Black-ish Starts the New Season with the N-Word

Posted on September 24, 2015 at 12:56 pm

I loved the first season of “Black-ish” and am delighted that the first episode of its sophomore season is, if anything, even better. The youngest son in the family, Jack Johnson (Miles Brown), gets in trouble for using the n-word in a school talent show when he performs the Kanye West song “Gold Digger.” (Note that when “Glee” did the song they wisely left that word out.) As the entire auditorium gasps, Jack’s twin sister (Marsai Martin) says she begged him to do the radio edited version. Jack is expelled, due to the “zero tolerance” policy urged on the school by his mother, Rainbow (Tracee Ellis Ross). And this gives everyone on the show, white and black and biracial, senior citizen and teenager, to talk about the word and who should or should not use it.

https://www.youtube.com/watch?v=F5jzerG092E

New York Magazine has a great behind the scenes article about what went into the making of this episode.

The day before the show aired, Barris admitted to Vulture that he was “terrified” about releasing the episode, but he thinks it’s the right time for our country to have this discussion.

Why did you decide to do an entire show about this word but we never hear it? In every instance, you bleeped it.

It was an easier entry point. Hearing it is a little bit hard. The bleep in a weird way makes you hear it even louder. But it still allows you to get into the drama and the comedy of the scene without making you feel ostracized. You’re still hearing it as loud, if not louder, than ever before. That was the biggest thing — not to have a barrier to the comedic entry point.

It was impressive how you packed in all these points of view and how conflicted people are and how charged the issue is, depending on who you are. How hard was it to balance all of that since you’re doing a sitcom and don’t have a lot of time?

We really wanted to make it like a documentary — a moment in a family’s life that would just start a conversation. That’s what we try to do for the show in general — just start a conversation. In a Norman Lear–esque kind of way, we try to show the different points of views on different topics because that’s what a family is. I have five kids, and people can say nature versus nurture. But it is nature! Nurture has so little to do with it. I have five kids and there are five totally different people in my house. Whenever you put a family together they may share some points of views and morals, but there are going to be differences. The other thing you get from your family is how you deal with other people’s point of view. That’s the learned behavior — how you allow yourself to exit a conversation differently from when you enter it.

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Behind the Scenes Race and Diversity Television

Behind the Scenes: “The Young Messiah,” the Story of the Early Years of Jesus

Posted on September 15, 2015 at 1:23 pm

At a time when Jesus begins to understand that He is different from the other children, He turns to His parents for answers. But in trying to protect their child, Mary and Joseph are afraid to reveal all that they know.

How do you tell your son that God is His real Father? How do you explain to Him that King Herod is trying to kill Him? How do you help Him realize that He is the Messiah that His people have talked about for generations?

Follow Christ the child as He and His family take the dangerous journey from Egypt to Nazareth and on to Jerusalem, where He discovers His true identity and profound destiny.

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Behind the Scenes Trailers, Previews, and Clips

Simon Abrams Interviews Legendary Producer Roger Corman

Posted on September 5, 2015 at 3:31 pm

One of my favorite critics interviewed Hollywood’s legendary producer, Roger Corman, for New York Magazine’s Vulture, and it is a treat to read. Corman is by many measures the most successful filmmaker of all time because he made ultra low-budget films that were very popular with moviegoers, including “The Man with X-Ray Eyes,” “Little Shop of Horrors” (the original, with Jack Nicholson, that inspired the Broadway musical) and a series of adaptations of Edgar Allen Poe stories. At 89, he is still going strong, producing some of the SyFy channel’s nuttiest and most entertaining monster movies, like “Sharktopus vs. Whalewolf.”

Corman spoke to Abrams about the one that got away (“Easy Rider” went to another studio because one of the studio executives insulted Dennis Hopper) and the difference between making a theatrical release and a TV film.

“In a motion picture, you can wait a while, build suspense. I always preferred to hint at the creature and not disclose it until later. But Tom ‘s theory — and I think he’s right — is that in the theater, people have paid money to come in, so they’ll sit and wait, and expect the suspense to build. But in television, within the first five to ten minutes, they’ll simply change the dial. It’s a totally different concept.”

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Behind the Scenes Film History Interview
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