A brand new, all-star version of one of the most irresistible, if improbable, musicals of all time will be shown live on NBC tonight. It’s “Hairspray,” the story of efforts to integrate an afternoon television dance show for teenagers, inspired in part by Baltimore’s real-life “Buddy Deane Show,” which writer/director John Waters watched in the 1960’s, and, like the “Corny Collins Show” in “Hairspray” had twice-monthly “Negro Days.” Watch for former “Hairspray” stars Ricki Lake and Marissa Jaret Winokur in the cast.
The musical is based on the 1988 John Waters film starring Ricki Lake as Tracy Turnblad, and, as her parents, Jerry Stiller and Waters favorite Divine as Edna.
The movie was adapted into a Tony Award-winning musical with songs by Marc Shaiman. It starred Marissa Jaret Winokur, “Glee’s” Matthew Morrison, and, as Edna, Harvey Fierstein, who plays the role in the NBC Live production as well.
John Travolta played Edna Turnblad in the 2007 movie, starring Nikki Blonsky, Elijah Kelley, Michelle Pfeiffer, Zac Efron, and Queen Latifah. Jerry Stiller appeared as the owner of a clothing store.
The play, based on a movie by joyously transgressive filmmaker John Waters is now a beloved musical performed in high schools and around the world. I love every version and will be watching tonight.
This week’s episode of “The Gilmore Girls” is the season finale, but for me it is the end of something much more important. It is the last time my daughter Rachel and I will watch the show together because she is leaving for college in the fall. When she goes, one of the things I will miss most is our Tuesday night post- “Gilmore” discussions.
Both of my children usually think it is a little unseemly of me to enjoy the music or movies they like, but with “The Gilmore Girls” the fact that Rachel and I both love the show has been as great a pleasure as watching the program itself.
Rachel was about 14 when she first told me about “The Gilmore Girls,” then in its second year. It sounded sitcom-y and formulaic — a single mother who had a baby at age 16, her daughter Rory, then 16 herself, and their relationship with the mother’s wealthy parents.
I politely tried to think of something nice to say: “Rory is a pretty name.”
“Her real name is Lorelai, like her mother,” Rachel said matter-of-factly. “But that’s because she was so young when she had her that she didn’t have good judgment, and mistakenly just gave her own name when the hospital asked her what the baby’s name was.” Well now, this was interesting. A television show had informed my daughter that teenagers can make foolish choices they later regret, and she liked it?
I got another surprise when I sat down with her to watch the next episode, about Lorelai’s reluctant agreement to organize a school fundraiser.
Amazingly, this did not follow the standard television formula for comedy plus warmth: Incompetence leads to comic mayhem, happily concluding when a powerful character either intervenes or is delighted with the unexpected outcome; then everyone learns a lesson and lives happily ever after until next week.
This was different. Lorelai was confident and capable. The characters were complicated and intelligent. There was plenty of humor and warmth, but it came from the people and the dialogue. And that dialogue — it was fast, funny and dazzlingly, omni-culturally literate, sprinkled with references from Henry David Thoreau to feng shui, Kofi Annan, Joseph Campbell and any television star who was ever featured on a lunchbox in the 1980s. I was hooked.
“It’s easy to make things funny if people mess it up,” producer-writer Amy Sherman-Palladino said in a telephone interview. “It’s harder to make people qualified at what they are doing and find the comedy somewhere else. Lorelai can be a bit of a kid, but this is a woman who made a life for herself with no formal education, a woman of great determination and great competency.”
Sherman-Palladino wanted to make sure Lorelai was the kind of person who would create a cheerful, loving environment for her daughter. She also wanted Lorelai to read, because of her own curiosity about the world and to keep up with her brainy child.
And she wanted Lorelai and Rory to be irreverent, but not snarky. “They don’t take things seriously, but they are genuine. They know how goofy some of their town’s festivals are, but they truly love them,” she said.
The same could be said about the show’s quirky characters. One of the best is Rory’s roommate, the hyper-focused, hyper-competitive Paris.
“Rory’s nemesis has to be not the popular girl with the blond hair and perfect stomach dating the football player, but the smartest girl, the one who, in the womb, was preparing for her SATs,” Sherman-Palladino said.
