RV

Posted on April 22, 2006 at 5:30 pm

F+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for crude humor, innuendo and language.
Profanity: Some crude language, including b-word
Alcohol/ Drugs: None
Violence/ Scariness: A lot of cartoon-style comic violence; no one hurt
Diversity Issues: None
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000GCFNZO

Road movies are pretty easy. Whether the people on the journey have just met and are getting to know each other or who don’t like each other and have to overcome animosity, all we ask is two things. First, we want to see some entertaining adventures along the way, some challenges to be overcome with skill and courage to give the characters a chance to get to know and appreciate each other, and to give the audience a chance to know and appreciate them, too. Second, we want to see those moments of realization and appreciation, and we want to feel that they develop naturally, believeably, even in a silly comedy.


This movie fails in both categories. Miserably.

It is painfully phony and even more painfully un-funny. Jokes that don’t work the first time are dragged out interminably and then repeated. And far too many of them involve toilet humor. And the syrupy little lessons about the importance of family values are forced and synthetic. There’s no sense of irony when Bob (Robin Williams) tells his son Carl (Josh Hutcherson) that they should have a “Seventh Heaven” moment to talk about Carl’s feelings about being short. They don’t have any genuine examples of family communcation to draw on.


The movie begins with a sweet scene of Bob putting his little girl to bed and promising to be best friends forever. Tt then cuts to the little girl as a teenager (pop star JoJo as Cassie), treating her father with contempt as they pick up one of her friends on the way to a party for his company.


Bob (Robin Williams) misses the loving daughter he used to have. He feels out of touch with both of his children and his wife Jamie (Cheryl Hines of HBO’s “Curb Your Enthusiasm”). He knows that if they take their planned vacation trip to Hawaii, they will go off in separate directions. So when he is ordered to attend a business meeting in Colorado in the middle of the time scheduled for the trip, he rents an RV and tells the family they are going camping instead, with those fatal parental words, “C’mon! It’ll be fun!”


Incidents along the way designed to let the characters reveal themselves and learn lessons through challenges: bad driving, repeated problems with the seatbelt and repeated failure to remove the blocks keeping the RV from sliding away, raccoons, rain, falling down, and an excruciatingly long scene involving disposal of the “leftover” sewage, which ultimately spurts and explodes all over everything, but especially all over Bob. Funny? No. Revelatory of character or of lessons learned? No, because the characters have no, what was that word again? Character. They are just superficial generics chosen seemingly at random from one of those anyone-can-write-a-script software packages they sell in the back of movie magazines. They have all of the depth and all of the motivation of paper dolls. When, all of a sudden, the script calls for the family to decide they all love each other and nature, the moment would be shockingly abrupt if not so listlessly presented that it almost passes by unnoticed. The business conflict Bob faces is similarly uninspired and un-involving.


There are a couple of funny lines and a bright moment here and there when Williams gets to go off script and improvise. Jeff Daniels and Kristin Chenoweth bring a lot of spirit and humanity to their roles as the relentlessly cheery Gornikes, who keep showing up to get Bob and his family out of trouble and who get nothing but bigoted rudeness in return. But the paper-thin characterizations, snail-like comic timing, and absence of a single genuine feeling or action make this, as the Gorikes might say, not anyone’s cup of sunshine.

Parents should know that the movie has some strong language (two b-words, bathroom terms) and extensive, graphic, and very gross bathroom humor. There is a great deal of comic peril and violence, though no one is hurt. Characters make references to marital sex, prostitution, and teen “making out.” While the movie appears to make fun of characters who are impossibly cheerful, homeschool their children, and like to tell stories about how Jesus saved them from a tornado, a strength of the movie is that the family is portrayed as loving, honest, very close, and intelligent.


Families who see this movie should talk about why Bob did not feel he could tell his family the truth and how they felt when they found out what he was doing. They might also want to talk about the kind of compromises people make to take care of their families and the kind they cannot make without losing their sense of what is important. Why do teenagers like Cassie behave so rudely to their parents? What made the Gornike family so happy?


Families who enjoy this movie will enjoy Lost in America and National Lampoon’s Vacation(both with some mature material) and Lucille Ball and Desi Arnaz in The Long, Long Trailer.

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Action/Adventure Comedy Family Issues Movies -- format

The Wild

Posted on April 11, 2006 at 6:16 pm

B-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG
Profanity: Some mild but crude language
Alcohol/ Drugs: None
Violence/ Scariness: Peril and some scary moments, apparent injuries and apparent death but no one hurt, children separated from parents
Diversity Issues: A theme of the movie
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000G75AZC

“The Wild” is more like “The Mild.” But it is pleasant enough; its the timing that’s rotten.

Like last year’s suprisingly successful Madagascar, this is an animated film about zoo animals who have to learn to fend for themselves in the, um, wild. Like last month’s Ice Age: the Meltdown, it has jokes about dung beetles and a character being treated like a god by the natives. In some ways, this film is better than both, but its thunder has been so definitively stolen that it may not recover in time to make much of a showing at the box office.


Kiefer Sutherland lends his warm, deep voice to Samson, the lion, a loving father who is concerned about his son, Ryan (voice of Greg Cipes). At age 11, he still has the roar of a younger cub.

Samson tells Ryan inspirational tales of his own courage back in the days when he was growing up in the wild, but Ryan can’t seem to manage anything more than a sort of mewing squeak. He is disappointed in himself and thinks his father is disappointed in him.

When Ryan impulsively stows away in a container on its way to the docks, Samson goes to rescue him, along with his best friends Benny the squirrel (Jim Belushi), Larry the snake (Richard Kind), Nigel the koala (Eddie Izzard), and Bridget the giraffe (Janeane Garafolo).

Everyone ends up going all the way to Africa, where they have to rescue themselves and each other from predators, would-be predators, and a very ominous-looking volcano.


This would make a better than average straight-to-video but it doesn’t quite have what it takes to hold a big screen. There are some cute characters and one fine, if brief, musical number. A couple of jokes are actually quite funny, making up for the more frequent un-funny ones, many involving getting bonked on the head or crotch or references to bathroom functions. The CGI animation is perfectly acceptable with glimpses of even better now and then, especially Benny’s body language and facial expressions, but from Disney animators we expect our socks to be knocked off and this movie leaves them securely on our feet. Most important, the story, even without the been-there-with-penguins feeling, is not very strong, leaving us wishing it was all a bit more…wild.

Parents should know that this film has some peril and apparent injury and death, though ultimately no one gets hurt. Some children may be upset by the separation of children from their parents, in one case apparently permanently (and following parental disapproval that could be interpreted as leading to abandonment). Characters use some mild crude language and there is some potty humor and some humor based on getting hit on the head and in the crotch. A strength of the movie is the loyal friendships (and one romance) between diverse species.


Families who see this movie should talk about how each of us must find our “roar.” They might also enjoy learning more about the Serengeti and the animals that live there. This does not include koalas, of course, who are from Australia.


Families who enjoy this movie will also enjoy Ice Age and The Lion King.

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Action/Adventure Animation Comedy Family Issues Movies -- format

Ice Age: The Meltdown

Posted on March 25, 2006 at 2:06 pm

B-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for some mild language and innuendo.
Profanity: Some crude language
Alcohol/ Drugs: None
Violence/ Scariness: Tension, peril, characters killed, references to extinction
Diversity Issues: A metaphorical theme of the movie
Date Released to Theaters: 2006
Date Released to DVD: 2006
Amazon.com ASIN: B000GUJZ00

Once again, as in the first Ice Age, wooly mammoth Manny (voice of Ray Romano), sloth Sid (John Leguizamo), and saber tooth tiger Diego (Denis Leary) set off on a journey. This time, they have to lead their friends out of the valley before the ice melts and it becomes flooded.

Along the way, Manny wonders if mammoths are about to become extinct because he seems to be the only one left, until he meets Ellie (Queen Latifah), a mammoth who thinks she is a possom. Sid meets up with some miniature sloths who think he is their Fire King. And all of the characters face predators and other obstacles as they try to beat the water to the edge of the valley. And every now and then we get to see the continuing saga of Scrat the prehistorical squirrel and his Sisyphus-like quest to get and keep an acorn.
Even by the low standards of sequels (it’s fair to expect at least a 30% drop-off in quality), this is a disappointment. There are brightly funny individual scenes, especially the “Fire King” encounter (though it seems to have been taken straight from one of the Hope and Crosby “Road” movies — or, come to think of it, all of them), but it doesn’t have the power or imagination of the original. Instead, itt has a cluttered plot with a formulaic mix of potty humor, mostly kid-appropriate scariness, and some encouraging lessons about responding to fear and the imprtance of family.

The primary relationship issues between the three leads were resolved the first time around and the new characters don’t add much interest or do much to propel the story. On the contrary, they serve as a distraction, especially the resolutely un-cute and un-cuddly mischievous possums. When their very un-possum-ish sister natters about her feelings as though she was in the middle of a Dr. Phil show instead of a life and death struggle to save members of her group, it is less likely to be amusing for children and their parents than annoying. A well-designed Busby Berkeley-style dance number to the Oliver! song “Food Glorious Food” is sung by vultures hoping that the characters we are rooting for don’t make it, so they can feast on the “putrid” meat.
This last example is a good indicator of the movie’s primary problem — an uncertain sense of its audience. A crowd old enough to recognize references that are 40 and 60 years old? A crowd old enough to find some dark humor in having vultures sing about how excited they are that animals we have just spent most of a movie with are going to die so they can eat them? As Ben Stein said so memorably in Ferris Bueller’s Day Off, “Anyone? Anyone?”

 

Parents should know that the movie has some tense and scary moments with characters in frequent peril. Predatory fish with many very sharp teeth chase after the characters. At least one character is killed (offscreen and discreetly) and another has a near-death experience. There are discussions of possible extinction. Characters use some crude and insulting language (“idiot,” “moron,” “crap”) and there is some potty humor. An odd near-death visit to Heaven may be disturbing to some audience members.
Families who see this movie should talk about how we recognize and deal with our fears. Why were Ellie’s feelings hurt? How do you feel about the way Ellie and Manny resolved their argument about which way to go? Several characters in the movie were lonely. How can you tell, and what did they do about it? What does it mean to be “the gooey, sticky stuff that holds us together?” And they should talk about endandered species and efforts to protect them. Families might also want to learn more about wooly mammoths and other ice age animals.
Families who enjoy this movie will enjoy the original Ice Age as well as The Land Before Time and its sequels.

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Action/Adventure Animation Comedy Epic/Historical Family Issues Movies -- format Series/Sequel Talking animals

Akeelah and the Bee

Posted on March 16, 2006 at 11:50 am

“Prestidigitation.”


Akeelah (Keke Palmer) has just won her school’s spelling bee and everyone is impressed and proud. But Dr. Larrabee (Laurence Fishburne), who, like Keke, grew up in Compton, pushes her further, with this long word that means magic.


“Prestidigiation.”


And she knows it.


The movie has its own form of prestidigitation, not only in the transformation of its characters as they learn from each other and the experiences they share but on the audience as well. This is one of the best family films in a very long time and one of the best films of the year.


Oh, there are some meanies out there who may groan when the girl from Compton who loves words gets coached by everyone from the gruff but cuddly local drug dealer to the kind-hearted homeless guy. It takes a village, even in the Hood, the movie seems to say. And it all fits together just a little too neatly, so we’re not surprised when a girl with a missing daddy is befriended by a man who is dealing with his own loss as well. And yes, it follows the traditional underdog formula: a show of talent, a lack of confidence, an inspiring but demanding mentor, commitment at first uncertain, then whole-hearted, setbacks, unexpected friendships, an opponent who lacks our heroine’s heart and integrity, and then everything coming together at the big competition.


These themes are eternal, and eternally compelling and appealing, as long as the details are right and the characters are people we care about. And this is where “Akeelah” really delivers, with superb performances and a script filled with heart and humor. KeKe Palmer glows as Akeelah and Angela Bassett is marvelous as the mother who is loving but exhausted and terrified of risking any more loss. Laurence Fishburne is magnificent as Akeelah’s coach, Dr. Larabee, a man who has more in common with Akeelah than he wants to admit. The result is one of the best family films of the year and that spells: E-X-C-E-L-L-E-N-T.

Parents should know that the movie includes some tense family confrontations, references to sad deaths and marital separation, and a schoolyard scuffle. There is a subtle reference to local gangsters and a young woman has an apparently out of wedlock baby. There are sweet kisses on the cheek and a joke about sexual harassment. A strength of the film is its portrayal of dedicated, talented, devoted, accomplished women and minorities.

Families who see this movie should talk about what made Akeelah not want to enter the spelling bee and what made her decide to do it. Why did her friend not want to be her friend? Why did her mother not want her to participate? What was the most important lesson Akeelah learned from Dr. Larrabee, and what was the most important thing he learned from her?

Families who enjoy this movie will also enjoy Spellbound, the outstanding documentary about the national spelling bee. My interview with Fishburne is in Beliefnet.com. And every family should read the wonderfully inspiring quote from Marianne Williamson (often mistakenly attributed to Nelson Mandela):


Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. We ask ourselves, “Who am I to be brilliant, gorgeous, talented, fabulous?” Actually, who are you not to be? You are a child of God. Your playing small doesn’t serve the world. There’s nothing enlightened about shrinking so that other people won’t feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It’s not just in some of us; it’s in everyone. And as we let our own light shine, we subconsciously give other people permission to do the same. As we’re liberated from our own fear, our presence automatically liberates others.

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Drama Family Issues

The Shaggy Dog

Posted on March 8, 2006 at 12:17 pm

A ring falls into the pants cuff worn by teenager Wilby Daniels (Tommy Kirk) while he is visiting a museum, and, not noticing, he carries it home with him. The ring’s ancient spell turns him into a huge shaggy dog, identical to the one owned by his pretty new neighbor, Franceska (Roberta Shore). Wilby’s father (Fred MacMurray) is allergic to dogs, so Wilby hides out in Franceska’s house, where he overhears Franceska’s father plotting to steal secret missile plans. Still a dog, Wilby has to figure out a way to foil the spies and save Franceska.

This low-key fantasy/comedy is a long-time family favorite, and children love to see the dog driving the car and wearing pajamas.

The 1976 sequel, The Shaggy D.A. was followed by more two made-for-television sequels starring Harry Anderson.

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Comedy Family Issues Fantasy
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