Ramona and Beezus

Posted on November 2, 2010 at 3:00 pm

Walden has just about mastered the art of turning the very best in children’s literature into very fine family films. It doesn’t get any better than Beverly Cleary’s marvelous series of books about Ramona Quimby and her family, and here director Elizabeth Allen (who showed a gift for stories about young girls with “Aquamarine”) brings them to life in a way that both fans and those new to the characters will enjoy.

Joey King is just right as Ramona, age 9 years and 3 months, a girl with a big imagination and an even bigger heart, both of which get her into trouble when she tries to help out without thinking things through. As in the books, the Quimby family is instantly relatable and utterly irresistible, funny, touching, and completely endearing.

It helps to have first-class talent among the adult performers. John Corbett (“Sex and the City” and “My Big Fat Greek Wedding”) and Bridget Moynahan capture the believably lived-in feeling of experienced parents who are almost always there when needed and are always ready to be captivated by their kids. The always appealing Josh Duhamel as the uncle of the kid next door and Ginnifer Goodwin as Ramona’s beloved Aunt Bea make their love story work while keeping the focus on Ramona and her view of the world.

Ramona’s perspective is expertly handled, and some of the best moments give us the world through her imaginative point of view, whether turning a hole in her house during construction into a portal into adventure or believing that an embarrassing moment on the jungle gym is a humiliation heard around the world. The harshest criticism of Walden’s faithful adaptations of children’s literature classics is to say that they are a little too faithful. They err on the side of literalism rather than taking greater liberties to get the benefit of the full range of cinematic storytelling. That saps some dramatic tension from the movie, making it feel a little too episodic and discursive. But if it re-creates the feeling of the book that way and especially if it inspires young viewers to read it for the incomparable pleasure of Beverly Cleary’s writing, then that is fine with me.

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The Karate Kid

Posted on October 4, 2010 at 8:00 am

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for bullying, martial arts action violence, and some mild language
Profanity: Brief mild language
Alcohol/ Drugs: Character gets drunk
Violence/ Scariness: Martial arts action and violence, some graphic
Diversity Issues: A theme of the movie
Date Released to Theaters: June 11, 2010
Date Released to DVD: October 5, 2010
Amazon.com ASIN: B002ZG99CC

“Play the pauses,” the stern, English-accented music teacher tells his violin student (Wenwen Han as Meiying). Watching, and clearly paying close attention, is Dre (Jaden Smith, son of Will Smith and Jada Pinkett Smith), just arrived in China from Detroit, where he has left behind everything he knows and cares about. Young Smith himself was paying attention, too. Watch him hold the screen even when his character is not doing anything special. Smith knows better than many adult actors how to play the pauses. In his first starring role, his deft and engaging work is the heart of the film.

The first “Karate Kid,” released in 1984, starred Ralph Macchio as a teenager who gets martial arts lessons from a handyman (Pat Morita) and takes on the guys who have been bullying him at a big climactic karate match. There were two sequels with Macchio and then “The Next Karate Kid” starring future Oscar-winner Hilary Swank. In this version, Smith plays a 12-year-old who moves to China when his mother (Taraji P. Henson) is transferred to Beijing. At first he feels lost. Bullies attack him, leaving him humiliated and angry. When the maintenance man, Mr. Han (Jackie Chan) comes to his rescue, Dre asks for lessons. And when Mr. Han commits to have Dre compete in the kung fu championship in just three months, it’s time to cue up the training montage and zoom in on the Great Wall.

Even if they had not already made this movie four times, there would not be any surprises in the story. But the movie can still surprise us with its specificity of choices and the connections of its characters. Chan, who has too often been ill-served in his American movies, is well-suited to the role of the taciturn mentor. His one fight scene is as electrifying as ever and should bring a new generation of viewers to his Chinese classics. Smith has his father’s confidence and charm on screen. And it is a pleasure to see the match of the dedicated, courageous young man and the wise teacher work as well for the performers as it does for the characters.

