Friends With Benefits

Posted on July 22, 2011 at 6:45 pm

“Shut up, Katherine Heigl,” says our heroine, as she passes by a wall of posters for another fungible romantic comedy that should be sued for deceptive advertising.  Jamie (Mila Kunis) is an executive recruiter who wants to believe in love but has had a series of relationships with guys who took her heart and stomped that sucker flat. Dylan (Justin Timberlake) is the hotshot design guy she recruited to move from a web job in California to GQ in New York.  While Jamie wants intimacy too much, Dylan wants to avoid it.

And while we all want a good, old-fashioned (but not too old-fashioned) date movie romantic comedy, we don’t want the same old Jennifers and Jessicas getting into the same old situations.  The problem is that it is harder and harder to find reasons for keeping the couple that the audience knows is destined to be together from having sex for a whole 100 minutes.  And so we get the second movie in seven months that tries to turn the usual story upside down.  Let’s let them have sex right away but then learn how much they love each other.  It works better here than in No Strings Attached because it has a cleverer script and better chemistry.  There’s a terrific beginning as we see Jamie and Dylan on the phone with her waiting in front of a theater and him explaining that he isn’t really late.  We think they’re talking to each other when it turns out they’re on opposite sides of the country and both about to be dumped (great cameos by Andy Samberg and Emma Stone).  So Dylan is recruited by Jamie for the GQ job and as she sells him on New York, complete with a flash mob in Times Square, they have the rhythms of a couple who are destined to be together.  But in the immutable laws of movie romance, both must learn important lessons (and look gorgeous while doing so) before they figure that out.  So they decide to have sex as friends without becoming boyfriend and girlfriend.

It’s a movie with a couple of references to “Seinfeld,” but apparently everyone missed the 1991 episode called “The Deal,” in which long-time exes-turned friends Elaine and Jerry decide they can have sex without an emotional attachment or romance.   It doesn’t work, and there is something a bit off-putting about characters who think it can.  Elaine and Jerry were famously “no learning, no hugging” people who were hilariously superficial and self-involved.  But Jamie and Dylan are supposed to get us on their side and talking and behaving like people for whom sex does not mean anything creates a hurdle we have difficulty getting over.  While the film avoids some of the pitfalls of the romantic comedy formula, it falls into others, with sketchily-drawn back-stories and distracting detours like an un-funny part for Shaun White and a silly repeated joke about whether pilots are important in landing a plane.  Kunis and Timberlake are as great on screen as individuals and as a team and there are some funny and entertaining moments, especially when Dylan explains his childhood affection for Kris Kross.  Ultimately, though, it is as formulaic as the movie-within-a-movie they watch together.  That one stars Jason Segal and Rashida Jones and has a sly dig to the fake NY locations filmed in LA and some outtakes over the end credits.  It — or something just like it — should be in theaters soon.

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Comedy Romance

Horrible Bosses

Posted on July 7, 2011 at 6:05 pm

Three old friends who work for deranged, abusive bosses decide that the only solution is a “Strangers on a Train”-style murder swap in a lightweight comedy sustained by recession-era resentment fantasies, some attention to plot structure, and a bunch of top comic performers enjoying themselves so much it is impossible not to join them.  As confirmed by the outtakes over the closing credits, even the stars were shocked into laughter by some of the more outrageous moments in the film.  This is what “Bad Teacher” wanted to be, cheerfully offensive with some forward propulsion.   It’s a wish fulfillment story with the vicarious pleasure of revenge and of seeing other people get into a lot of trouble for taking the risks we are much too careful to attempt.

You can see that Jennifer Aniston, looking like an inhumanly idealized CGI version of herself, is so happy to be out of those cloying rom-coms that she has a total blast as a predatory and sexually voracious dentist who only gets more excited by humiliating her assistant (Charlie Day as Dale). Even her dentist music plays “Crazy.”  Colin Farrell, unrecognizable as a paunchy cokehead with a hangover, clearly enjoys playing a nunchucking nutball whose primary influence on home decoration appears to Uday Hussein.  And Kevin Spacey, who pretty much owns the bad boss role brings it once again as a paranoid, manipulative bully.

No wonder Kurt (Jason Sudeikis), Nick (Jason Bateman), and Dale feel trapped.  None of them can find another job.  Horrible bosses don’t hesitate to threaten bad references and the job market is awful.  A high school classmate who was once a successful financier at Lehman Brothers is now reduced to, well, let’s just say he has his hand out.  So, being the dim-witted play by the rules guys that they are, with their only knowledge of crime coming from Dale’s intensive study of the “Law & Order” franchise, they try to find an assassin to knock off the horrible bosses, reasoning that “We don’t clean our apartments or cut our hair,” so why should they do their own killing?  They look for help first on the internet (and wonder whether they should have a cheese plate to offer the hired killer) and then try some random guy because he is black and has a scary nickname and lot of tattoos and therefore must be a badass (Jamie Foxx, very funny as Jones).

Unlike “Bad Teacher,” this film recognizes that the outrageous and shocking behavior works only if there is a solidly structured plot to keep things moving.  It is as funny to see how some of the elements from the first half come back in the second as it is to see Aniston’s sexual predator, spraying Day’s crotch with the hose from the spit sink and singing out, “Shabbat Shalom!” at what is revealed.  Bateman’s impeccably dry delivery is perfectly balanced with Sukeikis’ guy-next door (if the guy next door was constantly looking for short-term female companionship) cheer, and a nice restorative after the awful “Hall Pass.”  Julie Bowen (“Modern Family”), Lindsay Sloane, and Ioan Gruffudd make the most of brief appearances and good spirits about bad activities keeps things brisk and lively. It is most likely to be remembered in the future as a relic of (we hope) a low point in the American economy than anyone’s notion of a classic, but fans of raunchy comedy will find something to enjoy.
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Comedy Crime

Zookeeper

Posted on July 7, 2011 at 6:00 pm

D
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG for some rude and suggestive humor and language
Profanity: Fake swearing ("frickin'") and some crude potty language
Alcohol/ Drugs: Social drinking
Violence/ Scariness: Comic peril and violence, reference to abuse of animals
Diversity Issues: Diverse characters
Date Released to Theaters: July 9, 2011
Date Released to DVD: October 11, 2011

This is a movie about how Kevin James can do so much better, but Kevin James can do so much better than this movie.  In the film, he tries to change his life to be worthy of a woman he thinks he loves.  In the audience, we want him to stop making movies about what a shlub he is.

James and a team including some of his “King of Queens” writers have produced a dull and oddly mean-spirited movie about a zookeeper who takes advice about dating (or, as the animals call it, “mating”) from the talking animals at his zoo.

The woman he likes is a fashion designer named Stephanie (the game and able Leslie Bibb), who dumps him in the first five minutes of the film after a proposal.  Still heartbroken five years later, Griffin (James) sees her again.  At first, he resists her indications of interest but then, just as he begins to respond, another old boyfriend enters the picture (Joe Rogan as Gale).  The animals decide to reveal their secret power of speech so they can give Griffin some guidance on how to get Stephanie back.  As you can imagine (and as perhaps you would rather not), the animals have their own ideas about how to attract the opposite gender.  Since, except for the bickering lions (voices of Sylvester Stallone and Cher!), none of them appear to have significant others of any species, their advice is of questionable value.  Nevertheless, this gives us an opportunity to see James walking like a bear and marking his territory like a wolf.  Thankfully, he does not follow the monkey’s direction about what to throw.

But there isn’t much more to be thankful for.  Adam Sandler (who provides the voice of the monkey) produced, which means it’s yet another slacker no-effort film, with another soundtrack filled with 80’s songs not to make any point or for any particular purpose but just because that’s the last time Sandler listened to the radio.  And despite its superficial endorsement of being yourself and doing what you love, that over-done message is eclipsed by a weird turn in the third act.   Griffin takes advice from the animals that seems to have been stolen from Mystery the Pickup Artist.  They tell him to keep Stephanie off-balance by alternating insults and affection to make her insecure — and it works, not just on her but on others as well.  There is a cliched race-t0-the-airport scene which makes no sense in an era of cell phones, but it does show us what and who is important to Griffin — until a pointless and distracting detour just so he can hit someone along the way that undermines that message as well.  Griffin does some things he is not proud of but makes no attempt to fix his mistakes.  The film seems to suggest that it is all right, even a sign of strength and confidence to hurt someone’s feelings.

The PG rating should not be a signal that this is a kids’ movie.  Children will not be very interested in Griffin’s romantic adventures or the night out on the town he gives to the zoo’s melancholy gorilla (“Send some fried zucchini to that table of secretaries,” he tells the waitress).  It’s downright smarmy, with the use of fake swear words like “frickin'” to keep the MPAA ratings board at bay.  Poor Ken Jeong for the second week in a row is stuck in a humiliatingly shrill, borderline racist caricature as a snake specialist and Donnie Wahlberg is wasted as an animal-abusing zoo staffer.

James is a talented and appealing performer and even this mess can’t hide the radiant beauty and class of Rosario Dawson as a warm-hearted zoo vet. There are a few nice moments when Dawson sails across a dance floor on acrobat’s streamers and a few it-could-have-been-worse moments when it turns out that Griffin is not the usual comedy movie incompetent. He has a nice relationship with his brother and is good at what he does.  But James and Dawson could be so much better doing something else.

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Comedy Movies -- format Romance Talking animals
Gidget (3-Pack)

Gidget (3-Pack)

Posted on July 5, 2011 at 8:00 am

B+
Lowest Recommended Age: Middle School
MPAA Rating: Not rated
Profanity: None
Alcohol/ Drugs: Some drinking
Violence/ Scariness: Mild peril
Diversity Issues: None
Date Released to Theaters: 1959
Date Released to DVD: July 5, 2011
Amazon.com ASIN: B000286S2E

A new DVD 3-pack of all three “Gidget” movies comes out today, and they’re worth another look, especially the 1959 original with Sandra Dee and James Darren.  Dee plays Francie, a sheltered and somewhat naive girl who thinks that it is still to make a fuss over boys.  But she is very interested in this new all-male activity on the beach called surfing and the cusp-of-the-60’s pre-counter culture guys who are devoted to it.  Their leader is played by Cliff Robertson as a pilot who is taking a break from real life to live on the beach (literally).  They take her on as something of a mascot, calling her Gidget (girl plus midget), and everybody has some growing up to do.  It’s probably not as sugary as you recall and it holds up pretty well.  The story, by the way, was inspired by the daughter of the author, Frederick Kohner.  You can see the real-life Gidget, still surfing, in the wonderful documentary, Step Into Liquid.

In the first sequel, “Gidget Goes Hawaiian,” Deborah Walley takes over for Dee and Darren returns.  A romantic misunderstanding arises when a mean girl spreads a rumor that Gidget and her boyfriend have gone what in those days was called “all the way.”  Everything is straightened out and Gidget’s good girl reputation is protected.  Watch for a very cute dance number with Broadway hoofer Michael Callan, the original Riff in the stage production of “West Side Story.”

The third episode is the weakest, with Cindy Carol as Gidget and a silly jealousy story, but the wonderful Jessie Royce Landis is a treat as something of a drowsy chaperone.  I still think of this movie whenever I hear the names Paolo and Francesca.

And don’t forget the Gidget television series, starring Sally Field, which included a guest-star appearance from her fellow future Oscar winner Richard Dreyfuss.

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Based on a book Based on a true story Comedy DVD/Blu-Ray Pick of the Week Series/Sequel
Monte Carlo

Monte Carlo

Posted on June 30, 2011 at 6:10 pm

B
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for brief mild language
Profanity: Brief mild language ("hoochie," etc.)
Alcohol/ Drugs: Social drinking
Violence/ Scariness: Some comic peril
Diversity Issues: None
Date Released to Theaters: July 1, 2011

It’s the Princess and the Pauper with Disney star Selena Gomez and two Gossip Girls in a story about a Texas waitress who takes the place of a selfish heiress in the glamorous title city. There’s also a touch of Cinderella (though the fairy godmother is unwitting). And it is filled with flouncy pretty dresses and bouncy pop songs to delight tween Disney channel fangirls.

Gomez plays Grace, a high school senior in Texas. She and her best friend Emma (Katie Cassidy) have been saving the tips from their waitress jobs and finally have enough to go to Paris. At the last minute, her mother and her new step-father insist that her step-sister Meg (Leighton Meester) go along. Grace and Meg have a strained relationship that quickly gets much more strained once they arrive. The hotel is dingy and cramped and the tour is brusque and rushed.

The girls are enjoying the top of the Eiffel Tower when they miss the tour bus and get caught in a downpour. When they duck into a luxury hotel for shelter, Grace is mistaken for a spoiled British heiress named Cordelia Winthrop Scott (also Gomez, clearly having much more fun as the imperious young woman with an accent like a “mean Mary Poppins”). Cordelia is supposed to be on her way to Monte Carlo for a fund-raiser to repair her reputation as a party girl. The girls overhear her telling a friend she will leave the hotel without checking out and decide Grace should take her place for one night, rationalizing that the room is already paid for. But one thing leads to another and soon the girls are in Monte Carlo, selecting designer clothes from Cordelia’s luggage so they can go to the ball and meeting charming princes.  Well, one is a prince and two are charming.

There’s also a zillion-dollar diamond and sapphire necklace that is not always where it is supposed to be.  And it turns out that Cordelia is scheduled to play polo.

“I like the way they come down the stairs,” sighed the 9-year old girl sitting next to me.  It doesn’t take much more to enchant the target audience than seeing the girls in their party dresses coming down the steps in slow motion on the way to the ball.  But this movie, thankfully gives us a little bit more. The girls each have enough of a personality and story to keep it from getting too silly but not enough to keep it from being a fairy tale, at least the kind that will make dreams come true for some tweens who are too often neglected by the people who make movies.

 

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Comedy Movies -- format Romance
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