Interview: Rachel Hendrix of “77 Chances”

Interview: Rachel Hendrix of “77 Chances”

Posted on August 30, 2015 at 3:39 pm

Copyright 2015 Echolight
Copyright 2015 Echolight

Rachel Hendrix plays Mac in the faith-based romantic film “77 Chances.” It’s a “Groundhog Day”-style story about a young man who feels lost after the death of his mother. He meets a pretty girl and they have a wonderful evening together until a tragic accident. He keeps repeating the same day, 77 times, until he can figure out a way to keep her safe.

I can’t think of a bigger challenge for an actor than essentially doing the same scene so many different ways. Tell me a little bit about how you kept that straight.

They paid somebody to keep that straight so I don’t have to worry about it. The writer Tracy Trost, who also directed, did a good job of showing how every day can be different if you make different choices. And so it was really fun to see how he examined that and how no matter what, never do you more than once have the same day which was interesting. It kind of makes you think about how you live your life and the little nuanced things that we do to affect the people we encounter. It was challenging because you are in the same clothes and you don’t really get a lot of exploration with your character as things happen over time, but you do get to explore your character in different scenarios and that was different. I’ve never done anything like that before.

In the scene where you have your first conversation while you are standing in line to get lunch, your character reacted very differently to different overtures that he tried each day.

I think in the beginning she’s curious about this guy. She wants to know who he is and what he is doing and what his story is and so she is kind of initiating a conversation. I guess you would call that a move. And you see him respond to that in very kind of awkward he doesn’t know what to do with it kind of way. But I feel like it was a realistic depiction of what a first conversation might look like in a scenario like that and it was neat to let that be warm and friendly and natural and organic and see how we messed it up so often when he tried to repeat it. And I think that’s a big statement on humanity in general when we try to force something or we try to be artificial or re-create something that’s already been created, it often times surprises us how far away we are from that, how it’s not really possible to re-create it. So that was fun to kind of jump into that first. We shot all of those pieces all on the same night so that was a really repetitive night but a whole lot of fun and we did that scene first before all of the other ones in sequential order which you typically don’t do on film. It was fun. It was kind of fun to be thrust into – hey this is what the relationship could be like if you didn’t keep messing it up.

One of the scenes that is very affecting in the film is when your character talks about the broach. Do you have a memento like that that’s very meaningful to you?

If I had to grab one thing because my house was burning down, it would be my journal for sure. I don’t think I’ve got a memento or like an actual physical object that was given to me. Other than right now, I am wearing a necklace that somebody gave to me that says “brave” on it and I love it. It’s probably one of the only things that I have that is like a tangible object that I have held on to. But in terms of the value of the written word and the recording of history or recording of stories, experiences, that’s something I would always go back to as a memento for life, my life. So I created them myself, they haven’t been given to me. All the stories were given to me by other people and all my experiences were given to me by other people so I guess that kind of counts.

How did you come to this movie?

I was reading over the script and it looked like a really great story. And I think what attracted me the most to the opportunity was that this is would be like a student film shooting at a university. The the students were all part of a program where they were required to jump right in and crew a professional movie with little to no experience. Really the only experience they have is what they are learning in their classrooms. So it was an opportunity to come in and offer up whatever I could in terms of my experience or my education in acting, which is limited, but to really just like reach out and teach which is something I don’t do very often but I enjoy. So we worked it out and I flew out.

Did you enjoy having a part that was lighter in tone than your previous work?

I enjoyed that and I think I told someone soon after I finished shooting that that was the most natural casting to who I really am of anything that I have done and it was easy because of that. And I enjoyed it just kind of playing myself, not afraid to be vulnerable but kind of hesitant with a new person, somebody with a story, somebody with a painful back history. And it was really enjoyable to explore that with the character that is opposite that. And Andrew Cheney did a fantastic job. He was really magnetic and just easy to spend time with on screen. I so appreciated his energy and his work. I enjoyed working with him and I hope he took away something as well from just hanging out with me and how much I was like that character. And I think the students being on set every day, being sponges and willing to go the extra mile to serve and do great work because their degree depended on it. It was quite surprising how much I enjoyed that, that whole thing just felt really like home and it just continued affirming for me that this is what I want to do and every film I have done since then has just reiterated that.

