Coming Soon: Journey to the Center of the Earth in 3D

Posted on May 18, 2008 at 10:00 am

This week director Eric Brevig and producer-star Brendan Fraser (“That’s Fraser like razor”) answered questions about their new film, “Journey to the Center of the Earth 3D.” Unlike the earlier versions, including the 1959 George Pal version with Pat Boone and James Mason and a recent made-for-television movie starring Ric Schroeder, this is based on the Jules Verne book. Instead, it is the story of a modern-day scientist who searches for his brother, who discovered that Verne’s book was true.

The movie is a real thrill-ride with great stunts and effects and it was a blast to hear Brevig and Fraser talk about how it was made. In order to get the 3D effect, they have a special camera that shoots two separate movies, one for each eye. Essentially, they are projected together on screen (we got a sense of how tricky that was when they got it wrong three times before rebooting the system to get it right) and then when viewed with the special glasses, the audience gets a sense of depth and detail so distinct that — well, when the dinosaur drools, you’re going to feel like you need to wipe off your forehead.

Fraser good-naturedly answered questions — no, there will not be a sequel to “Encino Man” and yes, he does all his own stunts (he pointed out that the hanging off a cliff and getting burned stunts were left to the last day of shooting at the request of the insurance company). Brevig swore us all to secrecy when he confided that Fraser has one additional uncredited role in the film — he provides the warbling sounds for the adorable little glow-birds.

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Fugitive Pieces

Posted on May 15, 2008 at 3:00 pm

B
Lowest Recommended Age: High School
MPAA Rating: Rated R for some sexuality.
Profanity: Some strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Holocaust/wartime violence, sad deaths
Diversity Issues: A theme of the movie
Date Released to Theaters: May 16, 2008

fugitive%20pieces.jpgIn this impressionistic, rose-and honey-toned memory piece, young Jacob hides from the Nazis in 1941 Poland but his parents are killed and his sister is captured. The terrified boy is discovered by a Greek archaeologist, who takes him in and becomes a gentle, devoted surrogate father. Over the years, Jacob (played as an adult by Stephen Dillane) tries to make sense of his past and his present.

He becomes a writer and marries the warm-hearted Alex (Rosamund Pike). But he continues to carry the ghosts of his past and she realizes that limits his ability to be close to her. “To live with ghosts requires solitude,” she tells him.

Jacob will have to endure additional losses to put his past in context and to find a way to make a deeper, more trusting connection. While it does not have the lyricism of the book’s limpid prose, it is a moving story, gently and sincerely told.

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Based on a book Drama Movies -- format

Life-saving Movies (Flower Mandelas blog)

Posted on May 15, 2008 at 11:00 am

David J. Bookbinder of the Flower Mandelas blog has a post titled “How Movies Saved My Life.”

“Star Trek” and “Twilight Zone” opened my eyes to fundamental truths of human behavior and the workings of the human heart, filtered through aliens and time travel so they could get past the censors. “Ground Hog Day” sustained me for the first few months following my near-death experience, a time in which I had to learn everything over again and again. As noted in an earlier blog post, “The Matrix” broke me out of a mental deadlock and spun me into a strange new world of legal labyrinths, from which I brought back a keen sense of the difference between vengeance and justice. But one movie literally saved my life — not once, but twice.

That movie? The Road Warrior. Not many people would look to that film for driving tips, but Bookbinder was able to use some of Mel Gibson’s moves to avert two different accidents. Read the post for details.

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Igor

Posted on May 15, 2008 at 10:00 am

In the town of Malaria, anatomy is destiny. Boy babies get their assignments at birth. Those without hunchbacks become evil scientists. Those with hunchbacks become Igors and spend their days saying, “Yes, master,” when ordered to “Throw the switch!”

Malaria was once a happy farming community. But some sort of climate change resulted in constant thunderstorms and now the entire economy depends on evil inventions and the biggest event of the year is the annual evil science fair competition. But not all of the people in Malaria are right for their assigned roles. Dr. Glickenstein (voice of John Cleese) is not a very good evil scientist. His Igor (John Cusack) has the hunchback of an assistant but the heart of an inventor. And the most evil scientist of all, Dr. Schadenfreude (voice of Eddie Izzard) cannot invent anything at all and relies on tricks and spying to steal the inventions of others. Igor, with the help of two assistants he invented, the immortal cat-like Scamper (voice of Steve Buscemi) and a brain in a jar named Brain (voice of Sean Hayes), invents a bride-of-Frankensteinish monster (voice of Molly Shannon). But she, too, turns out not to fit into the role she has been assigned.

The tone of the movie is cheerily macabre, so parents should be cautious about allowing young or especially sensitive children to see it. But for those who are able to be in on the joke, the film has a number of delights, from the Louis Prima songs on the soundtrack to the tweaks and jibes at horror films, “Annie,” and James Lipton’s “Inside the Actor’s Studio.”

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