Superstar

Posted on December 13, 2002 at 5:16 am

Even fans of the Mary Katherine Gallagher skits on Saturday Night Live will find this movie overlong at 82 minutes. It is one thing for a 30-something woman to play the part of a high school girl in a skit, but another to watch her try to act the part of a high school girl in a movie, even one as plotless as this one.

Mary Katherine (Molly Shannon) has one dream — she wants to be passionately kissed. While she waits, she practices on whatever is available, including a tree and a stop sign. Ultimately, she becomes a little more specific in her dream. She wants to be kissed by high school dream date Sky (Will Farrell, also from Saturday Night Live). And she decides that since he is going steady with pretty cheerleader Evian (Elaine Hendrix, repeating her meanie role from “The Parent Trap”) the only way to get his attention is to become a superstar. And she thinks she can do that by winning the Catholic Teen Magazine VD Awareness Talent Contest. Other attempts at humor include a boy with obsessive-compulsive disorder, a television falling on a dog, an Irish step-dancing tragedy, and repeated falling down and showing of the world’s whitest cotton underpants.

Younger teens will get a kick out of the naughty words and slapstick humor and may even relate to Mary Katherine’s struggle to become someone who is admired while staying true to herself. Any older folks who wander in by mistake may enjoy some references to old movies, especially Made-for-TV classics like “The Boy in the Plastic Bubble.” And families might take this opportunity to talk about the careless cruelty and need to conform of many high school students, and Mary Katherine’s growing understanding that “you have to be your own rainbow” and that what matters is what she thinks about herself, not what Sky thinks about her. But parents should know that there are a number of raunchy references and a portrayal of Mary Katherine’s vision of Jesus that may be offensive to some viewers.

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Comedy High School

The Parent Trap

Posted on December 13, 2002 at 5:16 am

This delightful remake of the Hayley Mills classic stars Lindsay Lohan as both Hallie and Annie, twin girls separated at birth, who meet up at summer camp and decide to switch places. Lohan is utterly adorable and does a masterful job of creating two separate characters, each of whom spends a large part of the movie impersonating the other. Their father, Nick (Dennis Quaid), owns a vinyard, and their mother Elizabeth (Natasha Richardson) designs wedding gowns. Meredith, the scheming girlfriend who hopes to marry their father for his money (Elaine Hendrix) has this year’s bad guy profession: publicist.

Parents may want to reassure their kids — one child who saw it with me was distressed that the parents had split up the twins and made no attempt to see the child they gave up. Divorced parents should make sure their children have no illusions of a reconciliation, and all parents should make sure that while it may be charming for the children in the movie to manipulate their parents, it is not appropriate for real life. Other parental concerns include Elizabeth’s getting drunk (portrayed as funny) because of her nervousness at seeing Nick again, and a truly grisly scene where one twin pierces the other’s ears. There is also a poker game bet which ends with a child jumping in the lake without any clothes. Children who enjoy this version will get a kick out of comparing it to the original. Make sure that they notice Joanna Barnes, who plays Vicki (the fiancee) in the original, playing Vicki (the fiancee’s mother) in the remake.

Who Framed Roger Rabbit?

Posted on April 14, 1999 at 3:06 pm

In this technical marvel of a movie, human and animated actors interact seamlessly. It begins with a cartoon, loveable Roger Rabbit taking care of adorable Baby Herman, despite every kind of slapstick disaster. Then, as birdies are swimming around Roger’s head after a refrigerator crashes down on him, a live-action director steps in to complain that the script called for stars, and we are in a 1947 Hollywood where “Toons” are real.
A private detective named Eddie (Bob Hoskins) is hired by the head of Roger’s studio to get evidence that Roger’s gorgeous wife Jessica is seeing another man. Eddie does not want the assignment. Once a friend to the Toons, he hates them since one of them killed his brother. But he needs the money badly, so Eddie goes to the Ink and Paint nightclub, where Jessica performs, and he takes photos of her playing “patty-cake” (literally) with Marvin Acme (Stubby Kaye), maker of novelties and gags. Roger is distraught when he sees the photographs. But it turns out that Jessica is completely faithful to Roger, and that she is caught up in a complex plot to close down Toon Town and Los Angeles’ excellent public transportation system to build freeways. Eddie’s efforts lead him to Toon Town and then to a warehouse where the real villain is revealed.
This was a one-time opportunity for cartoon characters from all the studios to join forces, and it is one of the great pleasures in movie history to see them all together. Donald Duck and Daffy Duck perform a hilarious duet at the Ink and Paint Club. On his way out the door at Maroon studios, Eddie brushes by several members from the “cast” of “Fantasia.” The penguin waiters from Mary Poppins show up in another scene, as do Pinocchio, Mickey Mouse, and Woody Woodpecker. The mix of characters and styles works extremely well, and kids will enjoy seeing some of their favorite characters in a different context. Kathleen Turner provided the sultry speaking voice of Jessica Rabbit, but her singing voice was Amy Irving.
Children will be delighted with the Toon characters, and with the interaction of the cartoons with the human actors and with the physical world. Eddie’s venture into Toon Town is almost as good. The story is fast-paced and exciting, and the slapstick is outstanding. But the human and cartoon characters mix more smoothly than the combination of slapstick and film noir references in this movie. The plot includes murder, corruption, and suspected adultery. The premise that the only possible explanation for the traffic system in Los Angeles is that it was the vision of a sinister madman is funnier for adults than it is for kids. Eddie is not an especially attractive leading character. Still reeling from his brother’s murder, he drinks too much and is surly to his clients, to his girlfriend, and to Roger.

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