Irving Berlin was right. There’s no people like show people. And no one knows and loves show people as much as other show people, which is why “The Prom” is 20 percent sly satire and 80 percent love letter to the craziness that goes into entertaining audiences.

“The Prom” was a mildly successful Broadway musical about Broadway stars who want to restore their reputations after their new show has a disastrous opening night (a musical about Franklin and Eleonor Roosevelt). They see an injustice on Twitter. A small Indiana high school has cancelled its prom rather than allow a student to bring a same-sex date. And so, not even sure where Indiana is or what it is, they get on a bus, sure that their Broadway luster and can-do spirit will teach those people in flyover country about respect and inclusion. “This will be the biggest thing that’s happened in Indiana since..whatever the last big thing that happened in Indiana was,” one declares.

As you might guess, the Hoosiers are not impressed, even when Broadway leading lady Dee Dee Allen (Meryl Streep) pulls out her two Tony Awards, which she apparently has on hand at all times, in case someone does not who Who She Is. The high school student at the center of the fuss is Emma (a star-making turn from Jo Ellen Pellman) has a bigger problem than the prom; the girl who would be her date is the daughter of the woman fighting to prevent same-sex couples from attending (Kerry Washington as Mrs. Greene). Caught in the middle is the high school principal, Tom Hawkins, who happens to be a fan of Broadway musicals, especially those featuring Dee Dee (Keegan-Michael Key).

The story adds some unexpected sweetness and reconciliation but really the entire production is just a change to have some fun with some inside theater humor and put on a big, colorful, splashy show with a bunch of Tony and Oscar-winners. Streep has a blast as a larger-than-life personality who is only at home on stage. After letting down someone who genuinely cares for her, the only way she can apologize is to reprise one of her career’s signature numbers. Andrew Rannells (a Tony Award winner for “Book of Mormon”) has a huge musical number with local kids in a shopping mall. Nicole Kidman plays the kind of chorus line hoofer who goes from show to show but never makes it into a lead role, and James Corden is a gay man who sees Emma’s problems in very personal terms because his parents rejected him after he came out.

You don’t have to understand the relative status of a Tony vs. a Drama Desk award or remember which musical had the most performances before “Cats” to sit back and enjoy the good-hearted fun, clever lyrics (by Chad Beguelin), and the jubilant dance numbers choreographed by Casey Nicholaw. It most important message is not inclusion but about the power of art itself, especially big, splashy, energetic, colorful musical, to bring us together and heal what hurts.

Parents should know that the theme of this movie is homophobia and inclusion. It includes some sexual humor and some sexual references, some alcohol, and some strong language.

Family discussion: What would you say to Mrs. Greene? What’s your favorite musical?

If you like this, try: “Bye Bye Birdie,” “Footloose,” “Hairspray,” and “High School Musical”

“Hamilton’s” Daveed Diggs has a great new song for Hannukah, complete with klezmer clarinet!

Happy Hanukkah!

By all means, watch the classics! One of the sweetest family traditions is sharing favorites like “It’s a Wonderful Life,” “White Christmas,” “A Christmas Story,” “Elf,” “Home Alone,” and my favorite, “A Christmas Carol” (I watch the MCM, Alistair Sim, and Mr. Magoo versions every year, usually the Muppets version, too.) And then there are the TV classics like “A Charlie Brown’s Christmas,” “Rudolph the Red-Nosed Reindeer,” and “The Year Without a Santa Claus.”

I’ve already posted lists of lesser-known but wonderful Christmas movies. And yes, “Die Hard” is definitely a Christmas movie. Case closed.

But there should always be room for something new, and I love these:

Jingle Jangle (Netflix)

“Colorful” is not a colorful enough word to describe a fantasy movie musical so maximalist that even the title is overstuffed. The many pleasures of this overflowing Christmas stocking of a film are sure to make it a family favorite, and most likely a family tradition. Originally conceived as a musical play, it retains the liveliness of an in-person production. The exceptionally talented and appealing and nearly all-Black cast, including Phylicia Rashad, Forest Whitaker, and Keegan-Michael Key give the film a fresh perspective. The snowball scene is one of my favorites.

Klaus

This is a Santa Claus origin story, based on the books by Grant Morrison. A spoiled, selfish young man is sent to a remote village to act as postman, not to return until he has delivered 6000 letters. Striking animation, top voice talent, and a charming interpretation of the way many of our favorite traditions began make this a gem.

“Dear Santa” (streaming now on Peacock and other services)

I love this documentary about the wonderful volunteers and USPS “elves” who answer kids’ letters to Santa. Schoolchildren and adults, including former beneficiaries of the program work around the clock. You won’t find a better example of giving being better than receiving than this charming and heartwarming film.

Holiday Rush (Netflix)

Romany Malco plays Rush, a popular DJ and a single dad of four. When he loses his job just before Christmas, his family has to leave their comfortable home and move back in to his old neighborhood with his aunt, played by the magnificent Darlene Love. This is a warm-hearted story about love and families and what really matters.

