in Costello and his men.


Meanwhile, the chief detective, Oliver Queenan (Martin Sheen), has the same idea. He takes Costigan, a promising rookie with family ties to Costello and a history of getting into trouble, and sends him deep undercover in the Costello organization, starting with a bogus guilty plea and a real jail sentence. To protect Costigan, only Queenan and his deputy, Dignam (Mark Wahlberg in a brilliantly fiery and hilariously profane performance) know his identity. So as Sullivan and Costigan circle each other, each trying to find the mole in the other’s operation, they also become involved with the same woman (Vera Farmiga), a therapist.


She is just one of several mirrors that provide Costigan and Sullivan with reflections of themselves. The movie is filled with parallels — Costello and Queenan as well as the two young men they send into danger both psychic and mortal. Scorcese’s muscular mastery of story and action, the themes of loyalty, identity, power, and seduction, and the powerhouse cast make this one of the most compelling films of the year.

Parents should know that this is an extremely intense and disturbing film with frequent graphic violence, mostly with guns but also knives, fists, and slamming people with and into many blunt objects. Many characters are injured and killed and there are shots of bloody injuries. A character holds up a severed hand. There are explicit sexual references, many very crude and insulting, and non-explicit situations. Characters drink, smoke, and use and abuse drugs, street and medicinal. Characters use very strong language, including racial, ethnic, and homophobic epithets. Many characters are criminals and many lie, steal, murder, and betray each other.


Families who see this movie should talk about the compromises the people in the story must make in order to achieve their goals. When do you stop being one of the good guys (or bad guys) because you have to prove yourself to the group you are pretending to be a part of? What qualities are necessary to go undercover for such protracted periods? Why was Costigan chosen for the job, and what does the way he was interviewed tell you about what they were looking for?


Families who enjoy this movie should watch the Hong Kong original, Infernal Affairs. They will also enjoy Kurt Vonnegut’s book about an American who goes undercover during WWII as a Nazi, Mother Night, the BBC series, Tinker, Tailor, Soldier, Spy, and Scorcese’s other films, especially Goodfellas.

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Crime Drama Movies -- format Thriller

The Guardian

Posted on September 24, 2006 at 12:56 pm

C-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for intense sequences of action/peril, brief strong language and some sensuality.
Profanity: Some strong language
Alcohol/ Drugs: Drinking, scenes in bars
Violence/ Scariness: Intense peril and violence, characters injured and killed
Diversity Issues: Diverse characters
Date Released to Theaters: 2006
Date Released to DVD: 2007
Amazon.com ASIN: B000KF0GWW

“Have you learned the lessons only of those who admired you, and were tender with you, and stood aside for you? Have you not learned great lessons from those who braced themselves against you, and disputed the passage with you?” Like Walt Whitman, we love to remember our toughest teachers, and we love to see movies about them, too. Even when they’re not that good.


There’s a lot wrong with this film. It shamelessly steals some of the best moments from better movies and even more shamelessly dilutes their power and our memories by not doing them nearly as well. But it delivers on three things: powerful special effects, appealing performers, and, most of all, evocative memories each of us have of the one teacher who showed us we could be — had to be — more than we thought we could.


This is a movie about guys (there are some women here but we don’t see much of them) who save people, guys who go to very scary places to get people out of very scary trouble. But mostly it is a movie about how we make peace with all that is terrible around us and inside us.


Ben Randall (Kevin Costner) is the grizzled veteran whose long list of records at the Coast Guard’s training facility for rescue divers still stand. The unofficial number people only whisper, though, is the number of people he is said to have saved. Temporarily assigned to return to “A School” to train the next generation.


For every grizzled veteran, there has to be a cocky hotshot, and this movie’s is high school swim champion Jake Fischer (Ashton Kutcher). Cue the montage as Jake makes a bet with his friends in a bar that he can pick up a pretty girl (the screenwriter of Top Gun may want to call his lawyer), gets into trouble and nearly gets thrown out and has to prove his commitment (the screenwriter of An Officer and a Gentleman may want to call his lawyer), and then has to apply all that he has learned and all that he has become and all that he wants to be when it comes to the real thing (no lawyers needed here, that one has been used by everybody).


It begins with a terrible chaos above, and then an even more terrible stillness below. It is a rescue operation at sea. Ben does not follow the rules. Sometimes that results in a heroic save. But after it results in terrible tragedy, he is taken out of the water and sent to train the next generation. He is lost in a sea of the spirit. His wife (Sela Ward) has finally had enough of his saying things like, “I’m sorry saving lives doesn’t fit your social calendar” and she has left him. Out of the water, he is not sure who is is.


In Jake and the others, he sees something of himself, maybe a way to rescue someone, maybe a way to rescue himself.


It all rolls out smoothly, if predictably. Costner inhabits the role comfortably and Kutcher shows some movie star sparkle. But Jake’s romance with a pretty teacher has a lot less charm than intended and we never feel a real connection, as we did in the movies it steals from. The last two rescues are muddled and the ending unforgiveably maudlin.

Parents should know that this film has many scenes of intense peril and emotional confrontations. Characters are injured and killed. There are some bar fights. Characters use some strong language. There are sexual references and non-explicit situations, including casual sex between people who do not know each other and do not plan to know each other.


Families who see this movie should talk about why the characters wanted to be rescue divers.


Families who enjoy this movie will also enjoy Top Gun, Men of Honor (with Cuba Gooding, Jr. in the true story of a Navy diver who returned to service after losing a leg), and An Officer and a Gentleman.

