Why We Laugh

Why We Laugh

Posted on February 17, 2010 at 3:59 pm

I can’t think of a better or more purely enjoyable way to celebrate Black History Month than watching Robert Townsend’s brilliant documentary Why We Laugh: Black Comedians on Black Comedy. It is showing on Showtime this month and will be available on DVD in April. It is hilarious and illuminating. And it is essential viewing because, as always, comedy is where the truth is told long before it is recognized by the journalists and politicians.

Related Tags:

 

Comedy Documentary Television

Good Hair

Posted on February 16, 2010 at 8:10 am

A-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some language including sex and drug references, and brief partial nudity
Profanity: Some strong and crude langauge
Alcohol/ Drugs: Drug reference
Violence/ Scariness: None
Diversity Issues: A theme of the movie
Date Released to Theaters: October 9, 2009
Date Released to DVD: February 16, 2010
Amazon.com ASIN: B002TOJOY8

Chris Rock’s daughter wanted to know why she didn’t have “good hair.” And so he made this documentary as an answer, exploring the relationship between black women and their hair and hair products and processes — and how that relationship gives billions of dollars to an industry that can be exploitative.

Wildly entertaining and profoundly insightful, this is an exploration of image, economics, history, and standards of beauty. Nearly half a century ago, the ground-breaking “black is beautiful” cultural movement changed the way black and white Americans thought about beauty. It is seldom remembered that the key piece of evidence in the “Brown v. Board of Education” decision that led to school de-segregation was a series of interviews with black children who all said that the white doll was prettier than the black doll, thus showing that segregation was inherently unfair. This movie shows how complex and layered the challenge is and how powerfully media images of beauty can make us feel dissatisfied to get us to spend money to look different.

The movie has interviews with movie stars like Nia Long, Lauren London, and Meagan Goode. Surprisingly, none of them say that they have to have “good hair” to get jobs. They insist that they just like it. Maya Angelou says she had her hair processed for the first time when she was in her 70’s. The Reverand Al Sharpton explains that James Brown talked him into getting his hair processed.

Rock visits the Dudley Hair Products company in North Carolina, one of the few black-owned providers of what some women in the movie call “creamy crack.” He goes to India to discover the shocking sources of the exported hair. He tries to sell black hair but gets no buyers. And he goes to a hair competition and performance event that is simply indescribable.

This is a movie of enormous importance and good will and should be seen by everyone, especially mothers and teen-age daughters, to remind us that all hair is good hair and that beauty is more about how we feel than how we look.

Related Tags:

 

Comedy Documentary DVD/Blu-Ray Pick of the Week

Blacking Up: Hip-Hop

Posted on January 27, 2010 at 3:59 pm

“Where do you draw the line between influence and appropriation?” “When is it admiration and when is it mockery?”

Blacking Up: Hip-Hop’s Remix of Race and Identity is a thought-provoking film by documentarian Robert Clift is a sympathetic look at the tensions that surround white identification with hip-hop. Popularly referred to by derogatory terms such as “wannabe” or “wigger,” the white person who identifies with hip-hop often invokes heated responses. For some, it is an example of cultural progress — a movement toward a color-blind America. For others, it is just another case of cultural theft and mockery — a repetition of a racist past. From this perspective, the appropriation of this mode of expression is inauthentic and disrespectful, another in a centuries-long series of takings. And yes, Vanilla Ice is interviewed, along with cultural commentators like Amiri Baraka and Paul Mooney and performers like Chuck D and Power.

For me, the most poignant moment in the film when a girl says she is not trying to be black — she is just trying to be cool. There is nothing more essentially American than the blending of cultures — except perhaps the struggle over the blending or appropriation of cultures. This film perfectly captures and illuminates the central issues of identity and the way it is shaped and shapes the arts, with arrestingly provocative insights into race and American culture and the path from fringe to center. It is very important viewing for teenagers, their teachers, and their parents. (NOTE: Some very strong language including the n-word and other epithets)

Related Tags:

 

Documentary Television
Interview: Bruce Faulk of ‘Soul of the Church’

Interview: Bruce Faulk of ‘Soul of the Church’

