‘Twilight’s’ Alex Merez: Interview of Paul from the Wolf Pack

Posted on June 29, 2010 at 3:31 pm

Alex Merez is one of the wolf pack in this week’s release of “The Twilight Saga: Eclipse,” the third of the series based on Stephanie Meyer’s wildly popular books. The wolf pack are the Quileute people who become wolves. I spoke to him when he came to Washington D.C. for a special showing of the last film, “New Moon.”
When “New Moon” came out, I spoke to two of the vampires, who told me they took movement lessons to develop their cat-like grace. What kind of preparation did you do for moving like a wolf? Was your background in dance helpful?
Yes. I think it is mostly about your posture. People can tell whether it is defensive or aggressive. I put some thought into it but I didn’t take any classes. (Laughs.) It’s all in the eyes. That’s where their chain of command is, in the eyes. Little subtleties, too, where their ears are, keeping my shoulders in, kind of scrappy and aggressive.
Do you have any action scenes in the film?
No, but my wolf does! I made sure to massage Phil Tippett, the genius behind making the wolves do what they do. I just massage his shoulders and then he made my wolf do extra-cool stuff.
What’s the most fun about playing a wolf person?
Being half-nude the whole time! It got freezing cold, but it was the only time I could be that naked and not get a ticket.
I watched over and over again Bram Stoker’s Dracula with Gary Oldman, one of my favorites. I really enjoyed that film. Now I like more dramas and indie films. I loved “Crazy Heart,” this anti-hero trying to reclaim the fleeting game.
Did you want to be an actor when you were a kid?
It wasn’t until much later. I thought if you wanted to be an actor you had to be on stage, acting, singing — that was not my cup of tea. But I met my mentor, a very strong, physical, masculine man and he persuaded me to go into it.
You are a First Nation descendant of the Purepecha Nation, so like the wolf pack in the movie you are of Native American descent. Is that important in playing the role?
The cool thing about it is coming from that cultural perspective, you can’t fake it or read a book about it. It’s something you just have. It’s just a part of you. So we really bring that into our characterization. We definitely focus on the community. And wolf packs rely on each other. They can’t survive alone. That’s something native people do anyway.
What did you do to have fun while you were filming?
We would go out to eat, we were watching movies. And Taylor would just hang with us.
Do you study martial arts?
Yes, I’m a black belt in Shidokan karate, have done muay thai, Afro-Brazilian martial arts, a little bit of ju-jitsu.
Why is this story so popular?
It’s grounded in reality. Every great story is a love story at the root. Everyone can relate to that. Everyone understands hatred, betrayal, revenge, unrequited love. It touches on a lot of things that fans can grasp.
What do the fans say to you?
Take your shirt off!

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The Twilight Saga: New Moon

Posted on March 16, 2010 at 8:00 am

“You’re good with weird,” a character tells Bella mid-way through “The Twilight Saga: New Moon.” That’s an understatement. In the first Twilight movie, as in the first of the series by Stephanie Meyer, high school student Bella Swan (Kristen Stewart) moved to the rainiest town in the US, Forks, Washington and fell deeply in love with Edward (Robert Pattinson), who looked like a teenager but was in fact a vampire who was more than 100 years old. He and his “family,” the Cullens, are sort of vampire vegetarians, living on animal blood. But there are other vampires who continue to prey on humans, and they almost killed Bella before Edward rescued her. And then they lived happily ever after until it was time for another book/movie, and that is where we begin.
Edward, convinced that their relationship will always put Bella in danger, leaves, telling her he will never see her again. She is devastated and isolates herself from everyone. She discovers that Edward appears to her when she is in danger, so she takes some foolish risks, just to feel close to him. But then the quiet support and gentle teasing of her friend Jacob (Taylor Lautner) begin to make her feel that she is able to be a part of the world again.
Like Edward, Jacob loves Bella and would do anything to protect her. And like Edward, Jacob has a secret. He is part of a tribe of wolf-people. Like “The Hulk,” his anger manifests itself in a powerful transformation. And Bella finds herself at the center of a centuries-old war between the vampires and the wolves.
The wildly popular Twilight Saga has the core elements of girl-friendly romances from “Wuthering Heights” to “Titanic:” a boyfriend who is not approved by parents who is utterly undone by the appeal of the female lead, and something to make sure that their relationship is about longing, not satisfaction. Just in case you aren’t paying close attention, we see Bella sleeping with a copy of “Romeo and Juliet” on her pillow, and her English class watching a video of the play. The teacher calls on Edward to recite one of Romeo’s speeches. And later, Edward, like Romeo, believes that his love is dead and decides he cannot live without her.
There is a lot of longing. Characters exchange meaningful looks and take an extra beat before responding to allow for some strategic intakes of breath and swelling of the score. There are moments that are more perfume commercial than movie. And as in the book, this big love Bella and Edward feel is expressed mostly in talking about the big love they feel. In a way, this is wise; we never see them doing or seeing anything that would interfere with our ability to project onto them whatever the specifics of our own fantasies of love look like. All we know or need to know is that Bella and Edward have the big, total, all-encompassing, would do anything for each other love. Just like Romeo and Juliet.
And we have Lautner’s excellent abs, which play such a significant role they should have their own billing. Lautner also has an easy confidence and sincerity on screen that nicely leavens the intensity and drama of the Bella-Edward connection. The screenplay is seasoned with some humor and a reference to self-referential cleverness that is almost meta.
New director Chris Weitz does not have Catherine Hardwicke’s feel for the rhythms of teenage interactions and the intensity of teen romance. And he does not have her ability to tell the story through the settings; we miss the lush natural world of the first chapter. Weitz and screenwriter Melissa Rosenberg also have to grapple with a transitional story that translates less well to screen than the first one. But the film benefits from his greater experience with special effects and a bigger budget. He catches the spirit of the story and allows the natural chemistry between his leads do the rest. And that is enough to make this movie enormously enjoyable and keep us looking forward to the next one.

(more…)

Twilight

Posted on March 17, 2009 at 8:00 am

B+

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for some violence and a scene of sensuality
Profanity:	Some teenage language
Alcohol/ Drugs:	Adults drink beer
Violence/ Scariness:	Vampire violence, grisly images, characters injured and killed
Diversity Issues:	Diverse characters
Date Released to Theaters:	November 21, 2008

It is in no way disrespectful to this movie to say that I enjoyed the audience reaction as much as I enjoyed what was on the screen. In a theater filled with fans who had patiently waited for over an hour, it was possible to hear some lines softly recited along with the characters, some squeals of joy at seeing favorite moments depicted, and, in a few quiet scenes, some happily sad sniffs.

“Twilight,” the first in the Stephanie Meyer series of books about a high school romance where the boy happens to be a vampire, has become “Twilight” the movie and it has been brought to life with respectful diligence for the source material and a warm understanding of its characters and target audience. Catherine Hardwicke has developed something of a speciality in stories about teenagers with “13,” “The Nativity Story,” and “The Lords of Dogtown,” and one of the pleasures of the film is the way she shows us the rhythms of teenage interaction.

Bella (a perfectly cast Kristen Stewart) has left sunny Phoenix for the rainiest town in America, Forks, Washington, to live with her father. The students at her new school welcome her warmly but the boy who dazzles her is handsome Edward Cullen (Robert Pattinson). At first, he seems to dislike her, but it turns out that he has just been trying to hide from her and from himself how much he is attracted to her.

These days, it is increasingly difficult to find a reason for a couple not to get together so fast there is no time for a story to happen and Meyer specifically created Edward and Bella with a permanent dilemma to give her characters and her readers some breathing room to explore the relationship. Part of the appeal of the story is an almost-Victorian sense of repression, sacrifice, and longing, all so sincerely depicted it just might single-handedly bring back the swoon. Young girls can enjoy this story because of Bella’s sense of power — loving her so devotedly all but un-mans a creature designed to be “the world’s most dangerous predator.” Edward has the attributes of the adolescent ideal for romance since before the days of “Romeo and Juliet,” “Wuthering Heights” and “Titanic” — unconditional love, parental disapproval, and ultimate impossibility.

The film falters a little in the portrayal of the vampires, who seem, even by fantasy standards, unnaturally pasty-faced, and some of the special effects are a little cheesy. It’s hard to make someone super-fast without looking cartoony. But it benefits from some deft and easy humor and sly twists on both vampire lore (let’s just say that mirrors and sunlight are different for these vampires than for the traditional Bram Stoker variety, with subtle hints to crosses and garlic) and high school (giving it up on prom night takes on a new meaning). Hardwicke, originally a production designer, also lets the settings help tell the story, from the lush greens of the opening shots to the Cullen’s sun-filled home. But the movie belongs to Bella and Edward and Stewart and Pattinson show us a tenderness and devotion that makes them one of this year’s most romantic couples.

Twilight Character Guide

Posted on November 15, 2008 at 9:04 am

Rotten Tomatoes has a character guide for the movie that is setting advance-sale records at Fandango: “Twilight”
Fandango reports that:

More than 500 of Thursday’s Twilight midnight showtimes are sold-out in advance online – from Poulsbo, Washington to New York’s Staten Island;
86% of daily ticket sales on Fandango.com are for this single film;
67% of our online survey respondents contend that Twilight’s most appealing element is its “love story”; 18% selected the “vampire lore”; 8% picked the “thriller elements”; 7% chose other elements.

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Panic Room

Posted on December 13, 2002 at 5:17 am

This thriller, in the claustrophobic mode of “Rear Window”, finds Meg (Jodie Foster), a recent divorcee, and her combative daughter Sarah (Kristen Stewart), trapped in the secret vault/bomb shelter/safe room set up by their apartment’s previous owner, a paranoid millionaire with a squabbling family. The least favorite cousin, Junior (Jared Leto), has broken into the apartment with the help of security expert Burnham (Forest Whitaker) and tag-along psycho Raoul (Dwight Yoakam). The bad guys want in to the vault, where the old millionaire hid his millions. The girls just want to get out, but the protected phone line inside the room hasn’t been activated yet (they just moved in).

This is not a movie about insight into the human condition or subtle, complex characters. This is just a movie about scaring the heck out of you, and it does that very expertly.

Jodie Foster’s inner mama tiger takes over and escalates as the burglars take more and more drastic steps to try and enter the impregnable vault, and Kristen Stewart moves from being a tough, sullen teen to a tough, sullen, wily teen. On the outside, Forest Whitaker gets to play the good bad guy, while Mr. Leto and Mr. Yoakam act progressively more evil.

For a story which should have been a claustrophobic battle of wits, too often it’s simply a battle of violence, although there are some riveting action sequences. And while the family dynamics are underdeveloped, the film does show how divorced parents and their children can remain a family even after separation.

Parents should know that the movie has extreme suspense and some graphic violence. A child is in peril. Characters use strong language.

Families who see this movie should discuss what the characters do to escalate the level of violence, and how acting from emotions as opposed to reason can aggravate problems, no matter how satisfying it may seem at the time. Divorced families will be especially interested in Sarah’s father, who has in no way abandoned his daughter.

Families who enjoy this movie will also enjoy the director’s other movies (very mature material), “Seven” and “Fight Club.”