The Old Guard
Posted on July 9, 2020 at 5:02 pmB +
|Lowest Recommended Age:||High School|
|MPAA Rating:||Rated R for sequences of graphic violence, and language|
|Profanity:||Very strong language|
|Alcohol/ Drugs:||Some alchol|
|Violence/ Scariness:||Extended, intense, and graphic peril and violence, many characters injured and killed, disturbing images|
|Date Released to Theaters:||July 3, 2020|
The thing no one ever seems to think of about invulnerability with everlasting life is that is is exhausting. You think it is an existential crisis to face the certainty of death? Try imagining the existential crisis of knowing that you won’t die, that you will outlive everyone you have ever loved and they will resent and even hate you for it. Meanwhile, just like the rest of us mortals, you might as well find a way to make your everlasting life meaningful by helping people in need. And that is where being impossible to injure or kill comes in very handy.
Early in “The Old Guard,” based on the graphic novel series by Greg Rucka, there is an ambush and our heroes are all riddled with bullets. They seem dead. But then they begin to stir. And then they wipe out the attackers. Meanwhile, a young Marine named Niles (“If Beale Street Could Talk’s” Kiki Layne) is on screen long enough to show us her courage, competence, compassion, and dedication before a terrorist slices her throat. She should have died. Her fellow Marines, once close friends, are a little freaked out that she did not die. And then she is kidnapped by Andy (Charlize Theron), leader of what we will learn is the Old Guard. They know when another immortal comes into being, and they come and get them.
This makes the film into an origin story, at least from Niles’ perspective, and it gives us a chance to meet the members of the Old Guard through her. Andy is the oldest. She won’t say how old, but her real name is Andromache of Scythia and her weapon of choice has not just nothing mechanical but no moving parts at all. Book (Matthias Schoenaerts) fought Napoleon in 1812. Nicky (Luca Marinelli) and Yusuf (Marwan Kenzari) fought in the Crusades. On opposite sides. “We killed each other many times,” one of them explains cheerily. And now there is Niles, who at first does not believe, or does not accept that she believes. She wants to know whether the group are the good guys or the bad guys. “Depends on the century,” she is told. But they do try to do right.
And they try to stay out of sight. That’s harder to do these days, as it is almost impossible not to be glimpsed in someone’s selfie on social media. Andy is ready for it. She offers to take a picture with the selfie-taker’s phone and quickly deletes any images she appears in before telling the group to say “Cheese.” She is ready, but she is tired.
They’ve been picking their sides, but now they have to defend themselves. No one can really hide in the digital era, and a pharma bro is eager to get into their DNA and extract whatever makes them special so he can cure a lot of people and make a lot lot lot lot of money.
Gina Prince-Bythewood may be the most deeply, unabashedly romantic director working today. Her films “Love and Basketball” and “Beyond the Lights” are in a different category from the usual Hollywood idea of love, with a quick montage of the highly photogenic couple walking through a farmer’s market and riding bicycles along the beach. Her films are about profound connection and commitment. There is a moment in this film that will be in clip reels of the most true-hearted movie depictions of love forever. It brought tears to my eyes and a flip-flop to my heart and it was in the middle of a graphic novel shoot-em-up movie about characters with superpowers. But those are the kinds of layers Prince-Bythewood brings to this story, grounded in fine performances by all involved, especially Theron, Layne, and Schoenaerts, and in those existential questions, here answered in part (come on, no one has more that a part of the answer) in a manner that is romantic and satisfying and leaves us curious about the next chapter.
Parents should know that this movie has strong language and extreme and very graphic peril and violence with disturbing images and very strong language.
Family discussion: What is the best part of immortality? What is the worst? Is it right to sacrifice the few to benefit the many?
If you like this, try: the graphic novels and movies like “Fast Color” and “Mad Max: Fury Road”