When Movies Turn the Tables on Critics

Posted on October 27, 2014 at 8:00 am

Thanks again to Criticwire for including me in their survey about how movie critics feel about the way that critics themselves are portrayed in movies. Sometimes filmmakers take a bit of revenge on those of us who judge them and the critics surveyed had a lot of fun re-turning the tables by critiquing the critique. Most of us mentioned Anton Ego (love that name), voiced by Peter O’Toole in “Ratatouille.”

But I was the only one to mention my favorite:

Peter O’Toole’s critic is the highlight of “Ratatouille,” and in many ways the ultimate movie portrayal of a critic. We all know what it feels like to review so much junk that you begin to believe you have lost your capacity to be surprised by greatness. Those reminders that we can still be thrilled are what keep us going. The critic who hates everything is a popular target in movies like “Arsenic and Old Lace,” which has Cary Grant as surely the handsomest critic ever on screen. The most acid-tongued was George Sauders’ Addison DeWitt in “All About Eve.” The comeuppance scene where he out-Eves Eve herself is a masterpiece. “Is it possible, even conceivable, that you’ve confused me with that gang of backward children you play tricks on, that you have the same contempt for me as you have for them?”

My least favorite movie portrayal of a critic is probably Bob Hope in “Critic’s Choice.” He reviews his own wife’s play, for goodness’ sake! On the other hand, the onscreen critic I love best has a similar ethical lapse, but I can’t help loving the movie, one of my very favorites. That is David Niven in “Please Don’t Eat the Daisies,” as a character inspired by real-life theater critic Walter Kerr, based on his wife Jean Kerr’s wonderfully witty book of essays. Niven plays a character who, like Kerr, is a teacher turned critic. His devastating review of a play produced by his closest friend has a hilarious take-down of the musical star delectably played by Janis Paige. Her response (with photographers in tow) is magnificent. And, even in a light comedy co-starring Doris Day, Spring Byington, and Jack Weston, there is a very astute exploration of some of the genuine conflicts critics face. This critic gives that portrayal and that movie four stars.

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Critics

Family Movies for Halloween

Posted on October 26, 2014 at 8:00 am

Copyright Warner Brothers 1966

 

Halloween gives kids a thrilling opportunity to act out their dreams and pretend to be characters with great power. But it can also be scary and even overwhelming for the littlest trick-or-treaters. An introduction to the holiday with videos from trusted friends can help make them feel comfortable and excited about even the spookier aspects of the holiday.

Kids ages 3-5 will enjoy Barney’s Halloween Party, with a visit to the pumpkin farm, some ideas for Halloween party games and for making Halloween decorations at home, and some safety tips for trick-or-treating at night. They will also get a kick out of Richard Scarry’s The First Halloween Ever, which is Scarry, but not at all scary! Curious George: A Halloween Boo Fest has the beloved little monkey investigating the Legend of “No Noggin.” Disney characters celebrate Halloween in Mickey Mouse Clubhouse – Mickey’s Treat.

Witches in Stitches is about witches who find it very funny when they turn their sister into a jack o’lantern. And speaking of jack o’lanterns, Spookley the Square Pumpkin is sort of the Rudolph the Red-Nosed Reindeer of pumpkins. The round pumpkins make fun of him for being different until a big storm comes and his unusual shape turns out to have some benefits.

Kids from 7-11 will enjoy the classic It’s the Great Pumpkin, Charlie Brown and the silly fun of What’s New Scooby-Doo: Halloween Boos and Clues. Try The Worst Witch movie and series, about a young witch in training who keeps getting everything wrong. Kids will also enjoy The Halloween Tree, an animated version of a story by science fiction author Ray Bradbury about four kids who are trying to save the life of their friend. Leonard Nimoy (Mr. Spock on the original “Star Trek”) provides the voice of the mysterious resident of a haunted house, who explains the origins of Halloween and challenges them to think about how they can help their sick friend. The loyalty and courage of the kids is very touching. Debbie Reynolds plays a witch who takes her grandchildren on a Halloween adventure in the Disney Channel classic in Halloweentown.

