Coming to Theaters: Explore the Architectural Wonders of the World with “Art & Architecture in Cinema”

Posted on January 21, 2016 at 8:00 am

Fathom Events, in partnership with SpectiCast, presents the “Art & Architecture” series in select U.S. cinemas from January through July 2016. The program will feature seven different titles (one each month) and bring the world’s greatest works of art and architecture and their environs to the big screen for one night. Moviegoers can now enjoy unprecedented access into the lives of renowned artists, their art and the fabulous museums and galleries that are not only the custodians of such masterpieces, but works of art in their own right.

FLORENCE AND THE UFFIZI GALLERY

Wednesday, January 27, 2016 at 7PM local time

Directed by Luca Viotto

EXHIBITION ON SCREEN’S GOYA – VISIONS OF FLESH AND BLOOD

Thursday, February 11, 2016 at 7PM local time

Directed by David Bickerstaff

LEONARDO DA VINCI: THE GENIUS IN MILAN

Thursday, March 31, 2016 at 7PM local time

Directed by Luca Lucini and Nico Malaspina

EXHIBITION ON SCREEN’S RENOIR: REVERED AND REVILED

Thursday, April 21, 2016 at 7PM local time

Directed by Phil Grabsky

EXHIBITION ON SCREEN’S PAINTING THE MODERN GARDEN: MONET TO MATISSE

Thursday, May 12, 2016 at 7PM local time

Directed by David Bickerstaff

TEATRO ALLA SCALA: THE TEMPLE OF WONDERS

Thursday, June 16 at 7PM local time

Directed by Luca Lucini

THE PAPAL BASILICAS OF ROME

Thursday, July 14, 2015 at 7PM local time

Directed by Luca Viotto

To purchase tickets or for additional information

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Documentary
Interview: Lawrence Kasanoff on the New Documentary “Mindfulness — Be Happy Now”

Interview: Lawrence Kasanoff on the New Documentary “Mindfulness — Be Happy Now”

Posted on December 19, 2015 at 3:55 pm

Hollywood producer Lawrence Kasanoff makes movies like Mortal Kombat. But his interest in mindfulness and its link to happiness has inspired a documentary called Mindfulness: Be Happy Now. In an interview, he talked about the difference between mindfulness and meditation and what Navy Seals and Buddhist monks have in common.

What’s the difference between mindfulness and meditation?

Meditation, in my opinion, is one of the ways you get to mindfulness. There are lots of ways to get to mindfulness.

At one time I brought Thich Nhat Hanh to Oprah; he was one of the first people she interviewed for her new network. I was sitting with them both. People call Thich Nhat Hanh Thay which means teacher, it’s an affectionate term. And Oprah said to Thay: “How often do you meditate?” And he said: “Everything I do I do mindfully so everything I do is a meditation.” When people think of meditation, they normally think of sitting quietly which is meditation but you can be mindful while taking a walk if you’re just taking a walk. You can be mindful while drinking tea while just drinking tea. You can be mindful while talking to Nell from Beliefnet if I am only talking to Nell from Beliefnet; if I am sending a text at the same time, I am not being mindful. So I think they go hand-in-hand. Mindfulness includes meditation but you can also say every act of mindfulness in itself is a kind of meditation.

Yes, we hear in the film that drinking tea and even washing your hands in the morning can be very mindful.

Yes, they can. When I first met Thay he said: wash dishes mindfully, enjoy the water running on your hands, go slowly, don’t try and finish and it works.

Copyright 2015 Threshhold Entertainment
Copyright 2015 Threshhold Entertainment

It works how? Does it get the dishes cleaner?

You know what? It does get the dishes cleaner because you tend to not be washing the dishes while doing something else, so you focus on the dishes. I think all of this is a way to still your mind. Thay has a great expression and so I had this calligraphy on my wall which says “be still and know.” The analogy is: think of a beautiful mountain lake in Switzerland; if the weather is terrible and cloudy the lake windy, the lake is all choppy and dirty and unclear. If the lake is beautiful and calm on a Sunday spring morning it’s gorgeous and it reflects accurately the sky and the clouds and mountaintops. The first one, the agitated water, does not. So if you can still your mind like that lake, it does reflect and you see clearly. So meditation is not a way of going to sleep. It allows you to wake up and if you wake up you see things clearly, you do do them better. Now in my opinion, meditation is not just the purview of Buddhist monks, anyone can do it. I am doing another movie on the special unit of the special operations of the United States. These guys in my opinion, other than the monks, are the most mindful people I have ever met. They have maybe different philosophies but you’ve got to be pretty mindful standing in a field somewhere with people shooting at you for three days; you’ve got to be calm and still your mind. A boxer is mindful, a golfer is mindful if they are good, a painter is mindful, anyone can be mindful. So I think it’s important to distinguish that even when you are washing dishes mindfully, you do wash your dishes better but more than that, for two minutes you stop your mind, you’ve got nothing else, you’ve cleared your mind and that is a beneficial experience that makes you happier.