The Man Who Invented Christmas

Fans of this site know that “A Christmas Carol” is my favorite holiday story. This is the story of how that book came to be written, with Dan Stevens just perfect as the brilliant but harried Charles Dickens. The book, one of the most popular of all time, really did change the way people saw Christmas, with more focus on helping others, and this story of love, reconciliation, and the power of storytelling is a treasure.

And, okay, yes, they aren’t classics and they don’t make much sense or vary much from the formula, but I like Hallmark Christmas movies, and the ones on other services, too. Some of my favorites are:

“Write Before Christmas”

A recently dumped young woman sends five Hallmark greeting cards to people who have been important to her and they change the lives of the recipients and hers, too).

“The Christmas House”

The Hallmark Channel’s first movie with a gay couple — the brother of the main character and his husband — is more layered and sympathetic than the more high-profile “Happiest Season” in this story of parents famous for their Christmas decorations insisting both of their sons come home to help.

“The Princess Switch”

A Chicago baker and a European princess who happen to look identical, both charmingly played by Vanessa Hudgens, pull a switch and each finds love. The sequel adds a third look-alike!

“The Mistletoe Promise”

A travel agent and a lawyer have different reasons for dreading Christmas, so make a pact to be each other’s plus one through the holidays.

Oh, and coal in the stocking of everyone connected with “Holidate!”

Netflix’s entertaining “The Movies that Made Us” series has a new holiday edition called, you guessed it, “The Holiday Movies that Made Us,” with behind-the-scenes episodes about two beloved classics, Elf and The Nightmare Before Christmas. Both movies had the most improbable, even daunting production histories, with inexperienced filmmakers and skeptical studios. Indeed, the stories behind the movies are as magical as the movies themselves.

Fifty years ago a movie named “Lovers and Other Strangers” was released. Now best remembered, if at all, for the Carpenters song “For all We Know,” it was a collection of funny, poignant, romantic, hopeless, and hopeful love stories centered around the wedding of a young couple. While it is dated (one storyline is about the couple’s hiding from their parents that they are already living together, pretty racy for that era), it holds up very well, especially the performance by a young Diane Keaton as an unhappy wife contemplating divorce. The scene where her mother-in-law explains her concept of true love with “The Bells of St. Mary’s” as an example is a classic.

And here we are, half a century later, with Keaton in a very similar but not nearly as good movie, “Love, Weddings & Other Disasters.” It’s not just not up to the standards of “Lovers and Other Strangers” or other multi-storyline romances like “Love, Actually.” It is not up the standards of “The Love Boat.” The script sounds like it was written by 11-year-olds, lots of pratfalls and “jokes” about genitalia. None of the characters behave in a manner that is rational, believable, relatable, or appealing. Oddly, it manages to be more dated than the 1970 movie, with insensitive and juvenile jokes about disability and gender presentation.

The ever-young Keaton plays the most ancient of rom-com characters, a manic pixie dream girl, all whimsy and cheer. Her counterpart is played by fellow-slumming Oscar winner Jeremy Irons as a caterer, the kind of rigid perfectionist who uses a ruler to make sure that the wineglasses are not half-an-inch out of alignment and says things like “We start with perfection and ascend from there.” Their meet-cute is a “blind” date. She’s actually blind, get it? And she knocks over his pyramid of champagne glasses because she’s blind, get it? Because of course a lovable wacky girl would have an incompetent guide dog, of course.

The other characters include a would-be wedding planner who literally dumps her fiance as they are sky-diving after he breaks up with her mid-air, a candidate for mayor who is getting married in eight days and his fiancee, a amphibious vehicle tour guide (unlike the movie I highly recommend the Ducks tours, by the way) trying to find the girl of his dreams even though they only spoke for a moment, he doesn’t know her name, and his only description of her is that she has a tattoo of Cinderella’s glass slipper), and, I am not making this up, some game show contestants competing for a million dollars by being literally chained to one another. Note that the female of this chained couple is not a lawyer, as she told the game show; she is a stripper and there are members of the mob (they say Mafia but they have Eastern European accents) who want whatever she wins. By the way, the game show host is smarmily played by the movie’s director, Dennis Dugan, taking a break from Adam Sandler vehicles.

This movie exists in a world where politicians are elected on the basis of their Instagram posts, a family member’s destructive addiction gets shrugged off as if it’s a lovable quirk, people take tours of historical sites to hear made up commentary, and dozens of women get tattoos to try to get a boyfriend they saw on TV. “My jokes are older than these buildings,” says the tour guide (Andrew Bachelor, whose charm and screen chemistry almost triumph over the material). Yeah, that goes for the whole movie.

Parents should know that this movie has crude humor, sexual references, strippers, and comic peril including mobsters who talk about killing people.

Family discussion: Which couple were you rooting for the most? Are you more of a perfectionist or a go with the flow type?

If you like this, try: “Lovers and Other Strangers” and “Valentines Day”