Tribute: Annette Funicello — Now It’s Time to Say Goodbye

Posted on April 8, 2013 at 10:40 pm

Once upon a time, there was a young Disney star who grew up to be lovely, gracious, stable, and every bit the sweetheart she always seemed.  That was Annette Funicello, who died today at age 70.

Disney’s original “Mickey Mouse Club” was the show that children of the 1950’s raced home from school to watch.  Annette was everyone’s favorite.  She could sing and dance, but so could all the others.  But there was something about her, a warmth and sweetness and endearing natural quality on camera that made her seem like the girl you’d like to have for your best friend.

Walt Disney was so captivated by her that he had her guest on on the popular “Spin and Marty” serial, star in her own serial featured on the “Mickey Mouse Club,” and, for a birthday present, allowed her to guest star on the hit “Zorro” series.  As she grew up, she appeared in Disney films like “Babes in Toyland,” “The Shaggy Dog” and “The Monkey’s Uncle,” where she sang with the Beach Boys.

When she was offered a role in a low-budget movie for teenagers called “Beach Party,” she visited the man she always referred to as “Mr. Disney” to ask his permission.  He requested that she not wear a two-piece bathing suit.  Her suits we notably modest in the very successful series of beach movie films filled with bikini-clad girls that she made with teen idol Frankie Avalon (sweetly spoofed in Tom Hanks’ “That Thing You Do”).

http://www.youtube.com/watch?v=kDesGtp-JII

Later, she appeared in television commercials for peanut butter advising that “Choosy mothers choose Jif,” still warm, unpretentious, and gracious.  When she was diagnosed with multiple sclerosis, she became a leader in providing support, raising the level of awareness, and establishing a foundation to fund research.

The CEO of Disney made a statement today:

Annette was and always will be a cherished member of the Disney family, synonymous with the word Mousketeer, and a true Disney Legend. She will forever hold a place in our hearts as one of Walt Disney’s brightest stars, delighting an entire generation of baby boomers with her jubilant personality and endless talent. Annette was well known for being as beautiful inside as she was on the outside, and she faced her physical challenges with dignity, bravery and grace. All of us at Disney join with family, friends, and fans around the world in celebrating her extraordinary life.

 

Related Tags:

 

Actors Tribute

Interview: Henry-Alex Rubin, Director of “Disconnect”

Posted on April 8, 2013 at 8:00 am

Henry-Alex Rubin, director of the new movie, “Disconnect,” and I were were talking about the movie when his phone beeped.  He reached into his pocket to turn it off and we both laughed at the real-life example of the movie’s theme.   “Disconnect” has three stories about the ways that technology has affected our ability to connect to each other, and our conversation was being interrupted by a signal that it was his turn in an online word game.

“It’s not a social networking thriller,” he told me.  It is a drama about the ways in which we reach out to each other and how technology has changed that, for better and for worse.  Rubin is the award-winning documentarian who made the terrific “Murderball,” about wheelchair athletes  (watch for one of them in a brief appearance in “Disconnect” as a drug dealer).  In his first feature film, written by Andrew Stern, a young couple grieving over a devastating loss is hit with identity theft, a lonely teenager is pranked by classmates into thinking he is corresponding with a girl, and a reporter doing an expose of teens who perform for webcams finds that her judgement and ethics can be compromised.  Rubin emphasized that the technology leads to connection and support in some cases as well as inflicting damage in others.

He was brought to the project by the producers because they wanted the film to have a documentary feel.  “I filmed it like a documentary,” Rubin said.  Instead of cameras and microphones intruding on the space around the actors, he used long lenses and pin microphones to keep the crew farther away and promote a more natural, intimate atmosphere for the actors.  “And there were no mistakes,” he said.  Particularly with the younger actors, he encouraged them to try whatever was comfortable for them by telling them that whatever they did was fine.  “We kept rolling.  If I had a note, I would not say ‘Cut.’  I would just tell them to go again and we would keep going.”  For the older actors, like Jason Bateman, “who’s been surrounded by cameras since he was a kid and is completely comfortable,” it was less important.