How are Special Forces military like Buddhist monks?

I believe the most mindful groups I know, and the two groups I think of the most in common are the Buddhist monks and the special operations soldiers because they both have developed extraordinary mind control to bring their mind to a still level in pursuit of peace. They have completely different tactics on how to find peace but it only diverges there. The Green Berets had a slogan: “slow is smooth and smooth is fast,” which any good athlete understands, too. You just are careful and you move deliberately and you are moving mindfully; It applies to so many many walks of life.

We debated putting Special Forces guys in the movie and putting some supermodel in the movie but we just didn’t want to do anything that would seem a little controversial and take things away from the great message. But the fact that we had an actor and a film director and a doctor and a dog trainer in the movie is just an example of how many walks of life you can apply this to. You can apply it anywhere and that’s what I think is the best thing about it, it works everywhere.

I liked it that throughout the film, the focus is not just going internally but also being mindful as a way of being a better listener or being more aware of what’s going on.

Especially in the world today. Have you been at a dinner or meeting where everyone is talking and texting at the same time? They are not listening. I believe in unitasking; you do one thing at the time. You can do 100 things during the day; just do one thing at a time. If you do that you are being mindful so when you have a meeting, that’s it. When you are walking to the next meeting, you are walking. When you are eating, you’re eating. No one is perfect in all of this, not even the monks but if you take one more deep breath today than you did yesterday that’s great. I think one of the things is this is fun and you don’t have to worry about: did I do it perfectly? Did I do it great every day? I don’t think that’s it. I think whenever you do it’s better than not doing it so that’s great.

Right at the beginning of the film we hear a word that I was not expecting: tenderness. Thay tells us we need to be tender toward our feelings of sorrow or pain.

The monks have this wonderful expression that Thay talks about in the film called the second arrow. So let’s say you stub your toe, now your toe hurts, so that’s one arrow and if you are mindful and you embrace it and you calm down, it won’t hurt as much and it will probably heal faster. But if you say:“Oh my goodness, I am an idiot for stubbing my toe,” boom then you’ve got a second arrow right in the same toe and it hurts more. Now if you say, “Oh my God, I am worried I stubbed my toe, I am going to collapse and die for my stubbed toe,” you’ve got a third arrow.

So if you have a piece of cake and maybe you didn’t want to have piece of cake, okay, then mindfully say: I had a piece of cake, I enjoyed the cake, I did it today. Okay, do I want to do this tomorrow? Let’s think about this; maybe I don’t and then you don’t. But if you then get mad at yourself for having your cake, now two things can happen, you have more calories than you want and you’ve added stress and the opposite of stillness, a kind of disturbance to your mind, you just made it worse. So no one is perfect, everyone makes mistakes and if you see it carefully and mindfully embrace it as they say you can calm it down.

Think about your boss coming to work and saying, “Listen, you should not have sent that memo but don’t worry, I know you didn’t mean it, it’s okay, we will fix it; maybe we should read our memos a little more carefully next time.” You feel much better that if someone comes in screaming to you that you sent off the wrong thing. I think it works with everything. But it doesn’t mean you have to become a wimp and a hippie and hug everybody all the time, you just have to be mindful of what you are doing so you do it with a clarity and a purpose.

Can you be an activist and have the kind of passion that you need to push for change and yet maintain a sense of acceptance?

I was worried about that too. A monk once said to me, “We do not lose sight of our goal. It is just that the anger doesn’t help us.”

I make a lot of martial arts movies. The true fighting Zen master is so incredibly focused that they don’t get angry. It is so hard not to get angry but my goal is my goal and if I get too angry then everyone will start up with their own egos and we will drift from the goal. So being mindful doesn’t mean you have to become a certain way. You can be a mindful Republican or a mindful Democrat or a mindful soldier. You can go to a strip club mindfully. You can play poker mindfully, you can do a lot of things mindfully. Mindfulness is not wimpy, it means doing it with presence and doing it with a clarity of mind. There is no scenario in which being mindful doesn’t help. I make so many fight movies; I own a fight channel. You will win so many more fights if you are not angry.

I think most of this is about eliminating anger, fear and anxiety from your life and if you eliminate anger, fear and anxiety from your life mostly, most people are still left with happiness. It is not antithetical to your goals. It is in fact completely the opposite, it accentuates your goals, it enables you to achieve your goals better. That’s why we love James Bond or old Clint Eastwood movies; we love people who walk in and are calm and present, clear and know exactly what they want and get it.

How did you get involved with mindfulness?

I produced these these big action sci-fi martial arts movies. I read a book by Thich Nhat Hanh about 10, 12 years ago and I thought it was great, I mean I am always interested in new things and I thought, “Hey, maybe we could use him as an inspiration for this character we have in Mortal Kombat.” He is kind of an Obi-Wan Kenobi character in Mortal Kombat called Rayden.

So I called him up and went to meet him really just for inspiration for a “Mortal Kombat” movie. But after spending two hours with him I felt like I had been on vacation for a week. And I said: “What’s your secret?” And he said:“No secret, practice.” And I said: “Wait, I could learn this?” We became good friends and I did start practicing and I did start learning and I got into other mindful things and met some other wonderful people, most of whom are in the film and then eventually he just asked me to make a documentary. Thay’s basic message is peace in yourself, peace in the world. If you find peace in yourself through mindfulness you will be happier. If you are happier, maybe the person you are with will be happier, maybe the guy you get coffee with in the morning will be happier and if everyone does it everyone will be happier.

That is the most simple nondenominational, nonpolitical but helpful message and my hope is that in some small way that the movie promotes that philosophy. So when Thay asked me to do it I just decided to fund the whole thing myself, put it out there and the goal is just to get it into the hands of anyone whom it might benefit.

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Documentary Interview Spiritual films

Rosa Parks Was Arrested 60 Years Ago Today

Posted on December 1, 2015 at 9:23 am

https://www.youtube.com/watch?v=HBzYV_eATGY

Today and every day we pay tribute to one of the greatest heroes of the 20th century, Rosa Parks, who would not give up her seat on the bus and fought all her life for equal rights. “Some people say I was tired” when she refused the bus driver’s order to move to the back of the bus, but as she explained in her autobiography, “The only tired I was was tired of giving.”

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Documentary Race and Diversity
Interview: Erin Bernhardt of “Imba Means Sing”

Interview: Erin Bernhardt of “Imba Means Sing”

Posted on November 29, 2015 at 6:35 am

The African Children’s Choir is more than a performing group. It is a chance. Children from the direst poverty who tour with the group get to see the world. They go to school. And when they grow up, their education is paid for through college. A touching and inspiring new documentary about the group is called “Imba Means Sing,” available December 4, 2015 on VOD. In an interview producer Erin Bernhardt explained how she became involved with the group and what the children taught her.

Copyright 2015 Imba Film
Copyright 2015 Imba Film

How did you meet the choir?

I met the African Children’s Choir the summer after I graduated from the University of Virginia. I had already committed to the Peace Corps but I wasn’t going to move to Madagascar until September. So I had that summer off and number one selling indie rock band of all time, Dispatch brought me on to be their outreach coordinator for a big benefit concert they had, a three night event at Madison Square Garden for Africa. And that’s how I met the choir. We had the kids come perform with the guys at the Garden and meeting those kids just totally changed my life. The children were from Uganda, Rwanda and Kenya and they were all orphans and they had nothing back home. They had no running water, no electricity, no parents, no toys, no education and thanks to being in the African Children’s Choir their education was now going to be funded through college. So they would be able to go on to achieve their dreams. They were the happiest, most joyful kids that I had ever met in my entire life, actually the most joyful people I had ever met, and it really changed my perspective on what mattered in life.

