Interview: Scott Derrickson

Posted on December 22, 2008 at 7:00 am

Scott Derrickson is a rarity in Hollywood — a committed Christian director who openly admits that his films reflect his religious views and serve as a kind of testimony. I spoke to him about his latest film, the remake of the 1951 Cold War classic The Day the Earth Stood Still. He was nice enough to begin by saying that he is a fan of Beliefnet.
I am glad to be talking to a website about messages and ideas. I read the site and like it very much. I have an ever-growing feeling that movies should have messages that trust the audience and do not give all the answers. I am resistant to being told what to think or how to vote. This movie has a lot of things to say but it is less a message than a very American perspective about America and human nature itself. We have this dual side to our nature, destructive and creative and at the same time as individuals and as a nation and as a species we have to make mistakes and evolve and grow. If you can get something like that into a big Hollywood popcorn movie without sounding preachy, that is a great thing.
Did you see the original film as a child?
The first time I saw it was in college. It was very much a product of its times, the Cold War, the bomb, the U.N. This is the story for a new time and a new era; this is a post-September 11 movie, a movie that acknowledges being in a country that has experienced a bit of a disaster.
How does this movie address its moment in history?
I knew that the movie would come out when we would have elected a new President but before he took office. This campaign was different — no one made a big deal about the race issue until Obama was elected and then everyone on all sides agreed that it was something to celebrate, a step toward healing the deepest wound in American history.
I read something recently: “We’re now living in a time when we saved our banks but destroyed our biosphere.” The movie is a reflection of that idea, of these messes that we’ve gotten ourselves into, but it is not cynical or pessimistic, it has a refreshing sense of optimism, of radical change for the better coming to the world at large. Things have gotten bad enough that we are going to roll up our sleeves, start admitting our mistakes and start dealing with them.

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Interview

The Best “Christmas Carols” — from “Bah humbug” to “God bless us everyone!”

Posted on December 21, 2008 at 6:00 pm

Charles Dickens’ A Christmas Carol is my favorite Christmas story and I love it in just about any of its movie incarnations. “Bah, humbugs” have been muttered by Scrooges played by top-notch dramatic actors like George C. Scott and Albert Finney, former Miss America Vanessa Williams, former Fonzie Henry Winkler, and former Saturday Night Live star Bill Murray. I love them all. But here are my very favorites, the ones I try to watch every year.
5. Mickey’s Christmas Carol Who better to play Scrooge than his namesake Scrooge McDuck? And who better for the part of the unquenchable Bob Cratchit than Mickey Mouse? This compilation DVD includes other Christmas goodies “The Small One” and “Pluto’s Christmas Tree.”
4. The Muppet Christmas Carol has the distinguished actor Michael Caine as Scrooge and the equally distinguished Kermit the Frog as Bob Cratchit. Special mention of A Sesame Street Christmas Carol as well.
3. Mr. Magoo’s Christmas Carol. The voice talent is outstanding, with Broadway star Jack Cassidy (father of teen idols David and Shaun) as Bob Cratchit and of course Jim Backus as Mr. Magoo, in this version an actor playing the part of Scrooge. The tuneful songs were written by Bob Merrill and Jule Styne, who later went on to write “Funny Girl.” (The legend is that their song “People” was originally written for this movie.)
2. A Christmas Carol This MGM classic features the top stars of the 1930’s. Watch for future “Lassie” star June Lockhart as one of the Cratchit children — her real-life father Gene Lockhart played Bob. (He also appears in another Christmas classic, as the judge in Miracle on 34th Street.)
1. A Christmas Carol This is the all-time best, with the inimitable Alistair Sim as Scrooge. There has never been a more embittered miser or a more jubilent Christmas morning rebirth. When he orders that turkey for the Cratchits and walks into his nephew’s celebration at the end, everything Dickens hoped for from his story is brought to life.
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Based on a book Family Issues Genre , Themes, and Features Lists

Women Critics Film Awards

Posted on December 21, 2008 at 12:52 pm

As expected, the associations of female critics have a slightly different take on the best and worst films of the year than the male-dominated critic groups. One thing that makes them fun is the extra categories, like Most Offensive Male Characters, Most Egregious Age Difference Between Leading Man, and Love Interest and Actress in Need of a New Agent.
The Women Film Critics Circle Awards 2008
BEST MOVIE ABOUT WOMEN
Changeling
BEST MOVIE BY A WOMAN
Frozen River

(more…)

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Awards

Quotes of the Week — ‘Seven Pounds’

Posted on December 21, 2008 at 11:16 am

Will Smith’s latest got only a few positive reviews, 29% according to Rotten Tomatoes. One was from USA Today, where Claudia Puig said, “Concerned with how people overcome trauma and tragedy, the film focuses on universal themes of loss, forgiveness and redemption. While it doesn’t break any new ground or provide any revelations, Seven Pounds is unabashedly emotional and cautiously hopeful. It’s the feel-good movie for these feel-bad times.”
But it most critics placed it somewhere between “feel bad” and “feel furious” and the frustration of writing about what they did not like without giving away the ending had some of them just about foaming at the mouth. SPOILER ALERT — DO NOT READ IF YOU DO NOT WANT TO KNOW THE ENDING It is clear from the very beginning of the film that Smith’s character will at least attempt to commit suicide and that he is preparing to make a great sacrifice to benefit seven people he considers deserving, including a character with a congenital heart defect played by Rosario Dawson. It turns out that he carelessly caused a traffic accident (don’t text and drive, my friends) that killed seven people, including his wife. At the end of the film, after giving up a lung, a part of his liver, his bone marrow (with no anesthetic), and his beach house, Smith’s character kills himself so that he can give up his heart and corneas. This is Puig’s idea of a feel-good movie?
I would not go as far as the New York Times’ A.O. Scott, who called it “among the most transcendently, eye-poppingly, call-your-friend-ranting-in-the-middle-of-the-night-just-to-go-over-it-one-more-time crazily awful motion pictures ever made.” But I see his point. Scott Foundas of The Village Voice called it “a morbid morality play that rivals The Reader for the bottom spot in this season’s celluloid martyrdom derby” and “dispiritingly obvious and phony from top to bottom.” It is not the obviousness and phoniness and manipulation that bothers me as much as the clueless and even condescending immorality of it. No one thinks that suicide, even to benefit others, is a legitimately redemptive act and it is contemptible and irresponsible of the movie to suggest otherwise.

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“Gothika Rule” Quote of the Week

The Telephone Scene: ‘It’s a Wonderful Life’

Posted on December 21, 2008 at 8:00 am

Here’s my very favorite scene from the best-loved Christmas classic of all, It’s a Wonderful Life. Watch how George Baily (Jimmy Stewart) tries so hard not to be in love with Mary (Donna Reed) but just can’t help it.

Fans of the movie will enjoy Zuzu Bailey’s It’s A Wonderful Life Cookbook: Recipes and Anecdotes Inspired by America’s Favorite Movie, written by the actress who played George’s daughter, and The Essential It’s a Wonderful Life: A Scene-By-Scene Guide to the Classic Film, with lots of great details and behind-the-scenes stories.

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