List: Great Movie Professors

Posted on April 16, 2008 at 8:00 am

about-indiana-jones-1.jpgAnn Hornaday’s excellent Washington Post essay on college professors in movies included some of my favorites. I especially liked the comments from first-time screenwriter Mark Jude Poirier, the son of a college professor, who has spent time teaching himself. His new movie, “Smart People,” stars Dennis Quaid (who was also a college professor in D.O.A.) as a scruffy Victorian literature scholar with an “unpublishable” new book called The Price of Postmodernism: Epistemology, Hermeneutics and the Literary Canon.

One advantage to making his protagonist a literature professor, he says, was that he could endow the character with eloquence and self-awareness without straining credulity. At a pivotal point, for instance, Wetherhold tells another character that he hasn’t had any “great epiphanies” or made “sweeping changes” to his personality. “That’s something a professor would say,” Poirier says. “They’re living in a world of literature, a world where they’re thinking about epiphanies and character changes all the time. So it seems natural that they’d apply that to themselves.”

In other ways, the bored or blocked professor — teaching the same texts in the same rooms to the same if interchangeable students, day in, day out, semester after semester — perfectly embodies the ennui of any job. But in this case, that job brings the added value of involving performance. Thus the professor is the ideal personification of inertia without inert ness, suggests Poirier. “He’s onstage every day.”

Certainly, the overly introspective professor who has given up caring about much of anything appears frequently in movies. But we also see the expert who provides exposition for the audience and guidance for the hero/heroine with some expertise about arcane subjects ranging from anthropology to chemistry, history, literature, even the the occult. Sometimes they are there as a romantic interest. Then there are the absent-minded professors who create potions and machines that either result in chase scenes or comedy, occasionally both. And sometimes professors lead the action — remember, Indiana Jones teaches archeology when he isn’t out tracking down the Lost Ark or the Holy Grail.

Even future President Ronald Reagan played a psychology professor in Bedtime for Bonzo. Not his best role, but still a very cute little movie with a lovely performance by Diana Lynn as his wife.

Here are some movie professors who get A’s from me.

1. Wonder Boys Michael Douglas spends much of the movie in a ratty old bathrobe, trying to stop writing a book that has reached 2000 pages and is still going, and juggling a highly talented but depressed student, several ex-wives and a pregnant mistress who is inconveniently married to the dean, and Marilyn Monroe’s sweater. A beautifully literate script, beautifully performed and directed, with an outstanding soundtrack.

2. Monkey Business The ever-elegant, ever debonair Cary Grant is not a likely candidate to play an absent-minded professor but his impeccable timing is just right for this role, especially after the professor and his wife (Ginger Rogers) accidentally try out a youth serum that have them reverting to childhood. Watch for a very young Marilyn Monroe in a small part.

3. The Absent-Minded Professor Fred MacMurray appears in this Disney classic about “flubber” — flying rubber — that can make cars fly and basketball players jump like pole vaulters.

4. A Beautiful Mind Russell Crowe was nominated for an Oscar for his performance as John Nash, a Nobel Prize-winning mathematician who struggled with mental illness.

5. Raiders of the Lost Ark Harrison Ford does not spend much time in the classroom or the library in one of the most exciting — and popular — adventure films ever made, a loving salute to movie serials from Steven Spielberg and George Lucas.

6. Educating Rita Another scruffy, bearded, burnout, this time it is Michael Caine as a professor of literature who learns as much from his student (Julie Walters) as she does from him.

7. Stranger Than Fiction Will Ferrell has to consult an expert in literature to try to figure out why someone seems to be narrating his life “accurately, and with a better vocabulary.” He finds Dustin Hoffman, who explains that he wrote a whole paper on “had he but known” and teaches him how to tell whether he is in a comedy or a tragedy.

8. Holiday This time, Cary Grant is befriended by a married couple, both professors, played by Edward Everett Horton and Jean Dixon as the Potters (frequently called Porter by the snooty relatives of Grant’s fiancee).

9. ShadowlandsThe author of the Narnia books, C.S. Lewis, is played by Anthony Hopkins in this tender story about his late-life romance with an outspoken American (Debra Winger). There is also a very fine made-for-British-television version by the same name starring Joss Ackland and Claire Bloom.

drumline_007.jpg 10. Drumline Sometimes the job of the professor in a movie is to teach the main character some important lessons about responsibility, integrity, and goals. That’s what Orlando Jones does for Nick Cannon in this delightfully engaging movie about a talented but undisciplined drummer on a marching band scholarship.

Coming soon….Great Movie teachers in elementary, middle, and high school. Stay tuned.

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The Miracle Worker

Posted on April 14, 2008 at 8:00 am

A+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: Drinking
Violence/ Scariness: Some violence, characters injured
Diversity Issues: A theme of the movie
Date Released to Theaters: May 23, 1962

Today is the 142nd anniversary of the birth of one of the most extraordinary teachers in American history, Annie Sullivan, who gave a little blind and deaf girl the power of language. William Gibson, who wrote two plays about the teacher and her student, says that when people refer to “The Miracle Worker” as “the play about Helen Keller,” he replies, “If it was about her, it would be called ‘The Miracle Workee.'” Sullivan, herself visually impaired, was first in her class at the Perkins School for the Blind. When she went to work for the Keller family she was just 21 years old. And Keller, who was blind and deaf due to an illness when she was 19 months old. When Sullivan arrived, Keller was almost completely wild, without any ability to communicate or any understanding that communication beyond grabbing and hitting was possible.

Every family should watch the extraordinary film about what happened next, and read more about Keller, who, with Sullivan’s help, graduated from Radcliffe magna cum laude and became an author and a world figure.

Ann Bancroft and Patty Duke won Oscars for their performances as Sullivan and Keller, repeating their Broadway roles and Duke later played Sullivan in a made-for-television adaptation. In this scene, after months of teaching Keller to fingerspell words, Sullivan is finally able to show her that language will give her the ability to communicate, with a new world of relationships, feelings, and learning. No teacher ever bestowed a greater gift.

Monday After the Miracle is Gibson’s sequel to the play, and Keller’s own book is called The Story of My Life. There is a photobiography of Sullivan called Helen’s Eyes.

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List: April Movies

Posted on April 9, 2008 at 8:00 am

Happy Spring! Celebrate with these wonderful films, all with “April” in the title:

1. Enchanted April Four women in post-WWI London get away from winter chill when they take a villa in Italy. All of their lives are transformed through the unexpected connections they make with each other.

2. Pieces of April A girl prepares Thanksgiving dinner for her estranged family, including her mother who is dying of cancer. Beautifully written and directed and unexpectedly heartwarming, with brilliant performances from Katie Holmes (pre Tom Cruise), Patricia Clarkson, Alison Pill, and Derek Luke.

3. “The April Fools” Dated and uneven but irresistible story of a man (Jack Lemmon) who falls for the wife of his boss (Catherine Deneuve). In the best scene, they meet a middle-aged couple played by Myrna Loy and Charles Boyer who show them the power of lasting love.

4. “April Love” Okay, it’s no classic, but it’s a sweet story about a city boy who learns about life and love when he has to go to work on a relative’s farm. Pat Boone stars and sings the Oscar-nominated title song and Shirley Jones is the pretty neighbor.April_Love_%281957%29.jpg

5. April in Paris A silly story about a chorus girl sent on a diplomatic mission is an excuse for singing and dancing from Doris Day and Ray Bolger.

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Remembering Jules Dassin

Posted on April 3, 2008 at 8:00 am

Writer/director Jules Dassin died this week at age 96. He is perhaps most fondly remembered as a key figure in establishing the genres of film noir (Naked City) and the heist film (Topkapi and “Rififi”) and for the marvelous Never on Sunday, starring his wife, Melina Mercouri, as an earthy prostitute who is “educated” about ancient Greece by an American scholar (Dassin himself).

The movie I most want to remember today is one that Dassin wrote and directed early in his career, one of the most profoundly spiritual films I have ever seen. It is called “He Who Must Die,” and it is the story of a group of Greek villagers who put on a passion play each year. The powerful citizens of the town decide who will play each part. Almost contemptuously, they select a stuttering shepherd to play Jesus and the town prostitute to play Mary Magdalene. But when a real-life conflict comes to the town, the members of the passion play cast begin to take on the attributes of the New Testament figures they are portraying. Unfortunately, the film is not available on video or DVD, but I strongly recommend making every effort to try to see it.

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Raising Victor Vargas

Posted on March 29, 2008 at 8:00 am

Two of the best performances of the year so far were given by Victor Rasuk in “Stop Loss” and Melonie Diaz in “Be Kind Rewind.” Both got their start in a little-seen independent film called a “minor miracle” by Salon movie critic Stephanie Zacharek, “Raising Victor Vargas.” The young actors share their names with their characters, and the film has an intimate, improvised, documentary feel as it explores their struggles to find themselves and make connections. Watch for another supremely natural performance from first-timer Altagracia Guzman as the grandmother. Winner of Independent Spirit awards for direction and first screenplay, this is a quiet gem of a movie. I am delighted to see Rasuk and Diaz continuing to grow as performers and look forward to seeing what they do next.

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