Expelled: Intelligence Welcome (part 1)

Posted on April 21, 2008 at 9:00 am

I have very much enjoyed reading all of the comments (more than 70!) on my review of the Ben Stein documentary Expelled: No Intelligence Allowed.
I am going to comment on the comments and the controversy over the movie shortly, but for now I will begin by reprinting one of my Chicago Tribune columns, which deals with the key issue of how we know what we know, how we determine the difference between fact, spin, bias, faith, and especially competing theories.
Help children learn critical thinking skills
By Nell Minow
Special to the Chicago Tribune
Published March 9, 2005
Columnists get paid to promote Bush administration initiatives; bloggers expose the mistakes in a network news broadcast; and young people are more likely to get their headlines from the self-described fake news of Comedy Central’s “Daily Show” than from newspapers.
These days, it seems like we all could use some extra guidance in telling the difference between data, reporting, opinion, advocacy and advertising. Developing this life skill is part of growing up, and parents can help kids practice how to evaluate the validity of what they read, hear and watch.
Even the youngest child can learn to think critically about the data they digest. As a starting point, watch for characters in books and movies who test the information they are given to make sure that it is accurate.
In current movies, for example, characters in “Pooh’s Heffalump Adventure” jump to conclusions about someone who is “not like us” until Roo figures out that the Heffalump just wants to make friends. Opal, the little girl in “Because of Winn-Dixie,” finds out the local “witch” is just a nice lady who doesn’t go out much because she can’t see very well.
Families who see these movies together can talk about how Roo and Opal learn the importance of making judgments based on facts and how they decide which facts are more important than others.
Slightly older children need special discussions about truth and the Internet, because that’s where they turn for so much information.
When we did our homework, my generation used reference books and encyclopedias that had been carefully fact-checked before they were published. But today’s schoolchildren run to Web-based search engines such as Google to point them to the answer for any question from the life cycle of the Monarch butterfly to the highest score in the history of the World Series.
The Internet is wonderful for finding things out, but kids need to realize a site that turns up on a search engine isn’t guaranteed to be trustworthy or authoritative, and information they find on the Internet isn’t necessarily correct.
Reliable ones near the top
One reason Google is so popular is it uses a formula for ranking search results that is likely — though not guaranteed — to put the most reliable ones at the top. Google also gets points for putting its “sponsored links” — sites that pay to be listed — off to the side and labeling them clearly so that users can tell they are ads.
But not all search engines play by those rules, and children need to know that. They also need to understand that no search engine guarantees the information it points to is factual or even unbiased.
The same applies to some popular online reference sites like the Internet movie database at The Internet Movie Database, and Wikipedia, an online encyclopedia. The entries in both are written and assembled by amateurs and volunteers — which doesn’t mean the entries are wrong, but it doesn’t mean they are right, either.
Skepticism is an important research skill, and parents should make sure even the youngest children learn to ask “Who says so? How do they know? Are they fair?”
Middle school children are old enough to join in debates about opinions and the way information is presented. Current topics might include banned books, “intelligent design” (a theory designed to get Bible-based theories classified as science) and the Focus on the Family objections to the “We Are Family” video message about tolerance featuring SpongeBob SquarePants and other characters.
Parents may also want to discuss recent news stories about Buster the bunny, a cartoon character who makes video postcards about different communities and cultures he visits for his friends back home. On his PBS show, Buster has met such diverse families as Muslims, Mormons, Orthodox Jews and evangelical Christians. However his visit with a group of children whose parents included lesbian couples was controversial enough for some PBS stations to keep it off the air.
Teenagers are natural challengers of authority, so adults can help them sharpen their skills at sizing up information before they use it.
A good point of discussion with teens as well as younger children who use the Internet for research is how a Web site establishes credibility. One place to start: Look on a site’s main page for a link labeled something like, “about us.”
On Wikipedia, the link “About Wikipedia” is at the bottom of the home page. It takes readers to a detailed, annotated page that explains the Wikipedia project, among other things.
A more sophisticated discussion is how an organization or individual uses the Internet to answer critics. The Nizkor Web site links to the claims of those who deny the Nazi Holocaust occurred and refutes them, point by point. Similarly, Michael Moore’s Web site offers detailed responses to the people who challenged his presentation of the facts in the film “Fahrenheit 9/11.” Parents and older children can debate whether these techniques make the Web sites more believable, and why.
Teens also are sophisticated enough to understand the value in recognizing a Web site’s point of view — and using it. The Democratic National Committee’s page and the Republican National Committee’s page are unlikely to agree on much, but reading both for information about a proposed law will give a teen more insight than one without the other.
Backing it up
Similarly, the Heritage Foundation, a self-styled politically conservative think tank, does a good job documenting its perspective on current events — as does the Brookings Institution, which describes itself as independent and nonpartisan.
Consulting an array of views helps a teen better understand an issue and form his or her opinions.
There’s no substitute for a child learning to develop and apply his own judgment. Parents can show their children that Web sites, television shows, even newspaper articles are just the starting point for finding an answer, that information is not just the accumulation of data but requires sifting, analysis and a sense of proportion.
Giving children the skills they need to evaluate what they see and hear will help them from feeling so overwhelmed that they don’t trust anyone.
The best way to keep them from being cynical is to train them to be skeptical.

