Idina Menzel, Jimmy Fallon, and The Roots Perform “Let it Go” with Kindergarten Instruments
Posted on March 4, 2014 at 8:56 am
Here’s the Oscar-winning song, a knockout no matter the instruments (or how her name is pronounced).
Posted on March 4, 2014 at 8:56 am
Here’s the Oscar-winning song, a knockout no matter the instruments (or how her name is pronounced).
Posted on March 1, 2014 at 3:59 pm
I hope Lupita Nyoung’o wins the Best Supporting Actress award tomorrow night. She deserves it. But there’s another reason: I want to hear her acceptance speech. Her speech at the Essence Awards this week was beautifully heartfelt, gracious, and wise. She talked very frankly about the difficulty of feeling beautiful with dark skin, and how she felt when she received a fan letter from a young girl who said she had been about to try a skin-lightening cream before she saw Nyoung’o and realized that it was possible to be dark-skinned and successful. Nyoung’o said:
What is fundamentally beautiful is compassion for yourself and for those around you. That kind of beauty enflames the heart and enchants the soul. It is what got Patsey in so much trouble with her master, but it is also what has kept her story alive to this day. We remember the beauty of her spirit even after the beauty of her body has faded away.
And so I hope that my presence on your screens and in the magazines may lead you, young girl, on a similar journey. That you will feel the validation of your external beauty but also get to the deeper business of being beautiful inside.
Posted on February 28, 2014 at 9:00 am
Alex Wolff plays a child prodigy who goes to college at age 13 in the new comedy “HairBrained.” He and his brother Nat formed the Naked Brothers band when he was 10, and they starred in a movie and television series based loosely on their lives as kid musicians. Now 16, he talked to me about working with his brother and his mother and what he learned from his “HairBrained” co-star Brendan Fraser. But of course we had to begin by talking about the enormous puff of hair that gives the movie its title.
Come on, how much of that hair was yours?
I’m sorry to rain on the parade. I did let my hair grow for an entire year. My classmates kept asking why I had a village on my head. I had giant, giant hair. It was pretty crazy. But they did add extensions. So it was a lot of real and a lot of extensions. The most hilarious part about shooting the movie was I kept forgetting that I had it. I didn’t feel it after a while. I would go into the bathroom and wash my hands and look up at the mirror and start dying laughing because I forgot I had it. If I had noticed it, I would have been attracted. I think the movie works because it doesn’t draw too much attention to the hair. About halfway through, you just accept it and forget about it.
You’re a musician and an actor. What is the difference between preparing for a musical performance and an acting performance?
In a music performance, it’s my brother and me, we’re ourselves. No matter where we are, what songs we’re doing, what the set looks like, we have the same rituals backstage. We put our thumbs together and say “One heart.” We have all these little ritual we do before the gig, and that’s going to happen forever. But in acting, it’s a different character every time, so every preparation is different. Because it’s a specific character, I have to prepare in a specific way.
Your mother, Polly Draper, appeared as an actor on “Thirtysomething” and created your Naked Brothers movie and television series. Have you learned a lot from her?
The cool part of watching my mom as director, writer, and producer gave me all the training I needed for producing, writing, directing, and acting the short films I have done. She comes on the sets of the movies I do and gives me notes and I honestly don’t know what I would do without her. And I have learned a bunch from my brother, Nat. I watch him all the time because I think he is one of the best actors around. If you’ve seen “Stuck in Love” or “Admission,” you know what I’m talking about. I’m not biased! I honestly think that when I see him in movies, he’s a movie star. I always look to see what he’s doing. And people like Ben Kingsley, Kodi Smit-McPhee, Katie Chang , and Parker Posey and Brendan Fraser — that’s the cool part of being an actor. You get to experience all these other actors around you, see what their processes are and help me cultivate my own.
In this film, you play a kid who acts much older than his age and your character bonds with a character who acts much younger than his age, played by Brendan Fraser. What did you learn from him?
Yes, the tables are kind of turned for those characters. That’s what’s fun about the movie. He’s so funny and energetic and nice to everyone, even everyone on the crew. That’s something you don’t see with many movie stars. He was extremely nice to every single person. That’s something I admire so much and it really reaffirmed my doing that as well. He showed us that to be a real artist you have to treat every single person like they’re the star of the movie. That was awesome.
Your character keeps a lot inside. Is that a challenge for an actor?
I related to the anger that he carried around. There’s a certain sarcasm and he always has some remark that can outsmart anyone and he uses it as a defense. But I am very external, so sometimes it would get to be too much when there was a lot going on around me to stay in character and I would have to just go in a room and be by myself for a second. I couldn’t be as 100 percent social as I would normally have been on the set because I was in that character. I had to be quiet and angry but also make myself vulnerable. I was trying to do a lot of different stuff — I hope it comes across.
Your character is a trivia champion — how are you at trivia?
At movie trivia I’d be pretty good, but I would not have known any of those questions. They were one of the most hilarious parts of the movie.
Posted on February 27, 2014 at 8:26 am
Adam Driver of “Girls” and “Inside Llewyn Davis” is likely to be the bad guy in the rebooted “Star Wars,” now in pre-production.
Rolling Stone’s engaging profile describes Driver as
an oddity, with an elongated face that has the striking ability to appear both monumental and elfin, and a hulkish body that buzzes with nervous energy. He eats six eggs (minus four yolks) each day (“I have a control problem,” he says. “I hate the feeling of not being in control”). He works out obsessively (“I feel like I have to move violently once a day or I’ll lose my mind”). He once slept for several weeks in a paint storage room on the roof of Juilliard in preparation for a role in which he felt the character needed to feel isolated, and looks forward to having kids so that he has an excuse to always stay home. He doesn’t do Twitter (“I don’t understand technology, and I’m very scared of it”), he doesn’t have cable (“I’ve actually tried getting cable, like, three different times and, goddamn, it’s expensive”), and he refuses to watch Girls (“That’s a way that I try to not have control over what’s happening”).
Driver is the son and stepson of clergymen, a veteran of the Marines, and a graduate of Juilliard’s prestigious acting program. He is currently filming “Midnight Special” with Kirsten Dunst, Michael Shannon, and Joel Edgerton, and has three other films coming out as well. He is a gifted actor who has the intensity and range to make a compelling villain. I hope he gets the part.
Posted on February 24, 2014 at 1:45 pm
Today we mourn the loss of writer/actor/director Harold Ramis, who died at age 69. Ramis began by writing and editing at Playboy Magazine, then based in Chicago. In 1969, he joined the famous improvisational sketch comedy group, Second City, and then moved to New York to help write and perform in “The National Lampoon Show” with other Second City graduates including John Belushi, Gilda Radner, and Bill Murray.

He became head writer and a regular performer on the top Canadian comedy series SCTV, and first went to Hollywood to work on National Lampoon’s Animal House
, a transformational film that pioneered a new generation of comedy writers and performers. Ramis then wrote, directed, and/or appeared in comedy classics including Meatballs
, Stripes
, and Ghostbusters
. He was working on a reboot of “Ghostbusters” as he was recovering from the effects of a rare autoimmune disease. A relapse in 2011 was too severe to overcome.
Ramis was a devoted Chicagoan and the city was proud of his loyalty and grateful for the productions he brought there. The Chicago Tribune quoted him:
“There’s a pride in what I do that other people share because I’m local, which in L.A. is meaningless; no one’s local,” Ramis said upon the launch of the first movie he directed after his move, the 1999 mobster-in-therapy comedy “Analyze This,” another hit. “It’s a good thing. I feel like I represent the city in a certain way.”
I believe his best movie was Groundhog Day, starring his friend and “Stripes” co-star, Bill Murray. Here he talks about its deeper meaning.
But when I think of Ramis, I will always remember the role I think was the most true to his real character, the kind-hearted, slightly shy doctor in “As Good as It Gets.” He will be missed.