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The Secret of Moonacre

Posted on September 27, 2010 at 3:58 pm

Harry Potter author J.K. Rowling is often asked what book she loved most when she was a child and she always answers The Little White Horse by Elizabeth Goudge. It is the story of a little girl named Maria Merryweather who goes to live with her uncle in mysterious Moonacre Manor and goes on a magical adventure.
That story has inspired a movie called “The Secret of Moonacre,” with Dakota Blue Richards (“The Golden Compass”) as Maria and Ioan Gruffudd (“The Fantastic Four,” “Amazing Grace”) as her uncle. There’s an uneasy mismatch between the sumptuous and imaginative visuals and the sometimes-inert pacing, but the story of the young girl who has to save the day and unite families who have been at war for centuries is engaging and fans of fantasy will enjoy seeing the characters come to life.
I have one copy of the movie to give away to the first person to sends me an email with “Moonacre” in the subject line — don’t forget to include your address!

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Tinker Bell and the Great Fairy Rescue

Posted on September 20, 2010 at 7:00 am

B
Lowest Recommended Age: All Ages
MPAA Rating: G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Mild peril
Diversity Issues: None
Date Released to Theaters: 2010
Date Released to DVD: September 21, 2010
Amazon.com ASIN: B003DT19F0

Tinker Bell has found her voice in a popular series of DVDs that give Peter Pan’s sidekick a chance for her own adventures in her home town of Pixie Hollow. She and her fairy friends Rosetta, Silvermist, Fawn and Iridessa help to make the four seasons vibrant and beautiful.

In this episode, for the first time Tink makes a human friend, Lizzy, played by Lauren Mote. Lizzy and her affectionate but distracted scientist father (voice of Michael Sheen of “Alice in Wonderland” and “Frost/Nixon”) move into a small house near the woods. Tinker Bell and Lizzy find a way to communicate with each other about their different worlds. And they have to help each other when Tinker Bell is at risk of being captured and Lizzy needs to find a way to remind her father that all work and no fun is, well, no fun, and not very healthy for families either.

The design is rich in texture and detail, showing the influence of Pixar head John Lasseter, who produced, and the story is charming, with top-notch voice talent and a sweet message about friendship, integrity, and family.

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Nanny McPhee Returns

Posted on August 19, 2010 at 5:58 pm

C
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for rude homor, some language, and mild thematic elements
Profanity: Some crude schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: References to wartime violence and apparent tragic death of a father, bomb dropped on home, parental divorce, comic peril and violence
Diversity Issues: None
Date Released to Theaters: August 20, 2010

For the first half of this movie, the children in the audience were completely on board, laughing when the children on screen were covered with mud and various kinds of animal poop, delighting in seeing them naughtily fighting with each other and then, when Nanny McPhee (screenwriter Emma Thompson) stamps her magical staff on the floor, each fighting himself. By the time the piglets were doing an Esther Williams-style synchronized swim number, the kids in the theater were extremely happy.

And then something happened that took the movie in another direction and the audience enthusiasm evaporated. This sequel to the 2006 original places the character inspired by Christianna Brand’s Nurse Matilda stories in a WWII setting as Isabel Green (Maggie Gyllenhaal) is trying to keep the family farm going with the help of her three children while her husband is fighting in the war. It is quite a struggle, especially because her brother-in-law is doing everything he can to make her fail so she will have to sell the farm. He has to pay his gambling debts or, two female enforcers tell him, they will remove his liver. Isabel also has to care for her niece and nephew, sent out of London to keep them away from the bombing during the Blitz. They are snobbish and selfish and there is an instant war between the cousins.

Enter Nanny McPhee, all in black, with a body like a linebacker, two enormous moles, a snaggletooth, a jowly chinline, and a bulbous nose. She explains she has been sent by the Army and she goes to work, banging her staff and bringing on the magic to teach the children five lessons. When she is not wanted but needed, she must stay. When she is wanted but not needed, she must go.

Nanny McPhee teaches the children to stop fighting and to share and cooperate. But then things get much worse when they get some very bad news and they must show resolve, courage, and faith before she will be no longer needed.

The movie is very uneven in tone and in quality, with charming nonsense colliding with what appears to be devastating tragedy. Children young enough to enjoy the silly pratfalls will be uncomfortable and possibly upset by discussions of death, war, and divorce. There is something jarring, even in a fantasy film, about children having to defuse a bomb as the adults are helpless. The timing is off so that even some of the comic set-pieces fail, like an extended bit about disappearing pens and a gruesome all-female hit squad who wander in like extras from “Sweeny Todd.” Thompson is always magic on screen, but here she is more wanted than needed.

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