Tribute: Eli Wallach

Posted on June 25, 2014 at 9:35 am

One of the all-time great character actors, Eli Wallach, has died at age 98.  He leaves behind an extraordinary range of work, from iconic bad guys (The Magnificent Seven), to sweet old guys (The Holiday).

He appeared with Clark Gable, Montgomery Clift, and Marilyn Monroe in “The Misfits.”

He was already fully at home on screen in his first film role, “Baby Doll” with Carroll Baker.

He appeared opposite Clint Eastwood in “The Good, the Bad, and the Ugly.”

Eastwood later directed him in “Mystic River.”

Wallach often worked with his wife, actress Anne Jackson. Here she toasts him for his honorary Oscar.

His autobiography is The Good, the Bad, and Me: In My Anecdotage. He said the role he got the most fan mail for was Mr. Freeze on the old “Batman” television series. May his memory be a blessing.

https://www.youtube.com/watch?v=fPWvmS_ltk8
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Actors Tribute

Movie Greats: John Cassavetes and Gena Rowlands

Posted on June 24, 2014 at 3:42 pm

John Cassavetes and Gena Rowlands were at the forefront of a revolution in cinema that led to a new era of naturalism in subject matter and performance. Cassavetes, best known as an actor for starring opposite Mia Farrow in Rosemary’s Baby. But as a director, he was a pioneer of independent film. Working with his wife, Gena Rowlands and friends like Peter Falk and Ben Gazzara, he made movies of startling intimacy and honesty. Every film that is (or appears to be) improvised by its actors is inspired by Cassavetes and Rowlands.

Leonard Maltin calls Cassavetes’ 1959 film, “Shadows,” “a watershed in the birth of American independent cinema”.

Rowlands was nominated for an Oscar for her fearless performance in “A Woman Under the Influence,” a 1974 film that piercingly portrayed her character’s mental collapse.

https://www.youtube.com/watch?v=X4Uzdlgv2G8

Their son, Nick Cassavetes, became a director as well, and featured his mother in his best film, The Notebook.

https://www.youtube.com/watch?v=3FycR4ZT-eU

BFI’s Film Forever site has a terrific tribute to this ground-breaking couple.

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Actors Behind the Scenes Directors Film History For Your Netflix Queue

Interview: Michael Ealy and Meagan Good of “Think Like a Man Too”

Posted on June 22, 2014 at 9:32 am

ealy goodI am a huge fan of Michael Ealy and Meagan Good and it was a lot of fun to talk to them about “Think Like a Man Too.”

Meagan, I loved your performance of Bell Biv DeVoe’s classic “Poison!”

MG: It was an evolution. Initially the song was supposed to be En Vogue’s “Never Gonna Get It.” We were all excited to learn the words and everything and then they were like, “You know what, we want to do ‘Poison’ instead.” We actually went into the studio and recorded it and all of us girls sounded like pretty bad except for Taraji who really sings. And then we got the set and we literally just sang to our own voices basically. And we did it for two days and it was like the easiest thing because you don’t have to do anything, just come to work, show up, have fun,be silly, laugh, joke, crowd surf, whatever it is you’re doing that day, it was just a lot of fun. It was actually just like going to a party.

Michael, I have heard that the hardest thing for actor is to play a nice person and your character is the nicest person of all of the characters. With so many colorful characters around you, with Kevin Hart being so extreme, how do you create a character who is nice but doesn’t get lost in all the hubub?

ME: I think it’s knowing who you are playing with. Like you said, Kevin Hart is at decibel 10 throughout the film and if you don’t have something to kind of ground that it could be a bit overwhelming. And having done three films with Kevin I know exactly where I need to be in every scene and it’s usually the straight guy, I think of Jerry Lewis and Dean Martin.  And I have so much fun doing it. Dominique’s sincerity was in my opinion in the words especially in the first script, so love to Keith and David for writing such a character that is kind of endearing in that way.

Meagan, your character is very fashion oriented.  How did you create her look?

MG: Shout out to  Salvador Pérez Jr., who did an incredible job.  I really wanted to do something that I felt a little bit out of the box and I wanted her to kind of have more like a rocker vibe and something that was like a little ‘vintage-y’ but a lot more on the edgy side and with that rocker-esque thing. So we did a lot of cuffs and we did a lot of shirts that were cut out in the side and just different stuff like that and for me, I felt like there is always that girl but she doesn’t always get represented. So that’s what I’m trying to do.

You can tell me.  Behind the scenes, did you guys have some real fun in Vegas?

ME: The first two weeks I think everybody was like, “Yeah, we’re going to party. We’re going to do Vegas. We’ll do Vegas, get some stories.” And literally that work schedule just kind of knocked all of that out. We did like the first week, we hung out with Kevin at a party but that was about it and after that it was like we need to film  in the casinos during the off hours , when there are still people in there playing but it is not nearly as crowded. That’s when the casinos gave us permission to shoot. So we would have to sleep from five or six in the evening until midnight, wake up, go to work, go do hair and makeup, be ready to shoot by 2:00 AM. So our hours were so off at a certain point, we were starting to become vampires, it was just crazy. And then we did all the daytime stuff and it was just awkward. And we were there for two months.  Vegas is a place you stay for two days.  Needless to say, we all kind of got to the point where it was like, “Yeah…  How many days left, I’ve got to get out of here.”

Meagan, you had to be angry and frustrated in a comic way without going over the top.  You kept the character sweet and gave her a lot of depth. And all of that opposite Romany Malco, who has a lot of energy, too.  

MG: I think me and Romany have very good chemistry. We both kind of refer to ourselves as aliens because we are the same kind kind of awkward in a way which works out very well. But I think it’s the chemistry and I also try to be very conscious of not being in the way. I did not want to be that girl that’s always like, “He’s not doing what I want him to do.” Just whining and being obnoxious.  I tried to be very conscious of that and still be sincere with the frustration and anxiety but not play it in a way that comes off obnoxious; which is kind what I believe in real life too,  just bring it all the way back, to be honest but relaxed.

So are we going to have a third one?

MG: We hope so.

ME:  It’s up to the fans. It really is up to the fans, I mean we weren’t anticipating a second one so the fans dictated the second one and the fans dictate the third one.

You encourage people to Tweet and Facebook to get the word out. How has social media changed the way that people find movies? Are you guys both on Twitter?

MG: Yes.

ME: Yes. I joined right before the first film at the request of my publicist. I remember talking to Meg  and neither of us were really enthusiastic about it and then we both got TV shows and you have to push and you have to interact with your fans weekly. So you just kind of get better at it almost naturally and then you kind of see the power. So the things that you are able to do, the charity organizations that you work with and what you are able to do not just for your own self promotion. It is a powerful, powerful tool and I do think it is a good way to motivate people and create some sort of movement and I think the social media effect on Think like a Man was probably like responsible for about 70% of the box office. That was one of the most powerful campaigns on social media that I think there ever was.  We all learned on the first that you can just buy into the system, reach out to the grassroots and watch what happens.

What are the most important lessons people have learned from these films about male/female relationships?

MG: My gosh, that we are very different! Which I think is important. I think it’s very important to recognize that in a real way because what’s common sense to him is not common sense to me. What’s common sense to me is not common sense to him and so if you can really understand that then you can start to understand the person better or if you are not seeing eye to eye on something, there is more of a respect level just because you understand that you see it very differently, not just that you disagree.  The interesting thing is that people walk away saying, “Well, I am a Dominique” or “I am a Maya” or “ I am a Maya mixed with Lori” and people kind of see themselves in our relationships.

ME:  Yeah. That’s the coolest part.

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Actors Interview

Fred MacMurray and Burt Lancaster: Tonight on PBS

Posted on June 21, 2014 at 12:34 pm

PBS pays tribute to two of the all-time great leading men with documentaries airing tonight (check your local station for viewing times).

Burt Lancaster: Daring to Reach 
Learn more about the epic screen star Burt Lancaster who went from street-wise tough to art-collector liberal-activist, from circus-acrobat hunk to Academy Award winner. By age 18, Burt was 6’2″ with an athletic physique and dynamic good looks that helped make him famous. A stint in the Army introduced Burt to acting and led him to Hollywood where his first release, The Killers (1946), propelled him to stardom at age 32. He took control of his own career and seldom faltered. Upon his death in 1994, four-time Academy Award-nominated Lancaster was acknowledged as one of the greatest stars in Hollywood. Lancaster’s films include Westerns, costume epics and serious contemporary dramas.

Fred MacMurray: The Guy Next Door 
Amiable and unassuming, Fred MacMurray went from small-town boy to one of Hollywood and television’s most enduring stars. Learn more about how MacMurray signed his first contract with Paramount Studios in 1934 and quickly rose to play romantic lead roles opposite such major stars as Claudette Colbert, Carole Lombard, Katharine Hepburn, Paulette Goddard, and Marlene Deitrich. However, his true talents were revealed when he went against type and appeared as a murderer opposite Barbara Stanwyck in Billy Wilder’s film-noir classic Double Indemnity (1944). In this program, see which other roles helped define MacMurray as a major acting talent.

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Actors Television

Tribute: Ruby Dee

Posted on June 12, 2014 at 1:48 pm

We lost one of the greats today, the actor and activist Ruby Dee.

Kennedy Center honoree with her husband, Ossie Davis, Ruby Dee is as much a legend for her pioneering work as a leader of the Civil Rights movement as for her gifts as a performer on stage and in movies.

Here is a charming early glimpse of Davis and Dee in “Gone Are the Days,” based on Davis’ play, “Purlie Victorious.”

http://www.youtube.com/watch?v=HRZfdUaVSUU

Here they are in Spike Lee’s “Do the Right Thing.”

You can see Davis and Dee talk about their lives in An Evening with Ossie Davis and Ruby Dee.

Dee’s breakthrough role on screen was Jackie Robinson’s wife in the biopic starring Robinson himself. She would later play his mother in Court Martial of Jackie Robinson. She appeared in cultural milestones from A Raisin in the Sun to Do the Right Thing.  She was Denzel Washington’s mother in American Gangster and a centenarian in Having Our Say: The Delany Sisters’ First One Hundred Years.

http://www.youtube.com/watch?v=Oj7Zn20XZAo

Davis and Dee led lives so intertwined that they even wrote an autobiography together: With Ossie and Ruby: In This Life Together.  I saw her in person just once, at a small press conference on behalf of one of the hundreds of good causes she and Davis led and supported over the years.  I watched her as she watched her husband speak, enjoying her look of pride and pleasure and her commitment to seeing justice done.  At one point, he stepped away from the microphone to whisper to a colleague, not realizing that his theater-trained voice carried so well we could all hear everything he said.  His words were not important, just some minor administrative adjustment.  But her expression was telling.  She clearly enjoyed this display of his vital presence and theatricality, so essential to both of them.  She will be missed, but a part of her continues in the spirit of every actor and every person who has been touched by her work.  May her memory be a blessing.

 

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Actors Tribute
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