Knight and Day

Posted on November 30, 2010 at 12:05 pm

As refreshing as a cool drink of lemonade on a hot day, “Knight and Day” has just what we want from a big summer Hollywood summer movie: glamorous locations, even more glamorous movie stars, lots of crazy stunts and chases, a couple of romantic smooches, and of course some really big explosions.

It helps to have Tom Cruise and Cameron Diaz, two stars with smiles that can fill a 40 foot screen. Wisely, screenwriter Patrick O’Neill and director James Mangold (“Walk the Line”) create the whole movie around what these two performers do best, which is have fun on screen and make it fun for us, too. Their effortless charm gives off enough sizzle to keep things going between stunts.

Cruise plays Roy Miller. We see right away that he’s really good at hand-to-hand combat and running and jumping and shooting. And apparently he is also very good at lying, which is why we do not know whether to believe him when he says he is the good guy. Neither does the person he says it to, a vintage car restoration expert named June (Cameron Diaz). They first run into each other, literally, at the airport. She is on her way to her sister’s wedding. Coincidentally, they bump into each other twice, once before going through TSA security, once on the other side. Don’t think it’s a coincidence? You just might be right!

Cruise and Diaz seem a bit relieved to have a chance to be silly in a summer popcorn movie, after less-than-successful efforts at serious drama (“Valkyrie” and “My Sister’s Keeper”). Both are adept at hitting the sweet spot that keeps the tone light, even in the midst of mowing down bad guys. There’s a lot that doesn’t work in this movie, including repeated scenes of characters being drugged (though Diaz makes a truth serum scene amusing with her matter-of-fact delivery), a distracting amount of jet-setting all over the globe, and literal overkill of legions of bad guys. That title, really? And surely they could do better for the talented Paul Dano (“There Will be Blood” and “Little Miss Sunshine”) than yet another nerdy genius with a universally coveted invention. But there is a lot that works. Diaz and Cruise have a natural chemistry and easy equality that is just plain entertaining. They bring enough conviction to the story to keep us believing and rooting for them without taking it so seriously that we start second-guessing the storyline. Supporting players include the always-welcome Viola Davis, Peter Sarsgaard, Celia Weston, and Marc Blucas. The stunts are expertly staged with Cruise and Diaz clearly right in the middle of it all, not checking their email back in the trailer while stuntmen do anything more strenuous than opening a door, and I have to say, they are summer movie crazynutsfun. It’s not as easy as it looks to combine action, comedy, and romance (I’m talking to you, Killers). But Diaz and Cruise show us how both characters want more of what the other has, without making too big a deal out of it. And they make it seem not just normal that you’d interrupt a deadly chase to capture a hugely valuable little doo-hicky to attend a wedding, but rather sweet.

The Search for Santa Paws

Posted on November 29, 2010 at 8:00 am

Lowest Recommended Age:	All Ages
MPAA Rating:	NR
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	None
Diversity Issues:	None
Date Released to DVD:	November 23, 2010
Amazon.com ASIN:	B003E4B0H6

The Search For Santa Paws is the latest in the wildly popular series of “buddies” films from Robert Vince (watch for an interview with him posting later today). When Santa (Richard Riehle of “Office Space”) loses his memory, he will need the help of an elf, a magic crystal, and of course some very special dogs to save Christmas.

Be sure to check out the Santa Paws coloring and activity pages. And I am very excited and honored that Disney has given me FIVE copies of this DVD to share with my readers. This one is only for those who have never won anything from me before. If you qualify, send me an email at moviemom@moviemom.com with “Santa Paws” in the subject line and tell me what you like best about the buddies movies. Don’t forget to include your address! Good luck and keep checking as I have more giveaways coming all month. (My policy on conflicts is available on the blog.)

What’s Cooking?

Posted on November 24, 2010 at 8:00 am

B+

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	Rated PG-13 for some sexuality, brief language and a perilous situation
Profanity:	Some strong language
Alcohol/ Drugs:	Drinking and smoking, character gets intoxicated
Violence/ Scariness:	Child in peril, gun
Diversity Issues:	A theme of the movie
Date Released to Theaters:	2000
Date Released to DVD:	November 21, 2011
Amazon.com ASIN:	B000092T3G

My favorite Thanksgiving movie is What’s Cooking?

The Star-Spangled Banner plays over the credits and we see a classic Thanksgiving poster, only to find that it is on the side of a bus that carries very few passengers resembling its smiling Caucasian family. A very diverse group attends a school Thanksgiving pageant and then we follow four of the families, Jewish, Latino, African-American, and Vietnamese, as they celebrate this most American of holidays.

Co-writer and director Gurinder Chadha is an Indian woman raised in England, and she brings a sympathetic outsider’s eye to the stories of the four families, emphasizing their similarities more than their differences. All four of the families love each other, keep secrets from each other, want acceptance from each other. And all of them drive each other crazy, just like everyone else.

They watch football and the Macy’s parade. They cook. They have kitchen triumphs and catastrophes. They say things like, “You’re so thin!” “Give Grandma some sugar!” “I haven’t called because I’ve been swamped with work.” “That’s a very…unusual recipe.” “Dad, you remember that I’m a vegetarian, don’t you?” and “You never listen to me!” They love to see each other but they can’t stop fighting with each other. As one character says, “I guess you can’t call it a family if someone isn’t speaking to someone else.”

The Jewish parents (Lainie Kazan and Maury Chaykin) struggle to accept their daughter’s lesbian relationship (with Julianna Margulies of “The Good Wife”). The Latino mother (Mercedes Ruehl in a beautifully warm-hearted performance) wants to introduce her new boyfriend to the family, and her estranged husband has been invited to dinner by their son. The Vietnamese family is coping with a son who has been suspended from school, a daughter who has a condom in her coat pocket, and an older son who is too busy to come home from college. And the African-American mother (the always wonderful-Alfre Woodard) struggles with a demanding mother-in-law and a painful rift between her husband and son.

http://www.youtube.com/watch?v=RWA91OcPa7U

Chadha handles the multiple story lines and large cast with an expert hand, cutting back and forth to underscore the similarities and the differences. We see potatoes prepared by hand, mixer, spoon, and food processor and the assortment of turkey presentations is one of the movie’s best treats. Chadha has a good feel for American diversity — the video store owned by the Vietnamese family has shelves for videos in Talalog, Farsi, and Korean. We get to see a replica of the the all-white Thanksgiving poster with a Latino family.

The stories can get a bit melodramatic, especially a close encounter with a gun near the end of the movie, and the stories veer from archetype to stereotype at times. But there is much to enjoy in its situations, characters, and performances, especially by Woodard and Ruehl, two of the finest actresses in movies, and it holds a lot of promise for future projects by Chadha.

Parents should know that the movie has some strong language and sexual references and encounters, including adultery and homosexuality. Characters smoke and drink. A child is in peril, and it gets very tense. The movie also includes family confrontations that may be upsetting to some people.

Families who see this movie will have a lot to talk about concerning family communication. They should discuss why so many people felt that they could not tell the truth to their families, and how they would respond to some of the crises faced by the family members in the movie. They may also want to talk about some of their favorite Thanksgiving memories.

Families who enjoy this movie will also enjoy “You Can’t Take it With You,” an Oscar-winning comedy about a very eccentric but loving, family.

Flipped

Posted on November 22, 2010 at 8:00 am

B+

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for language and some thematic material
Profanity:	Brief strong language
Alcohol/ Drugs:	Social drinking
Violence/ Scariness:	Tense family confrontations, awkward moments
Diversity Issues:	Sympathetic portrayal of disabled family member but other characters make cruel and ignorant remarks
Date Released to Theaters:	August 27, 2010
Date Released to DVD:	November 23, 2010
Amazon.com ASIN:	B002ZG97KG

The director of “When Harry Met Sally….” has given us a middle-school variation, an on and off love story that begins in second grade when Bryce Loski (Callan McAuliffe) and his family move in across the street from Juli Baker (an exquisite performance by Madeline Carroll). In Rob Reiner‘s film, based on a popular book for middle schoolers, Juli immediately falls for Bryce, which of course immediately makes him feel creeped out. Five years later, in middle school, he is still doing everything he can to avoid her. And she is still doing everything she can to be near him. And then, things change. She does not like him any more. And he realizes that she is a very special girl, and that he will do anything to re-earn her affection.

It isn’t just the emotions of the characters that are flipping here; it is also the point of view. We get to see the same situations from both sides, and we get to hear how the two characters’ perspectives do and do not overlap.

Reiner sets the story in the early 1960’s, and the movie has a flawless attention to period detail — the long hair parted in the middle, “Bonanza” on the television. But the essence of the story is eternal, with its impeccable evocation of that moment when we first begin to look at our families’ limits and imperfections and first begin to create the people we will grow up to be.

