First Sunday

Posted on January 10, 2008 at 5:00 pm

C
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for language, some sexual humor, and brief drug references.
Profanity: Some strong language
Alcohol/ Drugs: Drinking, brief drug references
Violence/ Scariness: Mostly comic peril and violence including guns, people held hostage
Diversity Issues: Humor based on mildly sexist, homophobic, and racist sterotypes
Date Released to Theaters: January 11, 2008

first%20sunday.jpg Ice Cube was once a member of the fiercely provocative gangsta rap group N.W.A. (for N****** With Attitude). He is now a prolific Hollywood producer with franchise films from R-rated (the Friday series) to family-friendly (Are We There Yet?). He is going for the PG-13 market with “First Sunday,” and it is more product than movie, filled with signifiers instead of story. It has the slapstick of a The Three Stooges short without the comic timing, the characters of “Hot Ghetto Mess” without the irony, and the stereotypes of Amos ‘n’ Andy without the wit.
Cube and “30 Rock’s” Tracy Morgan play Durell and LeeJohn, a hapless duo sentenced to community service after a series of petty infractions. Durell’s ex is about to move away, taking his son with her, unless he can give her the money she needs to open a beauty salon. LeeJohn needs to reimburse some bad guys for failing to make a delivery as promised. When Durell and LeeJohn find out that the local church has raised more than $200,000, they decide to steal it, and end up taking the deacon, the preacher, his bootylicious daughter, and the choir and choirmaster (comedian Katt Williams) hostage. They take the audience hostage as well because this section of the film seems to go on forever.
In between the tired jokes about guzzling sacramental wine, “pimped”-up wheelchairs, a masseur who turns out to be male, a developmentally disabled man, and a very tight skirt, there are very strong moments and performances that deepen our disappointment about what this movie could have been. The always-exquisite Olivia Cole appears as one of the hostages, bringing class and dignity to her too-brief moments on screen. The talented Regina Hall makes the most of her brief appearance as Omunique, Durell’s baby mama. Her part could easily have been a caricature, nothing but bling (check out those earrings) and shrill demands for money. But she is always real and appealing, making it clear that she may be a little desperate but that she is protective of the love Durell and his son have for each other. Williams, as ever, seems to be in his own movie, completely independent of whatever the screenplay and director had in mind, and his offbeat energy and subversive humor brighten the otherwise-interminable hostage scenes in the church sanctuary.
There are also brief glimpses of some themes well worth exploring. The characters debate the idea of rebuilding and expanding the church in its current location or moving it to somewhere less “urban” and “congested,” acknowledged code words for abandoning the poorer, more crime-ridden black community. The portrayal of the community’s commitment to fatherhood is welcome, as the hostages, gangsters, and his angry ex all unquestioningly support the bond between Durell and his son. But this is not enough to surmount the offensiveness of material so cynical and pandering it would have infuriated Ice Cube in his N.W.A. days. Attitude is just what this movie is missing.

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Comedy Genre , Themes, and Features Movies -- format

Sunshine

Posted on January 8, 2008 at 12:34 pm

The sun is dying. A rocket ship from earth, meaningfully named “Icarus,” failed in its mission to reboot the sun with a supercharged nuclear payload designed to “create a star within a star.” Now the earth’s last chance is Icarus II. If they do not deliver the payload, the sun and all of its planets will die.


But this is not the usual “and then something goes wrong” or “and then an alien leaps out of a crew member’s chest” space opera. This is a meticulously constructed story that presents its characters with a series of exponentially more complex moral and practical dilemmas as gripping as the perilous situations that threaten the mission.


Director Danny Boyle transcends genre. His films have ranged from horror (28 Days Later) to thrillers (Shallow Grave) to charming family fantasy (Millions). But all of his films focus on moral choices. In 28 Days Later, he showed us a world infested with enraged zombies where it is the uninfected humans who are the scariest predators. In both Shallow Grave and Millions, characters discover the corrosive effect of stolen money. Boyle likes to make us think about what we would do to survive, how far we would go to get something we wanted.


The crew of Icarus II has just passed the point where communication with earth has been cut off. They are alone, a community unto themselves, and they must struggle with the remnants of the priorities and procedures they have been given as they are confronted with increasingly dire circumstances and increasingly conflicted priorities.


Should they change their course to try to save anyone who might still be there? No, that would interfere with their mission. But what if it might increase the chance of completing the mission? And what if things change and it is essential for completing the mission?


And what if there is not enough oxygen for everyone? How do we decide who gets to live? By assigning blame? By rank? By who is most important for completion of the mission? And, at the end of these judgments, who are we? How do they change us?


Boyle and his able cast create an atmosphere of conviction and sincerity that makes us invest in the answers to these questions, and the debates as gripping as the action scenes.

Parents should know that this is an intense and disturbing movie, with extreme peril, some jump-out-at-you shocks, and some graphic violence. Characters are injured and killed and there is a suicide. One of the strengths of the movie is the way it presents moral issues in a provocative manner, and that may be disturbing for some audience members. Another strength of the movie is its portrayal of diverse characters.


Families who see this movie should talk about how the characters evaluated their choices. What were their priorities? When they disagreed, what were the determining factors? Authors often use science fiction and the device of putting diverse characters in an environment that is cut off from everyone else to highlight particular controversies. How would this story have been different if it took place today, in the US?

Families who enjoy this film will also enjoy Silent Running, Apollo 13, and 2001 – A Space Odyssey. Books like Tragic Choices and The Problems of Jurisprudence consider ways to evaluate options in a legal, economic, and public policy framework and of course many books consider moral, ethical, and spiritual approaches to these issues as well.

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Action/Adventure Science-Fiction Thriller

There Will Be Blood

Posted on January 4, 2008 at 8:00 am

B+
Lowest Recommended Age: High School
MPAA Rating: R for some violence
Profanity: Some strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Brutal graphic murder, industrial accidents, characters (including child) injured and killed
Diversity Issues: None
Date Released to Theaters: January 4, 2008

therewillbeblood.jpgIt opens with a scorching contrast of light and darkness. Alone at the bottom of a dark pit, Daniel Plainview (Daniel Day-Lewis) stubbornly scratches and claws in the mud. High above, a pitiless sun bleaches a remote desert landscape. Plainview goes back and forth between the dark and the light, repeatedly returning to pick away at the earth. He is as flinty and unyielding as the rocky terrain itself, a man of ferocious resolve seeking something of value deep inside the rock. For almost 15 minutes, there is no other person but the resolute miner, no other sound but his relentless attack on the wall of stone. Finally, it begins to yield tiny bits of previous metal. Plainview falls. He is badly injured. But he perseveres, dragging himself to the assay office.
When we see him again, he is just as focused, just as intense, now seeking another kind of treasure. Plainview supervises a small group of men, digging for oil. To make sure there is no doubt about the nature of the forces that have been unleashed on the earth, it all becomes powerfully clear when one of the wells ignites, creating a vivid scene from Dante’s Inferno, belching fire and brimstone into the night, killing one of the men, leaving his infant son an orphan.

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Based on a book Epic/Historical Genre , Themes, and Features Movies -- format

Shoot ‘Em Up

Posted on January 2, 2008 at 9:12 am

shoot%20%27em%20up.jpgWriter-director Michael Davis has stripped the action movie down to its essence in a mind-blowing mash-up fueled with testosterone, adrenaline, and weapons-grade plutonium. No esoteric references in the title. No Robert McKee-mandated 10 pages at the beginning to make us fall in love with the hero. No pause for a hot sex scene. Oh, there’s a hot sex scene, but there’s no pause. Insert your own shooting joke here. There’s time for a few “Who is that chef?”-style expressions of increasingly furious amazement. But there’s no time for a detour to check in with the wise man in the forest, that former insider who knows all the secrets. This is pure action.

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Action/Adventure Genre , Themes, and Features

The Water-Horse

Posted on December 24, 2007 at 7:54 pm

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for some action/peril, mild language and brief smoking.
Profanity: None
Alcohol/ Drugs: Social drinking
Violence/ Scariness: Wartime violence, references to offscreen wounds and sad death, guns, some peril
Diversity Issues: Class issues
Date Released to Theaters: December 25, 2007

waterhorse-poster-0.jpg
In the grand tradition of “he followed me home — can I keep him?” movies, we have seen movies about children who are brought to adventure and understanding through dogs, horses, cats, a whale, a dolphin, dragons, geese, and an extra-terrestrial. But this imaginative family fantasy-adventure is the first movie in my memory about a boy and his very own Loch Ness monster.
Angus (Alex Etel) is a young boy in World War II Scotland, the son of the housekeeper of a large estate. He finds what he thinks is a rock but it turns out to be an egg. He calls the creature who hatches “Crusoe.”

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Drama Family Issues Fantasy Genre , Themes, and Features Movies -- format Reviews
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