Funatical: Taking Comedy to the Extreme

Funatical: Taking Comedy to the Extreme

Posted on April 15, 2011 at 12:08 pm

“You can’t hate anybody when you’ve laughed with them,” said headliner Ahmed Ahmed, quoting Rabbi-turned-comic Bob Alper. That’s the idea behind the Funatical comedy tour, in Washington, D.C. this week. The stars of the show had a press conference at the National Press Club to talk about comedy as a universal language that can bring people together, smash stereotypes, and do more than military and diplomacy to create bonds of shared humanity. The comedians who appear in the show make audiences laugh at their similarities and their differences in a way that brings people together rather than one that plays to their fears, in what one of them called “an exchange of dialog with humor and art.”

The participants in the press conference said that they confronted their own biases as well as those biased against them. Detroit native Omar Regan, a convert to Islam, said that he sees Muslims who have never met an African-American Muslim before and Christians who “do not associate coolness with being a Muslim. And he discovered his own prejudices as he worked on this tour with Middle Eastern natives who are Jewish, Christian, and Sikh. “I became what I despise, not being open to understand different kinds of people.” Backstage, though, there is not a lot of discussion about political, cultural, or religious differences. “We get to know each other as comics,” he said, rather than by nationality or religion. “We ask each other, ‘How’s the audience?'” Maria Shehata, raised in Ohio, the daughter of Christians from Egypt, said that when she was growing up, kids would ask her if she spoke hieroglyphic and told her Egyptians were extinct. “I tried to be as white as possible,” she told the group. Like the other comics, she was grateful for an opportunity to present a positive image to counter the headlines that make it seem that everyone in the Mid-East is a fanatic or a terrorist.

The tour has appeared throughout the Mid-East, and it was fascinating to hear about their experiences. In some places, even people who did not speak English would come to the show as a social event. Even though stand-up comedy is very much a Western tradition and they were not sure how the audience would respond to one person standing at a microphone telling jokes, they were pleasantly surprised to see that through YouTube and (mostly pirated) DVDs. And while comics operate under various restrictions (some venues prohibit any jokes about sex, drugs, or politics, others allow anything but making fun of the royal family) they are happily enjoying their adjustment to the pleasures of freedom of speech. They were delighted to  be asked, “Do you have any Mubarak jokes?”

Ahmed Ahmed’s new film, Just Lke Us, winner of “Best Documentary Feature” at the Tallahassee Film Festival, is the story of cultures of a comedy tour in Dubai, Lebanon, the Kingdom of Saudi Arabia, and Egypt.  It will be in theaters this summer.  Read Omar Regan’s comments on Huffington Post or become a fan on Facebook to learn more.

 

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Live Theater
Willow Smith to Play ‘Annie’

Willow Smith to Play ‘Annie’

Posted on January 28, 2011 at 8:00 am

“Whip my Hair’s” Willow Smith, the daughter of mega-stars Will and Jada Pinkett Smith and sister of “Karate Kid’s” Jaden Smith is going to have a big-screen remake of her own. She will play Little Orphan Annie in the third version of the musical based on the plucky Depression-era girl with the red hair and the indomitable spirit.

Aileen Quinn starred in the musical film Annie, along with Carol Burnett as the wicked Miss Hannigan and Albert Finney as Daddy Warbucks, the Wall Street financier who learns from Annie the importance of family. A somewhat livelier version of Annie was remade for television with Oscar-winner Kathy Bates as Miss Hannigan and an all-star cast of Broadway veterans including Victor Garber, Audra McDonald, and Kristin Chenoweth.

Before she sang about the hard knock life and the sun coming out tomorrow, Annie was the star of a comic strip created by Harold Grayin 1924, appearing in newspapers through June of last year. After Gray’s death, the strip was drawn and written by other artists, most notably the brilliantly talented Leonard Starr.

Annie was also a long-running radio series (you can hear it in “A Christmas Story”) and, an early example of multi-platform marketing, she appeared in books, comics, and as a doll, a game, and many, many other collectibles. A bittersweet documentary, Life After Tomorrow, is the story of the high-pressure atmosphere behind the scenes for the little girls who played Annie and the orphans in the musical show.

Who should co-star with Willow? And should they try to make it contemporary?

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Comic book/Comic Strip/Graphic Novel For the Whole Family Live Theater Musical Remake
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