Washington Area Film Critics Association: 2013 Awards

Posted on December 9, 2013 at 8:15 am

And the winners are….

Best Film:
12 Years a Slave

Best Director:
Alfonso Cuarón (Gravity)

Best Actor:
Chiwetel Ejiofor (12 Years a Slave)

Best Actress:
Cate Blanchett (Blue Jasmine)

Best Supporting Actor:
Jared Leto (Dallas Buyers Club)

Best Supporting Actress:
Lupita Nyong’o (12 Years a Slave)

Best Acting Ensemble:
12 Years a Slave

Best Youth Performance:
Tye Sheridan (Mud)

Best Adapted Screenplay:
John Ridley (12 Years a Slave)

Best Original Screenplay:
Spike Jonze (Her)

Best Animated Feature:
Frozen

Best Documentary:
Blackfish

Best Foreign Language Film:
The Broken Circle Breakdown

Best Art Direction:
Production Designer: Catherine Martin, Set Decorator: Beverley Dunn (The Great Gatsby)

Best Cinematography:
Emmanuel Lubezki, ASC, A.M.C. (Gravity)

Best Editing:
Alfonso Cuarón, Mark Sanger (Gravity)

Best Original Score:
Hans Zimmer (12 Years a Slave)

The Joe Barber Award for Best Portrayal of Washington, DC:
Lee Daniels’ The Butler

Members of WAFCA discuss the awards on this special edition of Keeping it Reel:

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Awards

Washington Area Film Critic Awards: The Nominees are Out!

Posted on December 8, 2013 at 12:00 pm

It’s awards season! I’m voting in at least four different critics awards groups and will keep posting updates. Despite the manipulation of the awards process and questions about the relevance of critic awards, I think they are meaningful. First, critics are the only people who spend the whole year seeing the widest possible range of films, mostly in theaters, as they were intended to be seen. We don’t watch only those films supported by their studios for awards, so we have context and experience to guide our choices, and no relationships with filmmakers to affect our judgement as the industry awards do. Because of that, we can pay tribute to some films that might otherwise be overlooked. I’m proud of the Washington Area Film Critics Association nominees:

Best Film:
American Hustle
Gravity
Her
Inside Llewyn Davis
12 Years a Slave

Best Director:
Alfonso Cuarón (Gravity)
Spike Jonze (Her)
Baz Luhrmann (The Great Gatsby)
Steve McQueen (12 Years a Slave)
Martin Scorsese (The Wolf of Wall Street)

Best Actor:
Leonardo DiCaprio (The Wolf of Wall Street)
Chiwetel Ejiofor (12 Years a Slave)
Matthew McConaughey (Dallas Buyers Club)
Joaquin Phoenix (Her)
Robert Redford (All is Lost)

Best Actress:
Cate Blanchett (Blue Jasmine)
Sandra Bullock (Gravity)
Judi Dench (Philomena)
Meryl Streep (August: Osage County)
Emma Thompson (Saving Mr. Banks)

Best Supporting Actor:
Daniel Brühl (Rush)
Michael Fassbender (12 Years a Slave)
James Franco (Spring Breakers)
James Gandolfini (Enough Said)
Jared Leto (Dallas Buyers Club)

Best Supporting Actress:
Scarlett Johansson (Her)
Jennifer Lawrence (American Hustle)
Lupita Nyong’o (12 Years a Slave)
Octavia Spencer (Fruitvale Station)
June Squibb (Nebraska)

Best Acting Ensemble:
American Hustle
August: Osage County
Prisoners
12 Years a Slave
The Way, Way Back

Best Youth Performance:
Asa Butterfield (Ender’s Game)
Adéle Exarchopoulos (Blue Is the Warmest Color)
Liam James (The Way, Way Back)
Waad Mohammed (Wadjda)
Tye Sheridan (Mud)

Best Adapted Screenplay:
Julie Delpy, Ethan Hawke & Richard Linklater (Before Midnight)
Billy Ray (Captain Phillips)
Michael H. Weber & Scott Neustadter (The Spectacular Now)
John Ridley (12 Years a Slave)
Terence Winter (The Wolf of Wall Street)

Best Original Screenplay:
Eric Warren Singer & David O. Russell (American Hustle)
Woody Allen (Blue Jasmine)
Nicole Holofcener (Enough Said)
Spike Jonze (Her)
Joel Coen & Ethan Coen (Inside Llewyn Davis)

Best Animated Feature:
The Croods
Despicable Me 2
Frozen
Monsters University
The Wind Rises

Best Documentary:
The Act of Killing
Blackfish
Leviathan
Stories We Tell
20 Feet from Stardom

Best Foreign Language Film:
Blue Is the Warmest Color
The Broken Circle Breakdown
The Hunt
The Past
Wadjda

Best Art Direction:
Production Designer: Andy Nicholson, Set Decorator: Rosie Goodwin (Gravity)
Production Designer: Catherine Martin, Set Decorator: Beverley Dunn (The Great Gatsby)
Production Designer: K.K. Barrett, Set Decorator: Gene Serdena (Her)
Production Designer: Jess Gonchor, Set Decorator: Susan Bode Tyson (Inside Llewyn Davis)
Production Designer: Adam Stockhausen, Set Decorator: Alice Baker (12 Years a Slave)

Best Cinematography:
Emmanuel Lubezki, ASC, A.M.C. (Gravity)
Simon Duggan, ACS (The Great Gatsby)
Hoyte Van Hoytema, F.S.F., N.S.C. (Her)
Bruno Delbonnel, AFC, ASC (Inside Llewyn Davis)
Sean Bobbitt, BSC (12 Years a Slave)

Best Editing:
Alfonso Cuarón, Mark Sanger (Gravity)
Eric Zumbrunnen, A.C.E., Jeff Buchanan (Her)
Dan Hanley, A.C.E., Mike Hill, A.C.E. (Rush)
Joe Walker (12 Years a Slave)
Thelma Schoonmaker, A.C.E. (The Wolf of Wall Street)

Best Original Score:
Christophe Beck (Frozen)
Arcade Fire (Her)
Steven Price (Gravity)
Thomas Newman (Saving Mr. Banks)
Hans Zimmer (12 Years a Slave)

The Joe Barber Award for Best Portrayal of Washington, DC:
Lee Daniels’ The Butler
The East
Olympus Has Fallen
Philomena
White House Down

 

We will announce our winners Monday morning at 8 am.

And I was honored to be invited on two podcasts to discuss our awards, Cinema Royale with Travis Hopson and Cinema Con Queso with John Nolan.

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Awards

Awards 2013: Gotham, National Board of Review, NY Film Critics

Posted on December 5, 2013 at 8:29 pm

The first movie awards of 2013 are in.  I’ve already cast my first round of votes for three more upcoming awards and will vote on the Washington Area Film Critics Awards over the weekend.

National Board of Review

Best Film:  HER

Best Director: Spike Jonze, HER

Best Actor: Bruce Dern, NEBRASKA

Best Actress: Emma Thompson, SAVING MR. BANKS

Best Supporting Actor: Will Forte, NEBRASKA

Best Supporting Actress: Octavia Spencer, FRUITVALE STATION

Best Original Screenplay: Joel and Ethan Coen, INSIDE LLEWYN DAVIS

Best Adapted Screenplay: Terence Winter, THE WOLF OF WALL STREET

Best Animated Feature: THE WIND RISES

Breakthrough Performance: Michael B. Jordan, FRUITVALE STATION
Breakthrough Performance: Adele Exarchopoulos, BLUE IS THE WARMEST COLOR

Best Directorial Debut: Ryan Coogler, FRUITVALE STATION

Best Foreign Language Film:  THE PAST

Best Documentary: STORIES WE TELL

William K. Everson Film History Award: George Stevens, Jr.

Best Ensemble:  PRISONERS

Spotlight Award: Career Collaboration of Martin Scorsese and Leonardo DiCaprio

NBR Freedom of Expression Award: WADJDA

Creative Innovation in Filmmaking Award: GRAVITY

 

Top Films
(in alphabetical order)

12 YEARS A SLAVE

FRUITVALE STATION

GRAVITY

INSIDE LLEWYN DAVIS

LONE SURVIVOR

NEBRASKA

PRISONERS

SAVING MR. BANKS

THE SECRET LIFE OF WALTER MITTY

THE WOLF OF WALL STREET

Top 5 Foreign Language Films

(In Alphabetical Order)

BEYOND THE HILLS

GLORIA

THE GRANDMASTER

A HIJACKING

THE HUNT

 

Top 5 Documentaries

(In Alphabetical Order)

 

20 FEET FROM STARDOM

THE ACT OF KILLING

AFTER TILLER

CASTING BY

THE SQUARE

 

Top 10 Independent Films

(In Alphabetical Order)