“With Rory, I wanted to write about a teenage girl whose focus in life was books, music, reading, Harvard; friends with her mom; who was not interested in being in a clique. She needs challenges, and Paris is relentless. Rory will want to stay close to that kind of person because it keeps her sharp, her eyes focused on the prize.
She said she liked the contrast between “Rory’s complete acceptance of people for who they are” and Paris, “who is not willing to accept anyone, even herself.”
One of Sherman-Palladino’s best ideas was to bump the mother-daughter conflict in the show up a generation. The clash is between Lorelai and her mother, Emily, who is firmly committed to traditional standards of behavior. Lorelai was estranged from her parents for 16 years, until she needed their help to pay for Rory’s tuition at a private school. In return, they insisted that Lorelai and Rory have dinner with them once a week.
“Their last real interaction was when Lorelai was 16, so they didn’t have the softening, growing-up years,” Sherman-Palladino said. “They revert back to the rebellious 16-year-old and judgmental mother.”
Teenagers get to see Lorelai as both idealized mother-as-friend with her daughter and as conflicted, angry and needy with her own mother.
Rachel has grown up with Rory, and we have loved watching together as Rory found her way through the challenges of high school, friends, boyfriends, family, applying to college and her first year at Yale.
I hope one lesson Rachel has learned from Rory is how easy it is to stay in close touch with home, even from a dorm room.
She and I and some friends are planning a “Gilmore Girls” marathon party to watch the first year of the show, just out on DVD, so we can catch up on the episodes we missed. I hope families whose daughters were too young for the show when it began will watch it together on DVD too.
I am looking forward to going back in time to when Rory was just starting high school. If only I could do the same with Rachel.
The Broadcast Television Journalists Association has announced the nominees for this year’s Critics Choice Awards. I was delighted to see nominations for the outrageous new series “Fleabag” and its creator Phoebe Waller-Bridge, and Rod Lurie’s “Killing Reagan” get a nod as well. The awards will be announced on A&E on Sunday, December 11 at 8PM ET/7PM CT/5PM PT.
BEST COMEDY SERIES
Atlanta – FX
Black-ish – ABC
Fleabag – Amazon
Modern Family – ABC
Silicon Valley – HBO
Unbreakable Kimmy Schmidt – Netflix
Veep – HBO
BEST ACTRESS IN A COMEDY SERIES
Ellie Kemper – Unbreakable Kimmy Schmidt – Netflix
Julia Louis-Dreyfus – Veep – HBO
Kate McKinnon – Saturday Night Live – NBC
Tracee Ellis Ross – Black-ish – ABC
Phoebe Waller-Bridge – Fleabag – Amazon
Constance Wu – Fresh Off the Boat – ABC
BEST ACTOR IN A COMEDY SERIES
Anthony Anderson – Black-ish – ABC
Will Forte – The Last Man on Earth – FOX
Donald Glover – Atlanta – FX
Bill Hader – Documentary Now! – IFC
Patrick Stewart – Blunt Talk – Starz
Jeffrey Tambor – Transparent – Amazon
BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Julie Bowen – Modern Family – ABC
Anna Chlumsky – Veep – HBO
Allison Janney – Mom – CBS
Jane Krakowski – Unbreakable Kimmy Schmidt – Netflix
Judith Light – Transparent – Amazon
Allison Williams – Girls – HBO
BEST SUPPORTING ACTOR IN A COMEDY SERIES
Louie Anderson – Baskets – FX
Andre Braugher – Brooklyn Nine-Nine – FOX
Tituss Burgess – Unbreakable Kimmy Schmidt – Netflix
Ty Burrell – Modern Family – ABC
Tony Hale – Veep – HBO
T.J. Miller – Silicon Valley – HBO
BEST GUEST PERFORMER IN A COMEDY SERIES
Alec Baldwin – Saturday Night Live – NBC
Christine Baranski – The Big Bang Theory – CBS
Larry David – Saturday Night Live – NBC
Lisa Kudrow – Unbreakable Kimmy Schmidt – Netflix
Liam Neeson – Inside Amy Schumer – Comedy Central
