Carrie

Posted on October 17, 2013 at 5:50 pm

The remake of “Carrie” is not a bad movie; it’s just a completely unnecessary one.  The 1976 original is a horror classic, directed by Brian de Palma and the first film based on a novel by Stephen King, just 26 years old when he sold the rights for $2500.  Both of its stars were nominated for Oscars, almost unheard of for a genre film, and it is number 46 on the American Film Institute’s list of the top 100 thrillers.Carrie poster

The idea of updating the story of the bullied high school girl to the era of Facebook and YouTube had some intriguing possibilities, especially directed by Kimberly Peirce, whose extraordinary “Boys Don’t Cry” had an insightful authenticity in the portrayal of young people who felt like outsiders.  But there is nothing especially timely, revealing, or surprising in this remake.  The performances are not up to the level of the original and even the special effects do not seem much better than those in the version that came out when Gerald Ford was President.

Less than a moment into the film, we are already immersed in blood.  We hear screams and we see a Bible.  Margaret White (Julianne Moore) is in bed, the sheets all bloody, moaning and praying.  She thinks she is dying and she thinks it is because she is being punished.  But the pains she feels are contractions and she is shocked to find a baby emerging from her.  At first, she wants to kill her new daughter with her sewing shears.  But she loves the newborn too much to hurt her and, as we learn, she sees the baby as another chance for her to be pure, to be kept safe from the predations of sin and the devil.

We then see Margaret’s daughter, Carrie (Chloë Grace Moretz of “Kick-Ass” and “Let Me In”), a shy, repressed, somewhat backward senior in high school and ignored or insulted by the other girls.  She gets her period for the first time in the locker room after PE and becomes hysterical.  Like her mother, she has no idea what is going on with her body and she thinks she is dying.  The other girls are horrified that she is so ignorant and make fun of her, throwing tampons and sanitary napkins at her.  Chris, the ringleader (Portia Doubleday) gets it all on her cell phone camera and uploads it to YouTube.

Margaret seems to think that if she had been able to keep Carrie “pure” she never would have gone through puberty.  She locks Carrie in a small closet under the stairs and tells her to stay in there and pray.

But puberty seems to have unlocked some special powers in Carrie, powers that seem tied to her emotions.  As she sits in the principal’s office, his water cooler bubbles and then explodes. Carrie gets books on miracles and telekinesis from the library and begins to see what she can do and how much she can control.  For the first time, she begins to sense some independence and to rebel against her mother.

Sue (Gabriella Wilde) feels guilty about her role in making fun of Carrie and asks her boyfriend, Tommy (Ansel Elgort, soon to be seen in both “Divergent” and ‘The Fault in Our Stars”) to invite Carrie to the prom.  She says no at first, but then accepts, and his kindness and courtesy make her feel appreciated for the first time.  Until….

And that’s the thing.  Everyone knows what happens at the prom.  It is one of the most famous images in cinematic history.  This replay adds nothing new.

Moretz is a thoughtful and serious young actor, but she is better at playing a precociously sophisticated and capable character like Hit Girl or even the friend of the Wimpy Kid than she is at trying to show us the innocent and vulnerable Carrie.  More at fault is the script, which fails to provide a consistent emotional truth for the character. Like the Hulk, her powers are rooted in fury.  King, even in his 20’s, knew how satisfying that would be for everyone who has been picked on (that is everyone), and Moretz is at her best when enjoying the sense of righteous revenge.  To make the movie work, though, that would need to be balanced by an underlying sense of the character that is never there.  The same goes for Margaret. In 2013, the thoughts of a religious fanatic open up some possibilities worth exploring but Peirce is more interested in re-creating the original than updating it.

Parents should know that this film has extensive and graphic peril and violence with many characters brutally killed, disturbing and bloody images, sexual references and situations involving teenagers, a graphic childbirth scene, teen drinking, and strong language.

Family discussion:  Why were the girls so mean to Carrie?  How has bullying changed since the story was first written?  How did Carrie feel about her powers and why?

If you like this, try: the original film and some of the other Stephen King adaptations like “The Shining” and “Sleepwalkers”

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Participate in an Important Study of the Impact of Screen Time on Kids

Posted on October 17, 2013 at 8:00 am

Parents — Here is your chance to help scientists who are studying the impact of screen time on children.  No generation has been as saturated with media as this one.  Babies learn to play with smartphones and tablets before they can talk.  Children expect to be able to watch movies on a 10-minute drive to the grocery store.  You can help scientists understand the scope and impact of screen time on kids by taking ten minutes to fill out this survey (you might even win a prize, just for participating).  The study is being undertaken by Dr. Robert Pressman who told the Boston Globe:

Technology is not all negative. It’s like water?—?we need to have water, but if we have too much, we drown. Technology is extraordinarily compelling. It’s addictive. It’s a time sink. Clinically, we have children spending hours with a screen after they go to . They may not go to sleep until 1 or 2 in the morning. Parents are exasperated; they have given up.

And it starts at an early age. The other day, in the elevator, a mother had two toddlers in this double playing with some child-oriented screen. They weren’t interacting with each other, weren’t interacting with Mom. I try to be open-minded, to say it’s entertainment. Should it be eliminated? Definitely not. It’s an important advancement. I get the biggest kick out of seeing my 5-year-old granddaughter playing on her VTech while her older brother is engrossed in a new app on his iPad. I also wonder what impact it might have on them. Like most parents, I’m hoping to get some answers.