Posted on January 18, 2010 at 12:00 pm

I was able to speak to the man behind the Black History Collection: Soul of the Church DVD, Bruce Faulk, who assembled a treasure trove of gospel performances into this stirring and inspirational collection. It even includes some of the vintage commercials.
Tell me how this production came together.
This was a syndicated mid-60’s television series called “TV Gospel Time.” It was the idea of a Chicago advertising agency. Their idea, which was rare at the time, was to go from town to town and record local gospel choirs and feature singers with the hosts being some of the best-known gospel singers of the time. The premise was unique. There were many many many many shows and we have just about all of them. This first release has sixteen of them and we were able with bonus material to include six songs from “Mahalia Jackson Sings.” It is an amazing array of the icons of the golden age of gospel. In many cases these are the only visual recordings of these artists. It’s just totally amazing. Just on this release we have James Cleveland, Sally Martin, the Blind Boys of Mississippi, Ernestine Washington, the Dixie Hummingbirds, Alex Bradford, Clouds of Joy. The Highway QC’s a group from Chicago was founded by two people you don’t think of as gospel — Sam Cooke and Lou Rawls. One of the celebrities is Ruth Brown. You don’t think of her as gospel; you think of her as a pop and R&B singer. But she’s here. This is an amazing look at Americana and gospel as an American form of music. It gives me chill bumps! Gospel means good news and this is certainly good news.
What a treasure trove! And it is history as well as music, culture, and worship.
It’s amazing that these survive; it’s amazing that they were recorded to begin with. Even though the show was sponsored by, recorded for, and broadcast to the African-American market, it crossed over to the Caucasian market. It was broadcast during church hour and it opened the music up to an entire new demographic.
Where did these come from and how did you come to them?
My background is in children’s programming. I worked in television animation and produced some well known seasonal pieces. I met a gentleman at CBS, a controller there, and to save room they were throwing away some old shows and he started buying. He now has the largest privately help film library in the world. These are kinescopes, camera pointed at the camera as it was broadcast live. Even though we’ve digitally enhanced it, it is still kinescope.
Growing up, a lot of these songs, I immediately wanted to see how they were handled by these singers. How did Marie Knight treat “Jesus Lifted Me?” “When the Saints Go Marching In,” or Tommy Browns doing “Keep Trusting.” I wanted to know how they did with the songs that were my all-time favorites and they were just amazing.
It’s like any other type of music — but jazz and gospel are American music. Gospel was the call and response put to music for an era when so many did not read. Over the years it’s been changed, augmented, tampered with, but you still find that line almost like a jazz riff that goes right through it. These recordings are like those early Sun recordings with Elvis. To see them work, to see their enthusiasm and spirit is something to behold.
Is there one performance that really is special to you?
Ernestine Washington doing “Down by the Riverside” just tears me up! She is the quintessential queen of gospel. The six songs from Mahalia Jackson, especially “Walk On” and “Just as I Am.” She was President Kennedy’s favorite singer and performed at his inauguration. She was Dr. Martin Luther King’s favorite singer.
What’s next?
We are working on a separate Mahalia Jackson release and we have enough for several more collections.
To order, click on Black History Collection: Soul of the Church

Related Tags:

 

Documentary Interview Music Musical Spiritual films Television Understanding Media and Pop Culture
Soul of the Church

Soul of the Church

Posted on January 18, 2010 at 8:00 am

B+
Lowest Recommended Age: All Ages
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: None
Diversity Issues: A theme of the movie
Date Released to Theaters: 2010
Date Released to DVD: January 19, 2010
Amazon.com ASIN: B002ZD3V0Q

This is a genuine treasure. Black History Collection: Soul of the Church is a collection of vintage broadcasts of gospel superstars of the 1960’s, taken from a Sunday morning television show called TV Gospel Time and not seen for decades. TV Gospel Time (1962-65). The half-hour, Chicago-based show aired on NBC Sunday mornings – merging music and God’s word – attracting a mostly African-American audience (and sponsors), but introduced the genre to a non-Black audience. Featuring guests on location (to save travel costs) it highlighted non-professional performers alongside the day’s biggest stars. Performers include Rev. James Cleveland, Ernestine Washington, Blind Boys of Mississippi, Barrett Sisters, Ruth Brown, Sallie Martin, Alex Bradford, Dixie Hummingbirds, Jessie Mae Renfro, Harmonizing Four, Clouds of Joy, Highway QCs, Marie Knight, Caravans, Three Professors of Gospel and more.
This DVD is a stirring tribute to the roots of gospel in “Black folk music” and fervent, camp-meeting religion. Gospel, meaning “good news,” derives its name from the books of the New Testament (the gospels of the apostles). Though the genre continues to grow in variety and sound, gospel dates to an oral tradition of the 18th century – when many Blacks were unable to read – allowing all to participate in worship. Ministering to the downtrodden and disenfranchised is at its core.
I have one copy of the DVD to give away to the first person who sends me an email to moviemom@moviemom.com with “Gospel” in the subject line.

Related Tags:

 

Documentary DVD/Blu-Ray Pick of the Week Music Television
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2024, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik