Every family is familiar with the Disney and Pixar classics, which are ideal for families who are looking for something to watch at home. Here are some outstanding animated films from other studios to add to your viewing list.

The Thief and the Cobbler There’s a bit of controversy about this wonderful movie due to creative clashes, which you can learn more about in the behind-the-scenes documentary and “recobbled” version. But the theatrical release, with voice talent by Jonathan Winters, Matthew Broderick, Vincent Price and Jennifer Beals is a visually dazzling fairy tale that is genuinely enchanting.

Kubo and the Two Strings I am the biggest fan of LAIKA Studios and their exquisite stop-motion films, and it is hard to pick a favorite. “Coraline,” “Paranorman,” “The Box Trolls,” and “The Missing Link” are all beautifully designed with wonderful stories that don’t shrink back from exploring the dark and scary. “Kubo and the Two Strings” is about the son of a depressed mother who sets off with Monkey (Charlize Theron) to find the three pieces of Hanzo’s armor that he will need to fight the evil sisters and their father, who wants Kubo’s eye. Along the way they meet a samurai who has been cursed and turned into a giant beetle (Matthew McConaughey). And they meet and fight three different monsters, a giant skeleton, an underwater garden of eyes, and an enormous, floating, reticulated moon serpent, each giving Kubo a chance to discover his courage and power.mThis is a gorgeous, epic adventure with grandeur, scope, and spectacular settings, every bit of it wonderfully imaginative.

Kung Fu Panda: Jack Black provides the voice for Po, a panda with an unlikely ambition — he wants to be a kung fu master. But he is rejected by the teacher, Shifu (Dustin Hoffman), and the Furious Five; Tigress (Angelina Jolie), Crane (David Cross), Monkey (Jackie Chan), Viper (Lucy Liu), and Mantis (Seth Rogen). Po is not a natural. He says dejectedly, “I probably sucked more than anyone in the history of kung fu…more than anyone in the history of sucking.” He admits to Shifu that he only stayed “because I thought if anyone could change me, make me not me, it was you.” But Po will learn that the source of his strength is what no one can teach him — his sincerity and humility. Po will find within himself the strength, focus, and resolve to face Tai Lung. Followed by two sequels.

Surf’s Up: This story about a penguin (think very cold weather) who wants to surf (think very warm weather) is beguiling, thanks to vibrant visuals, superb voice talent, wit without ironic air quotes or snark, a sweet storyline, and a brisk running time. Like the sport it salutes and the island where it takes place, the movie has a laid-back vibe, taking its story, its humor, and itself lightly.

Spirited Away: Studio Ghibli’s Hayao Miyazaki makes wildly imaginative, almost dreamlike films. Do not try to find a linear narrative, just enjoy the magic. A girl named Chihiro is on her way to move to a new city with her parents when they take a detour to what seems to be an abandoned amusement park. However, the park is filled with magical creatures and her parents are turned into pigs. Chihiro must grow up quickly in this exotic world not only to save her parents, but to survive. Other Studio Ghibli films to try: “Ponyo,” “Kiki’s Delivery Service,” “Princess Mononoke”

Wallace & Gromit Nick Parks’ stop-motion films are delightfully — and literally — hands-on. You can see fingerprints on the charming characters, the dim human Wallace and his ever-patient dog Gromit. All of their adventures are delightful in a slyly low-key manner, but I suggest starting with the first. Wallace is a fan of cheese, so why not go to the moon to find some?

Yellow Submarine: The Beatles have to save Pepperland from the Blue Meanies in this gorgeous musical adventure with some of the world’s best music (“Lucy in the Sky with Diamonds,” “Eleonor Rigby,” “Nowhere Man,” “All You Need is Love,” “When I’m 64”) and some of the world’s most glorious animation.

The Washington Post has a new list of “comfort movies,” just right to cuddle up with while we wait out the virus. You know what that means: a lot of romantic comedies including Nancy Meyers’ “The Holiday” and “It’s Complicated.” Plus “Notting Hill,” “Roman Holiday,” and “That Thing You Do” (those last two really are classics everyone needs to see). But don’t think too hard; just watch.

Someday we’ll be back in movie theaters, enjoying films surrounded by a community of fans. Until then, enjoy this great article from The Guardian with filmmakers remembering some of their favorite movie-going experiences.

Director Steve McQueen (“12 Years a Slave”): I must also mention a matinee reissue of North by Northwest 20 years ago at the Lumiere in St Martin’s Lane, an underground cinema in the centre of London that is now a gym. You would go down three or four flights of stairs, shedding the reality of life in London, and find yourself in this gorgeous oval space, like being inside a whale’s ribcage.

Alfred Hitchcock created that film for an audience. He orchestrated their oohs and aahs, when they would lean forward and when they would sit back. This wasn’t about someone on the sofa at home getting distracted by their phone or the doorbell or going to get a drink. The place was full of energy and at the end everyone stood and applauded; just as they did when I saw Slumdog Millionaire at the ArcLight in Los Angeles.