Related Tags:

 

Commentary

School children force-fed avertising on the bus

Posted on April 19, 2008 at 10:00 am

The New York Times reports that a special radio channel has been installed in school buses. It plays music that kids like, and it plays commercials. The content is provided at no cost to the school district by RadioOne, which is only to happy to have a captive audience of young consumers.

Steven Shulman, who founded BusRadio with Michael Yanoff, said the company provided an “age-appropriate” alternative to local FM radio stations, with songs and advertising screened by an advisory committee of school administrators and psychiatrists.
In contrast, he said, his son once came home asking what Viagra was after hearing a commercial on the bus coming home from summer camp in Mashpee, Mass. BusRadio develops playlists from a library of 1,000 pop songs and will either edit out questionable content and lyrics or refrain from playing a song altogether. “It’s tough to find clean rap music, but we do,” Mr. Shulman said.school-bus-large.gif
Recent advertisers on BusRadio include Answers.com, the Cartoon Network, Buena Vista Home Entertainment and the President’s Council on Physical Fitness and Sports. The company does not accept advertising for candy or soda, or for toys that Mr. Shulman considers inappropriate, like video games with violent content, and it prefers advertisements that have a message. “We don’t want them to say, ‘Go out and buy $200 sneakers,’ ” Mr. Shulman said. “We want them to say, ‘Go and exercise, and use this gear if you want.’ ”

I appreciate this sensitivity (which is, I am sure, a commercial necessity), but do we really need to fill kids’ heads with mass media to and from school? Isn’t this time for social interaction and looking out the window and quiet reflection? Aren’t we teaching them that they should expect every minute of every day to be hooked into some form of media instead of learning how to make conversation and use their imagination? And do we really need to bombard them with more exhortations to buy more things?

Related Tags:

 

Commentary Understanding Media and Pop Culture

The Ultimate Relationship Test: Renting a DVD

Posted on April 8, 2008 at 10:31 am

Traveling together. Buying a house. Handling finances. Dealing with in-laws. Raising children. Sex. These are often listed as the primary argument topics for couples — and the arguments most revelatory of underlying relationship issues and problems. It’s time to add debates about DVD rentals to the list, both discussions during the actual rental experience and conversations afterward about the merits of the item selected. A perceptive article in The Movie Blog provides some wise advice, clearly based on experience, to help couples through this minefield. Now, perhaps they can come up with a solution to the “when do you ask for directions” conundrum.
Thanks to Cinematical for bringing my attention to this piece.

Related Tags:

 

Commentary Understanding Media and Pop Culture

Gender — and Genre — bending in “CJ7”

Posted on March 30, 2008 at 8:00 pm

“CJ7” is the story of a little boy named Dicky who struggles with school bullies, extreme poverty, tough homework, a girl who likes him, a different girl that he likes, problems communicating with his father (writer-director Stephen Chow), and an uncooperative extra-terrestrial super-pet. Dicky is played by the very talented Jiao Xu, who was selected after Chow auditioned nearly 10,000 children for the role. It did not concern Chow that Jiao Xu had almost no professional experience. And it did not concern him that Jiao Xu is a girl.
cj71.bmp
Some directors in that situation would rewrite the part to make the character a girl. Chow just cut off Jiao Xu’s hair and dressed her as a boy.
The performing arts have a long tradition of gender-switching. There are female-to-male gender disguises in Shakespeare’s “Twelfth Night,” “As You Like It,” and “The Merchant of Venice.” The top two on the American Film Institute’s list of the 100 best American comedies of all time are about male-to-female gender-switches, “Tootsie” and “Some Like it Hot.” But these are based on letting the audience in on the secret. The fact that the viewers know something that the characters do not is the essence of the story’s appeal. Because we know who and what the characters really are, the story can explore some of our assumptions and expectations about gender roles. And because we are experiencing it vicariously we enjoy the pleasure of watching the complications that arise from the misunderstandings and embarrassments.
But Jiao Xu is not playing a girl pretending to be a boy. Her real-life gender has nothing to do with the story-line. Chow expects that no one will notice and that we will just believe she is a boy the same way we believe her character is poor and has an outer-space pet. Nor is he making a statement about gender and identity as Todd Haynes did by casting six different actors, male, female, young, old, white, and black as his Bob Dylan character in “I’m Not There” or as Todd Solondz did in “Palindromes,” where eight different performers of different ages, genders, and races all portrayed a 13-year-old girl.
It may be that Chow did not want to change Dicky into a girl character because he thought audiences would react differently to some of the humiliations Dicky suffers in the film. But that is our issue, not his. Chow is not trying to break through boundaries; he is just ignoring them.
cj7maggie.jpgTo make things even more complicated, there is the character of Maggie, the schoolgirl who has a crush on Dicky. Maggie is played by very large adult male with tiny little barrettes in his hair. Even though no one in the audience will miss the fact that actor Han Yong Wua is neither a child nor female, everyone will accept him as Maggie the way we accept Jiao Xu as Dicky, Meryl Streep with an accent, Ellen Page pretending to be pregnant, or Tyler Perry as Medea. Chow wanted Maggie to be big because her size makes a striking visual image and because it emphasizes Dicky’s subjective view of the scary prospect of the girl with a crush enlarged for comedic effect. To him, she appears to be the size of an ATM and the ground literally shakes when she walks. When she pushes the school bully, he snaps backwards as though he was fired from a slingshot.
Chow enjoys tweaking and even subverting familiar formulas. As in his previous films, “Kung Fu Hustle” and “Shaolin Soccer,” Chow creates a dizzying mash-up of sentiment and slapstick that some audiences will find unsettling but others will find refreshing. Although it is a story about a child with an inter-galactic pet, it is not the usual cozy heart-warmer. It is rated PG but it includes an epithet not permitted on broadcast television, “rude humor” that has Dicky pelted with space poop, and “thematic material” like corporal punishment and what appears to be the devastating death of a child’s only surviving parent.
Dicky’s first venture away from home with his new friend from outer space plays charmingly into the kind of magical empowerment we expect, with some delightfully imaginative special effects, only to turn into a “gotcha” moment as we and Dicky find out that the powers and motives of a space creature may not be what we thought.
Perhaps Chow’s central theme is elasticity, whether of the material world, with his cartoonishly exaggerated bending of physical reality or of what we think of as the parameters of genre and narrative. Or, more likely, he just thinks a very large girl who happens to be played by a man standing next to a very small boy who happens to be played by a girl makes a very funny sight.

Related Tags:

 

Commentary

Miss Bimbo: As Bad as it Sounds and Then Some

Posted on March 30, 2008 at 8:00 am

“Miss Bimbo” is an online site popular with little girls in England, France, and Japan that bills itself as the “first virtual fashion game.” It encourages them to “Become the most famous and beautiful bimbo in the world.” They can accomplish this by having their personal “bimbo” diet (until recent protests, this included the “purchase” of diet pills) and get cosmetic surgery or a wealthy boyfriend. This game makes Barbie and the Bratz look like Hillary Clinton. Parents should exercise caution to make sure that Webkins-savvy children do not wander over into this site.

Many thanks to the Jezebel site for bringing this to my attention.

Related Tags:

 

Commentary Understanding Media and Pop Culture
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2024, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik