Interview: Paul Newman biographer Shawn Levy

Posted on May 27, 2009 at 3:58 pm

Movie critic Shawn Levy, author of the superb books King of Comedy: The Life and Art of Jerry Lewis and Rat Pack Confidential: Frank, Dean, Sammy, Peter, Joey and the Last Great Show Biz Party, has a new book about one of the most accomplished and adored movie stars of all time, Paul Newman. He very kindly made time for an interview in the midst of his book tour.

Q: Newman was one of those rare performers who become icons of their eras. What was it about his style of acting and choices of scripts that seemed so particularly characteristic of the post-WWII years?

A: He often played younger than he really was, like many actors, but it was particularly his casting as the failed sons of strong fathers in such films as “The Rack,” “Cat on a Hot Tin Roof,” “Hud” and, in a sense, “The Long Hot Summer” and “The Hustler” that cemented him as an icon. He carried the sensitivity of James Dean into a new era when the promise of a film like “Rebel Without a Cause” bled into mainstream and prestige films. He easily segued into rebel/countercultural figures starting in the mid-’60s (“Harper,” “Hombre,” “Cool Hand Luke,” “Butch Cassidy”). And because he was older than the characters he was playing (he was 38 when he made “Hud”), he also carried a savor of mature authority. He played, in short, equally well to both the establishment and the kids who threw mudballs at it.

Q: Is there a performance of Newman’s that you think is particularly overlooked or underrated?

A: His turn as the stage manager in the Broadway production of “Our Town,” which is available on DVD, is a classic bit of Americana. In movies, “Hombre” is tough and sullen and cool in a way you’d associate more with, oh, Steve McQueen than Newman. Both excellent films.

Q: What did he consider his biggest failing?

A: In acting, he felt he was too mechanical and calculating for the first 25 years or so of his career, and I think I’d agree. You see him pulling poses and striking moods quite deliberately even in such fine films as “The Hustler” and “Hud.” But later in life he ratcheted back and produced some astonishing performances. In life, I think he felt he was a very remote and arbitrary father until he reevaluated himself after the death of his son, Scott, in 1978.

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Interview: Jason Dolley of ‘Cory in the House’ and ‘Hatching Pete’

Posted on May 18, 2009 at 3:58 pm

Jason Dolley of the Disney Channel’s popular series Cory in the House stars in Hatching Pete, now out on DVD with another family-friendly feature, “Dadnapped.” He found time to talk to me between finals in his college classes, and I really enjoyed our conversation, especially his frank and sincere discussion of his faith and his description of what it was like to play the guy inside the chicken suit.

Where are you from originally?

I grew up in Southern California, Simi Valley. I’ve lived in the same house all my life. I have two older brothers who have moved away, but I still live with my mom and dad. I graduated from high school early and now I am going to college at Moorpark community college, 15 minutes away from the house.

Tell me about “Hatching Pete!”

It has me and Michael Musso and the basic story is best friends. He is normally the school mascot and he asks my character to sub in for him one night. Pete is very shy but he blossoms in the chicken suit. They don’t tell anyone it’s him, so that’s where it gets complicated.

Is it difficult to act in a chicken mascot costume?

It is tough! Even before filming began we went to mascot boot camp. The San Diego chicken from the Padres gave us “how to be a chicken” lessons. I had a lot of fun with it and that was good because my character was supposed to have fun. It was stuffier than anything, but well worth it. I had a blast! There are things you don’t think about — you have to make your movements really big because it is all in the body language. Small movements normally people would make, you had to blow it up. I did not do everything. I’m not really athletic. We had four chickens not including Mitchell, a dance chicken to do the dance routines and Ted the pro chicken would do some of the game stuff.

And how did you get started as an actor?

My first job was an AFI short film, “Chasing Daylight,” when I was 11 and I made a couple of commercials that never aired. For me, the acting bug got started when we would play dress-up. It didn’t have to be Halloween. We’d get dressed up and we’d become the people whose costumes we wore.

What was your favorite Halloween costume?

I was Darth Vadar three years in a row!

Did you study acting?

I started taking classes when I got an agent. But I learned from the best when I did a series called “Sweet Savages” where I played the youngest boy. Mel Gibson was the director, he was hilarious and kept throwing in little things for us to do. I learned a lot.

What makes you laugh?

