Wild

Posted on December 4, 2014 at 5:58 pm

“If your Nerve, deny you—
Go above your Nerve—”

Cheryl Strayed (Reese Witherspoon) adds the name of the author, Emily Dickinson, to the quote she has inscribed in a journal for hikers kept at her entry point on the Pacific Coast Trail. And then she adds her own name as well. It is her own name in a very real sense as she was not born with it and it was not her husband’s name. It was a name she chose from a dictionary at the end of her marriage as the name she wanted to go on with, a name for going above her nerve.

Copyright 2014 Fox Searchlight
Copyright 2014 Fox Searchlight

Strayed was lost. Her mother Bobbi (a glowing Laura Dern), the “great love of (her) life,” died of cancer. Her husband Paul (“Newsroom’s” Thomas Sadoski) was loving and supportive but Strayed fell into a self-destructive death spiral, obliterating herself through “detached” sex with strangers and substance abuse that ultimately included shooting heroin. She and Paul recognized their divorce with matching tattoos to keep some part of the idea of permanence connecting them. And then, with nowhere else to go, she decided to take a walk, more than a thousand miles. It was a chance to reconnect with something she knew she loved to do and to get away from the bad choices she was making. The Chinese proverb says that the longest journey begins with a single step. Strayed wanted to take those steps between her old life and whatever was ahead, to begin to feel an un-obliterated life.

Her 60 pounds of equipment filled a backpack called The Monster. She did not practice putting up her tent or using her stove before she left. She was scared, and soon she was also hungry. She had brought the wrong fuel for her stove. A burly farmer driving a tractor gruffly agreed to give her a ride to some food, and then told her he was bringing her back to his house. She looked at him, trying to figure out if he was planning to attack her, hoping he was not. He was not. The farmer and his wife were kind and generous with her. She got the right fuel, and, a few stops later got some advice about getting rid of some of her load, down to burning each night the book pages she had finished reading. Plus, she didn’t really need all those condoms, did she?

Strayed’s book became an international-bestseller, so poetic and inspirational Oprah rebooted her Book Club to endorse it. Like other memoirs combining real and spiritual/emotional journeys, what makes it work is the narrator’s voice. This is as much an internal story as an external one. Screenwriter Nick Hornby (“High Fidelity”) and director Jean-Marc Vallée (“Dallas Buyer’s Club”) understand that this is not a travelogue, though there is some stunning scenery. It is about Strayed thinking back through her chaotic, messy life through the experience of putting one foot in front of the other on her way to a place called The Bridge of the Gods. As she thinks back on her life, we begin to understand the context for this trek at the same time that she does. As we expect from Hornby, there are some great song choices, too.

Strayed’s adventures and encounters along the way resonate with her memories. The farmer is not the only potential danger. The film understatedly but clearly shows how any woman in any sort of wild has to constantly calculate the threat level of the men she encounters. And, in a scene where Strayed comes across another hiker taking a bath in a lake, we get something we rarely see in films, a woman appraising, or maybe just appreciating, a male body. This is a character moment for Strayed, who as we see, has been too impulsive in sexual encounters. But here, she stands back and just savors the moment on its own, owning it without having to do anything about it. “I’m lonelier in my real life than I am out here,” she says.

Feeling your feelings can be painful. Strayed loses toenails and, at one point, her shoes. There are angry, raw patches of skin where The Monster digs into her. She thinks through painful memories of her mother’s illness, her father’s abuse. She remembers being inconsiderate of her mother, a woman who was thrilled to get a chance to go back to school, to think and question and learn. And for the first time, she begins to understand what her mother said about putting yourself in the line of beauty. Just because some things are terrible doesn’t mean everything is. “This has the power to fill you up again if you let it,” someone tells her.

Witherspoon gives a performance of quiet vulnerability and courage. In some ways, as producer as well as star, this was as daunting an undertaking for her as the hike was for Strayed. There was a real risk of making it a glamorized, soapy star vehicle. But as producer and actor, she gives this story the film it deserves.

Parents should know that this film includes explicit sexual references and situations and nudity, substance abuse, references to domestic abuse, and very strong language.

Family discussion: What do you think the quote means and why did Strayed use it to begin her hike? What does it mean to say that wounds come from the same source as power?

If you like this try: Strayed’s books, Wild: From Lost to Found on the Pacific Crest Trail, Torch, and Tiny Beautiful Things: Advice on Love and Life from Dear Sugar, and another 2014 film about a real-life woman on a long, long walk, Tracks.

Related Tags:

 

Based on a book Based on a true story Drama

December 2014: A Lot of Oscar Hopefuls and Holiday Blockbusters

Posted on December 1, 2014 at 7:00 am

Happy December! Everyone is busy in December, but make time now on your schedule for some of the year’s biggest films, including Oscar hopefuls, blockbusters, and even a couple of possible surprises. (NOTE: As typical at this time of year, release dates may vary in different cities.)