But the film presented Batemen with a new challenge as well.  “This was his first ever full-on dramatic role,” said Rubin.  He plays the devoted but distracted father of the boy who is devastated by an online Catfish prank.  “I had him grow a beard, so he would look a little different, to help separate him from what the audience would expect.”

Rubin did something different with Paula Patten, too, who plays a grieving mother drawn to an online support group.  “It’s hard to make a woman as beautiful as she is look like a real person,” he said.  He encouraged her to work without make-up and leave her hair messy.  Her husband was played by Alexander Skarsgård, who also got a bit scruffy for the part, “with bags under his eyes and even put on a little paunch.”

Some things never change.  People want to feel understood and important to one another, and that can be difficult.  But it feels like technology has ramped up the stakes and we are still struggling to understand it.  “There’s a line in the film that I got from Frank Grillo,” he told me.  Grillo plays the single father of one of the kids who play the prank.  Even though his character is an expert in computer safety, he does not know what his son is doing.  “He says, ‘Computer time is up.’  He told me that’s what he says to his kids, so we put it in. ”  That line is a reminder that no one knows what the rules are with technology that brings us together and keeps us apart.

Related Tags:

 

Directors Interview

Planet Ocean

Posted on April 8, 2013 at 8:00 am

B+
Lowest Recommended Age: All Ages
MPAA Rating: Unrated
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Environmental concerns
Diversity Issues: None
Date Released to DVD: April 8, 2013
Amazon.com ASIN: B00BBAGF0W
http://www.youtube.com/watch?v=7vYMUV2_das

Josh Duhamel narrates this extraordinary documentary about one of our planet’s most precious resources, our oceans.  Filmed by directors Yann Arthus-Bertrand and Michael Pitiot, along with an outstanding team of international underwater cinematographers in partnership with OMEGA and with the scientific support of Tara Expeditions, the film aims to explain some of the planets greatest natural mysteries, while reinforcing how essential it is that mankind learns to live in harmony with our oceans. Planet Ocean serves as a reminder of the bond between humans and nature, and the duty that exists to protect and respect our planet. Yann Arthus-Bertrand, Goodwill Ambassador for the United Nations Environment Program, presented this film to the leaders of Rio+20 conference in June 2012.

Spectacular aerial and underwater imagery captured in extreme geographical conditions worldwide, Planet Ocean brings into into the least known regions of our planet. I have one Blu-Ray copy to give away.  Send me an email at moviemom@moviemom.com with Ocean in the subject line and tell me your favorite ocean view.  Don’t forget your address!  (US addresses only).  I’ll pick a winner at random on April 21.  Good luck!

BONUS FEATURES (BLU-RAY™ and DVD):

·       THE MAKING OF PLANET OCEAN

·       IN THE SKIES ABOVE RIO:  Breathtaking images of Rio de Janeiro’s magnificent shores 

·       UNDERWATER:  Uncover the natural mysteries of marine life with Planet Ocean’s team of underwater cinematographers.  

·       SHANGHAI:  Extraordinary aerial photography of Shanghai’s busy harbor underscores the significance of ocean commerce.

 

Related Tags:

 

Documentary DVD/Blu-Ray Pick of the Week Environment/Green

Interview: Janet Tobias of the Holocaust Documentary “No Place on Earth”

Posted on April 7, 2013 at 3:58 pm

No Place on Earth is the extraordinary new documentary about a small group of Jews from Ukraine who hid from the Nazis in two caves for almost two years.  Interviews with the survivors, narration from a book written in the 1960’s by the woman who was one of the leaders of the group, some re-enactments, and a powerful return to the caves 67 years after the end of the war.  Tonight, as the annual observance of Yom Hashoah, the day of holocaust remembrance, it is especially meaningful to share this story.

http://www.youtube.com/watch?v=n00EE5CeatA

I spoke to director Janet Tobias about making the film.

One of the people in the film says, “We were not survivors.  We were fighters.”  What do you think that means?

They were fighters.  They stuck together.  Esther Stermer was an incredible mother and grandmother, a matriarch. She didn’t do the obvious thing.  She decided to do what was necessary to survive and to protect her family.  It’s an incredible story of what they accomplished.  The lesson I take away from it is how much we depend on each other.  they were greater as a collective whole than they were individually.  Many of them would not have made it on their own.  We do much better when we have each other than on our own.  

The families were extended families, but it was a tough world.  There had to be a group of people from each family who were willing to risk their lives on a weekly basis.

Tell me about the re-enactments of some of the scenes, which you shot in Hungary.

I was blessed with an incredibly great group of Hungarian actors, from Kati Lábán, who played Esther Stermer who is a very well-known actor in Hungary to some who had never acted before. We looked for approximation of physicality but I was not going to be completely literal because it is more important to have the person who has the right understanding of the story and the spirit.  We did recreations, a hybrid between documentary and drama, because on the one hand you are in the presence of the last years of people who were eyewitnesses, who can say, “That happened to me.  I saw it,” which is an incredible gift in documentary.  On the other hand, the Stermers were fighters, as you said.  They were actors on their environment.  Lots of documentaries are about people contemplating their life.  But the Stermers were fighters, not contemplators.  They are doers.  To show the incredible thing they accomplished, what they got up and did, that needed actors.  Esther Stermer had a clock in her head.  She kept a cooking schedule, a cleaning schedule.  They knew when they could go out without moonlight. They observed the holidays.  When they were buried alive, they did not give up and say “It’s over.”  They said, “We need to do the following things in construction to even have a chance of figuring this out.”  They were dramatic actors in real life, so we needed to match that.

And we had to show what it was like to live in the cave.  I had never been in a cave except to walk by the opening on a hike.  That world is a crazy strange world, the claustrophobic spaces, the mud, the darkness.  It’s really hard to imagine, so we really needed to show people the world they were living in and navigating in, the world they ultimately found safer than the outside world.

You can see how dynamic they still are when they return to the cave, 67 years later.  They were so young when they were in the cave.

You do hear Esther’s words in the book she wrote in 1960.  And the leadership in the cave passed to young men.  It shows how incredibly brave and honorable young men can be.  Esther was running things underground but the father was afraid and so the leadership in the cave was teenage boys and young men in their 20’s because they were capable of doing things that kept everyone alive.

The story of the horse is almost like a fairy tale, especially when the families, who are so hungry, decide not to eat the horse but to let him go.

Even Sol did not believe his brother would come back with a horse.  For Sol, it was this miraculous thing for his brother to find a horse to help them get supplies.  They felt so blessed and lucky that they did not eat the horse.

And when they returned, no one in the town even said hello to them.

After the war, fighting continued in Ukraine.  Partisans were fighting the Russians.  Their possessions were taken by people who did not want to give them back.  There was a lot of hostility to Jews, which is why there are no Jews in that town anymore.  Their dog gave them the only greeting.  We really wanted their return to be meaningful for them and it was.  They are very special people.

Why was it important to show the photographs of the families of the survivors at the end?

What these 38 people did, each with individual experiences, each fighting hard, from the children to the grandparents — the ripple effect is life.  All the children and grandchildren and great-children who became lawyers, doctors, construction workers, physical therapists, they are all alive because these people fought.  Fighting and survival and preventing genocide, that starts one person at a time.  One Polish woodcutter giving information, one person saying “We’re not going to leave our cousin behind,” that has a ripple effect of life with generations who make a difference.

 

 

Related Tags:

 

Directors Documentary

Featurette: The Making of “The Kings of Summer”

Posted on April 7, 2013 at 8:00 am

One of the films I’ve most enjoyed this year is the Sundance charmer, “The Kings of Summer,” the story of three teenage boys who run away from home to live in a house they built in the woods.  I’ll be posting interviews about the film soon, but for now take a look at this behind-the-scenes featurette.

Related Tags:

 

Behind the Scenes
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2024, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik