Washington Area Film Critics Nominations 2015

Washington Area Film Critics Nominations 2015

Posted on December 6, 2015 at 9:10 am

The 2015 WAFCA nominees for the best we saw on screens this year:

Copyright 20th Century Fox 2015
Copyright 20th Century Fox 2015

Best Film:
Brooklyn
Mad Max: Fury Road
The Revenant
Sicario
Spotlight

Best Director:
Alex Garland (Ex Machina)
Todd Haynes (Carol)
Alejandro G. Iñárritu (The Revenant)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)

Best Actor:
Matt Damon (The Martian)
Johnny Depp (Black Mass)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Eddie Redmayne (The Danish Girl)

Best Actress:
Cate Blanchett (Carol)
Brie Larson (Room)
Saoirse Ronan (Brooklyn)
Sarah Silverman (I Smile Back)
Charlize Theron (Mad Max: Fury Road)

Best Supporting Actor:
Paul Dano (Love & Mercy)
Idris Elba (Beasts of No Nation)
Tom Hardy (The Revenant)
Mark Rylance (Bridge of Spies)
Sylvester Stallone (Creed)

Copyright A24 2015
Copyright A24 2015

Best Supporting Actress:
Jennifer Jason Leigh (The Hateful Eight)
Rooney Mara (Carol)
Alicia Vikander (The Danish Girl)
Alicia Vikander (Ex Machina)
Kate Winslet (Steve Jobs)

Best Acting Ensemble:
The Big Short
The Hateful Eight
Spotlight
Steve Jobs
Straight Outta Compton

Copyright A24 2015
Copyright A24 2015

Best Youth Performance:
Abraham Attah (Beasts of No Nation)
Raffey Cassidy (Tomorrowland)
Oona Laurence (Southpaw)
Güneş Şensoy (Mustang)
Jacob Tremblay (Room)

Best Adapted Screenplay:
Nick Hornby (Brooklyn)
Phyllis Nagy (Carol)
Drew Goddard (The Martian)
Emma Donoghue (Room)
Aaron Sorkin (Steve Jobs)

Best Original Screenplay:
Matt Charman and Ethan Coen & Joel Coen (Bridge of Spies)
Alex Garland (Ex Machina)
Pete Docter, Meg LeFauve and Josh Cooley (Original Story by Pete Docter and Ronnie Del Carmen) (Inside Out)
Tom McCarthy and Josh Singer (Spotlight)
Amy Schumer (Trainwreck)

Best Animated Feature:
Anomalisa
The Good Dinosaur
Inside Out
The Peanuts Movie
Shaun the Sheep Movie

Best Documentary:
Amy
Best of Enemies
Cartel Land
Going Clear: Scientology and the Prison of Belief
The Look of Silence

Best Foreign Language Film:
The Assassin
Goodnight Mommy
Mustang
The Second Mother
Son of Saul

Best Production Design:
François Séguin, Set Decorators: Jennifer Oman and Louise Tremblay (Brooklyn)
Judy Becker, Set Decorator: Heather Loeffler (Carol)
Dante Ferretti, Set Decorator: Francesca Loschiavo-Ferretti (Cinderella)
Thomas Sanders, Set Decorators: Jeffrey Melvin and Shane Vieau (Crimson Peak)
olin Gibson, Set Decorator: Lisa Thompson (Mad Max: Fury Road)

Best Cinematography:
Yves Bélanger, CSC (Brooklyn)
Ed Lachman, ASC (Carol)
John Seale, ASC, ACS (Mad Max: Fury Road)
Emmanuel Lubezki, ASC, AMC (The Revenant)
Roger Deakins, ASC, BSC (Sicario)

Best Editing:
Margaret Sixel (Mad Max: Fury Road)
Pietro Scalia, ACE (The Martian)
Stephen Mirrione, ACE (The Revenant)
Joe Walker, ACE (Sicario)
Elliott Graham, ACE (Steve Jobs)

Best Original Score:
Michael Brook (Brooklyn)
Carter Burwell (Carol)
Ennio Morricone (The Hateful Eight)
Tom Holkenborg aka Junkie XL (Mad Max: Fury Road)
Jóhann Jóhannsson (Sicario)

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Awards

Independent Spirit Nominees 2015

Posted on November 24, 2015 at 7:49 pm

The Spirit Awards are like the Oscars for independent films. Some of them have big stars and some are distributed by big studios. Some are made by first-time filmmakers on budgets that would barely pay for one day’s catering fees on a studio film. But all of them are passion projects. None of them are franchises, none are special effects films, and none are based on best-selling novel series. The award ceremony will be the night before the Oscars. This year’s nominees are:

Best Feature

Anomalisa
Beasts of No Nation
Carol
Spotlight
Tangerine

Best Director

Sean Baker, Tangerine
Cary Joji Fukunaga, Beasts of No Nation
Todd Haynes, Carol
Charlie Kaufman & Duke Johnson, Anomalisa
Tom McCarthy, Spotlight
David Robert Mitchell, It Follows

Best Screenplay

Charlie Kaufman, Anomalisa
Donald Margulies, The End of the Tour
Phyllis Nagy, Carol
Tom McCarthy & Josh Singer, Spotlight
S. Craig Zahler, Bone Tomahawk

Best First Feature

The Diary of a Teenage Girl
James White
Manos Sucias
Mediterranea
Songs My Brothers Taught Me

Best First Screenplay

Jesse Andrews, Me and Earl and the Dying Girl
Joseph Carpignano, Mediterranea
Emma Donoghue, Room
Marielle Heller, The Diary of a Teenage Girl
John Magary, Russell Harbaugh, Myna Joseph, The Mend

Best Male Lead

Christopher Abbott, James White
Abraham Attah, Beasts of No Nation
Ben Mendelsohn, Mississippi Grind
Jason Segel, The End of the Tour
Koudous Seihon, Mediterranea

Best Female Lead

Cate Blanchett, Carol
Brie Larson, Room
Rooney Mara, Carol
Bel Powley, The Diary of A Teenage Girl
Kitana Kiki Rodriquez, Tangerine

Best Supporting Male

Kevin Corrigan, Results
Paul Dano, Love & Mercy
Idris Elba, Beasts of No Nation
Richard Jenkins, Bone Tomahawk
Michael Shannon, 99 Homes

Best Supporting Female

Robin Bartlett, H.
Marin Ireland, Glass Chin
Jennifer Jason Leigh, Anomalisa
Cynthia Nixon, James White
Mya Taylor, Tangerine

Best Documentary

(T)error
Best of Enemies
Heart of Dog
The Look of Silence
Meru
The Russian Woodpecker

Best International Film

Embrace the Serpent
Girlhood
Mustang
Son of Saul

Best Cinematography

Beasts of No Nation
Carol
It Follows
Meadlowland
Songs My Brothers Taught Me

Best Editing

Beasts of No Nation
Heaven Knows What
It Follows
Room
Spotlight

John Cassavetes Award (Best Feature Under $500,000)

Advantageous
Christmas, Again
Heaven Knows What
Krisha
Out of My Hand

Robert Altman Award (Best Ensemble)

Spotlight

Kiehl’s Someone to Watch Award

Chloe Zhoa
Felix Thompson
Robert Machoian & Rodrigo Ojeda-Beck

Piaget Producers Award

Darren Dean
Mel Eslyn
Rebecca Green and Laura D. Smith

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Awards

Emmy Red Carpet Interviews #AskHerMore

Posted on September 22, 2015 at 10:40 am

Those “who are you wearing” questions on the red carpet are so tiresome and annoying, aren’t they? Especially now that it is so commercial and orchestrated. Everyone knows that stylists are paid a fortune and fashion houses lend their clothes and accessories in an elaborate product placement. So I endorse with enthusiasm the #askhermore campaign to ask the women who are attending awards events because of the quality of their work about that work instead of looking at their hair, clothes, and (why why why why) fingernails. Buzzfeed has a great counterpoint to red carpet insipidity with the #askhermore questions from this year’s Emmy telecast, featuring the questions from Amy Poehler’s Smart Girls project. They wanted to know: How did you start believing in yourself? Who would be a great female talk nighttime talk show host? What is your most meaningful project? I vote for putting them on the red carpet next year.

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Awards

Emmys 2015: The Winners and the Show

Posted on September 20, 2015 at 11:28 pm

Despite Andy Samberg’s subpar hosting (“I didn’t see ‘Olive Kitteridge,’ only half of Kitteridge” — really? The take-off on the “Mad Man” Coke commercial couldn’t come up with anything other than killing someone with an Emmy? Really?) and truly awful scripted banter for the presenters, the Emmy Awards show had some enormously satisfying moments.

But I’m beginning to think there should be a mandatory moratorium once a person or a show wins three Emmys in a row. Yes, we love Julia Louis-Dreyfus, Allison Janney, and Jon Stewart, but how about stepping aside for a year or two and letting someone else have a chance?

Biggest disappointment of the evening: Valerie Cherish should lose on Emmy night, but Lisa Kudrow should win an Emmy for playing her.