And not just our families. Juli does not question her love for Bryce for years. And then she becomes older and wiser and realizes that beautiful eyes do not always mean a beautiful spirit and that she really does not know him very well. Bryce may have lovely eyes, but it is not until he sees her through someone else’s eyes that he begins to appreciate her. Bryce’s grandfather (John Mahoney of “Frasier”) realizes Juli’s value first. “Some of us get dipped in flat, some in satin, some in gloss,” he tells Bryce. “But every once in a while you find someone who’s iridescent, and when you do, nothing will ever compare.”

Co-screenwriter/director Reiner lets us share the growing understanding of Juli and Bryce as they begin to see themselves, each other, and their families differently. And with great sensitivity and insight, he evokes the agonizing sweetness of first love and the way that it stays alive in us forever, making possible all of the loves that are to come.

Grown Ups

Posted on November 9, 2010 at 8:00 am

Adam Sandler fans would do well to re-watch “The Wedding Singer” or “Happy Gilmore” rather than suffer through this excruciating mess of gross-out humor, eww-inspiring vulgarity, and soppy sentimentality. My mother always likes me to say something nice, so I’ll mention that Salma Hayek Pinault looks beautiful and the setting is lovely. Chris Rock gets off a few good lines. Adam Sandler doesn’t use his doofy “funny” voice. And eventually, it is all over. But that’s about it. Sandler has always been lazy and his films have devolved from slacker to inert. The increased efforts at injecting “heart” into the storyline just makes the rest of the movie look even more cynical, crass, and condescending to its audience. And that’s not including the misogyny and overall sour attitude toward just about everyone.
Here, he plays Lenny Feder, a successful Hollywood agent married to Roxanne (Hayek Pinault), a clothing designer. He returns to his home town for the funeral of the coach who guided his grade school basketball team to a championship. At the funeral, he catches up with his teammates, and they go off together with their families for a few days at a home on the lake. Of course each of them has a situation that is intended to be funny (not) and poignant (really not). Co-stars David Spade, Chris Rock, Rob Schneider, and Kevin James all look embarrassed to be there, the only flicker of authenticity on screen. Spade, looking hung over even when his character is not, plays the good time guy who never settled down. James is a family man whose biggest problem seems to be that his wife (a slumming Maria Bello) is still breast-feeding their four-year-old. Rock is a stay-at-home father whose pregnant wife (a slumming Maya Rudolph) and mother-in-law think his being a full-time dad is not manly. And Schneider, as always in Sandler films, plays a guy who the designated ewwwww-inducer, with personal and sexual habits designed to gross everyone out. He plays a man whose third wife is an aging hippie (Joyce Van Patten) and whose three daughters show up halfway through, two smokin’ and one funny-looking with a semi-Snooki puff, just like dear old dad. He also has the thankless responsibility of undertaking one of Sandler’s favorite gags — an impaled foot. And a disgusting bunion in loving close-up. What is it with him and feet! At least Tarantino’s foot obsession is on the beautiful toes of Uma Thurman and Diane Kruger.
Lenny, compared to his struggling friends, has little to worry him other than concerns that his children are getting spoiled (they text the nanny to bring them hot cocoa and then reject it when it isn’t Godiva) and being too embarrassed to tell his friends that his kids have a nanny, so he keeps insisting she is just an exchange student and thrusting books at her.
Sandler may have stopped playing boy-men who won’t grow up (hence the title), but as producer and co-screenwriter he is still a film-maker who won’t grow up. The comedy in the movie centers around pubescent sniggering stuck at about the level of a game of “Doctor.” Both adults and young teens are reduced to quivering, slobbering, hysteria by the presence of an attractive member of the opposite sex (conveniently giving us a chance to ogle them, too). But the only one who seems to have a committed relationship that includes a sex life is the one who grosses everyone out with his PDA because his wife is three decades older than he is.
The phony sentiment is no better than the phony comedy. Yeah, yeah, the importance of family and friends and board games over video games. And we are further afflicted with a rematch between our intrepid one-time champions and the guys they beat. Thirty-two years ago. About the last time any of these jokes were fresh.
Then there is the insult humor. Admittedly, there are some funny lines, but further evidence of the movie’s sloppiness is its lack of interest in making some distinction between the affectionate insults that bond people and the hurtful ones that spark anger and truth-telling. Further laughs are expected for the aforementioned impaled foot, injuries requiring a full body cast, and various falls and crotch hits, plus an older lady with an ugly bunion and intestinal distress she blames on the dog. If only we could do the same with the movie.

(more…)

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