This week’s release of “17 Again,” starring Zac Efron and Matthew Perry, about a middle-aged man who finds himself turned back into a teenager, reminded me of some of my favorite “body-switching” movies.
1. Freaky Friday Both feature film versions of the classic book about a mother and daughter who switch bodies are delightful and it is fun to see them both and talk about the way each one reflects its era. Be sure to read the book by Mary Rodgers (daughter of Richard Rodgers of Rodgers and Hammerstein).
2. Vice Versa Judge Reinhold and “Wonder Years'” Fred Savage play the body-switching father and son in this 1988 comedy.
3. All of MeThis very funny story about a wealthy lifelong invalid who wants her spirit to find a healthy body has lawyer Steve Martin is inhabited by the spirit of Lily Tomlin (some mature material).
4. Face/Off It’s actually not the bodies but the faces that switch in this fantasy-thriller that has cop Nicolas Cage swapping his face and voice with criminal John Travolta (very mature material).
5. Dating the Enemy A pair switches not just bodies but genders in this story about an estranged couple about to break up find themselves in each other’s bodies in this Australian film starring Guy Pearce.
6. Big One of the most beloved films in this category has Tom Hanks as a boy in a grown-up body. It includes the “Chopsticks” scene, with Hanks and Robert Loggia jumping over an enormous keyboard to play the song. (Some mature material)
7. Turnabout This odd little 1940 comedy has a married couple switching bodies thanks to a magical statue in their bedroom.
8. Prelude to a Kiss Alec Baldwin and Meg Ryan fall in love and then on their wedding day an old man gives her a kiss and what began as a fairly standard romance becomes a meditation on identity and intimacy.
9. Being John Malkovich A brilliant screenplay by Charlie Kauffman explores the nature of identity, art, gender, the wish for immortality, and a lot more in this story of a portal to the mind of actor Malkovich (who appears as himself, sort of). (Very mature material)
10. 18 Again! and Seventeen Again Body-switching skips a generation as grandparents find themselves teenagers again in these two movies, one starring George Burns and the other starring Tia and Tamera Mowry.
Others in this category include Goodbye Charlie and Switch (both about lotharios whose spirits come back as women) and A Saintly Switch, a Disney film with Viveca A. Fox and David Allen Grier as a quarreling pregnant woman and her football player husband who switch bodies thanks to a magical potion.
It’s pretty easy to make a movie where the hero saves the Earth from asteroids or blasts the bad guys into smithereens, because those kinds of battles give us lots of very cool stuff to look at. It’s a lot harder to make a movie like this one, holding our attention with heroism in small moments and unlikely places. Teens, who often feel that the problems of the world are too overwhelming to address, can learn from this movie that a small courtesy can have an enormous impact.
Paul Edgecombe (Tom Hanks) is a Depression-era Louisiana prison guard. His responsibility is the prisoners on Death Row, called “The Green Mile” because of the color of the floor between the cells and the electric chair. New prisoner John Coffey (Michael Clarke Duncan) is a huge black man convicted of raping and murdering two little girls. He is a gentle man with a mysterious power to heal.
Edgecombe treats the prisoners with kindness, partly because it is the best way to maintain order, but also because he is a fair and compassionate man. In sharp contrast, another guard is petty and cruel, and a far more evil man than any of the prisoners. The plot veers into melodrama at times, with at least one coincidence that is overly convenient, but the humanity of the guards keeps the movie on track most of the time.
Talk to teens about the circumstances and views of the world that lead people to these different approaches and the way that the movie helps us to understand each of them. What do we learn from the way each character sees the mouse? What does Coffey’s character symbolize? (Note his initials.) Edgecombe is confronted with a real dilemma because he believes that Coffey is innocent, but is unable to save him. What facts led to his decision? What else could he have done? Does he become a sort of prisoner, too?
This is a thoughtful, intelligent movie with outstanding direction. Hanks is, as always, the American ideal, just, kind, capable, decent. Bonnie Hunt, for once is relieved of her usual Eve Arden-style role, and her performance as Edgecombe’s loyal, wise, patient, and very loving wife is a pleasure to watch. Doug Hutchison is terrific as Percy, the nephew of the governor’s wife who is assigned to work for Edgecome, and whose combined arrogance and insecurity lead to disaster. And Michael Clarke Duncan, one of the highlights of “Armageddon,” is deeply moving, showing us both Coffey’s innocence and his dignity.
Families will want to talk about the idea that a person might have an extraordinary talent to heal, where that power might come from, and what the responsibilities and burdens might be. Must that ability be accompanied, as it is in John Coffey, with the agonizing experience of “feeling the pain of the world?” Can a person be a healer without experiencing the pain he relieves in others? Must a person whose entire existence is about healing be willing to destroy? What can be healed, and what can not? And why set this story on Death Row? The characters tell us that “What happens on the Mile stays on the Mile. Always has.” What rules are different in these direst of circumstances, and why?
Parents should know that the movie has a horrifyingly graphic execution scene, when the wicked guard has his revenge on a prisoner who taunted him. And they should talk to teens who see the movie about Coffey’s wish to be put out of his misery, which could be seen by sensitive kids as an argument in favor of suicide.
The classic story of two enemies who discover that they are really the “dear friends” who share a loving penpal relationship is deliciously updated for the era of email. Tom Hanks plays Joe Fox, scion of a family that owns a chain of enormous bookstores (think Barnes & Noble). Meg Ryan plays Katherine Kelly, owner of a beloved independent children’s book store called The Shop Around the Corner. When the new Fox store moves in around her corner, they take each other on, though it is clear from the first that they are strongly attracted to each other and would much rather be friends.
At first, both are in other relationships, she with a newspaper columnist who decries technology (Greg Kinnear), and he with a high-strung overly caffeinated book editor (Parker Posey). But as their online friendship becomes more important to them, they both realize that they cannot settle for the convenience of a relationship that should work. Knowing each other only as “Shopgirl” and “NY152,” and keeping to their resolve not to disclose personal details, they exchange emails about how they see the world around them. He is warmly supportive of her, advising her to fight her adversary, not knowing that he is the one she is writing about. The witty dialogue gets high gloss from two of the finest light romantic leads in Hollywood, whose chemistry was already proven in “Sleepless in Seattle.” It is clear to us from the beginning where it is all going, but it is also clear that they will make it a pleasure along the way, and they do.
Parents should know that the movie contains brief bad language, and that Joe’s father and grandfather become involved with a series of younger women, which is portrayed as humorous — including a comment by Joe’s father (Dabney Coleman) that he may marry the mother of his son. Sexual overtures to Joe by that woman seem inappropriate for a movie of this kind. A later reference to a woman who leaves a man for a woman is also intended as humor. Parents should also make sure that children know that they should not talk to strangers online, and should never accept an invitation to meet in person anyone they have corresponded with online.
Other good topics for discussion include how it can be easier to be yourself in email than in person and how you balance the need to stand up for yourself with the importance of not hurting others. Children who enjoy this movie may also like to see the original, like Katherine’s store called “The Shop Around the Corner” starring Jimmy Stewart and Margaret Sullavan, and the musical remake called “In the Good Old Summertime” with Judy Garland and Van Johnson. The story was also produced and as a different musical play called “She Loves Me.”
