Made of Honor

Posted on September 16, 2008 at 8:00 am

“Made of Honor” has gloss and bounce and some of the core elements of a mainstream chick flick/date movie. Sexiest Man Alive runner-up in lead role? Yep, Dr. McDreamy himself. I’ve been a Patrick Dempsey fan since he did the African anteater dance in Can’t Buy Me Love. Does he get his comeuppance? In a romantic comedy, it’s always a good thing if someone gets a comeuppance. Yes, that’s here, too. And much of the movie concerns wedding plans, usually a reliable plot line. Consistent with wedding custom, it has something old (boy meets girl, boy loses girl…), something new (we’ll get back to that later), something borrowed (the plots of “The Wedding Planner,” “My Best Friend’s Wedding,” half a dozen “Friends” episodes featuring Ross and Rachel, etc. etc.), and something blue (some of the humor pushes the PG-13 limits to the edge). But it leaves out a few other essentials.

Ten years after college, Tom still sleeps with as many beautiful women as possible, not-so-gently informing each of them that he has “rules” — no one gets him two nights in a row, no one gets to visit his apartment, no one meets his family, etc. etc. The one constant in his life is his weekly time with college pal Hannah (Michelle Monaghan of “Gone Baby Gone”), his best friend. When she returns from a six-week business trip to Scotland engaged to a bonny broth of a Mr. Right (think the Laird of Right), Tom suddenly realizes that it is Hannah he truly loves. She wants him to be her Maid of Honor and he accepts because he thinks it will help him stop the wedding and prove to Hannah that he’s the one.

Despite Dempsey’s charm and charisma, the character he plays is hard to root for, more a male fantasy than a female one. The screenwriters and director seem mystified by women and sometimes even downright misogynistic, never a good thing in a chick flick. Women all take one look at tom and sigh, endlessly willing to do anything from write their phone numbers on Starbucks coffee cups to jump into (or back into) bed with him, one even yelling “Service me!” Three different times, the movie makes fun of an elderly lady who mistakes a sex toy (glow in the dark!) for a necklace. Not funny even once. Tom is immature and self-centered. He has no job, no interest in anything but hanging out with his basketball-playing buddies, having sex with many different girls, and his weekly date with Hannah, which is primarily about making him feel good. Even when she gets engaged, it never occurs to him to think about what would make her happy. The movie avoids the usual formula of making the designated loser in the marriage sweepstakes obviously wrong for Hannah but forgets to substitute some other reason to root for Tom. As happens too often these days, the movie relies on vulgarity instead of wit, insults instead of banter, and recycled ideas instead of anything fresh. It is so sloppy it does not know the difference between a blog and a post or between a museum conservator and a curator and has homophobic (literally) locker-room humor that would be considered childish by 14-year-olds. When the highlights of the movie are seeing Dempsey juggle china and a wedding video featuring Elizabeth Hasselbeck, you know the script is a couple of bridesmaids short of a wedding party.

Related Tags:

 

Comedy Romance

27 Dresses

Posted on January 17, 2008 at 7:40 am

B
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for language, some innuendo and sexuality.
Profanity: Some strong language (s-word, b-word)
Alcohol/ Drugs: Drinking (as liberating and empowering), characters get tipsy
Violence/ Scariness: Comic violence including slaps
Diversity Issues: None
Date Released to Theaters: January 18, 2007

