In “101 Dalmatians,” all-time movie villian Cruella De Vil (Glenn Close) is sent to jail for dognapping with the intention of making the dalmatian puppies into a fur coat. As the sequel begins, Cruella has been rehabilitated through the experimental efforts of a behaviorial scientist. Now, she wants to be known simply as “Ella,” a friend to all animals. So, she is released from prison and assigned to a sweet parole officer named Cloe (Alice Evans), who just happens to own a family of dalmatians. Ella tosses away all her furs, and takes over the “Second Chance” dog sanctuary, run by the adorable Kevin (Ioan Gruffudd).

But “Ella’s” rehabilitation, it turns out, can be reversed by the chimes of London’s famous clock tower, Big Ben. A couple of gongs later, she is back to Cruella and her old passion for a dalmatian puppy coat, only this time she wants it with a hood. And that means that she will need 102 of them. With the help of fashion fur designer Monsier LePelt (Gerard Depardieu) and her loyal henchman Alonzo, they capture the puppies, making it look as though Kevin took them, and take off for Paris, followed by Cloe, Kevin, and their assorted animals, including a parrot who thinks he’s a dog.

It’s better than the first live-action version, though still not as good as the original animated classic. The problem is that other than Cruella, the human characters are bland. In the live-action versions, the dogs do not talk, which makes it much harder to connect to them as characters. That leaves us with not much more than a plot that is already very familiar (Cruella takes dogs, dogs get rescued) along with a great villain, cute puppies, and sensational costumes. Although there are some nice moments and a satisfyingly silly fate for Cruella, the movie is slow going — the credit sequence is livelier than the movie that follows. In a particularly poor choice, there is a scene in which the dogs watch a video of “Lady and the Tramp,” enjoying the “Bella Note” scene while Cloe and Kevin, out on a date, share a plate of spaghetti. It may be intended to induce nostalgia and a sense of connection, but what it induces instead is regret that we are watching this movie instead of that one.

Kids may find parts of the movie confusing, like the brief scenes with “Dr. Pavlov,” who explains that he has cured Cruella with behavior modification and her subsequent relapse, triggered by a clock striking. One of the dalmatian puppies has no spots, and is named “Oddball.” As we expect, she feels bad about being different and then proves her worth. But this mild little message is undercut by having her then develop spots as a part of the happy ending.

Parents should know that the movie includes a lot of comic peril and slapstick humor. A character’s repeated injuries are treated as jokes. The overall theme of catching puppies so that they can be killed to make a fur coat may be upsetting to some children.

Families who see this movie should talk about why Oddball felt bad about not having spots and the way the people who love her tried to help. Kevin explains that he was arrested once for kidnapping dogs from a laboratory, and families may want to discuss how people decide to break rules in defense of more important values. They may also want to talk about what does happen to people in jail and how decisions are made about releasing prisoners.

Families who enjoy this movie should see the original animated version of “101 Dalmatians” and “Lady and the Tramp.”

In the grand tradition of Butch and Sundance and Hope and Crosby, we have Terry (Billy Bob Thornton) and Joe (Bruce Willis), two charming rascals in love with the same woman. They don’t want to hurt anyone; they just want to rob enough banks to let them retire to paradise (a resort in Mexico) and live lives of “tuxedos and margaritas.”

The story is told in flashback, starting with a stakeout at a bank robbery that appears to have gone very wrong, and then going back in time to the duo’s impulsive jailbreak and the start of their career as the “sleepover bandits.” Instead of charging into a bank with guns blazing, they spend the night before the robbery with the bank manager, and walk into the bank before opening time the next morning. As happens only in movies, they become loveable folk heroes, and people actually enjoy being robbed by them.

A would-be stuntman mesmerized by a beautiful hitchhiker (Troy Garrity) and an unhappy runaway wife (Cate Blanchett, sensational in auburn hair and teal high-fashion attire) join the gang. Then there are some more robberies and some getaways and some funny disguises (my favorite is the Neal Young sideburns) and something about a romantic triangle. But the movie is really about the conversations and throwaway repartee, deftly directed by Barry Levinson (“Diner”) and impeccably delivered by the cast. Thornton is terrific as the guy who always thinks he is the smartest person in the room (and usually is), but who has “issues” with everything from germs to antique furniture to the hair of former Prime Minister Benjamin Disraeli. Blanchett is magnificent, especially dancing in the kitchen as she whips up a gourmet meal. Azura Skye has a nice small part as a teenager who told her parents she would be staying with a friend when they were out of town.

This is really a movie for grown-ups, not because the language or violence or sexuality is any more intense than any other PG-13, but because it is just not something most kids will appreciate. Parents should know that it does have some strong language (including a crude reference to a gynecological problem), some violence, and sexual references and situations, including teen sex and adultery.

Families who see this movie should talk about whether it is true that no one is hurt when money is stolen from a bank and whether robbers become folk heroes in real life and what the film-makers do to get audiences to root for the “bad guys.” Why is it so easy for us to be on the side of characters in movies that we would want arrested in real life? At one point, Terry says to Kate (Blanchett’s character), “I don’t think you’re crazy. I think you’re bored.” Later Kate says, “I think it’s better to feel too much than to feel too little.” How did she get into a situation where she felt too little, and how did that change?

Families who enjoy this movie will also enjoy Butch Cassidy and the Sundance Kidand Bull Durham (Special Edition)(mature material) and a made-for-cable movie based on an Alice Tyler book, Earthly Possessions, starring Susan Sarandon.

Chicken Run” has arrived to the joy and relief of the many fans of Nick Parks’ Oscar-winning Wallace and Gromit short films. In his studio’s first feature-length movie, a brave chicken plots an escape from a small Yorkshire chicken farm.

The stern and angry Mrs. Tweedy (voice of Miranda Richardson) and her brow-beaten (should we say hen-pecked?) husband have bullied their hens into producing eggs, but now they have set up a fierce-looking machine that turns chickens into chicken pies. Ginger (voice of Julia Sawalha) is a smart, brave, loyal chicken who will not leave unless she can take the others with her. When an American circus rooster named Rocky (voice of Mel Gibson) arrives, Ginger gets him to agree to teach the chickens to fly over the fence, so they can find a place where they can live in freedom.

Parks is a master at creating a world that is enchantingly believable. The farm seems to be set in the 1950’s, and every detail, down to the last nail in the last board on the hen house wall, looks exactly as it should. Though his painstaking process produces only a few seconds of film footage each day, every frame is filled with vivid personalities who seem to be moving in real time, each creating an instantly recognizable character. One look at Mrs. Tweedy’s formidable Wellington boots marching into the hen yard for inspection, and we know everything about her. The chickens are highly individual, completely believable, and wildly funny, whether doing Tae-Bo-like exercises for increasing wing power or a celebratory Lindy hop. But I admit that my favorite characters are two forager/thief rats who are so completely charming that it is impossible to imagine anyone objecting to their stealing.

The movie also features Parks’ special talents for creating deliciously malevolent machines and split-second action sequences. Ginger and Rocky fall into the chicken pie machine for a scene that combines Rube Goldberg complexity of gears and operations with the breath-catching near misses of Indiana Jones.

Three cheers for producer Dreamworks, who let Parks be Parks and didn’t focus-group him into making something more linear and accessible. What that means, though, is that the movie does not have some of what both adults and kids expect in a G-rated movie. This is not a musical in which the heroine sits down 15 minutes into the story to sing about her dreams or adorable sidekicks provide comic relief.

This is not a script with jokes that children will necessarily understand. Indeed, given that most of the parents of today’s school-age children were born 20 years after the 1950’s, there are several jokes parents may not understand, like a pointed reference to the delay in the US entry into World War II and a couple of witty tributes to the classic movie, “The Great Escape.” The movie has a decidedly British point of view, with a wonderful range of accents that will be much more meaningful (and understandable) to English children than they are to Americans. Parks is like Bugs Bunny creator Chuck Jones, who, when asked whether he made cartoons for adults or children, replied, “I make them for myself and my friends.” But, as with Bugs Bunny, kids will enjoy the world created by this movie, and will rejoice in the chickens’ adventures.

Parents should know that although the movie is rated G, it may be too scary or hard to follow for children under 6 or 7. A minor character is killed off-screen and characters are in peril throughout the movie.

Families who see this movie should talk about why it was hard for Rocky to tell the truth, and even to understand what telling the truth meant, as when he said, “I didn’t lie to them, dollface. I just omitted certain truths,” and when he tells Ginger that if they want the chickens to perform they have to tell them what they want to hear. Talk, too, about Ginger’s perseverance in the face of “million to one” odds, and her refusal to escape without her friends, and about the importance of leadership and teamwork. Ask kids why Ginger had a dream of freedom that some of the other chickens could not even imagine, and what it meant to say that “the fences aren’t just around the farm – they’re up here on your head.”

Families who enjoy this movie will also enjoy Parks’ Wallace and Gromit videos: “The Wrong Trousers,” “A Grand Day Out,” and “A Close Shave.

The better you remember the early 70’s, the more you will enjoy this very funny movie. It purports to reveal the “Deep Throat” who gave the Washington Post the inside information that led to President Nixon’s resignation. And come to think of it, in many ways this makes more sense than what we’ve been led to believe is the real story. According to this film, the downfall of the Nixon administration was caused by two 15-year- old girls who are so dim that H.R. Haldeman (Dave Foley) says, “I’ve met yams who have more going on upstairs than those two.”

Besty (Kirsten Dunst) and Arlene (Michelle Williams) are bubble-headed best friends who accidentally see a burgler breaking into the Watergate when they sneak out to mail in an entry to the “Why I should win a date with Bobby Sherman” contest at Tiger Beat magazine. The next day, they spot the same man (Harry Sherer as Gordon Liddy) while they are on a White House tour. Worried that they might tell someone, President Richard Nixon (Dan Hedaya) tries to co-opt them by appointing them “official White House dog walkers” and “secret teen advisors.”

At first the girls are thrilled, and they believe the President when he tells them that the massive shredding of documents they stumbled upon is for his hobby of paper mache. Arlene even develops a crush on “Dick” and is swooningly recording an Olivia Newton John song for him when she accidentally erases 18 1/2 minutes from one of his tapes. When she hears on the tape that he is not what he seemed, the two girls decide to talk to the Washington Post reporters and end up turning over the key evidence in a parking garage.

Boomer parents who lived through the 1970’s will enjoy this visit to the worst hair and clothes decade of the century. It is a clever tweak on the “Forrest Gump” concept, as the two girls turn out to be responsible for many of the best-remembered historical details of the era. “Satuday Night Live” and “Kids From the Hall” regulars appear as the people Woodward and Bernstein called “the President’s Men” (plus Rosemary Woods) and as Woodward and Bernstein themselves. All are terrific, and the under- appreciated Saul Rubinek is a stand-out as Henry Kissinger, far smarter than the people around him but so needy that he will try to persuade even the girls to agree with him. And Dan Hedaya, the only man in America with a five-o’clock shadow heavier than that of the real Richard Nixon, is sensational, needy, paranoid, and, in an hilarious dream sequence, positively endearing.

Some teens will enjoy it, even without a grounding in the history, but they will enjoy it more if they watch “All the President’s Men” first (Bruce McCulloch does a fine job parodying not just Carl Bernstein but also Dustin Hoffman playing Carl Bernstein). Parents should know that the explitives are not deleted and there is some very strong language, including puns relating to the President’s first name and a whispered explanation of the original meaning of “Deep Throat.” Betsy’s brother is a heavy drug user who is perpetually stoned, and some of his marijuana makes its way into the cookies the girls make for the President. Families will want to discuss the real events underlying the Watergate scandal and the impact it has had on the way we see the Presidency and the way the media covers the Presidents.

Video tip: This movie is reminiscient of the best movie ever about two girls with a crush on an impossible object: “The World of Henry Orient.” A funny and insightful glimpse into the stage of life where we rehearse our emotions by fixing on the unattainable, it is well worth watching. I noticed that “Dick” shares one important prop with “Henry Orient,” the super-modern one-piece telephone, and suspected that it was an homage to a classic film.

An evil and destructive spirit named Hexxus (voice of Tim Curry) is imprisoned in a tree by Magi, the leader of the fairies, who believes that all humans have been destroyed. Many years later, as Magi is teaching Crysta, her apprentice (voice of Samantha Mathis), they find that the humans have returned, and are cutting down all the trees. Crysta shrinks one of the humans, a young man named Zak, to save him from being hit by a falling tree, and teaches him about the importance of preserving the forest.

Highlights include Robin Williams as the aptly named “Batty Koda,” and gravel-voiced rapper Ton Loc as a Goanna lizard singing “If I’m Goanna Eat Somebody, It Might as Well Be You.”

There are some very scary moments and the magic characters may distract kids from the lesson about environmental conservation, but it does provide a good opportunity for discussions that may help in increasing sensitivity to environmental concerns.