The Razzies — The Worst Films of 2012

Posted on February 24, 2013 at 8:36 am

The day before the Oscars, the Razzies are awarded to the worst films of the year. Adam Sandler, who swept the awards last year for “Jack and Jill,” managed to get only two Razzies (worst actor, worst screenplay).  The last chapter of “Twilight’ was the big winner/loser this year, with Razzies for Worst Picture, Worst Actress (Kristen Stewart) Worst Supporting Actor (Taylor Lautner), Worst Screen Couple (Lautner and 12 year-old Mackenzie Foy), and Worst Screen Ensemble, Worst Remake/Rip-Off or Sequel, and Worst DirectorDon’t agree?  You can be a Razzie voter next year.

Related Tags:

 

Awards

MVP Of the Week: Lee Pace

Posted on November 16, 2012 at 8:00 am

I’ve been a big fan of Lee Pace since I first saw him in “The Fall” and “Miss Pettigrew Lives for a Day.”  He has a rare sincerity and magnetism on screen and shows impressive range in creating remarkably vivid characters with just a gesture or a look.  This month, he appears in two high-profile movies. In “Lincoln,” he plays one of the President’s most outspoken opponents, Fernando Wood.  In “The Twilight Saga: Breaking Dawn, Part 2,” he plays a sinuous vampire who can tell stories about his days as a Revolutionary War soldier.

More Lee Pace:

http://www.youtube.com/watch?v=dRC_zw0q58Q

MVP Runner-up is Rami Malek, another vampire in “Breaking Dawn 2.”  He also appears in last month’s “The Master” as the son-in-law of the character played by Philip Seymour Hoffman.  I first noticed him as the regal but sweet young Pharaoh in “Night at the Museum” and I enjoyed his dim but sweet community college student in “Larry Crowne.”  He also co-starred in “The Pacific.”

Here he is with fellow “Twilight” star Jackson Rathbone in the sitcom “The War at Home.”

http://www.youtube.com/watch?v=Alq1cFCOYL8

 

Related Tags:

 

Actors

The Twilight Saga: Breaking Dawn, Part 2

Posted on November 15, 2012 at 6:00 pm

The “Twilight” series comes to a close with the fifth film based on the four-book supernatural love story from Stephenie Meyer. This one is for the fans, with a loving farewell that includes a romantic recap series of flashbacks and final credits bringing back all the stars of the series.  It will be less satisfying for non Twi-hards, who will have a hard time ignoring the ludicrousness of the storyline.

In the last chapter, Bella (Kristen Stewart) at long last (well, not too long, she just finished high school), married her one true love, Edward (Robert Pattinson), a vampire.  They had a wonderfully romantic but bed-breaking wedding night, and she got pregnant, a surprise to everyone because it was thought to be biologically impossible.  The pregnancy left Bella so frail that childbirth would have killed her if Edward had not kept her alive by turning her into a vampire.  “Breaking Dawn, Part 1” ended with her eyes opening, vampire-ified to electrified amber with a kind of permanent mascara.  “I didn’t expect you to seem so..you,” Jacob says. “Except for the creepy eyes.”

In the past, we saw the “other” world of vampires and wolf-people like Jacob (Taylor Lautner) through Bella’s brown human eyes.  Now we see everything through the hyper-charged senses of the ultimate predator.  Ironically, it is only as a vampire that Bella feels most purely herself — strong, confident, capable.  This is the fork in the road where the fans will stay with it but everyone else may take a detour.  One reason for the sensational popularity of the books is the way they so perfectly capture a young teenager’s fantasy.  That works better when the characters are themselves teenagers.  Trying to project them into the adult world, even one as skewed as the vampire world, is a tougher stretch.

Bella and Edward have an idyllic existence of eternal adolescence, with a life free from work, struggle, and parents.  They do not have to eat or sleep.  They do not have to do anything but have wildly energetic sex and conversations about who loves who more, with banter like “We’re the same temperature now.”  You may ask, “Wait, isn’t there a baby with some kind of nutty name?”  Yes there is, and her name is Renesmee (after the two grandmothers, Renée and Esmé).  When Jacob calls her “Nessie,” Bella gets angry because that’s the Loch Ness monster’s nickname, though it seems likely that it is just another of Jacob’s protective instincts, her birth name being something of a burden.

Bella and Edward-style parenting is not very demanding.  The baby has a full-time staff of loving vampire relatives and an imprinted wolf-guy.  And it turns out that vampire/human children grow in dog years.  The movie, unfortunately, moves rather slowly, with a lot of time bringing in 18 new vampire characters from all over the world to help persuade the vampiric governing body, the Volturi, that they have not broken the law and produced an “immortal child” who could put the community at risk.  All of this leads up to a grand battle across a snowy field, the motley crew of good guy vampires and the robed Volturi.

The endless procession of new characters gets tedious except for a Revolutionary war veteran played by Lee Pace (“Lincoln,” “Pushing Daisies”), who talks about his time with General Custer and has far more electricity on screen than the vampiress who catches his attention with her super-tasing power to jolt anyone.  I also liked Rami Melek (“Night at the Museum,” “Larry Crowne”) as a vampire who can control the elements.  But the sheer volume of new characters made having to remember each one’s special talent like trying to keep track of the Smurfs.

We’ve spent a lot of time with these characters and it is good to see a satisfying resolution to their story.  But I couldn’t help feeling that Meyer had run out of ideas and just tossed in everything she could think of.  My primary reaction at the end was relief that this was the end.

Parents should know that this movie includes vampire violence with battles that include graphic decapitations and other disturbing images, characters injured and killed, sexual references and situations with some nudity, and some language.

Family discussion: What are the biggest changes in Bella’s outlook and abilities from the first installment to the last? How much should she tell Charlie? If you could have one of the special gifts of the characters in the film, which would it be and why?

If you like this, try: the other “Twilight” movies and the books by Stephenie Meyer

Related Tags:

 

Action/Adventure Based on a book Drama Fantasy Romance Series/Sequel

More From Comic-Con: “Twilight: Breaking Dawn Part 2” Panel

Posted on July 16, 2012 at 9:52 pm

It was the first last press conference when the cast of “Twilight” got together to talk to the fans and the press about the last episode and the journey that brought them to this moment.  Following their appearance at the enormous Hall H, with fans who had been camping out for days, the actors and author Stephanie Meyer met with the press.  Kristen Stewart told us about the transformation of her character, Bella, who has some major changes in store after she becomes both a vampire and a mother in the last moments of “Breaking Dawn, Part 1.”  She said her reaction to her new persona was, “I’m a sportscar; let’s break her in.  Even the way she walks into a room is different.”  As for filming the sex scene compared to the tender, if energetic honeymoon scene in the last one:  “We’re not even humans any more.  We tried and it was rated R, .  He was trying not to get his white paint on me and I was trying not to get my brown paint on him.”

Kellan Lutz talked about how his character, Emmett, has to battle Bella.  “To see the little things she would change was fun.”

They were all glad to be together again and enjoyed reminiscing about the earlier films.  Stephanie Meyer said that the first time she saw Kristen Stewart, Robert Pattinson, and Taylor Lautner they were in costume already and “they were all dressed up as my imaginary friends.”  They appreciated original director Catherine Hardwicke’s casting choices, and how well they held up as the actors had the unusual opportunity to create characters who have four times as long as the usual movie to explore their journeys.

When they made the first film, some of them were underage and they laughed that “we had some monitoring.”  The boys and girls stayed in different hotels. They laughed about their “cat classes” and said that like their characters, they felt they were surrounded by protectors, the cast and crew all looking out for them.  They especially enjoyed scenes where many characters were involved because “everyone has covers” (shooting the same thing over and over from different angles), so it meant they had more time together.  They laughed as they described the “dance-off” choreographed as a surprise treat for director Bill Condon by cast members Mia Maestro and Toni Trucks.  They were sentimental about the way “the fans have grown with us”

As for the last chapter, there are “a lot more vampires this time around.”  Jackson Rathbone says his character, Jasper, was “tweaked out, like a junkie going through withdrawal, but now gets more comfortable, more at ease.”  Nikki Reed said she finally got to smile — “a big deal! I look forward to having the audience root for Rosalie a little more.”  Ashley Greene says that Alice, always “lovable, friendly, upbeat, gets to act more vampire, gets more of an edge.”  Elizabeth Reaser said the events of the final film force Esme “into a different lifestyle.  She’s a pacifist forced to be a powerhouse.  She doesn’t have a choice; she has to betray her sense of herself in order to protect her family.”  Peter Facinelli laughed that the biggest change for him was instead of dying his hair blonde, he wore a wig.  And he joked about how much he will miss the woods–and the contact lenses.

Lautner said that in the final chapter it has” become less complicated.  Instead of a triangle, it’s a square.”  “No,” said Stewart, “it’s a perfect circle.”

 

 

Related Tags:

 

Festivals

MTV’s Movie Awards

Posted on June 4, 2012 at 9:13 am

They are brash, rude, silly, immature, and disrespectful, but the MTV Movie Awards are a lot of fun.

Over at the NPR blog Monkey See, Linda Holmes writes:

At the same time, there’s something to be said for these loose, largely fan-voted awards that dispense with awards like Best Director and Best Adapted Screenplay (fans are not great at knowing what elements of a movie come from the director versus the screenwriter anyway) in favor of awards like … Best Kiss. Best Fight. And in some years, Best Scared-As-S—t Performance. (I kind of love the fact that last year, they nominated Ryan Reynolds in Buried in that category, because no, that movie isn’t great, but it’s creepy, and yes, he is scared.) And this year, they’re giving out Best Dirtbag. Well — it’s actually Best On-Screen Dirtbag. It’s probably easier to get somebody on stage to accept an award if the chyron doesn’t just say “Best Dirtbag: .”

While the Oscars are great at recognizing movies that have certain admirable qualities – distinctive and energetic acting, say, or beautifully stylized dialogue – they have never been nearly as good at recognizing the value of the entertainment side of moviegoing. They have been reticent to acknowledge on an institutional level that people go to the movies, much of the time, to experience something exhilarating. They go to laugh, to weep and swoon, to look at beautiful places, to be scared and excited and surprised. They don’t always go in order to see the most skilled artists at work. Sometimes they just want to be made to react.

It was a big year for “The Hunger Games.”  Emma Stone was a highlight with her exceptionally thoughtful and gracious acceptance of the Trailblazer award and its message about blazing your own trails, and Fun. was a great choice for the kick-off song.  This year’s winners are:

Movie of the Year
The Twilight Saga: Breaking Dawn – Part 1

Best Male Performance 
Josh Hutcherson, The Hunger Games

Best Female Performance
Jennifer Lawrence, The Hunger Games

Breakthrough Performance
Shailene Woodley, The Descendants

Best Cast
Harry Potter and the Deathly Hallows, Part 2

Best On-Screen Transformation
Elizabeth Banks, The Hunger Games

Best Fight
Jennifer Lawrence and Josh Hutcherson vs. Alexander Ludwig, The Hunger Games

Best Kiss
Robert Pattinson and Kristen Stewart, The Twilight Saga: Breaking Dawn – Part 1

Best On-Screen Dirtbag
Jennifer Aniston, Horrible Bosses

Best Music
“Party Rock Anthem,” LMFAO (21 Jump Street)

Best Comedic Performance
Melissa McCarthy, Bridesmaids

Most Gut-Wrenching Performance
The cast of Bridesmaids

Related Tags:

 

Awards
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2024, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik