The Last Keepers — Aidan Quinn, Zosia Mamet, and Virginia Madsen in a Story About Female Mystics

Posted on August 9, 2013 at 1:48 pm

Last Keepers KAComing on September 10: Aidan Quinn (TV’s Elementary, Unknown, Allegiance, Rushlights, The Greening of Whitney Brown) Virginia Madsen (The Hot Flashes, The Number 23, The Astronaut Farmer), Zosia Mamet (HBO’s Girls, The Kids are Alright), and Olympia Dukakis (Picture Perfect, Mr. Holland’s Opus, Moonstruck) star in “The Last Keepers.”  Rhea (Zosia Mamet) is the last in a long line of female mystics who have practiced their magical traditions in secret for centuries.  She lives a quiet life in the company of her parents Abigail and John (Virginia Madsen, Aidan Quinn) and grandmother Rosemarie (Olympia Dukakis). Abigail and Rosemarie each have their own individual powers, but legend has it that a chosen one will inherit all the powers of the mystics and use them to fight evil. As Rhea becomes aware of her destiny and develops her considerable gifts, she is faced with the biggest decision of her young life.

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Trailers, Previews, and Clips

Flipped

Posted on November 22, 2010 at 8:00 am

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for language and some thematic material
Profanity: Brief strong language
Alcohol/ Drugs: Social drinking
Violence/ Scariness: Tense family confrontations, awkward moments
Diversity Issues: Sympathetic portrayal of disabled family member but other characters make cruel and ignorant remarks
Date Released to Theaters: August 27, 2010
Date Released to DVD: November 23, 2010
Amazon.com ASIN: B002ZG97KG

The director of “When Harry Met Sally….” has given us a middle-school variation, an on and off love story that begins in second grade when Bryce Loski (Callan McAuliffe) and his family move in across the street from Juli Baker (an exquisite performance by Madeline Carroll). In Rob Reiner‘s film, based on a popular book for middle schoolers, Juli immediately falls for Bryce, which of course immediately makes him feel creeped out. Five years later, in middle school, he is still doing everything he can to avoid her. And she is still doing everything she can to be near him. And then, things change. She does not like him any more. And he realizes that she is a very special girl, and that he will do anything to re-earn her affection.

It isn’t just the emotions of the characters that are flipping here; it is also the point of view. We get to see the same situations from both sides, and we get to hear how the two characters’ perspectives do and do not overlap.

Reiner sets the story in the early 1960’s, and the movie has a flawless attention to period detail — the long hair parted in the middle, “Bonanza” on the television. But the essence of the story is eternal, with its impeccable evocation of that moment when we first begin to look at our families’ limits and imperfections and first begin to create the people we will grow up to be.

And not just our families. Juli does not question her love for Bryce for years. And then she becomes older and wiser and realizes that beautiful eyes do not always mean a beautiful spirit and that she really does not know him very well. Bryce may have lovely eyes, but it is not until he sees her through someone else’s eyes that he begins to appreciate her. Bryce’s grandfather (John Mahoney of “Frasier”) realizes Juli’s value first. “Some of us get dipped in flat, some in satin, some in gloss,” he tells Bryce. “But every once in a while you find someone who’s iridescent, and when you do, nothing will ever compare.”

Co-screenwriter/director Reiner lets us share the growing understanding of Juli and Bryce as they begin to see themselves, each other, and their families differently. And with great sensitivity and insight, he evokes the agonizing sweetness of first love and the way that it stays alive in us forever, making possible all of the loves that are to come.

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Based on a book Comedy Date movie Drama DVD/Blu-Ray Pick of the Week Family Issues Romance School Stories About Kids

The Eclipse

Posted on March 25, 2010 at 4:14 pm

B+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for language and some disturbing images
Profanity: Very strong language
Alcohol/ Drugs: Drinking, smoking, drug references
Violence/ Scariness: Some fighting with punches, very disturbing supernatural images and jump out at you surprises
Diversity Issues: None
Date Released to Theaters: March 26, 2010

“The Eclipse” is a moody Irish thriller about a recently widowed teacher who is a volunteer at a local literary festival. Michael (a deeply moving Ciarán Hinds) is doing his best to stay strong for his children and his father-in-law, but has not begun to let himself think about how devastated he is by the loss of his wife.
He is assigned to be the driver for one of the authors at the festival, Lena (Iben Hjejle of “High Fidelity”), who writes non-fiction books about encounters with ghosts. The most prominent author at the festival, in more than one sense of the term, is the pugnacious and needy Nicholas Holden (Aidan Quinn). He comes to the festival in part to see Lena, with whom he has a history and hopes for a future.
All of this could work as a straight-forward drama but writer-director Conor McPherson adds a mysterious overlay of the supernatural that seeps into the interactions between the characters. It creates a pervasive tug of dread and uncertainty. The contrast between the forces the characters are struggling with, from the largest emotional conflicts to the smallest domestic tasks, and the forces that are just beyond reach but seem to be reaching for us. McPherson has a gift for silences and superb control of mood. The story explores the prism of liminality. It is not just the ghosts who are stuck between worlds.

(more…)

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