Double Oscar winner Emma Thompson: Superman, 1978. Huge cinema. We were 17. It was exciting, funny and dramatic but, rarest of all, the female lead was as interesting and inspiring as the male even though she couldn’t fly on her own. When I exited the cinema I wanted to feel the way I was feeling at that moment for ever.

Edgar Wright (“Baby Driver”): My whole career has been spent trying to replicate the various highs I have had in a cinema. One memorable screening at my local cinema in Somerset was the afternoon I happened to see the 15-certificate Gremlins at the age of 10. My brother and I approached the manager with the novelisation of Gremlins in hand, explaining that, as we had read it, we couldn’t possibly be scared by the actual film. Amazingly, he let us in and the thrill of watching the film, while also thinking I could be thrown out at any moment, was off the charts. I am still chasing that buzz.

Josh Gad follows his reunion with The Goonies with another 80s classic, Back to the Future!

What 80s movie should he do next?

Oh, jinkies, here they are again. You might think that the Scooby-Doo clan has exhausted every possible storyline for the members of Mystery, Inc. or, to put it another way, you might think that they have exhausted every possible variable on the theme of figuring out that what looks like some sort of paranormal phenomenon turns out to be some ordinary (but evil) person who would have gotten away with it except for those meddling kids.

If so, you’re pretty much right. But the gang’s first feature-length animated film sticks to the formula but winks at it a little bit, too. And those who have wondered how the gang first got together will get a chance to see them as kids on the fateful Halloween night when they met and solved their first mystery. You’ll even get to find out Shaggy’s real name.

We first see a lonely young Shaggy, maybe about 10 or 11 years old, walking to the beach and listening to songs about loneliness and a podcast from Ira Glass (as himself) about the importance of friends. The best Shaggy can manage is to start a conversation with two mounds of sand on the beach.

Hiding in one of the mounds with some gyro meat he stole is a puppy who can talk. Soon they are sharing an exotic sandwich that includes gummy bears and tater tots, Shaggy has named him after a packet of Scooby snacks, and they are the best of friends. They go trick or treating together as Shaggy’s favorite superhero, Blue Falcon and his sidekick Dyno-Mutt. When bullies steal his candy and throw it into the local spooky house, three kids come to the rescue: Fred (dressed as a knight), Daphne (Wonder Woman), and brainy Velma as Supreme Court (Justice Ruth Bader Ginsburg). The kids retrieve the candy and solve the mystery of the creepy house. “We’ll go into the haunted house this one time, but we’re not going to make a habit of it,” Shaggy inaccurately predicts. In just a few moment, they’ve solved the mystery and unmasked the culprit, who says, come on, say it with me, “I would have gotten away with it if it wasn’t for those meddling kids.” Cue the theme song.

And cut to present day, when the Mystery Inc. crew (Zac Efron as Fred, Will Forte as Shaggy, Amanda Seyfried as Daphne, and Gina Rodriguez as Velma) is seeking some investment funds to fix up the van and expand their operations. Simon Cowell (as himself) says he can see the value of Fred (muscle), Daphne (people person), and Velma (brains), but like many observers, he notes that Shaggy and Scooby don’t do much but eat sandwiches and get scared. And so, Shaggy and Scooby go off on their own adventure, which includes a new partnership with Blue Falcon (Mark Wahlberg), Dyno-Mutt (a delightfully dry Ken Jeong), and his pilot (the charming Kiersey Clemons of “Hearts Beat Loud” and the live action “Lady and the Tramp”). But this is the son of Blue Falcon, not quite the man his father was. Then there’s Dick Dastedly (Jason Isaacs, Lucious Malfoy in the Harry Potter films), who has all of the essentials for a supervillain, cool technology, an evil guy mustache, and a British accent. He’s after Shaggy and Scooby. Can the rest of the Mystery Inc. crew save them in time?

The CGI animation style is a departure from the traditional Scooby-Do Saturday morning aesthetic. But it is colorful, just the right mix of adventure and comedy, it benefits from top-notch voice talent (Tracy Morgan is a very funny caveman) and it is even witty at times, with some meta-commentary along with the usual silly wisecracks. A character describes Shaggy’s use of “like” all the time as “some middle-aged man’s idea pf how a teenage hippie talks.” There are the classic elements the fans will want like an abandoned amusement park and some un-masking, but also some new ideas, like the struggles of Blue Falcon 2.0 to be the hero his dad was. It is traditional enough to please the fans but contemporary enough to address (I’m not kidding) toxic masculinity and of course some nice reminders about the importance of friendship. And of the fun of movies for the whole family.

Parents should know that this film includes extended action-style peril and violence with some scary monsters. Characters use schoolyard language and make some threats and the movie has some potty and body part humor.

Family discussion: Why did Scooby leave when Shaggy asked him to stay? What kind of hero blames other people for his problems? Was there a time when you were scared or made a mistake but then learned to be braver or do better?

If you like this, try: The many, many other Scooby-Doo stories, especially “Scooby-Doo on Zombie Island” and “Scooby-Doo and the Ghoul School”