27%20dresses.jpg Jane has a special closet in her apartment filled with 27 dresses so ugly that only two things can be true: (1) they were all bridesmaid’s dresses, and that means (2) all 27 brides assured her that they could be shortened and worn again.
Jane (Katherine Heigl of “Grey’s Anatomy” and “Knocked Up”) is a natural caretaker. After her mother died when she was a child, she took care of her sister. She has taken care of 27 different brides, helping out with wedding details that have her over-stuffed day-planner bristling with yellow sticky reminders. In her job, she takes care of her boss, George (Edward Burns), the too-good-to-be-true mountain-climbing CEO of an impeccably politically correct corporation. She makes sure he gets his breakfast burrito and picks up his dry cleaning. In her few spare moments, she sighs with love for George or sighs with hope over the weekly write-ups of the most romantic weddings in the Sunday paper. Her dreams are of white dresses, tossed bouquets, and big cakes with lots of icing. Her reality is…dreams.
Just as she decides to let George know how she feels, urged on by her best friend Casey (the marvelous Judy Greer, wasted in an underwritten role as the movie’s designated sleep-around friend), Jane’s globe-trotting model sister Tess (Malin Akerman) arrives and she and George immediately decide to get married, with guess who taking care of all the cake, flower, and decoration details. All of this is so distracting that Jane barely has time to notice the killer smile of Kevin, a cynical reporter (the marvelous James Marsden, almost-wasted in an under-written role that seems left over from an old Clark Gable character). For no reason except the demands of the increasingly flimsy plot, Kevin is required to keep a couple of obvious secrets.
Heigl is the real deal, with girl-you-wish-lived-next-door imperishable but accessible beauty, appealing, endearing, vulnerable, with understated comic timing. Marsden, too, has charm to spare. Both hold our interest and keep us rooting for them even when the script does its best to get in the way. Do we really need yet another scene with characters letting go by getting tipsy and singing 80’s songs? Akerman (“The Heartbreak Kid”), in her second role in five months as a selfish, irresponsible, and all-around nightmare bombshell who impulsively gets engaged, struggles with an impossible task as she tries to be both over-the-top obnoxious and sympathetic at the same time. What does work is Heigl and the dresses and the fact that, like Jane, most of the audience loves to get misty at weddings. Watching this film is like waiting to catch the bride’s bouquet, more anticipation than fulfillment.

(more…)

Related Tags:

 

Comedy Genre , Themes, and Features Movies -- format Romance

The Holiday

Posted on December 3, 2006 at 3:54 pm

Amanda (Cameron Diaz) has a successful business cutting up new Hollywood releases into three-minute trailers that make the films look as enticing as possible. Writer-director Nancy Meyers essentially cuts up classic romantic comedies and reassembles them for modern consumption. The result is glossy fluff entertainment like What Women Want and Something’s Got to Give. They’re pretty to look at but they dissolve like cotton candy.


Amanda and Iris (Kate Winslet) find themselves with broken hearts just before Christmas. On impulse, they both go online and end up swapping homes for the holidays. Iris goes to Amanda’s glamorous house on movie star row in Los Angeles and Amanda ends up sliding around on high heels along the snowy road to Iris’s picturesque little cottage in the English countryside. And who should come to their doors but Jude Law as Graham, Iris’ brother, tipsy and looking for a place to sleep it off, and Jack Black as Miles, a soundtrack composer.


It’s hard to say whether the movie is being meta in its movie references (an old-time Hollywood screenwriter from next door gives Iris a must-watch list of classic romantic comedies and Amanda’s trailer for a Lindsay Lohan action film is one of the highlights), or just unimaginative and derivative. Probably a little bit of both. Too often, it is so formulaic you can see the little index cards — MUST HAVE: adorable guy with an English accent who is misunderstood and turns out to be even dreamier than we first thought; completely unnecessary romantic dash through the snow; character who announces that she can’t cry and so must then cry; cad who broke girl’s heart beg her to come back so she can turn him down, check, check, check. Oh, and just to make sure, let’s pick the safest, most predictable, guaranteed heart-tugger songs on the soundtrack. Even the delectable Diaz can’t make some of the behavior in this film feel anything but tawdry. There are some logistical impossibilities that will jar even the most beguiled of audiences out of the movie. It’s worst failings are its smugness about its own charms, unwarranted banner of female empowerment, and phony sincerity. But the stars and settings are undeniably appealing. If it is as synthetic and insubstantial as a Kinkade Christmas tree ornament, it is as pretty, too.

Families who enjoy this film will also enjoy some of the classics recommended for Iris, including The Lady Eve and His Girl Friday, plus Holiday, a movie in the same genre also set around New Year’s Eve and with a title that might have inspired this one, starring Cary Grant and Katharine Hepburn. They will also enjoy Love Actually (very mature material) and Nancy Meyers’ other films, What Women Want and Something’s Gotta Give.

Related Tags:

 

Comedy Drama Holidays Romance

Houseboat

Posted on December 13, 2002 at 5:17 am

Plot: Diplomat Tom Winston (Cary Grant) returns to Washington, D.C. following the death of his estranged wife. His three children, David, Robert, and Elizabeth, have been staying with his wife’s sister, Caroline (Martha Hyer). They are hurt and resentful. He takes them to an outdoor orchestra concert, and Robert wanders off and meets Cinzia (Sophia Loren), the daughter of a visiting conductor. She has also wandered off, in search of adventure and companionship. When she brings Robert back, Tom sees that Robert likes her, and impulsively offers her a job as a housekeeper. She agrees, because traveling with her father has been boring and lonely.

David causes an accident that destroys their home, so the only place they can live is an old houseboat owned by Angelo, a handyman (Harry Guardino). They settle in there with Cinzia. It turns out she can neither cook nor do laundry, but the children adore her, and Tom warms to her too. With her help, he reaches out to his children, and they reach out to him.

Caroline tells Tom that her marriage is ending, and that she has always loved him. On the way to a country club dance, a tipsy male friend of Caroline’s swats Cinzia on her rear end and she tosses wine in his face. Caroline, annoyed at Tom for sticking up for Cinzia (and jealous), leaves for the dance without him. Tom invites Cinzia to the dance, and she accepts, despite her promise to go fishing with David. At the dance, Tom proposes to Caroline, but then, as he dances with Cinzia, he realizes that she is the one he loves, and that she loves him, too.

At first, the children are terribly upset and feel betrayed by both of them. Cinzia, unwilling to make them unhappy, runs back to her father, apologizing, “I’ve learned many things, including how hard it is to be a father.” Tom finds her there, but she refuses to go back with him. “Your children are your friends again, and that is the most important thing.” He tells her that being their friend is not the most important thing; being their father is. They get married. And the children, at the last minute, join in.

Discussion: This is a warm romantic comedy that is exceptionally perceptive and sensitive about the feelings of the children. It does a nice job of showing that David’s truculence and petty theft are due to his feelings of vulnerability and loss. In one scene, Tom at first tries to show David how to fish, then, when David says that he feels incompetent, Tom asks him for advice, and they are able to talk for the first time about his mother’s death. Tom shows David that nothing is ever really lost, and David is able to let Tom know that he fears losing Tom, too. After this talk, David feels safer, and confesses to Angelo that he took Angelo’s knife. (Angelo is very understanding.) Robert’s reaction to the loss of his mother is to withdraw, playing mournfully on his harmonica as his only means of expression. Elizabeth reacts by sleeping in her father’s room every night, and becomes very upset when she learns that will not be possible after he and Cinzia get married.

This is also a rare movie that deals honestly with the issue of children’s reaction to remarriage. Even though they love Cinzia, the children do not like sharing her with Tom, or sharing Tom with her. Children who have been in this situation will be grateful for the opportunity to see that they are not alone.

Questions for Kids:

· How do each of the children show that they are hurt and sad? How do each of them show when they are beginning to feel better?

· What can you tell about Caroline’s feelings when she gives the dress to Cinzia?

· Why does Cinzia tell Angelo the story about the necklace, and why does it make him leave without her?

· Was Cinzia wrong to leave for the dance when she had promised to go fishing with David?

Connections: This movie has two lovely songs, “Almost in Your Arms” (nominated for an Oscar) and “Bing Bang Boom.”

Activities: Just about every child plays some kind of call and response game like the “Yes Sir, You Sir” game Tom plays with his children. There is one that begins “Who Took the Cookies From the Cookie Jar?” Another one is called “Concentration,” and involves a series of claps accompanying the listing of items in selected categories. See if your children know any. If so, play one with them. If not, teach them one. Take them to an outdoor concert, like the one in the movie (the site of the concert in the movie is now the Kennedy Center in Washington, D.C.). Try playing the harmonica.

Related Tags:

 

Comedy Family Issues Romance

I Love You Again

Posted on December 13, 2002 at 5:17 am

Prissy, stingy Larry Wilson (William Powell) bores everyone aboard ship on his way back to the United States from a business trip. When Ryan, a fellow passenger, falls overboard, Larry is accidentally knocked overboard trying to save him. Hit on the head, he comes to as George Carey, a smooth con man whose last memory is of a train ride nine years before, when someone stole the money he was taking to bet on a fight. He has no recollection of his life as Larry, in a small town called Habersville. When he finds “Larry’s” bank book with a substantial balance, he and Ryan decide to visit Habersville to get as much of it as they can.

At the dock, they are met by Larry’s wife, Kay (Myrna Loy). Carey is smitten with her, but she has come to get him to agree to a divorce. They go back to Habersville together, where Carey and Ryan plan an elaborate swindle, with the help of Carey’s former partner, Duke. Constantly confronted with people and questions he cannot remember, Carey manages to fake his way through, even on a hilarious hike with a Scout-like troop of boys. Kay begins to warm to him, and, when she finds out the truth from Ryan, she remains loyal. Carey tries to call off the swindle, and when that does not work, resolves everything with his last con job, happily looking forward to staying in Habersville with Kay.

Powell and Loy appeared in more films together than any screen couple since the silents, and this delightful romantic comedy is one of their best films. Carey’s horror as he finds out more and more about his life as “Larry” is balanced by Powell with smooth maneuvering to keep everyone from finding out that he can’t remember anything about his life in Habersville. Loy is, as always, “the perfect wife,” witty, wise and loyal — she sees the essence of the truth and is adorably charmed by it.

Amnesia of this kind occurs only in the movies (and in soap operas). Even though it makes no sense medically, it does make sense dramatically. When Carey was hit on the head in a robbery nine years before, he became Larry, the boring businessman. It had to be because, at some level, a part of him wanted a “respectable life.” At the end, he is neither Carey nor Larry, but a synthesis of both, ready to stay in Habersville with Kay and live happily ever after. Kay’s motives are also justified. She married a bore like Larry because, as she says, she saw something exciting behind his eyes. She was the only one who glimpsed Carey inside of the stiff and proper Larry. And she also sees Carey at his best. When she says he is noble and honest, she turns out to be right.

Questions for Kids:

· What does Carey do to convince everyone that he is Larry, and that he remembers his life in Habersville?

· When is he closest to being found out, and how does he handle it?

· How does he con Duke into letting him out of the swindle?

· What do you think will happen after Duke leaves with the money?

· Will Carey be at all like Larry in the future? How?

Connections: As in “The Music Man,” this is a story about a con man who comes to a small town and is redeemed by love. Another movie with a funny scene involving a counterfeit Scout leader is “It’s a Wonderful World,” with Jimmy Stewart and Claudette Colbert, and also directed by W.S. Van Dyke. A romantic drama about amnesia is “Random Harvest,” in which Greer Garson marries Ronald Coleman, who has forgotten his past, and loses him when he remembers it.

Any of the Powell and Loy movies are a pleasure to watch, especially “The Thin Man” series and “Libeled Lady.” Harkspur, Jr. is played by Carl “Alfalfa” Switzer of “Our Gang.”

Related Tags:

 

Comedy For the Whole Family Romance
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2024, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik