Family Movies for the Homebound IV: Movies Based on Great Books
Posted on March 30, 2020 at 8:13 pm
More wonderful movies for families to share — these are all based on books that are all-time classics.
The Secret Garden: Agnieszka Holland’s 1993 version of the classic by Frances Hodgson Burnett is my favorite, but the others are good, too. When I first read the book, I loved the heroine because she was so cross, a delightful change from all of the earnest girls in other books. When he parents die in India, Mary must go to the creepy, mysterious home of her absent uncle. The secret garden she discovers there is not even the most remarkable surprise. Also see: A Little Princess (1995 version)
Willie Wonka and the Chocolate Factory: Stick with the first version of Roald Dahl’s classic, Charlie and the Chocolate Factory, about the poor boy who finds a golden ticket in a chocolate bar and gets a tour of the candy factory, along with some other children who are spoiled and obnoxious. You will also enjoy some of the other movies basked on Dahl’s books, “James and the Giant Peach,” “The BFG,” and “Matilda.”
The Wizard of Oz: The most-loved family movie of all time is the Judy Garland, Ray Bolger, Frank Morgan, Bert Lahr, Margaret Hamilton, and Jack Haley version of the story of the Kansas girl who is whisked away to a magical land in a tornado, meets a scarecrow, a tin man, a lion, and a witch, and learns that there’s no place like home. Every time you watch it, you’ll marvel at something new. Also see: “The Wiz” a remix starring Diana Ross and Michael Jackson
The Chronicles of Narnia: Four children entered a wardrobe and found themselves in a magic land, gorgeously brought to life in a series of films.
Harry Potter: J.K. Rowling’s saga about the boy wizard is one of the most successful book adaptations of all time. Read them all and then see the films.
You might know the stories of Malala Yousafzai, Anne Frank, Jazz Jennings, and Joan of Arc. But have you heard about Yusra Mardini, a Syrian refugee who swam a sinking boat to shore, saved twenty lives, then went on to compete as an Olympic swimmer? Or Trisha Prabhu, who invented an anti-cyberbullying app at age 13? Or Barbara Rose Johns, whose high school protest helped spark the civil rights movement? Tavi Gevinson started
Native American sisters Jude and Shoni Schimmel are champion basketball players. The young poets of Muslim Girls Making Change compete in poetry slams and lead workshops. Tavi Gevinson began blogging about fashion at age 9 and went on to cover Fashion Week in New York at age 12 and create a very popular magazine for and about teen girls, and then go on to act in movies and on Broadway. Marley Dias began the #1000BlackGirlBooks movement at age 11 and wrote a book of her own at age 12. And S.E. Hinton ignored the teacher who told her she was not a good writer. The book she wrote at age 16, The Outsiders, is beloved by generations of young readers.
The book is engaging and inspiring — highly recommended for readers of all ages and genders.
Why Fact-Checked Journalism Matters — Interview with Newsman Tim Ortman
Posted on May 24, 2018 at 8:00 am
Tim Ortman, a former cameraman and producer for every major U.S. television news network and the Foreign Press Corps, believes that too many people, especially younger people, are making the mistake of relying on social media as trustworthy news outlets. His new book, Newsreal: A View Through the Lens When…, is filled with stories about his experiences as a newsman in the years when there were just four television networks, with enormous budgets and loyal viewers. And he addresses the impact of cable news and social media on the news, on us, and on our country. In an interview, he discussed fake news, social media, and confirmation bias, and the vital importance of objective, demanding news outlets in a democracy.
Is there more fake news now or are we just more aware of it? Or more able to make it go viral so that it reaches more people?
During the time period Newsreal, A View Through the Lens, When… takes place, there were only four major American news networks and the reporting was factual and straight-forward. Today, what is referred to as fake news is flourishing online. Social media sites often regurgitate news reports from legitimate news sources (IE: NBC News, NY Times, etc.). These reports are then redistributed, often times anonymously, by a mysterious network of trolls, bots and algorithms. With no journalistic oversight, the initial reports become so layered with opinion and conjecture that it no longer resembles the original real news story. This sort of delivery method allows for the viral growth, and subsequent distortion of stories that may have started as genuine news by a real news source but morph into little more than misrepresentation and opinion.
What are some of the indicators of a reliable news source?
Ownership. If a news organization assigns its own reporter or correspondent to write or broadcast a news report, both the company’s and reporter’s name are ‘on the line’, responsible for the validity and accuracy of that report. This ensures that a thorough vetting process is run where facts are checked and sources confirmed.
The President and many other public figures accuse the mainstream media of bias. Is that fair? What is the best way to evaluate those claims?
Donald Trump is the President of the United States (POTUS). It is the job of the news media to report on the President. Almost every President in our nation’s history has taken issue with some story, report or coverage they received. It is inherent with the job. And yet, almost every President in our nations history has recognized a strong and uncensored press is a cornerstone of our Democracy. Two term President George W. Bush (43) was the recipient of much unflattering yet honest coverage while in office. After leaving office, he said, “Power can be very addictive and it can be corrosive. And, it’s important for the media to call to account people who abuse their power.”
I agree.
Is there a risk that relying on media sources, even reliable ones, can perpetuate echo chambers and confirmation bias?
We are fortunate to live in a free society that offers us a plethora of reliable media sources. I’ve traveled to numerous countries devoid of that privilege. With so many sources operating in a 24-hour news cycle, echo chambers are inevitable. As news consumers, it’s best to aim for a balanced diet of news and information as opposed to gorging on one site, paper or channel. This can help reduce the craving for conformation bias.
What is fake news, and is that term mis-applied?
I mentioned online fake news previously. However, my intentional misspelling of Newsreal was intended to address the all-too-popular use of the term “fake news” as it’s been applied to print and broadcast journalism. I don’t buy it. It is intended as a smokescreen; a diversionary tactic to distract the viewer/readers attention away from a story that’s not flattering or complementary, but at its core, factual and correct. By applying the label “fake news,” the aim is to lessen or totally dismiss a truthful report. Truth can be a bitter pill to swallow for some, but that doesn’t make it false or fake. As news consumers, we have become too quick to believe in this artificial labeling.
How has “liking” and “retweeting” affected the dissemination of news stories, both legitimate and fake?
I can only speak to legitimate news and the business of fact-based news should never be a popularity contest. Likes and dislikes have absolutely no place in the delivery of unbiased journalism, and for good reason. Reporters should be free to report the truth regardless of how it will be received. The search for truth can sometimes be a circuitous path. What may seem like an unpopular story initially can develop a ground-swell of support once all the facts are on display. Real news should not be packaged to appear more appealing or ‘liked’.
What is the biggest threat to independent news media?
The external criticism of the news media has little affect of true journalists. They louder the outcry, the more emboldened and dedicated the journalistic community becomes. The real threat comes from within when corporate policy dictates what is and what isn’t news. We saw this with the Sinclair Broadcasting Group scandal where the media giant, who owns 173 television stations, forced anchormen and women systemwide to read an on-air script prepared by Sinclair management. This blurred the line between the company’s beliefs and independent reporting.
Why do you call your time in the business the golden era? What did we have then that we no longer have?
The big-three networks (NBC, CBS and ABC) made their profits from their prime-time line-up with shows like Cheers and Seinfeld. Profitability wasn’t the guiding principle within the news divisions where news coverage was viewed as a civic obligation or “higher calling.” Anchormen were more trusted than Presidents and audience ratings were twice what they are today.
Additionally, each network had news bureaus in every major city and capital around the world. This made for very powerful yet very agile global news operations that could mobilize to cover news wherever and whenever it happened.
Where will our children get their news when they become adults?
Tough question as I have no idea what the news landscape will look like in the future. I only hope that as the next generation turns off the TV and turns on other devices, the content being viewed includes a healthy dose of news and information from around the world. We are the most powerful nation on earth. We owe it to ourselves, and to those Americans who came before us to be the most well-informed nation was well as the most powerful.
John Hanlon Interviews the Producer of “A Wrinkle in Time”
Posted on March 15, 2018 at 2:48 pm
My friend and fellow critic John Hanlon spoke to Catherine Hand, who decided when she read A Wrinkle in Time at age 10 that she wanted to make it into a movie and has devoted her life to that one goal. Perhaps the most remarkable part of the story is that she actually did get the movie made once, for television, which everyone agreed was inadequate, and true to the spirit of the book, she did not give up. She produced the new version directed by Ava Duvernay as well. Here’s a look at the earlier version:
You’ve been working to adapt this novel for the big screen for a long time. What was the greatest challenge you faced?
I’ve been asked that question and there’s so many different answers but I will tell you A Wrinkle in Time is the quintessential heroine’s journey — which is different than a hero’s journey — and the industry was just not as open to telling that story. It was really when a whole new generation of executive producers, writers, directors rose up and the book —while it may have seemed daunting for many years for a lot of people — I think this new generation of creative individuals in the industry embraced it and I think that at the end of the day, it’s so much about timing and I think as you said earlier its themes are universal and timeless.