http://www.youtube.com/watch?v=jNGYJRcq5BM

Older children will appreciate The Witches, based on the popular book by Roald Dahl and Hocus Pocus, with children battling three witches played by Bette Midler, Sarah Jessica Parker, and Kathy Najimy. And of course there is the deliciously ghoulish double feature Addams Family and Addams Family Values based on the cartoons by Charles Addams. Episodes of the classic old television show are online.

http://www.youtube.com/watch?v=_YFk4b6yeX4

Two recent favorites, Paranorman and Monster House, should become a new Halloween tradition. Frankenweenie and Hotel Transylvania are also a lot of fun.

http://www.youtube.com/watch?v=xwTBXDHIKYY

The Nightmare Before Christmas has gorgeous music from Danny Elfman and stunningly imaginative visuals from Tim Burton in a story about a Halloween character who wonders what it would be like to be part of a happy holiday like Christmas. And don’t forget some old classics like The Cat and the Canary (a classic of horror/comedy) and the omnibus ghost story films “Dead of Night” and “The House that Dripped Blood.”

Happy Halloween!

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For Your Netflix Queue Movie Mom’s Top Picks for Families

Does PG-13 Mean Anything Anymore?

Posted on October 25, 2014 at 8:00 am

The Washington Post has an article about a new report from the American Academy of Pediatrics, “Parental Desensitization to Violence and Sex in Movies,” with some disturbing conclusions about parents’ ability to make good decisions about the impact some media may have on their children. This is not just an issue of parenting choices — it is an issue of child health and ability to thrive.

According to Rentrak movie research firm, more movies have been rated PG-13 than any other rating every year since 2008 have been PG-13 movies. The category has consistently grown each year as the PG and R category slowly shrink. In 1999, 35 percent of top movies were rated PG-13. Last year, 47 percent were PG-13 and only one film was rated G.

But for many parents, the PG-13 rating is too broad. Movie studios draw limited audiences for G and PG films, with kids wanting to see the hottest action films, such as PG-13 rated “Guardians of Galaxy.” R-rated films have pushed the edge of their rating too, deleting just enough content to be appropriate for teens.

The new study comes amid fresh criticism that Hollywood has neglected family-friendly movies. Last year, Romer published a study that showed the amount of gun violence in PG-13 has has tripled since 1985 and in 2012 the category had more gun violence than R-rated films.

Test yourself with the Washington Post’s quiz on movie ratings.

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Commentary Parenting

Is E-Reading to Kids the Same as Analog Reading?

Posted on October 25, 2014 at 8:00 am

The New York Times asks, Is E-Reading to Your Toddler Story Time, or Simply Screen Time?

In a 2013 study, researchers found that children ages 3 to 5 whose parents read to them from an electronic book had lower reading comprehension than children whose parents used traditional books. Part of the reason, they said, was that parents and children using an electronic device spent more time focusing on the device itself than on the story (a conclusion shared by at least two other studies).

“Parents were literally putting their hands over the kids’ hands and saying, ‘Wait, don’t press the button yet. Finish this up first,’ ” said Dr. Julia Parish-Morris, a developmental psychologist at Children’s Hospital of Philadelphia and the lead author of the 2013 study that was conducted at Temple University. Parents who used conventional books were more likely to engage in what education researchers call “dialogic reading,” the sort of back-and-forth discussion of the story and its relation to the child’s life that research has shown are key to a child’s linguistic development.

Complicating matters is that fewer and fewer children’s e-books can strictly be described as books, say researchers. As technology evolves, publishers are adding bells and whistles that encourage detours.

“What we’re really after in reading to our children is behavior that sparks a conversation,” said Kathy Hirsh-Pasek, a professor of psychology at Temple and co-author of the 2013 study. “But if that book has things that disrupt the conversation, like a game plopped right in the middle of the story, then it’s not offering you the same advantages as an old-fashioned book.”

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