BEST ANIMATED SERIES
Archer – FX
Bob’s Burgers – FOX
BoJack Horseman – Netflix
Son of Zorn – FOX
South Park – Comedy Central
The Simpsons – FOX
BEST REALITY COMPETITION SERIES
America’s Got Talent – NBC
MasterChef Junior – FOX
RuPaul’s Drag Race – Logo
Skin Wars – GSN
The Amazing Race – CBS
The Voice – NBC
BEST STRUCTURED REALITY SERIES
Chopped – Food Network
Inside The Actors Studio – Bravo
Penn & Teller: Fool Us – The CW
Project Runway – Lifetime
Shark Tank – ABC
Undercover Boss – CBS
BEST UNSTRUCTURED REALITY SERIES
Anthony Bourdain: Parts Unknown – CNN
Chrisley Knows Best – USA Network
Deadliest Catch – Discovery
Ice Road Truckers – History
Intervention – A&E
Naked and Afraid – Discovery
BEST TALK SHOW
Full Frontal with Samantha Bee – TBS
Jimmy Kimmel Live! – ABC
Last Week Tonight with John Oliver – HBO
The Daily Show with Trevor Noah – Comedy Central
The Late Late Show with James Corden – CBS
The Tonight Show Starring Jimmy Fallon – NBC
BEST REALITY SHOW HOST
Ted Allen – Chopped – Food Network
Tom Bergeron – Dancing with the Stars – ABC
Anthony Bourdain – Anthony Bourdain: Parts Unknown – CNN
Nick Cannon – America’s Got Talent – NBC
Carson Daly – The Voice – NBC
RuPaul – RuPaul’s Drag Race – Logo
BEST SUPPORTING ACTOR IN A DRAMA SERIES
Peter Dinklage – Game of Thrones – HBO
Kit Harington – Game of Thrones – HBO
John Lithgow – The Crown – Netflix
Michael McKean – Better Call Saul – AMC
Christian Slater – Mr. Robot – USA Network
Jon Voight – Ray Donovan – Showtime
BEST SUPPORTING ACTRESS IN A DRAMA SERIES
Christine Baranski – The Good Wife – CBS
Emilia Clarke – Game of Thrones – HBO
Lena Headey – Game of Thrones – HBO
Thandie Newton – Westworld – HBO
Maura Tierney – The Affair – Showtime
Constance Zimmer – UnREAL – Lifetime
BEST ACTOR IN A DRAMA SERIES
Sam Heughan – Outlander – Starz
Rami Malek – Mr. Robot – USA Network
Bob Odenkirk – Better Call Saul – AMC
Matthew Rhys – The Americans – FX
Liev Schreiber – Ray Donovan – Showtime
Kevin Spacey – House of Cards – Netflix
BEST ACTRESS IN A DRAMA SERIES
Caitriona Balfe – Outlander – Starz
Viola Davis – How to Get Away with Murder – ABC
Tatiana Maslany – Orphan Black – BBC America
Keri Russell – The Americans – FX
Evan Rachel Wood – Westworld – HBO
Robin Wright – House of Cards – Netflix
BEST DRAMA SERIES
Better Call Saul – AMC
Game of Thrones – HBO
Mr. Robot – USA Network
Stranger Things – Netflix
The Crown – Netflix
This Is Us – NBC
Westworld – HBO
BEST GUEST PERFORMER IN A DRAMA SERIES
Mahershala Ali – House of Cards – Netflix
Lisa Bonet – Ray Donovan – Showtime
Ellen Burstyn – House of Cards – Netflix
Michael J. Fox – The Good Wife – CBS
Jared Harris – The Crown – Netflix
Jeffrey Dean Morgan – The Walking Dead – AMC
BEST MOVIE MADE FOR TELEVISION OR LIMITED SERIES
All the Way – HBO
Confirmation – HBO
Killing Reagan – National Geographic
Roots – History
The Night Manager – AMC
The People v. O.J. Simpson – FX
BEST ACTOR IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES
Bryan Cranston – All the Way – HBO
Benedict Cumberbatch – Sherlock: The Abominable Bride – PBS
Cuba Gooding Jr. – The People v. O.J. Simpson – FX
Tom Hiddleston – The Night Manager – AMC
Tim Matheson – Killing Reagan – National Geographic
Courtney B. Vance – The People v. O.J. Simpson – FX
BEST SUPPORTING ACTOR IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES
Sterling K. Brown – The People v. O.J. Simpson – FX
Lane Garrison – Roots – History
Frank Langella – All the Way – HBO
Hugh Laurie – The Night Manager – AMC
John Travolta – The People v. O.J. Simpson – FX
Forest Whitaker – Roots – History
BEST ACTRESS IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES
Olivia Colman – The Night Manager – AMC
Felicity Huffman – American Crime – ABC
Cynthia Nixon – Killing Reagan – National Geographic
Sarah Paulson – The People v. O.J. Simpson – FX
Lili Taylor – American Crime – ABC
Kerry Washington – Confirmation – HBO
BEST SUPPORTING ACTRESS IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES
Elizabeth Debicki – The Night Manager – AMC
Regina King – American Crime – ABC
Sarah Lancashire – The Dresser – Starz
Melissa Leo – All the Way – HBO
Anna Paquin – Roots – History
Emily Watson – The Dresser – Starz
Interview: Gotham Chopra on the Audience Network Series “The Religion of Sports”
Posted on November 7, 2016 at 3:33 pm
Gotham Chopra talked to me about his new series for the Audience Network, “The Religion of Sports,” created with New England Patriots quarterback Tom Brady and NFL Hall of Famer Michael Strahan and premiering November 15, 2016.
Have you always been a big sports fan?
Yes, I have. I grew up in Boston Massachusetts during the 80’s and 90’s and so I’ve just always been a big Celtics, Red Sox, Bruins fan, really a diehard fan of those teams but I would say in general a lover of all sports.
It’s so different being a Red Sox fan now than it was prior to 2004. Not that I would ever go back but there was a sort of magic about that cursed existence. It created a sort of community that is very different than what it is now. They won three championships since then and they are one of those elite institutions now. They have become the Catholic Church where they were sort of the scrappy cults before then.
So what is it that makes sports so visceral and so tribal?
Yes, I think what’s unique about sports is that like religion they create a sense of community, a sense of belonging. Wrigley Field is a sacred space, like it’s a holy land. People go on pilgrimages.
So everything that we associate with religion actually happens in sports. Whereas traditionally religion requires faith and you have to believe in this and you have to do that and they have this dogma and everything, sports requires attendance. If you watch the World Series whether you are a Cleveland fan or you’re a Cubs fan, a miracle is going to happen. You just have to show up and I think that is pretty unique to sports. It is not a metaphor, it is not an allegory, it is a spiritual thing and even people who don’t aren’t even fans, they participate. That last game of the World Series people watched from all walks of life because it’s bigger than sports. That’s why I am very much a true believer. Being a fan is sort of something greater than yourself, it’s really is.
Do you think that there are cultural differences or temperament differences between say fans of baseball, football, basketball, hockey?
Yes, there definitely are. For sure it’s no different than politics, as we are watching some other holy war going on right now. If you come from different cultural backgrounds you are drawn to certain things. Part of what’s been fascinating about working on this series is I’ve been able to explore sports that I never really knew much about. So rodeo and NASCAR and stuff like that. It’s been fascinating to watch those.
One of the episodes is about a Scottish football league. The two city teams in Glasgow the Celtic and Rangers, one which is predominantly Catholic in terms of their fan base and one one predominantly Protestant. In this country let’s there are big rivalries but when you go to a place like that they say, “Wait, hold on, first let us talk about the Crusades, then let’s talk about the Reformation.” You have to go back several centuries to understand the roots of this rivalry. So that certainly has its different cultural complexion than what we necessarily see here.
That being said, there are also certain things that are very similar across all sports, not just from the fans’ perspective but from the athlete’s perspective.
What makes somebody a great athlete?
First of all, certainly they have a gifts, physical gifts, athletic gifts. I’ve been fortunate to work with Kobe Bryant, Tom Brady and David Ortiz, some of the most leading athletes in their respective sports, and I can see there is a competitiveness, there is a commitment, there is a discipline, there is a ambition to be the greatest that I think definitely unites the people at the top. Oftentimes you see with the best athletes that they are not the most physically gifted. There are guys who are and girls who are physically stronger, faster or that are more athletic or whatever but for whatever reason these ones that are so committed to their craft, the ones who are so disciplined no matter the consequence, that is what puts them over the top. And again to sort of spiritualize it there is a sort of almost like a martial arts discipline, even if you watch sort of Kobe Bryant go through a practice by himself it’s a monk in a monastery. I mean there is a routine there that is spiritual that I think is really admirable for me.
What were some of the biggest technological and production challenges of making this series?
We’ve been fortunate and a lot of credit goes to my executive producing partners, Michael Strahan and Tom Brady, you have guys like that who can help you get access but getting access both with athletes and but also in leagues can be very challenging. How do you get on the track at the Coca-Cola 600 NASCAR? Great storytelling depends on characters and in this case access and so that can be an incredible challenge. I think even once you get it because these are, even these more niche sports are so covered to death.
All of these athletes are used to cameras in their faces so trying to get something unique and true out of them can be challenging. And I think what I’ve been lucky about is that we tried to make this series less about just getting the biggest names in sports and instead it is very much about the culture around sports, and finding great fans around which you could tell their stories, those tend to be people who want to share their stories, who want to speak about why this thing is so important to them, that’s an incredible benefit.
Tell me about your project with David Ortiz.
I’ve been working with him all summer pretty much chronicling his last season. It’s a series for ESPN and they have run a number of digital shorts. I just drop in with him for 48 hours at a pivotal time in the season, so like opening day or his last series against the Yankees, stuff like that and just be with him as he was going through that.
And the greatest thing about the athletes especially at that level is like they physically can’t do it anymore even though David had an amazing year but they have to sort of give up something that they love as much as they ever did. I’m a filmmaker, you are a writer, we can kind of keep on doing this and get better at it and get passionate about it over and over again, pretty much for as long as we live. With athletes — I don’t even think David is 40 years old. They have to give it up and then what? And so I think it is fortunate to sort of be able to sort of chronicle a little bit of that over the last few months.
What have you learned about how people show their enthusiasm for teams and athletes?
People practice their faith in a lot of different ways. Attendance is probably the most common one but then of course the bigger the league the more difficult it is. It is super expensive to go to some of these games. Actually what I love is like going to the local dirt track in South Carolina on a Wednesday night. It’s the equivalent of going to the community church as opposed to sort of traveling to the Vatican, right? And you see people practicing their faith really at the grassroots level and so it’s inexpensive, it’s accessible, you can go touch the cars, you can really be a part of it, feel the dirt and again I’m not speaking in metaphors. You have to wash your clothes like eight times to get that dirt out once you come back from the race. So I think at the local level like our baseball episode is at the minor league level where the line between the athlete and the fan is a lot more blurred I guess that it necessarily is at the highest level, the professional level and I think for me to sort of be able to see the faith practiced at that level was pretty inspiring.
And superstition — when the Red Sox were in the World Series I couldn’t watch in a room I had to stand outside of my house and watch through the window holding my favorite baseball bat. There’s not a sports fan alive who doesn’t have some version of that, who wears only this jersey or eats only that food. The bigger the game, the bigger the superstition.
Some fan activities are totally ritualistic and the amazing thing about sports. There is a stereotype associated with the fans who paint their faces, that they come from a sort of economic class but I’ve seen deans of major universities do the same thing. You know they are the most sort of academic, intellectual people but then when they enter into this realm suddenly this tribe thing takes over and again they’re sitting side-by-side with people that they have nothing else in common with. I’ve not lived in Boston for years, like for actually more than half of my life, but I still go back every season, I try to go to an opening day or I go to a game or whatever and literally as I’m sitting there and listening, especially in like a political climate like this election, you listen to what people are talking about, I have nothing in common with these people except for this shared devotion to this thing and I think that’s a good thing. It’s fascinating to me, that sort of sense of belonging really cuts across everything.
There’s something fitting, in this 75th anniversary year for Wonder Woman, that the character’s iconic portrayer, Lynda Carter, has returned to television as the President of the United States in the “Supergirl” series. Spoiler Alert: Cinemablend discusses the twist that reveals something provocative and unexpected about the character, information that raises some telling and contemporary concerns.