Slumdog Millionaire

Posted on March 30, 2009 at 6:00 pm

Like its title character, this film has had highly improbable success, ending up with the Best Picture Oscar for 2008. The title character is Jamal (Dev Patel) a “slumdog” orphan child who grew up in the streets of Mumbai and works as a “chai wallah,” delivering drinks to the workers at a call center. When he manages to be not only a contestant on the Indian version of “Who Wants to be a Millionaire” but manages to answer the questions correctly, everyone thinks he must be cheating. He has had no education and seen very little of the world. How could he know all the answers?

As it does in every country, it starts off with the easy ones. Who was the star of “Zanjeer?” You might as well ask an American child who was in “High School Musical,” that is if “High School Musical” or “Hannah Montana” starred some star who was a combination of Miley Cyrus, the Jonas Brothers, the Beatles, Elvis Presley, and Michael Jordan. What is interesting there is not that Jamal knows the answer but how important that answer is to him. As we find out how much the star of that film meant to Jamal as a child (played by Ayush Mahesh Khedekar), we learn about his sense of integrity and capacity for devotion. And then we go back to the show, and each question and answer leads us to another story from Jamal’s life.

After their mother is killed by anti-Muslim fanatics, Jamal, his brother Salim (Madhur Mittal), and his friend Latika (Freida Pinto) go on the run to stay safe. They are befriended by a man who turns out to be a heartless exploiter of children, turning them into beggars and prostitutes and subjecting them to the most horrific abuse imaginable. Jamal and Salim escape, but Latika is left behind.

For a while, Salim and Jamal make a living leading tourists through the Taj Mahal, making up “facts” about its history, something of a counterpoint to the “facts” he is able to draw later as a contestant on for the show. But the man they escaped from is still after them. And Jamal never gives up on finding Latika again.

The contrast between the fairy tale element of the story and the heart-wrenching harshness of Jamal’s circumstances make the environment as vivid and central a character as any human in the story. The music, the textures, the intensity of images and colors, the juxtaposition of the bleakest poverty and the most brutal cruelty with the most tender but enduring feelings of love and hope are what make this film feel like a triumph of joy over despair.

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Based on a book Romance

Nominations! The Oscars (and the Razzies)

Posted on January 22, 2009 at 6:00 am

BEST PICTURE
“The Curious Case of Benjamin Button”
“Frost/Nixon”
“Milk
“The Reader”
“Slumdog Millionaire”
BEST ACTRESS
Anne Hathaway, “Rachel Getting Married”
Angelina Jolie, “Changeling”
Melissa Leo, “Frozen River”
Meryl Streep, “Doubt”
Kate Winslet, “The Reader”
BEST ACTOR
Frank Langella, “Frost/Nixon”
Sean Penn, “Milk”
Brad Pitt, “The Curious Case of Benjamin Button”
Mickey Rourke, “The Wrestler”
Richard Jenkins, “The Visitor”
BEST SUPPORTING ACTRESS
Amy Adams, “Doubt”
Penelope Cruz, “Vicky Cristina Barcelona”
Viola Davis, “Doubt”
Taraji P. Henson, “The Curious Case of Benjamin Button”
Marisa Tomei, “The Wrestler”
BEST SUPPORTING ACTOR
Josh Brolin, “Milk”
Robert Downey Jr., “Tropic Thunder”
Philip Seymour Hoffman, “Doubt”
Heath Ledger, “The Dark Knight”
Michael Shannon, “Revolutionary Road”
BEST DIRECTOR
Danny Boyle, “Slumdog Millionaire”
Stephen Daldry, “The Reader”
David Fincher, “The Curious Case of Benjamin Button”
Ron Howard, “Frost/Nixon”
Gus Van Sant, “Milk”
BEST FOREIGN LANGUAGE FILM
“The Baader-Meinhof Complex” (Germany)
“The Class” (France)
“Departures” (Japan)
“Revanche” (Austria)
“Waltz with Bashir” (Israel)

(more…)

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Awards

Black Reel Awards

Posted on December 16, 2008 at 11:53 am

One of the awards announcements I most look forward to each year is the selections of the Black Reel Awards, given out by the Foundation for the Advancement of African-Americans in Film, a nonprofit organization with a mission to target, identify and prepare candidates who will represent the next generation of filmmakers and potential film executives that will be able to provide a different sensibility to the stories currently told onscreen. I am so pleased to see this acknowledgment of some of the best film-makers and performers in movies today and honored to have been one of the judges.
2008 Black Reel Awards Winners
Best Film – Cadillac Records/TriStar Pictures
Best Actor – Dev Patel (Slumdog Millionaire)
Best Actress – Queen Latifah (The Secret Life of Bees)
Best Supporting Actor – Jeffrey Wright (Cadillac Records)
Best Supporting Actress – Viola Davis (Doubt)
Best Director – Gina Prince-Bythewood (The Secret Life of Bees)
Best Screenplay, Original or Adapted – Gina Prince-Bythewood (The Secret Life of Bees)
Best Breakthrough Performance – Dev Patel (Slumdog Millionaire)
Best Ensemble – Cadillac Records/TriStar Pictures
Best Soundtrack – Slumdog Millionaire (Fox Searchlight)

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Awards

Orr and Jenkins on ‘Slumdog Millionaire’

Posted on November 13, 2008 at 6:59 pm

Slumdog Millionaire” is a Dickensian story of orphans in India. The movie is not for everyone. It combines the most harrowing abuse, betrayal, and tragedy with a piercingly romantic fairy tale. It is the story of a young man who is accused of cheating when he wins “Who Wants to Be a Millionare?” because he has no education and lives in the slums. In flashbacks that reveal his whole life to that point we learn how he knew the answer to each question. The movie has one of the most transcendently romantic moments of the year and concludes with a rousing dance number under the closing credits.

Mark Jenkins has an illuminating interview with director Danny Boyle (“Trainspotting,” “28 Days Later,” “Millions”), putting this film in the context of favored Boyle themes like sudden riches and the guerrilla filming style in the streets of Mumbai (Bombay).

Jenkins: How difficult was it to shoot in Bombay’s slums?

Boyle: The slums are great! You have to contact the right people to go in there, but once we were there and got to know the people, they’re extraordinary. They’re so resourceful, considering how little they’re given by the state. There’s no toilets, there’s no running water, no electricity. It looks filthy and disgusting, and it is around the edges, but you go in the homes and they’re absolutely spotless.

I think the energy of the film is a tribute to the slums. Everybody imagines people just hanging around, sleeping in the sun and not working. They’re incredibly industrious! Working in these cottage industries, and trading. That’s why they don’t want to move out of these places. Because the land is so valuable now, the municipal councils want to move them out to these tower blocks they built in New Mumbai. But they don’t want to go there. They do forcibly move them, but the people come back. They want to live amongst their own kind. Because what they get from their own kind more than compensates for the bricks and mortar that’s on offer out there. To be in the hub of the city, the maximum city, is priceless.

And Chris Orr’s superb review of the film appears in “The New Republic.”

Working from a script by Simon Beaufoy (“The Full Monty”), Boyle stages every scene with verve and brio, confidently flashing forward and back from Jamal’s boyhood to his quiz-show appearance to his mid-game interrogation by a police inspector (Irrfan Khan) who suspects him of cheating. Throughout it all, cinematographer Anthony Dod Mantle’s camera bounces giddily through the tin-roofed shanties of Mumbai, while Indian superstar A.R. Rahman’s soundtrack throbs seductively. Not since Fernando Mireille’s “City of God” has a film about poverty and violence been told with such extraordinary panache.

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