Celebrate Mary Shelley’s Birthday: Watch Frankenstein!

Celebrate Mary Shelley’s Birthday: Watch Frankenstein!

Posted on August 30, 2009 at 12:00 pm

Mary Shelley, daughter of two leading intellectuals and wife of a brilliant poet, was a teenager when she was challenged to write a ghost story and came up with one of the most enduring and often-filmed scary stories of all time, now considered the first true science fiction novel as well. She called it Frankenstein; or, the Modern Prometheus. And, as we all now know, it is the story of a scientist who tries to triumph over death by creating life. On screen, Frankenstein and his creation have co-starred with everyone from Abbott and Costello to Alvin the Chipmunk. The monster has been played by Boris Karloff, Robert DeNiro, Randy Quaid, David Warner, Tom Noonan, Peter Boyle, Michael Sarrazin, Lon Chaney, Jr., David Prowse (the actor who played Darth Vader) and John Cleese and inspired the character of Herman Munster, played by Fred Gwynne.

We Belong Dead: Frankenstein On Film is a good resource for the movie versions of Mary Shelley’s story. Some of the best Frankensteins include:

Frankenstein (1931) The James Whale-directed classic starring Boris Karloff is an unquestioned masterpiece of mood and filled with iconic moments.

The Bride of Frankenstein (1935) Whale and Karloff returned with this sequel, which many consider even scarier. Elsa Lanchester plays both Mary Shelley and the title character. Whale’s skill at making the story not just horror but tragedy makes this a compelling film that transcends genre.

Gods and Monsters (1998) This is not the story of Frankenstein but the story of James Whale (brilliantly played by Ian McKellan), whose depiction of Shelley’s story would be as influential in the 20th century as her book was in the 19th. The re-creations of the scenes from Whale’s films are meticulous and illuminating.

Young Frankenstein (1974) This loving spoof of Shelley and Whales has a hilarious script by Mel Brooks (who directed) and Gene Wilder (who starred as Dr. Fronk-en-STEEN). As influenced by Whales as by Shelley, this wildly funny film used some of Whale’s original sets and props.

Abbott & Costello Meet Frankenstein (1948) Brook and Wilder were not the first to see the comic possibilities in a monster film. Abbott and Costello run into a whole bunch of movie monsters with a lot of silly, Scooby-Doo-style scares.

And be sure to check out the Frankensteinia blog, which is a tribute to all things Frankenstein.

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For Your Netflix Queue Lists

Igor

Posted on January 20, 2009 at 8:00 am

In the town of Malaria, anatomy is destiny. Boy babies get their assignments at birth. Those without hunchbacks become evil scientists. Those with hunchbacks become Igors and spend their days saying, “Yes, master,” when ordered to “Throw the switch!”

Malaria was once a happy farming community. But some sort of climate change resulted in constant thunderstorms and now the entire economy depends on evil inventions and the biggest event of the year is the annual evil science fair competition. But not all of the people in Malaria are right for their assigned roles. Dr. Glickenstein (voice of John Cleese) is not a very good evil scientist. His Igor (John Cusack) has the hunchback of an assistant but the heart of an inventor. And the most evil scientist of all, Dr. Schadenfreude (voice of Eddie Izzard) cannot invent anything at all and relies on tricks and spying to steal the inventions of others. Igor, with the help of two assistants he invented, the immortal cat-like Scamper (voice of Steve Buscemi) and a brain in a jar named Brain (voice of Sean Hayes), invents a bride-of-Frankensteinish monster (voice of Molly Shannon). But she, too, turns out not to fit into the role she has been assigned.

The tone of the movie is cheerily macabre, so parents should be cautious about allowing young or especially sensitive children to see it. But for those who are able to be in on the joke, the film has a number of delights, from the Louis Prima songs on the soundtrack to the tweaks and jibes at horror films, “Annie,” and James Lipton’s “Inside the Actor’s Studio.”

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