One of my favorite comedies is Three Amigos!. Oh my gosh, me and my brother quote that all the time. Two of my favorites are Abbott and Costello, we did the “Who’s on First” routine for our school talent show and that was the first blossoming of my acting stuff.

What actors really inspire you?

Robert Redford and Paul Newman — I love seeing them in “Butch Cassidy and the Sundance Kid” and “The Sting.”

What role does your faith play in your life?

I think faith helps me a lot. God wants you to be where He wants you to be, and that’s where I want to be. If I do not get a part, I understand that maybe I needed to be home at that time, maybe in school, there’s always a reason. My faith is also where my core friends are, at my church, a faith-based friendship. It is a major thing.

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Actors Elementary School Interview

‘Night at the Museum 2’ Press Conference, Part 2

Posted on May 16, 2009 at 1:00 pm

More from the “NatM: Battle of the Smithsonian” press conference:
Ricky Gervais, creator and star of the original British version of The Office returns as the director of New York’s Museum of Natural History. He said that he loves to play an “awkward putz” and that “the most fun for a comedian is to play a man without a sense of humor.”
Robin Williams, who returns as Theodore Roosevelt, looked around the historic Smithsonian Castle and said he felt like he was at Michael Jackson’s garage sale. As expected, he kept up a running commentary on everyone else’s answers. Amy Adams answered a question about how her success had changed her life with a joke: “I’ve invested in shoes.” (She was wearing some very fetching Christian Louboutins.) Williams said, “Ah, the Imelda fund.” And he described co-star Hank Azaria’s muscular biceps: “He’s got guns that make Michelle Obama look like an anorexic.”
Owen Wilson answered my question about the special challenges of his role as the tiny-in-stature but big-hearted cowboy Jedediah. He shot most of his scenes in a separate set to make it look as though he was only a few inches tall. “I never saw Hank or Ben, but Coogan was there. Jed doesn’t see himself as a miniature little cowboy. He is larger than life. You never had to worry about Shawn saying, ‘Do less.'”
They were all big fans of the Smithsonian and the other Washington sights. Adams said the Lincoln Memorial, where she and Stiller have a conversation with the huge marble President was “just gorgeous” at night, with a full moon. And Levy said that he loved exploring the Air and Space Museum at night with Stiller, when they had it all to themselves.
Levy said his biggest challenge in making the film was not the effects but his talented cast, who improvised constantly. “Almost every day we would throw out a plan.” Co-screenwriter Garant talked about how much he and Lennon enjoyed bringing all of the historical characters to life. “All of the characters are such archetypes they represent a giant idea.” And so they were able to include a couple sweet “would have been nice” moments in the film that allowed real-life characters to have conversations and experiences that never happened, but should have, as when the Tuskeegee Airmen got to thank Amelia Earhart for helping pave the way for their own unprecedented achievements.
Director Levy commented on the Castle setting, too. He said that it wasn’t until they toured the Smithsonian and saw the original building that he knew where the bad guys’ hide-out in the movie had to be located. “We were inspired by the Gothic moodiness of the Castle,” he said. And so, with life imitating art, the Castle now houses the huge pile of Smithsonian treasures that appear in the film as the loot stored there by Ivan the Terrible, Napoleon, and Al Capone. Does that chair on the top of the pile look familiar? It is the chair used by Archie Bunker on the classic television show, “All in the Family.” The one in the movie is a replica, of course. The original is on display in the Smithsonian’s Museum of American History, now with a special new plaque:

‘Night at the Museum 2’ Press Conference, Part 1

Posted on May 16, 2009 at 11:22 am

Yesterday, I attended a press conference at the historic Smithsonian Castle and had the immeasurable and almost-surreal pleasure of sitting opposite Ben Stiller, Amy Adams, Robin Williams, Owen Wilson, Ricky Gervais, director Shawn Levy, and screenwriters Robert Ben Garant and Thomas Lennon, who were in Washington DC to talk about the sequel to the unexpected blockbuster “Night at the Museum.” This one is set in the world’s biggest (and in my biased opinion, best) museum complex, the Smithsonian Institution. I will be posting more shortly, but as a starter, here’s a short clip with Amy Adams talking about her role as Amelia Earhart and Levy talking about what he wants children and their families to learn from the film.

Star Trek: The Enterprise Captains Interview

Posted on April 28, 2009 at 8:54 am

In an exclusive interview for the new Star Trek 1-6 movie box set, Whoopi Goldberg interviews the captains of the USS Enterprise, to boldly go where no interview has gone before.