What is it that really captured you about acting?

I think it boils down to the possibility of when you are an actor, you’re trying to tell a powerful story. You have an opportunity to reach a broad audience, to touch a broad audience, to inspire a broad audience, to have an audience empathize with what you are feeling. That is one thing that cinema does which is so beautiful, is the human experience that happens when a person is sitting in a chair watching another person on screen in empathy. It can invoke empathy and I can’t think of a lot of tools of the pillars of our country, the pillars, the things that this world stands on other than art media, film being in that category that really move people to empathy. If you want to have influence that make people feel, you get involved in the arts. A

You studied photography in college. What did that teach you about being on the other side of the camera?

Being on the other side of camera has taught me a lot. It has taught me a lot about lights and not just the technical aspect of the camera but what ultimately the camera is used for; to frame something, to tell a story or to capture a beautiful image or to paint something with light. I really think that the two inform each other and by having had so much experience behind the camera, that might be why it was easy for me in my first short film to just stand there and be myself and not act, not do anything, just be. Hopefully that is what acting is, it’s just being and listening and responding. So it’s been very helpful and I continue to learn photography. I think I always will. And I will always have my camera with me, I will always bring it with me. It’s just a part of what I do, it’s part of my process and I have enjoyed the freedom to return to it in between when the acting jobs that are coming and going but it’s always a part of seeing it. I do feel like they inform each other in a way that grows me wherever I am behind or in front.

Do you have a favorite Bible verse?

I have so many. This is not my favorite but it is one that I really like. “Do not forget to entertain strangers for by doing so you may have entertained angels without knowing it.”

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Gurukulam

Gurukulam

Posted on August 23, 2015 at 12:04 am

B
Lowest Recommended Age: Middle School
MPAA Rating: Not rated
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: None
Diversity Issues: Diverse characters
Date Released to Theaters: August 22, 2015

It is hard to think of a form of communication more contrary to the internal stillness and oneness of meditation than a movie. Meditation seeks to remove our minds and spirits from the distractions of the outside world to free us from the non-essential. And movies are noisy, with images that are never still and scenes that stop and then start up again in another place and time, while meditation transcends time and place.

And yet the documentary Gurukulam, directed by Jillian Elizabeth and Neil Dalal is so gentle a window into the world of a traditional Advaita Vedanta ashram in Tamil Nadu, India that it is itself a kind of meditation.

https://vimeo.com/113890428

The film is reminiscent of 2007’s Into Great Silence, where Philip Gröning lived in a monastery for six months in near-complete silence, filming the monks’ daily prayers, cores, and rituals. As in that film, the inherent contradiction of making a film about a secluded community to share their world with outsiders is overcome at least in part by the quiet, unassuming, open=hearted approach of the filmmakers.

And it is, of course, fascinating to get a glimpse of this secluded world. We see members of the community perform various everyday tasks and the movie trusts us enough to expect that we will not find it boring, at least not for long, because the rhythms of the film illuminate the essential oneness — there is no separation between chores and worship. We meet people coming to the ashram and learn a little bit about what brought them at this moment and what they are looking for. And we hear some of Swami Dayananda’s lessons. One of the pleasant surprises of the film is how much laughter there is. There is seriousness of purpose, but the members of this community feel and convey a constant sense of joy that is as important a lesson for us as the commentary on the nature of reality.

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Contest: Win a DVD of the Football Drama “Catching Faith”

Contest: Win a DVD of the Football Drama “Catching Faith”

Posted on August 19, 2015 at 11:10 pm

I am pleased to have two copies of “Catching Faith” to give away. It is a faith-based story about a high school football star whose family is not as perfect as they seem. When he is caught drinking, he risks losing his place on the team and his reputation. His sister is so desperate to maintain her position as valedictorian that she compromises her integrity. The family faces a sad loss that adds to the distress and upheaval. But the tough times carry important lessons about sticking together, telling the truth, resisting peer pressure and what being on a team really means.

To enter the contest, send me an email at moviemom@moviemom.com with “Catching Faith” in the subject line and tell me your favorite football team. Don’t forget your address! (U.S. addresses only). I’ll pick a winner at random on September 1, 2015. Good luck!

Reminder: My policy on conflicts

Copyright 2015 RLJ
Copyright 2015 RLJ
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New Christian Series for Kids: Galaxy Buck

Posted on August 19, 2015 at 8:00 am

From VeggieTales® and What’s in the Bible? creator Phil Vischer, Galaxy Buck – Mission to Sector 9 is a wild, galactic adventure that teaches kids a powerful lesson about trusting God.

“‘Galaxy Buck’ is a new take on a classic space adventure where we send intrepid explorers to boldly go where no man has gone before but they are adventures about faith,” said Vischer. “The purpose of ‘Galaxy Buck’ is really to teach kids what walking with Jesus looks like. We deal with themes like ‘I want to do something big for God’ and ‘I want to change the world for God.’ We’re trying to teach kids that while God will ask us to do things for Him – some of them big – even more important than that is just walking with Him. This is where the fruit of the Spirit comes from. It doesn’t come from working for God but walking with God.”

“Galaxy Buck” follows the journey of Buck Denver, an employee of The Galactic Mission Board, which exists to send explorers to carry the love of God to every corner of the galaxy. When Buck and his friends find themselves in the midst of an unexpected and important mission, they learn valuable lessons about their purpose in God’s big plan.

The series will feature new and innovative filmmaking techniques from Vischer, whose “VeggieTales®”sold more than 50 million videos, and the team at Jellyfish Labs. With miniature sets hand-carved primarily by Vischer, “Galaxy Buck” will combine CGI animation, miniature sets and live-action for a visually rich experience for viewers. As with the entire “What’s in the Bible?” cast, Vischer will continue to write and voice each character in the series.

The “Galaxy Buck” series is produced by Vischer’s studio Jellyfish Labs in partnership with Creative Trust, which previously collaborated on the successful “What’s in the Bible?” series. The first “Galaxy Buck” film will debut via digital format on JellyTelly.com in October and be available on DVD through retail stores the same month in partnership with Capitol Christian Distribution.

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Interviews: Jewish Views on Sex and Intimacy in “The Lost Key”

Posted on August 14, 2015 at 3:48 pm

“The Lost Key” is a documentary that explores contemporary society’s confusion of sex and intimacy, and how the ancient principles from Jewish theology can restore the holy connection between husbands and wives. I spoke to director Ricardo Adler, whose own divorce inspired him to explore these traditions, and Rabbi Manis Friedman, who introduced him to Kabbalah’s ancient secrets to attain the highest form of intimacy. The film portrays the dramatic transformation of Ricardo’s new marriage, and the reactions of other couples to this revolutionary way to sexual connection. Adler says that “‘The Lost Key’ reveals forgotten wisdom that could inspire society to rediscover intimacy, one bedroom at a time.”

I asked Adler how he got started with this project.

Adler: I grew up in just a regular, modern, traditional, secular Jewish home. And at some point when I was getting divorced, as the film says, I just decided to start exploring different things, and I ended up discovering that in my own Jewish roots there’s all the answers I need in life. In fact, a lot of the things that I discovered in Judaism and in Kabbalah include some of the ideas that I used to like about other belief systems. You know, Buddhism, Taoism, and etc, so that was kind of nice. And then that process, you start going to school and meeting rabbis and talking to different types of people. After about a year of having started that process, the local Chabad house here in Venezuela organized a shabbaton with Manis Friedman. So he came down, and I must say, I was fascinated by him and his talks and just the way he conveys the knowledge. In fact, he gave one talk where he answered a question I was asking myself for over 20 years, which is,
“What’s the purpose of life? Why are we here?” In one hour, he answered a 20 year search. So I just loved him. So I proposed the idea to him and to my surprise he said yes. And here we are.

https://www.youtube.com/watch?v=9ogZMUCX3lA

What is the difference between sex and intimacy?

Rabbi Friedman: So the difference is a number of things. Number one, what we’re referring to generally, casually to as sex is impersonal. It’s an activity, it’s a performance, it’s a thing. It’s something you do. And this thing can be good, it can be bad, it could be better, it could be worse, like anything. Intimacy means connecting person to person beyond all things. So if we have to put it in a simple phrase, the lost key is the ability to connect to a person beyond all things, which is really what we all want and need.

Why do we get so many contrary messages?