So for eight and a half years I’ve been wanting to tell their story and it’s really exciting that it’s finally happening. After the concert, I left them, moved to Madagascar, lost touch with them. I came home and worked at CNN for three years as a writer and producer mostly covering politics and then four and a half years ago I went with one of my best friends to Uganda to do a story for CNN about her social enterprise, the Akola Project. I ran into the choir my first day in Uganda, the same kids. I had gotten Croc, the plastic shoe company, to donate shoes for the kids in New York in 2007 and then in 2010 I saw those kids wearing those shoes and they were just doing really, really well. So I made a documentary about them for CNN and then I left to make this feature film because I wanted to reach younger audiences and be able to get the film in schools, and have it really make a difference.

The children in the film really are always joyful. And yet they have so little and as they travel through the United States they can see how much others have that they do not. What keeps them so cheerful?

When you ask them why they’re so happy, they say God. So if you talk to them about why you’re so happy, why are you so well behaved, why do you always have a good attitude, why are you so thoughtful? Their answer to all of those question is God.
For the kids in Uganda and a lot of developing countries spirituality is a lot more alive. It’s not just like an intellectual thing in their head and it’s not just something that is in your heart that you talk about. These kids come from communities where anything good that happens they think it’s happening because of God. That’s just how their life is in their villages and even in their slums. They just have so much faith. They talk about it and they live it and they wear it on their sleeves. So that’s really how they live. They realize how lucky they are that they have this opportunity and they totally give that credit to God for picking them and letting them have this opportunity to change their life and their families’ lives.

The film has a very intimate feel. And the performances are filmed very dynamically. What kind of crew did you have? And how big?

To me it was big, it was bigger than the crews that we use on CNN. I had a director of photography who was always using one or two cameras and a director who was doing the second or third camera and then we always had a field audio mixer because the audio was really, really important for the film because it was about music so we always had that. And then we had a production assistant who would be helping with writing and making sure everyone in the other rooms nearby were quiet and all that stuff and then me, the producer. For performances, we had two or three cameras at the time and always an audio person and sometimes you have to bring in extra audio people or extra photographers.”

The choir performed in a wide variety of venues. What were the ones that they enjoyed the most?

They loved singing at the Atlanta Braves baseball games. I think that was really fun for them to have such a huge audience. At that point they had been at only one baseball game before and that was a minor-league with a really small stadium and a really small crowd. So I think that this was beyond their wildest expectations and they loved that. They really liked performing at the Grand Canyon because it was just really fun. They weren’t as into the vast landscape of the Grand Canyon as they were into the snow there. They stayed and made snowmen and had snowball fights and then they sang. So they definitely loved it.

How did you make the children comfortable with you so that they were so unselfconscious in the film?

What makes me be able to tell really intimate character-driven stories is that I’m just really honest with all of the people I work with and it allows me to tell stories about people that I really love. And so they can tell that I genuinely love them and care about them and the kids, you know kids can see through anything so the kids really knew that I had their best interest in mind and the second they were selected for the choir I was there. So they didn’t know life in the choir without me around and without all the cameras around. So really their new life as members of the choir started with us there, too. So I think it would have been harder if they had been on tour for a while and then we came into the picture but it was really natural.

At first we were using a big camera and I had a different crew and that didn’t work so I ended up hiring a crew that worked better with the kids. They used smaller cameras. The kids never paid attention to us when we were rolling but when we weren’t rolling they would play with us, and they hung out with us and we would all be really mindful of spending time with the other 17 kids who weren’t the main characters of the film, too. We ate tons of meals with them and had tons of fun with them and everything off-camera. And they are singing professionally to make money and they are the news a lot so they know what’s going on; they are very smart and very wise.

What did they find most memorable in the US?

They volunteered at a few homeless shelters and Boys and Girls Clubs and I think they really liked that. They like seeing what Americans do for the less fortunate because in Uganda it’s mostly Westerners helping the less fortunate but in America they saw black Americans helping black Americans and I think that they definitely took that with them. But Anthony , who hadn’t been to America since he was eight, when he started touring, he as an adult was really bothered by the fact that we have homeless people in America. He was like “I don’t understand how that’s possible. Everything that you guys have, like we stay on tour in these mansions with pools and slides and families where each kid has their own bathroom and bedroom.” So he is was like, “I just don’t understand how you have homeless people, it just doesn’t make any sense.” So it’s interesting what the perspective of an eight-year-old is versus a 28-year-old. Of course, they are both right. For my grandmother’s birthday my cousin and I made a donation to the Survivor Initiative, which helps Holocaust survivors who are living in poverty.

To see the film, check here or host one yourself at a theater, place of worship, or school.

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