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Parenting

Stubbornly Independent: The Tallgrass Film Festival

Posted on October 16, 2013 at 2:21 pm

Wish I could attend the Tallgrass Film Festival this year — it just keeps getting better, with great documentaries like “Blackfish” and “20 Feet from Stardom” and classics like “Pulp Fiction” and “Airplane!”

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Festivals

Giveaway: Shrek the Musical on Blu-Ray/DVD!

Posted on October 16, 2013 at 11:46 am

shrekbluShrek the Musical, the live Broadway show, is now available on a gorgeous Blu-Ray/DVD with all kinds of great behind-the-scenes extras, and I have copies to give away!  The cast features Broadway superstars Brian d’Arcy James as the title ogre, two-time Tony winner Sutton Foster as Fiona, Daniel Breaker as Donkey, and Christopher Sieber as the silly villain Lord Farquaad.  This is a perfect family delight, sure to be watched over and over.  And I have copies to give away!  Send me an email at moviemom@moviemom.com with Shrek! in the subject line and tell me your favorite fairy tale character.  Don’t forget your address!!!  (US addresses only)  I’ll pick the winners at random on October 26.  Good luck!

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Interview: Daniel Breaker of “Shrek: The Musical”

Posted on October 16, 2013 at 11:25 am

First it was a book by William Steig.  Then it was a sensationally successful series of animated films, featuring the voice talents of Mike Meyers, Cameron Diaz, and Eddie Murphy.  Then it was a blockbuster Broadway smash hit musical starring Sutton Foster, Daniel Breaker, and Brian d’Arcy James as the ogre.  And now the musical is available on DVD, bringing the Broadway experience into the living room.  I am a huge fan of Daniel Breaker’s work in “Passing Strange,” so it was a thrill to get to talk to him about playing Donkey on stage in Shrek the Musical.

What’s the first thing you did when you found out that you were going to be playing Donkey?

I guess I wondered if this is really happening or not. You know the part really came out of nowhere for me. I was actually on vacation with my wife and my newborn so I guess you wouldn’t call it vacation. My new born, he was only two weeks old when I got the call for that part.  There was actually a lot going on at that point right when I got the call. My wife is a director. She was about to start rehearsals for a play called “Ruined” which takes place in Congo and which later won a Pulitzer and so we were on that path. And then “Shrek” came in and now we have this newborn so that was a very, exciting, and exhausting, and stressful for the first couple of months. But that’s just a part you can’t really say no to. I mean when somebody calls and asks me to play the donkey, that’s not really something you pass on.

It’s kind of a challenge because you’ve got people coming who have a strong idea of who the Donkey is. You want to make it your own but you also want to make them happy. How do you walk that tightrope?

Well, you know, what’s interesting about the version that we did is that the animated movies are very specific, right? And what was great was that when we translated that idea onto the stage, no one was pressuring anybody to make a direct steal from the movie to the stage. I think what we were doing was we’re taking some the benefits that come with live theater and applying that to the iconic story. So there was no pressure to impersonate Eddie Murphy or impersonate Cameron Diaz’s voice. If anything, we were celebrating the story even further by taking it unto a live medium. And then we’re almost coming full circle here by bringing it back to the screen with this DVD which, I think, captures all of the living, breathing excitement of the live stage performance and bringing you just a little closer so you can see certain elements and nuances from the acting that you might not see when you’re watching it on stage. So I think it sort of ups the pleasure of watching the story even further.

Donkey’s got a lot of the best lines in the show.

I think Donkey is such a great part because I think there’s a little Donkey in all of us.  I think he is a little bit of a weirdo. He wants a friend. He wears his heart on his sleeve. I think that’s something that we all strive to be like. So, you know, I find him utterly thrilling. And just from sort of like the theater nerd in me, I feel like he is one of these ancient Commedia characters. I think he is completely honest in every single moment of his life. He does not know how to lie. That doesn’t live in his blood. I find it actually so thrilling to be that open and vulnerable on stage. Every night was so much fun. And also, the cast is just extraordinary. I had such a magnificent time playing opposite Brian d’Arcy James. I think even on those exhausted days when I was sick or I was tired, it was just seeing him up there and his very honest eyes and thinking, “Alright. I’m going to do this anyway. We’re going to have a great time.” So it was a thrill every step of the way.  And Sutton Foster — that girl was a machine. I don’t know how she got through that thing of like throwing the green costume, and taking it off doing a tap number, and then just walking around right after a big tap number as if she was not even winded like she just crossed the street. I mean she is extraordinary. And she also makes everything look so easy. And then Christopher Sieber who played Farquaad, the fact that he is the tallest guy in the cast and he was the one on his knees. I thought that was some form of cruelty.  He was wearing that 50 pound rig on his costume and he was still a trooper the whole way.

I love to see families go to the theater and teach kids about this role of the theater.  What’s it like to perform in front of so many kids with their families?

It’s a thrill because you know that if a family is willing to drop the Broadway money to bring their kids to a show that they really actually want to be there. That’s quite an enjoyable experience to have and to watch, you know because sometimes I feel like a little like “Okay, the dad doesn’t really want to be here. It’s football season. He’s going there because his kids wanted to go,” and then five minutes later, he can’t help but crack a smile at how extraordinary this show is. So it’s a lot of fun to entertain in that respect.  Also I was a dad by the time I started the show so it’s just nice to raise this child while also doing this show that is designed for children.

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