December 5

Copyright 2014 Fox Searchlight
Copyright 2014 Fox Searchlight

“Wild,” with producer Reese Witherspoon, based on Cheryl Strayed’s Wild: From Lost to Found on the Pacific Crest Trail, a book so gripping and inspirational that Oprah brought back her book club to make sure the five women in the world who had not already bought it would go out and get it. When everything in her life fell apart, Strayed went for a walk, more than a thousand miles. Witherspoon might find herself up for an Oscar competing with the other film she produced this year, “Gone Girl.”

December 12

“Exodus: Gods and Kings” Christian Bale plays Moses in this Biblical epic, directed by Ridley Scott with the grandeur and power he brought to “Gladiator.” He’s got stars who can make that kind of scale work, including Joel Edgerton as Rhamses, along with Ben Kingsley, John Turturro, and Israeli star Hiam Abbass.

“Inherent Vice” The very cerebral Paul Thomas Anderson directs, based on a book by the sometimes impenetrably cerebral Thomas Pynchon, and the trailer makes it look like a darkly comic crime farce along the lines of Elmore Leonard. The sensational cast includes Joaquin Phoenix, Reese Witherspoon (again), Jena Malone, Josh Brolin, Maya Rudolph, and Owen Wilson.

Copyright Paramount 2014
Copyright Paramount 2014

“Top Five” Chris Rock wrote, directed, and stars in this fictionalized story of a comic actor with a career crisis. This one has a ton of great buzz coming off the festival circuit and could be one of the brightest spots this month.

December 19

Copyright Disney 2014
Copyright Disney 2014

“Annie” Disney’s remake is based on the original film, based on the Broadway musical, based on the Depression-era Harold Gray comic strip. The cast singing their hearts about about the hard-knock life and the sun coming out tomorrow includes Jamie Foxx, Cameron Diaz, Rose Byrne, Bobby Cannavale, and, in the title role Quvenzhané Wallis of “Beasts of the Southern Wild.”

“Night at the Museum: Secret of the Tomb” We’ll all feel a special pang to see Robin Williams in one of his last roles as Teddy Roosevelt and Mickey Rooney as a museum guard in this third of the series about museum exhibits that come alive at night. Joining the cast is “Downton Abbey’s” Dan Stevens as Sir Galahad, and Ben Kingsley as King Tut. Returning favorites include bickering buddies Owen Wilson and Steve Coogan, Rami Malek as Ahkmenrah, and Ben Stiller both as the harried former guard who learned the secret in the first film and as…I’ll just let that be a surprise.

“Mr. Turner” Another festival favorite is this Mike Leigh film about the brilliant, influential, and occasionally controversial British artist J.M.W. Turner. Anything from Mike Leigh is worth seeing, especially with Leigh regulars Timothy Spall (long overdue for the kind of showy lead role he gets here) and Lesley Manville.

December 25

“Unbroken” The closest to a lock for Oscar nominations is Angelina Jolie’s film based on Laura Hillenbrand’s blockbuster best-seller, Unbroken: A World War II Story of Survival, Resilience, and Redemption. It is the stunning real-life story of a man who was an Olympic athlete and then served in WWII, where he was shot down by the Japanese, survived weeks lost at sea with no food or water, only to be captured and imprisoned by the Japanese and subjected to the most brutal conditions. This may be the first time you hear the name of star Jack O’Connell. It will not be the last.

“Into the Woods” Stephen Sondheim’s complex meditation on fairy tales and other stories we tell children is pretty meta on stage. I’m betting this version from Disney will have a little more fairy dust. I know it has an all-star cast, including Meryl Streep, Emily Blunt, Chris Pine, Anna Kendrick, and Johnny Depp.

“Big Eyes” It’s hard to believe that strange paintings of children with enormous eyes were briefly insanely popular in the 1970’s. It’s even stranger to find out that they were not the work of the artist whose name was so attached to them that he was a joke in Woody Allen’s “Sleeper.” He in fact put his name on the paintings created by his wife. Who better to tell this strange tale than Tim Burton, and who better to star than Christoph Waltz and Amy Adams?

“Selma” One of the most important moments in American history is brought to screen by the brilliant director Ava DuVernay, with David Oyelowo and Carmen Ejogo as the Reverend Dr. Martin Luther King and Coretta Scott King in the story of the march for civil rights that made it impossible to continue to ignore the virulent racism of the Jim Crow era and led to sweeping federal legislation. Oh, and Oprah’s in it, too. Look for some Oscar nominations for this one.

Related Tags:

 

Opening This Month
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2024, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik