Jumper

Jumper

Posted on June 9, 2008 at 8:00 am

C
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for sequences of intense action violence, some language and brief sexuality.
Profanity: Some strong language
Alcohol/ Drugs: Drinking
Violence/ Scariness: A lot of action violence, characters injured and killed, character gutted
Diversity Issues: Diverse characters
Date Released to Theaters: February 14, 2008
Date Released to DVD: June 10, 2008

The movie “Jumper” is 88 minutes on a pogo stick, hopping from teenage cliche to teenage cliche. You like the story about the high school nerd who pines for the class beauty and is tormented by her bully boyfriend? You’re in luck. Or do you like the one about the perpetual victim who suddenly discovers that he has his own super powers and is better than everyone else? Then this is your movie. How about the cliche of a teenager trapped in an unloving home with a gruff and unsympathetic father, suddenly liberated from all parental dependence — and isn’t that heartless old dad sorry now?

Copyright 2008 20th Century Fox

Here’s another one that should sound familiar to you: “what would you do if you had the power to walk into banks, stores, or women’s lives and simply take anything you want?” Every angst-filled teenage fantasy is covered in this movie for just about as long as it takes a pogo stick to touch down. Then we’re off to the next one: the sadder but wiser beauty who realizes how foolish she was to let the nerd go, years before.

A group of evil authoritarian figures who don’t believe that kids should be having fun with their super powers (the cornered hero’s plaintive wail, “but I didn’t do anything wrong!” will resonate with every teenager ever caught painting the cat or dismantling the lawnmower).
The virtues of this movie, slender though they may be, are really peripatetic virtues. You get a rapid-fire tour of exotic locations around the world, as jumpers race from the Egyptian Desert to downtown Tokyo to London to Rome. You jump from fight to fight, from character to character. With this pace, the fun and clever moments never last too long, but then again, you never have to confront the lack of depth or substance either. Just as you are beginning to think, “say… this acting is pretty superficial…” WHOOOOSH you are sitting on top of the Sphinx in Egypt, and isn’t it a lovely view?


There are lots of other cliches of teenage wish fulfillment– archetypal stories about mothers and friends– but I don’t want to give away too much of the feather-light plot. Suffice it to say that that no adolescent wish-list item is left unrecognized. The problem is that it is never long enough or interesting enough to be satisfying. This movie is paced for an audience that grew up multi-tasking and its aesthetic sensibility and depth of story-telling is equivalent to a beer commercial. Even at under 90 minutes, too much money has been stuffed into too little script.

At one point, a character says that jumping enables you to skip the boring parts. If that were true, he would have jumped out of this movie. Nor will you find much satisfaction in the acting by stars Hayden Christensen or Rachel Bilson, in the useless role of love interest/damsel in distress, who keeps asking Christensen’s character to tell her what is going on as he is dodging assassins. Samuel L. Jackson, wearing a hairpiece that resembles a Krispy Kreme powdered sugar donut, turns in a calamitous performance as a hit man for the authoritarian “paladins” who for centuries have lived only to squelch the fun of “jumpers,” because only God should have that power. He uses something between an electric lasso and a “don’t tase me, bro” cattle prod to subdue them and it does not seem to occur to him that God might not approve of murder. Christensen, Jackson, Bilson, and
Billy Elliot‘s” Jamie Bell all seem to be in different movies, and none of them are worth watching.


Parents should know that this film includes a lot of “action violence” (not much blood) and peril. A character is gutted and other characters injured and killed. There are non-explicit sexual situations, drinking, and smoking, and characters use some strong language.

Families who see this movie should talk about whether the ending was a surprise. If you had the power to be a jumper, what would you do?

Families who enjoy this film will enjoy Clockstoppers and the X-Men movies.

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Clifford’s Really Big Movie

Clifford’s Really Big Movie

Posted on April 17, 2004 at 9:53 am

B
Lowest Recommended Age: Preschool
MPAA Rating: Rated G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: None
Diversity Issues: Diverse characters
Date Released to Theaters: April 23, 2004
Date Released to DVD: July 3, 2004

Copyright 2004 Warner Brothers

Clifford is not just a Big Red Dog; he’s a big, red phenomenon, hero of a series of books by Norman Bridwell, an animated PBS series, and even a live road show. Now he has moved (briefly) to the big screen with a low-key feature destined for a quick theatrical release on its way to video and DVD.

Clifford is a really, really big red dog, part of his appeal to toddlers, who live among giants and are thus drawn to huge, powerful but kind creatures who love children (like Barney). Children also like the way that Clifford explores the world around him, learning gentle lessons about getting along with others and solving problems like finding lost toys and not being afraid of a storm.

Clifford (voice of the late John Ritter in his last role) lives with Emily Elizabeth and her family on dogbone-shaped Birdwell Island. His best dog friends are T-Bone (voice of Kel Mitchell) and Cleo (voice of Cree Summer). When Clifford overhears Emily Elizabeth’s parents talk to a neighbor about how much he eats, Clifford thinks he is too much of a burden for the family and decides that he, T-Bone, and Cleo should join an animal act and compete for a prize of a lifetime supply of pet Tummy Yummies.

The animal act includes a trapeze artist ferret named Shackelford (voice of Wayne Brady) and a tightrope-walking cow named Dorothy (voice of Jenna Elfman). They are managed by Larry (voice of Judge Reinhold), who loves them very much but has not been able to make the act successful. Their only chance is to win that contest. But, Shackelford says, in order to do that, they need something big. Enter Clifford.

As soon as Clifford and his friends arrive, the act comes together and audiences love it. But Shackelford gets jealous of all the attention Clifford is getting. The daughter of George Wolfsbottom (voice of John Goodman), the wealthy man who owns the Tummy Yummies company, wants Clifford to be her pet. And Emily Elizabeth misses her beloved Clifford, and he misses her, too. Fortunately, everyone in this movie is kind and understanding and loyal, though it takes some longer to get there than others.

The limited animation style looks static on the big screen and the movie is too long for its age group even at 75 minutes. (Actually, I felt it was too long for my age group, too.) The children at the screening I attended fidgeted during the musical numbers and some seemed uncomfortable with even the mild tension in the story. The story itself is questionable, with Clifford and his friends leaving home without thinking about how upsetting that will be for their families. The song lyrics justifying it were downright unsettling at times; it cannot be wise to sing to children about how “You’ve got to be lost if you want to be found….It only gets better after it gets worst, happy ever after needs the scary part first.” It’s fine to let children know that problems can be solved, but this suggests that they cannot be happy unless they make sure something bad happens first.

Parents should know that there is some mild peril and some emotional tension. Some children may be upset when Clifford and his friends leave home or when the dogs lie about not having owners.

Families who see this movie should talk about how Clifford got the wrong idea by hearing only part of what Emily Elizabeth’s parents said about him. What should he have done instead of leaving? Make sure children know that it is never all right for anyone to leave home without talking to the family about what is wrong. Families should also talk about the lie the dogs tell about their dog tags, and about Dorothy’s saying that Shackleford is “not the most secure ferret in the world, but he means well.” Why does Mr. Wolfsbottom’s daughter want to have the biggest of everything? What does it mean to say that “okay does not dazzle?”

Families who enjoy this movie will enjoy the Clifford books and videos. They will also enjoy the books and video starring Lyle, Lyle Crocodile, especially the animated version, which has outstanding songs and voice talent. And they might like to try to make snickerdoodles, the cookies Dorothy and Cleo promise to make together.

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