Now, on to the good news: Jon Hamm won at last for his truly magnificent performance as Don Draper in “Mad Men.” Viola Davis won for “How to Get Away With Murder.” It takes nothing away from the other nominees, who were all brilliant, to say that these awards were more than well-deserved. And Davis, in my opinion the finest actress of her generation, gave the speech of the night.

https://www.youtube.com/watch?v=ZRwv5mJ6MpY

It was wonderful to see the multiple awards for “Transparent” and “Olive Kitteridge.” Both were passion projects of endless artistry, illuminating the universal through the very specific, precise, careful details, with richly complex characters. And it was especially satisfying to see the award go to Richard Jenkins, who has turned in decades of performances that are small miracles of heart, understanding, and meticulous observation of the human condition.

The memorial segments, both for the shows that ended and the people who died over the last year, were beautifully handled (unless you mind the spoilers from the final episodes). Better than most of the show was the commercial directed by “Selma’s” Ava DuVernay, starring Kerry Washington, Taraji P. Henson, and Mary J. Blige, having a blast listening to Apple’s “boyfriend mixtapes.”

And Tracy Morgan’s return to a standing ovation, welcoming him back following his injuries in a car crash, was moving and joyous.

List of winners:

Outstanding Guest Actor In A Comedy Series: Bradley Whitford, Transparent
Outstanding Guest Actor In A Drama Series: Reg E. Cathey, House of Cards
Outstanding Guest Actress In A Drama Series: Margo Martindale, The Americans
Outstanding Host For A Reality Or Reality-Competition Program: Jane Lynch, Hollywood Game Night
Outstanding Structured Reality Program: Shark Tank
Outstanding Unstructured Reality Program: Deadliest Catch
Outstanding Television Movie: Bessie
Outstanding Supporting Actress In A Comedy Series: Allison Janney, Mom
Outstanding Writing For A Comedy Series: Veep
Outstanding Supporting Actor In A Comedy Series, Tony Hale, Veep
Outstanding Directing for a Comedy Series: Jill Soloway, Transparent
Outstanding Actor In a Comedy Series: Jeffrey Tambor, Transparent
Outstanding Actress In A Comedy Series: Julia Louis-Dreyfus, Veep
Outstanding Reality Competition: The Voice
Outstanding Writing In A Limited Series/Movie: Jane Anderson, Olive Kitteridge
Outstanding Supporting Actress In A Limited Series/Movie: Regina King, American Crime
Outstanding Lead Actress In A Limited Series/Movie: Frances McDormand, Olive Kitteridge
Outstanding Lead Actor In A Limited Series/Movie: Richard Jenkins, Olive Kitteridge
Outstanding Limited Series: Olive Kitteridge
Outstanding Variety Sketch Series: Inside Amy Schumer
Outstanding Variety Talk Series: The Daily Show With Jon Stewart
Outstanding Writing In A Drama Series: Game of Thrones
Outstanding Supporting Actress In A Drama Series: Uzo Aduba, Orange Is the New Black
Outstanding Directing In A Drama Series: David Nutter, Game of Thrones
Outstanding Supporting Actor In A Drama Series: Peter Dinklage, Game of Thrones
Outstanding Actor In A Drama Series: Jon Hamm, Mad Men
Outstanding Actress In A Drama Series: Viola Davis, How to Get Away With Murder
Outstanding Comedy Series: Veep
Outstanding Drama Series: Game of Thrones

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Awards Television

Edward Norton Speaks Out About Oscar Campaigns

Posted on August 11, 2015 at 8:00 am

Awards are big money, a huge influence on ticket-buyers. And that means studios spend big money to try to get them. Three-time Oscar nominee Edward Norton spoke out about the abuses of the system in an Indiewire interview.

Not to sound cynical about it, but once a film gets channeled by the industry into that death grip of marketing via the springboard of the awards season, it’s this repetitive grind of promoting something that runs essentially from the end of the New York Film Festival to the end of February. Who wants to spend that much time talking about anything?… n some sense the industry is like the Mexican myth of the snake that eats its own tail. I think the awards season has become this thing that has metastasized. I think something unholy has happened: The Academy is a group of people who make films — six or 7,000 people who are the core of the industry. That’s a thing completely unto itself. Past that, every single thing that transpires between November and February is awards created by bodies of critics, whether it’s the Hollywood Foreign Press with the Golden Globes, the National Board of Review, the New York Film Critics Circle or the L.A. one. Critics Choice. It goes on and on. Unfortunately, the reality of what’s happened is that what started off on an almost academic and critical-slash-journalist footing has — more than people want to acknowledge — become a game of monetization.

I like his recommendation: Anyone paying for an ad campaign to promote awards consideration should be disqualified.

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Awards
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