“24 Hour Party People” is a funny, smart, and exciting film about the early days of punk music that should give some extra exposure to its talented cast and the mainly underground music it covers.

The star is Steve Coogan, a remarkable talent who shines as Tony Wilson, a Manchester TV news reporter looking to make his mark. After witnessing an early concert by the Sex Pistols, who are on the verge of shaking up England, he gets his station to televise one of their performances. Soon he is participating in a revolution as he gives exposure to the Clash, the Buzzcocks, and several other pioneering punk acts. He comes to devote himself to it full time, founding the groundbreaking Factory Records as well as the Hacienda club, which is now considered the birthplace of Rave culture. Along the way, he watches the rise, fall, and tumultuous careers of now-infamous acts Joy Division, New Order, and the Happy Mondays.

This film has some of the best dialogue heard all year (“I was postmodern before it was fashionable!” is one of many standouts) and Coogan’s narration will have you in stitches, blow your mind, and make you looking forward to seeing his next film. The entire cast, an ensemble of eclectic British characters that Guy Ritchie would be proud of, turn in great performances, but after Coogan the most noteworthy is probably Sean Harris as Joy Division’s Ian Curtis, capturing all the distinctive aspects of one of rock’s most tragic figures.

Parents should know that this film has extremely strong language, mainly British curse words, as well as lots of drug use by the bands as well as sexual references and situations. There are also some fistfights and a suicide.

Families who see this movie should ask why Wilson had the faith that he had in the self-destructive characters, and how the Hacienda club and Factory Records flew out of his control.

People who enjoy this movie should check out the fine documentaries on the Sex Pistols, The Filth and the Fury and The Great Rock n’ Roll Swindle, as well as Almost Famous and the classic This is Spinal Tap.

Plot: Set in medieval times, the story begins as villagers with torches approach the home of a famous sorcerer (Sir Ralph Richardson). They need his help to fight a dragon. If they do not sacrifice a virgin twice a year, he will destroy their community. The sorcerer agrees, but he is killed when a warrior with the group insists on a test. The sorcerer’s apprentice, Galen (Peter MacNichol) goes in his place, telling them “I am the sorcerer you seek.”

On the way to the village, Galen discovers that Valerian, the boy who spoke for the group, is in fact a girl brought up as a boy to protect her from the lottery used twice a year to select a female virgin for sacrifice. They reach the dragon’s lair, and Galen casts a spell that causes an avalanche. Sure that the dragon is killed, they celebrate, and Valerian appears in a dress. The King is worried, telling Galen, “You came here to toy with a monster? Who are you to risk these people’s lives?” It was he who agreed to sacrifice the girls, after his brother was killed by the dragon. He throws Galen in the dungeon.

Galen is freed by the princess, who is horrified when Galen tells her that she has not been included in the lottery. She had been assured that she ran the same risk as everyone else, and she feels betrayed and ashamed. It turns out that the dragon has not been killed, and it is time for another sacrifice. The princess puts her name on all of the lots, to make up for the risks she avoided over the years. The king, heartbroken, begs Galen to fight the dragon. But the warrior tries to stop him, believing that the sacrifice is the only way to keep the rest of the village safe. As they fight, the princess is killed and eaten by the just-hatched baby dragons.

Galen fights the dragon with a shield made of dragon scales by Valerian and a sword made by her father. He is defeated and starts to leave, when he realizes that the sorcerer can still help him. He uses his magic to bring back the sorcerer, who fights the dragon until they destroy each other. It is not just the end of the two of them, but the end of that era, as Christianity replaces sorcery.

Discussion: When the community is at risk, how do you decide what to do? History is filled with problems created by people who made the wrong choices. Many people criticize those who tried to compromise with Hitler. Many criticize those who decided Americans should fight in Viet Nam. The king here makes the decision to compromise after his brother is killed. He negotiated a terrible deal with the dragon, but it was better for his people than the uncertainty they had before. In contrast, Galen wants to risk his own destruction and the town’s by fighting. When he loses, he leaves until he figures out a way to defeat the dragon.

And what about the king’s compromise, the lottery itself, and its fairness in theory and as practiced? The way we evaluate risks and benefits in making our choices (sometimes emotionally rather than analytically) is demonstrated here. Note the King’s change of heart when his own daughter is at risk.

Like the other famous sorcerer’s apprentice (memorably portrayed by Mickey Mouse in “Fantasia”), Galen doesn’t know what he doesn’t know. He thinks because he knows a few tricks, he has enough magic to defeat the dragon. But he is wrong, and the princess dies because of his mistake. He doesn’t know what he does know, either — it takes him a while to figure out why the sorcerer allowed himself to be “killed” before starting on the journey. But when the time comes, and he has to know the right moment to destroy the amulet, he is able to trust himself, and he gets it right.

Sorcerers and dragons cannot exist without each other. Valerian’s father says approvingly that magic is dying out. Particularly well handled here is the notion that religion replaced magic.

Questions for Kids:

What do you need to know in deciding whether to fight, compromise, or run? How have you seen those questions presented?

What adjustments might be difficult for Valerian after the way she grew up?

What was the point of having both the king and the priest claim credit for defeating the dragon?

What do you think about the princess’ decision? Why did she say that putting her name on all of the tiles “certified” the lottery?

Connections: Other “sword and sorcery” movies include “Labyrinth” and “Ladyhawke.”

Activities: Read Shirley Jackson’s famous story, “The Lottery” about a small town that uses a lottery to determine which of its citizens will be sacrificed.

Plot: Cedric (Freddie Bartholomew), who lives in New York with his widowed mother, finds out that he is the grandson of a British earl, and is to go to England to live in his castle. After marrying an American, Cedric’s father was estranged from the Earl, but now that both of the Earl’s sons have died, Cedric is the only heir. He says goodbye to his best friends, Mr. Hobbs (Guy Kibbee) and Dick (Mickey Rooney), and leaves for England, not knowing that the Earl has forbidden his mother to set foot in the castle.

The Earl is a rigid and somewhat pompous man, but, encouraged by his mother, Cedric sees everything the Earl does as wonderfully generous and kind. The old man is utterly charmed by Cedric, as are all who meet him, and he tries to live up to Cedric’s image of him. They grow to love each other. There is a crisis when they are told that the Earl’s older son was married and had a son of his own before he died, and that boy is the rightful heir. With the help of Dick, they prove the new heir a fraud, the Earl realizes that Cedric’s mother is a fine woman, and they all live happily ever after.

Discussion: This is basically a male version of “Pollyanna.” Like Pollyanna, Cedric goes to live with a wealthy but crusty and snobbish relative, insists on seeing the best in everyone (even when it isn’t there), and wins the hearts of all who know him. Not quite as sugary as its reputation, it may still put off kids who think Cedric is too perfect. But his colorful friends, his maturity under stress, and the fun of the idea of his being brought from poverty to an Earldom make it hold up surprisingly well.

Questions for Kids:

It’s trickier than you might think to translate a Saturday morning cartoon program into a live-action movie. The first challenge is figuring out who your audience is going to be. Is it the little kids who watch the cartoon now and want to see every detail replicated on the big screen (like the live-action “101 Dalmatians”)? Or is it the former little kids who want to see their memories of the show through a filter that is part retro, part camp, part irony (like the Brady bunch movies) and be able to recognize Scrappy-Doo, Pamela Anderson, and Sugar Ray’s Mark McGrath on sight? There is not a lot of overlap, and yet this movie tries to reach both. It ends up somewhere between a live action cartoon that is much too scary for most children and Saturday Night Live sketch that goes on too long for most teens.

The Mystery Machine crew has just discovered the secret of the ghost who captured Daphne (it’s a man in a mask!), when their egos collide and they decide to go their separate ways. Two years later, they find out that each of them has been hired by Mr. Mondavarious (Rowan Atkinson), whose Spooky Island theme park is a little spookier than he had in mind. Fred, Velma, and Daphne try to solve the mystery on their own, but find that they have to work together to find…well, this time it’s not a man in a mask, exactly.

The young stars have the voices down perfectly and do the best they can to bring the characters to life, but that only emphasizes how sketchy and shallow the cartoon characterization really is. Like the Smurfs, the Scooby-Doo characters each have only one basic attribute: Fred (Freddie Prinze, Jr.) is self-centered, Daphne (Sarah Michelle Gellar) wants to be more than the girl who has to be rescued all the time, Velma (Linda Cardellini) is the brainy girl, and Shaggy (Matthew Lillard) is the always-hungry slacker. Prinze, who will someday find a movie that will show off his considerable talent, has his best moments when Fred becomes something like a hip-hop zombie. Lillard has his best moments anytime he is not challenging Scooby to a flatulence and burping contest.

Parents should know that the movie has a lot of intense and scary special effects. The characters are in frequent peril, though no one gets hurt. There are a couple of mild swear words and some mild drug humor (as “Pass the Dutchie” plays on the soundtrack, what appears to be marijuana smoke turns out to be something else) and some vulgar jokes and graphic bathroom humor. The girls wear very skimpy clothes.

Families who see this movie should talk about why the friends broke up and why they got back together. They might also want to talk about what has made Scooby and his pals so enduringly popular over the years.

Families who enjoy this movie will enjoy the original Scooby cartoons like Scooby Classics (including the very first episode) and Scooby-Doo’s Spookiest Tales. If they want something a little spookier, they should try The Nightmare Before Christmas.

“The Bourne Identity” does not have much in the way of plot or characters, but it is a better-than-average guns, gadgets, and chases in interesting locations movie.

The film starts off with a theme that is much more common in films than in real life: amnesia. A shipping vessel just happens to pick up an unconscious man (Matt Damon) out of the sea. The Italian crew also just happen to speak English and just happen to have a medic who removes bullets and a strange information capsule from the man’s back. When he awakes, he is angry, desperate, and doesn’t know who he is. He is dropped off in Europe and tries to work his way to finding his identity, only to be suddenly attacked by people from his past life. He successfully fights them off and pays a woman (“Run Lola Run’s” Franka Potente) to drive him to safety, but at every angle there’s another danger, and the film picks up as the plot unravels, with Damon eventually discovering his name (or one of his names) is be Jason Bourne and researching his past to find out why people are trying to kill him. It’s formulaic but stylish, clever, and fun.

Franka Potente is always fun to watch, and bad guy Chris Cooper (American Beauty) remains one of Hollywood’s finest character actors, but as credible an actor as Matt Damon is, he makes a rather unconvincing action hero. His boyish looks don’t help him when he’s beating people up or jumping off buildings, and his ability to stay clean and perfectly shaven after days without having any chance to wash himself is pretty questionable. One can’t help but think that Hugh Jackman or Pierce Brosnan would have flawlessly executed the role, and seeing the terrific Clive Owen shine in a small role only makes you see how perfect he’d be in the title role. But I guess they needed an American hero.

Parents should know that the movie has lots of cartoonish but sometimes graphic violence and some bad language in English and German. There is a mild and non-explicit sexual situation.

Families who see this movie should talk about how we can ensure accountability for covert operations and how Jason and Marie decided to trust each other.

People who enjoy this film will also like the 007 and Mission: Impossible series.