AIN’T THEM BODIES SAINTS

DALLAS BUYERS CLUB

IN A WORLD…

MOTHER OF GEORGE

MUCH ADO ABOUT NOTHING

MUD

THE PLACE BEYOND THE PINES

SHORT TERM 12

SIGHTSEERS

THE SPECTACULAR NOW

  (more…)

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Awards

The Best and Worst Moments of the Emmy Awards 2013

Posted on September 23, 2013 at 1:18 pm

I think people complain about award shows because they are not very entertaining.  That is because the actual presentation and acceptance of awards is pretty dull for everyone except for the awardee’s friends and family, unless some catastrophe occurs.  Traditionally, the Tony Award show is the best, because Broadway actors know how to perform live and because they recognize that no one outside of New York has seen the shows so they show us performances and tell us something about the plays that are nominated.  And the Golden Globes is the most fun to watch because everyone knows how silly it is.  And the Emmy Awards are the worst because there are so many categories and we’re all used to seeing all these people on television anyway so it does not feel special.newhart

So let’s start by setting the bar low.  I did not have any expectations for a lot of fun from the Emmys, though I was looking forward to the host-with-the-most, Neil Patrick Harris, who is the perfect host for the Tonys — witty, urbane, and enormously talented.  Like the Twitterverse, I was disappointed by the opening skit because (1) it was not funny (the concept was weak and the execution was weaker) and (2) there was no musical number, which is what we tuned in to see.  By the time the middle of the show musical number (which was about the middle of the show, not about, you know, the nominees or anything other than a reminder of how even they knew the show was a slog) came along, it was not worth waiting for.  But there were some BTE (better than expected) moments, and of course some WTE as well.  Here’s my list:

Best

It was a genuine thrill to see Neil Patrick Harris surprise the choreographers at what they thought was a separate ceremony for their category.  The “Creative Arts” (non-performers or writers or producers) awards have their own ceremonies off camera and are usually not even mentioned in the three-hour broadcast, even though for many fans, it is the behind-the scenes and below-the-lines artists we are really curious to see.  It was more revealing than the Academy realized to show the absence of any festive atmosphere at what was supposed to be the choreography award ceremony.  It looked like the company lunchroom at a warehouse.  No red carpet anywhere in sight.  When Harris came in to tell them they’d be staging a number for the show and would receive the awards at the broadcast, it was the evening’s most genuinely touching moment.  And the number they put together, which did pay tribute to the nominated shows, was sensational.

The-Big-Bang-Theory-newhart-The-Proton-Resurgence-First-Look-at-Bob-Newhart_595_slogoBob Newhart.  Enough said.  And yes, he is an accountant.  If you have not seen the episode of “The Big Bang Theory” in which he guest stars as a former “Mr. Wizard”-style host of a science show for children, set your DVR now.

Will Ferrell pretending he got called at the last minute and had to bring his kids.  Nice.

Julia Louis-Dreyfus and Tony Hale — it was lovely that they both won for “Veep” and it was simply magnificent that they took on their “Veep” roles for her acceptance speech as he stood behind her, holding her purse, and reminding her what to say, which of course included not mentioning him.

Worst

I know this is a perennial problem, but we need to do something about the endless list of names in acceptance speeches.  How about if all the nominees turn in their lists ahead of time so they can be posted online and then we limit them to two sentences about the actual project.

I love Tina Fey and Amy Poehler, but I did not love their from-the-audience bit asking Harris to take his pants off, wearing 3D glasses so they could see his “business.”  I wouldn’t like it from a man to a woman and I don’t like it from women to a man.  But I still want them to host the Golden Globes again.

The memorial and historical material was poorly handled.  I liked seeing Rob Reiner’s tribute to Jean Stapleton and Edie Falco’s to James Gandolfini.  But then the montage of photos was uncomfortable, with some getting applause and some not.  And the 50 years ago tribute was pointless.

Elton John and Carrie Underwood — nothing to do with television or the Emmys and far from their best work.

No disrespect to the winners, but Bryan Cranston and Kerry Washington should have won and it is time to recognize the rest of the cast of “Big Bang Theory.”

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Awards Television

Add Your Vote to the Critics Choice Television Awards

Posted on June 7, 2013 at 11:20 pm

The Broadcast Film Critics awards for television will be given out on the Reelz Channel on June 16.  Viewers will decide the winner of the best TV moment award.  Was it the finale of “The Office?”  The sad death on “Downton Abbey?”  Daenereys’ dragon on “Game of Thrones?”  The reveal — finally — of the mother Ted will be meeting — finally — on “How I Met Your Mother?”  Cast your vote for the one you think deserves to win.

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Awards Television
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