Night at the Museum: Battle of the Smithsonian

Posted on November 30, 2009 at 8:00 am

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for mild action and brief language
Profanity: Brief schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Extensive comic/action violence, no one hurt
Diversity Issues: Diverse characters
Date Released to Theaters: May 22, 2009
Date Released to DVD: December 1, 2009
Amazon.com ASIN: B002GJTYIW

Everything is bigger, better, and especially funnier in this sequel to the surprise hit Night at the Museum. In the original, Larry (Ben Stiller) was an unsuccessful inventor who took at job as a security guard at New York’s Museum of Natural History and found that all of the exhibits came to life at night. With the help of Theodore Roosevelt (Robin Williams), and the young Pharaoh Ahkmenrah (Rami Malek), Larry was able to reconcile the dispute between a cowboy named Jedediah (Owen Wilson) with his neighboring diorama-mate Octavius (Steve Coogan), tame both a dinosaur skeleton and an enormous totemic sculpture, and defeat the bad guys who tried to set him up and steal the magic tablet.

As this film begins, Larry has achieved his dream of success and is doing infomercials with inventions like the glow-in-the-dark flashlight. He is so busy he seldom sees his old friends at the museum and he is shocked to find that they have all been packed up. The museum is going all 2.0 and is about to be tricked up with fancy interactive animatronics. And all of the old exhibits are being shipped off to the Smithsonian Institution in Washington, not for display but for storage.

And that is how Larry, the Museum of Natural History exhibits from the first movie, and dozens of new characters from the world’s biggest museum complex in Washington DC, the Smithsonian. Ahkmenrah’s evil brother Kahmunrah (Hank Azaria) wants to use the tablet to raise an army of the dead to take over the world. Larry will have to rely on his old friends and some new ones, like Amelia Earhart (Amy Adams) and George Armstrong Custer (Bill Hadar) to fight Kahmunrah and his allies Ivan the Terrible (Christopher Guest), Napoleon (Alain Chabat), and Al Capone (Jon Bernthal), who is in black and white because he was brought to life from an old photograph.

Yes, even the pictures, paintings, the gift shop bobble heads and the sculptures come to life in this film and there is one sequence where Larry escapes into Alfred Eisenstadt’s classic photo of VJ Day in Times Square, and he later empties the water out of a Turner seascape. The special effects are exceptionally well done, but what makes the movie work is its inspired cast, all having a blast and trying to top each other. Over and over, the same old gag works just fine as the best all-star comedy cast since “It’s a Mad Mad Mad Mad World” finds the sweet spot between action and inspired silliness.

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Action/Adventure Comedy DVD/Blu-Ray Pick of the Week Fantasy For the Whole Family

Clancy

Posted on November 29, 2009 at 10:00 pm

An abused girl with a gentle soul and a belief in Jesus changes the life of a homeless veteran in this movie from writer-director Jefferson Moore. While the movie is uneven in quality, it is good to see a story with a character whose frank and open belief is a source of strength and guidance for her and an inspiration for others. I especially liked the way it portrays unconditional love as the core of her relationship with God. (NOTE: character abuses drugs and alcohol, child abuse, homelessness, some violence, corrupt officials)

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For Your Netflix Queue

Old Dogs

Posted on November 24, 2009 at 8:08 pm

D
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for some mild rude humor
Profanity: Some mild language
Alcohol/ Drugs: Characters drink to deal with stress and get drunk, accidental misuse of pharmaceuticals with severe side effects
Violence/ Scariness: Comic peril and slapstick violence, many crotch hits, confrontation with a gorilla, no one badly hurt
Diversity Issues: Some homophobic humor.
Date Released to Theaters: November 25, 2009

At one point in this endlessly, excruciatingly un-funny non-comedy, Dan (Robin Williams) and Charlie (John Travolta) are at a camp-out with Dan’s seven-year-old twins. Everyone agrees that it’s all about the kids. And of course there’s nothing more fun for kids than sitting on the sidelines while the grown-ups play all the games, right? So, we get to watch the kids watching the grown-ups. They have to look like they’re having fun. We, sitting there in the dark, do not have to pretend.

That’s about all the good news there is. Disney has doubled the same idea that worked surprisingly well in “Game Plan” — sports guy finds out that several years ago he became a father when the progeny get dumped on him for a visit and he has to learn how to be a father very quickly. It may have twice the fathers and twice the kids, but it has half the jokes and none of the heart. Instead of The Rock as a football player, we have Williams (the boring numbers guy who never does anything fun) and Travolta (the funny story-telling man who hits on women all the time) as long time best friends and business partners in a sports marketing firm who are (duh) just about to close the big, big deal when Vicki (Kelly Preston) shows up with the twins to explain that even though they were only married for one drunken night, she became pregnant and now that she is going to jail(!) for two weeks for trespassing in a protest against environmental damage, she needs him to take care of them. This is after the person she originally had to take care of them, her best friend the hand model (Rita Wilson), was hospitalized after Dan smashed her hands by closing a car trunk on them. Funny!

We then have a series of painful set-pieces featuring many members of the Travolta family (Preston is his wife, his daughter plays one of the twins, other members play extras) as Dan fails to be a good father and Charlie fails to be a good human. This happens being in many different locations, where they run into many different actors who all share a “how did I get here?” look. Matt Dillon and Justin Long show up at the camp ground. As soon as Dillon tells us how much he treasures his grandfather’s memorial statue, we know it won’t be around much longer. Dax Shepard and Luis Guzman are inept child-proofers. Guzman’s shtick is that he eats everything in the apartment! Un-hilarious! Amy Sederis flips out when Dan tries to bring the twins to the adults-only condo building! Un-comedic! Ann-Margret(!!) flips out when Charlie spoils a meeting of the bereavement group by eating the special pie made by a woman who died and by having a bad reaction to some medicine that gives him a grotesque facial rictus that makes him smile like the Joker! Plus many, crotch hits and poop jokes! And many jokes about how Dan and Charlie are mistaken for the kids’ grandfathers! And two separate episodes about the hallucinogenic and other bad side effects of the medications the men take for their age-related problems. Double plus un-good!

And I have not even mentioned how not funny it is when Dan’s son types a scatological term into the conference call with the big client, or when the same term comes up with reference to the bear scat Dan and Charlie wipe under their eyes before the game at the camp-out. Or how sad it is to see the wonderful Bernie Mac in the movie’s only bright spot as a children’s entertainer who helps out by giving Charlie a suit that will control every one of Dan’s movements to help him learn how to play tea party with his daughter. It reminds us how much we miss Bernie Mac. The rest of the time the movie just reminds us of how much we miss the days when Travolta and Williams were fun to watch. These old dogs need some new tricks.

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Comedy Movies -- format

Shorts

Posted on November 24, 2009 at 8:01 am

A rainbow-colored wishing rock creates comic chaos in a film from Robert Rodriguez about bullies, family communication and being very, very careful what you wish for. It is also about an army of crocodiles, a telepathic super-genius baby, and a pig-tailed villain named after a font.
Rodriguez is a one-man studio who brings a stylish, kinetic energy to two kinds of movies, the ultra-violent (“Desperado,” “Once Upon a Time in Mexico”) and the family-friendly (the “Spy Kids” series). He is writer, director, cameraman, editor, co-composer of the score and in this case also father of four members of the supporting cast.
He understands that kids would be as likely to wish for getting their braces off as for money or superpowers. He knows how to get them actively involved in figuring out what is happening. He can tell that they will find a booger monster wildly funny. And he knows that what kids and parents wish for most is to be close to friends and family.
The title refers to the way the story is presented — brief intersecting stories going back and forth in time, each filling in additional details of the others. It is set in a community that literally exists in the towering shadow of Black, Inc., a huge corporation headed by Mr. Black (James Spader). He wants to create the ultimate technology, the Black Box, with innumerable functions that include a phone, vacuum cleaner, toaster, dog groomer, and baby monitor. Black’s harried employees include Mr. and Mrs. Thompson (Leslie Mann and John Cryer), who are assigned to lead competing teams and get so caught up in the pressure to succeed that they communicate primarily by texting, even when they are standing next to each other.
That is why they do not notice that their son, Toe (Jimmy Bennett), has no friends and is thrown in the trash every morning by a group of bullies at school led by Mr. Black’s children Cole (Devon Gearhart) and Helvetica (newcomer Jolie Vanier in Wednesday Addams mode). They throw a rock at Toe that turns out to have magical powers. But Toe and the other people who come in possession of the rock are no better at holding onto it than they are at stating their wishes with the requisite precision. Like all fairy tale wish-granters, the rainbow rock is very good at finding loopholes.
Toe presents each character’s experiences with the wishing rock, going back and forth in time and letting us put the pieces together. Toe’s neighbor Loogie (Trevor Gagnon) and his brothers make a number of wishes that do not turn out the way they had hoped, including a wish for “telephonesis” instead of “telekinesis” and wishing for wisdom without being more specific about who should become wise. And then there is another neighbor, Toe’s former friend Nose (Jake Short). He is confined to home with his germaphobic mad scientist of a father (William H. Macy), who spends every minute he isn’t wiping everything down with antiseptic working on contraptions to create a bacteria-free environment. When Toe’s sister (Kat Dennings) unknowingly carries the rainbow rock to her job as Nose’s tutor, Nose uses it to make an unselfish wish – but that does not keep the consequences from being equally disastrous. When Toe’s parents wish they could be closer, the result is more literal than they had in mind.
And then Helvetica and her father get the rock, and things really get out of hand.
After the disappointment of “Spy Kids 3D” and “The Adventures of Sharkboy and Lavagirl,” it is good to see Rodriguez moving toward what made the first “Spy Kids” one of the best family films of the last decade. This film is not as imaginative or heart-warming as that one, but it is refreshingly un-glamorous and it has a warmth and sense of fun that makes it just the end-of-summer treat a family might wish for.

(more…)

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Action/Adventure Comedy Fantasy For the Whole Family
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