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Action/Adventure Drama Movies -- format

Haven

Posted on September 22, 2006 at 2:31 pm

C
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language, drug use, sexual content and some violence.
Profanity: Strong language including racial epithets and sexist terms
Alcohol/ Drugs: Drinking and extensive drug use
Violence/ Scariness: Violence and suspense, characters injured and killed
Diversity Issues: Diverse characters
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B004SMDJ9U

Director Frank E. Flowers’ full-length debut, “Haven,” is a study in sin. Set mostly in the Cayman Islands, the film’s
characters live in a world where the stakes are high and the people are higher. It could be written off as an amateur experiment with an erratic plotline and drama as conflicted as some of the characters, yet it’s difficult to let go of that easily.


Through the smoke of lust and greed shine two lights — the characters of Shy (Orlando Bloom) and Pippa (Agnes Brucker).


Young and impossibly innocent despite corruption all around them, they are two characters who never do quite what you
want them to. They hang with all the wrong people, make all the wrong choices, and yet are so genuine, so sincere and so real that you can’t help but want to stay by their side, even if it means suffering through the rest of the film.


It’s poised to offer maximum misfortune from the beginning. Two businessmen (Bill Paxton and Stephen Dillane) arrive fresh from fleeing the feds. Pippa, the
daughter of one, gets involved with the resident reprobate, a feisty island local named Fritz, and Shy (Bloom) and his love interest Andrea (Zoe Saldana) get caught spending the night together by one very forceful father and an equally angry brother. Money plus drugs plus sex equals drama to rival the most elaborate episodes of “The O.C.”


The plot itself mimics Shakespearean tragedy at times, but instead of allowing the characters to carry the film, Flowers can’t quite escape the sophomoric mistake of trying to include everything
he ever wanted to say about love, sex, drugs, family and his life into the brief running time he has to chew everything he’s bitten.


The result is an intriguing glimpse into life on an island that brims with beauty and passion, but unfortunately, in this film at least, just as easily lends itself to banality. With a plot of teenage
romance and adults who should know
better, leaving too much time to ”develop” the story really becomes leaving too much time to dwell on the story’s most obvious
shortcomings – predictability, uninventiveness, and unfulfilled
potential.


It is the director’s hungry aspirations, sadly, that keep “Haven” stuck as another contrived drama of debauchery, as opposed to the artful exploration of love, loyalty, family and greed it could
have been.


Parents should know that this film has very strong language and many graphic scenes of sex and drug use. The plot involves
beatings and murders, and issues such as rape and revenge are extensively explored. Although not completely amoral, some characters seem driven solely by motives such as greed and hatred, and many
adolescents as well as adults in this film are portrayed as very misguided at best.


Families who see this movie will have much to talk about. A good starting point is to explore the motivations of different
characters. Pippa’s father is a corrupt businessman — what might have driven him to repeatedly make such unprincipled choices? Pure greed, a desire to provide for his daughter, pressure from others to
succeed, frustration at an inability to stop the momentum of lies? This film could be seen as a film about choices; families might discuss which choices characters have at certain points in the film, and what factors each character might consider when making his or her choices. Are there things each character could have considered at
critical points that might have lead to better, more ethical and careful choices? How can we take strong emotions into account while making decisions, without letting them dictate our actions?


Families who enjoy this movie will also enjoy Baz Luhrmann’s 1996 Romeo + Juliet, as “Haven” shares a similar editing style (choppy and manic at times, with a very saturated color
palette) and the two have many plot themes in common. Families might also consider Steven Soderbergh’s Oscar-winning film Traffic, an exploration of America’s drug culture through four interweaving stories.

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Crime Drama Movies -- format

The Science of Sleep

Posted on September 22, 2006 at 1:39 pm

B+
Lowest Recommended Age: High School
MPAA Rating: Rated R for language, some sexual content and nudity.
Profanity: Some strong language
Alcohol/ Drugs: Drinking
Violence/ Scariness: Mild peril
Diversity Issues: Diverse characters
Date Released to Theaters: 2006
Date Released to DVD: 2007
Amazon.com ASIN: B000M4RG7E

Stephane (Gael Garcia Bernal of The Motorcycle Diaries) lives across the hall from Stephanie (Charlotte Gainsbourg), though for some reason he goes to elaborate lengths to have her think he lives on the other side of town. They share more than their names and location. Both are multi-lingual, not just speaking more than one language of words, but also speaking more than one layer of reality. Their shared sense of wonder and wistful whimsy is this film’s most irresistibly endearing feature.


It’s very hard to get whimsy right. It’s like a soap bubble; touch it and it disappears. But writer-director Michel Gondry’s light touch

Parents should know that this film, despite its fairy-tale quality, has some mature material, including very strong language and sexual references and situations.

Families who see this film should talk about what Stephane wanted both at work and with Stephanie and what prevented him from trying to get it. And they might want to talk about what might happen if their dreams started to become mixed up with their realities.

Families who enjoy this film will also enjoy Amelie and the brilliant Eternal Sunshine of the Spotless Mind. Daydreams and night dreams have been a theme of many movies, including Dream Girl and Buster Keaton’s silent classic, Sherlock Jr.. Perhaps film’s most provocative dream sequence is the one staged by Salvadore Dali for Hitchcock’s Spellbound.

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Comedy Drama Fantasy Movies -- format Romance
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