Rabbi Friedman: Actually I think that the experts of the mental health field very recently are saying that it was a mistake to emphasize the pleasure of the relationship and to make people paranoid about whether they’re getting the maximum pleasure, the greatest pleasure, the 25 new secrets to greater sex, constant, constant bombardment, when in fact, people don’t really need more pleasure, they need closeness. Because with all the freedom that we have, and with all the openness on the subject, I think Americans are pretty much, and even so-called happily married couples, the moment they’re quiet and sober, they would admit that they basically feel alone. It’s a very lonely society. Even though we’re very social and we’re very cosmopolitan and we’re outgoing, everything is open, everything is free and casual, but in the end, we feel alone. Because until relate intimately, we really are isolated and alone.

Adler: I think this started with the so-called sexual revolution of the 60’s which emphasized pleasure-based sex and you should have sex with as many people as you want and all this stuff. And then that led to a sexual invasion of society. Sex is used to sell everything. And so that’s what sells because it’s an emotional directive. They are talking to something that is very dear, very important and intimate to any human being, and that’s the pleasure of sex. So it sells, it works, that’s who we are today. The story’s not over. Here we come, hopefully, with a different message. And it’s not just us. I think there’s a lot of people that are really looking at sexuality views today and just saying there’s something wrong here. I mean, if sexuality is your number 1 cause for divorce, along with financial issues, there’s something going on, right? We have a new thing called sexual addictions we didn’t have before. Something’s going on. You have all these young people with these self-esteem problems; something’s going on. We think it’s the lack of intimacy in sexuality.

The adults in the film seem to know very little about intimacy. Who should teach kids and teenagers about this? And when?

Rabbi Friedman: It should be the parents or the teachers. It shouldn’t be a secret subject, a taboo subject that you have to find an expert to talk to your children about it. It should be a natural part of life. You don’t sit your children down and your child and say, “We’re going to have the talk. Now you’re old enough or whatever it is and we’re gonna have the talk.” That sends a bad message. Why don’t you just talk about it the way you talk about anything else in casual conversation? I don’t mean make it casual. It’s not different from the rest of life. You don’t have “the talk” about money, you don’t have “the talk” about jobs, about career, it comes up in casual conversation—you talk about it. So you hear a story of kids who got in trouble or whatever, so you talk about it. It’s not “the talk”. Don’t treat it like something other than life itself.

In the film you talk about not having any devices like phones or television in the bedroom. How do couples create physical and emotional space for intimacy?

Rabbi Friedman: If the bedroom is sacred, then walking into the bedroom actually supports the intimacy that you’re going to engage in because it promotes that feeling of intimacy. You set it aside for that purpose and that kind of generates that kind of energy. So when a husband and a wife walk into a bedroom and close the door, it creates an intimate atmosphere, an intimate mood that supports the emotions that you’re supposed to feel but you can’t always. So you come into a bedroom with all sorts of concerns and distractions, and you’re worried about your bills and you’re worried about your job and you’re worried about your extended family, and now all of a sudden you have to focus to become intimate? That’s not easy. So if you can have some support from the room, from the environment, from the atmosphere, it’s very helpful. I mean, you need help. You do. We all need help to achieve intimacy.

Are there lessons in the film for those who are not Jewish?

Adler: The film is for any married couple. The idea is that you are one before you got married and you can reclaim that oneness within marriage. So intimacy is for any couple whether you are Jewish or non-Jewish, old or young, black or white etc. etc. If you are married you can be intimate. You can have a beautiful healthy marriage and this is one way to get there.

Rabbi Friedman: Absolutely, absolutely. I mean, just thinking about the benefits to the children born from the relationship. When husband and wife are truly focused on each other, it invites the baby into a world in a much healthier way than if the baby is an afterthought. Nothing you get from your spouse can be more important than your spouse. And that includes love, the love you get from him is not as important as him, otherwise you’re married to love. And it includes the physical pleasure of intimacy, because if that’s what you’re looking for, then you’re married to it, not to him. And also, the difference between sex and intimacy is that after sex, you feel a little diminished. You feel a little loss of dignity or self-respect or respect for the person you’re with. It’s just the nature of the behavior of the act that it takes you down a little. Whereas intimacy, after you’ve experience intimacy, each time you feel more innocent than before. Because to be intimate, you have to get past all things to just be you and I, the I and thou, and that is the most innocent part of ourselves.

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