The Fall Guy

Posted on May 1, 2024 at 10:00 am

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Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for action and violence, drug content and some strong language
Profanity: Some strong language
Alcohol/ Drugs: Alcohol, jokes about getting tipsy, drug use, including hallucinations
Violence/ Scariness: Extended real and fictional peril and action, fights, guns and other weapons, characters injured and killed
Diversity Issues: None
Date Released to Theaters: May 3, 2024

“The Fall Guy” is a love letter to movie-making, to all of the work, all of the heart, all of the expertise from hundreds of people that goes into telling our stories. It is a love letter to the audience, filled with action, romance, comedy, impossibly gorgeous, magnificently talented ,and endlessly charismatic performers, and with joy. Most of all, it is a love letter to the unsung heroes who do the crazy daredevil stunts that make the world’s most beloved movie stars look athletic and courageous. It is pure popcorn pleasure and I cannot wait to see it again.

There’s just a tincture of the 80s television series that lends its name, its theme song, character name, and a brief cameo from its star, Lee Majors). This is the story of stunt man Ryan Gosling as Colt Seavers, who is the long-time substitute for one of the world’s biggest Hollywood action stars, Tom Ryder (Aaron Taylor-Johnson) when the script calls for anything that might be dangerous. The job of the stunt performers is to do the crazy things that make audiences gasp and cheer: cars rolling over, falls from great heights, fighting with fists, feet, and weapons, dangling from helicopters, racing speedboats. Basically, they get paid a minuscule fraction of what the star is paid to get all of the bruises, burns. and broken bones, do to it over and over, to make sure their faces do not show and ruin the illusion, and to give a thumbs-up to show that they are fine after every take.

Colt has a crush on a cinematographer and would-be director, Jody Moreno (Emily Blunt). But when Tom insists on a re-do of a fall from the top of a skyscraper atrium because he thinks too much of Colt’s chin was showing, something goes wrong and Colt is badly injured. Over the next 18 months, as he slowly recovers, he works as a parking valet and his relationship with Jody ends in hurt and disappointment.

And then Colt gets a call from Tom’s long-time producer, Gail Meyer (“Ted Lasso’s” Hannah Waddingham). Tom is making a huge sci-fi film in Australia and Gail wants Colt to do the stunts. He says no. She says Jody asked for him. He says, “Get me an aisle seat.”

Once he gets to Sydney, Gail tells Colt that Tom has disappeared and she wants Colt to find him. He also finds out that Jody did not ask for him because (1) she is surprised to see him and not happy about it and (2) she fires him. Literally. Like, she has him do a stunt where he’s on fire and gets slammed into a rock — three times.

There is so much more I’m longing to tell you about what happens next but I want you to have the pleasure of discovering it all for yourselves. I will just say that Gosling and Blunt have chemistry for days and are clearly having a blast perfecting the balance between action, comedy, romance, and mystery, there are dozens of sly jokes about Hollywood and filmmaking, Winston Duke is a dream as the stunt coordinator (if you have not seen him in “Black Panther” and “Nine Days” and “Us,” three roles that could not be more different, watch them!), there’s a stunt dog who only understands French, and while you may expect the stunts to be amazing, they are amazing times amazing. Real-life stunt performer-turned director David Leitch likes to take Hollywood’s handsomest leading men (Brad Pitt in “Bullet Train,” Gosling here) and make them scruffy and in need of a comeback, always a choice choice. Be sure to stay through the credits for behind the scenes footage of the real stunt performers and an extra scene.

Parents should know that this is an action film with extended real and fictional (stunt) peril and violence, with guns and other weapons, fight scenes, characters injured and killed, drinking and jokes about being tipsy, drugs, and some strong language.

Family discussion: What’s your go-to karaoke song and why? Why is it hard to apologize? Would you like to see the movie Colt and Jody are making?

If you like this, try: “The Stunt Man” (some mature material) with Peter O’Toole as the director of a WWI movie who impulsively hires an escaped convict as a stunt performer, and stunt-filled films like “Raiders of the Lost Ark” and “Fast X” and another movie from this director, also with Taylor-Johnson, “Bullet Train”

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