Trailer: Soap Life and the Rise and Fall of Soap Operas

Posted on February 21, 2014 at 8:00 am

People make fun of soap operas, but they have passionate fans who appreciate the unique opportunity to follow characters over decades of drama — not just marriages and divorces and babies and affairs but kidnappings and amnesia and even an alien abduction.  Soaps were the first scripted shows to present the audience with controversial material like abortions, interracial relationships, and gay characters.  Stars like Meg Ryan, Alec Baldwin, Julianne Moore, and Susan Sarandon got their start on soaps and movies like “Tootsie” and “Soapdish” were set in that world.  From their earliest days in radio (the name comes from the advertisers trying to sell cleaning products to housewives) to the era of internet, cable, and women working outside the home, all of which cut into the audience, people still love to see these characters triumph — and suffer.  This new documentary tells the often-soapy story of the soaps, taking us behind the scenes to see the past and wonder about the future of these stories.

http://www.youtube.com/watch?v=rnJynzjfdgo http://www.youtube.com/watch?v=L8fAgBDpMbY
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Documentary Television

If You Build It

Posted on February 20, 2014 at 5:17 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Not rated
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: None
Diversity Issues: Diverse characters
Date Released to Theaters: February 21, 2014

An idealistic young couple from big cities moves to a tiny, economically depressed town in North Carolina for a project that will take advantage of what they think is “an untapped resource” — teenagers. Emily Polliton, TED talker and co-author of Design Revolution: 100 Products That Empower People and Matt Miller, who had just built a home in Detroit to donate to a needy family, got a pioneering school superintendent in Bertie County, North Carolina, to agree to let them create a curriculum with a daunting challenge.  They wanted to revitalize the students and the town through design.  They had a lot of ideas, but they knew that they could never accomplish anything unless they were clear that they were there to support the town.  They knew that the students would be responsible for a big project.  But what that project would be had to be decided by the people who live there.

if you build itDocumentarian Patrick Creadon (“Wordplay,” “I.O.U.S.A”) observed the Studio H project that Emily and Matt brought to North Carolina over 16 months.  The name stands for: Humanity, Habitats, Health and Happiness (echoing 4H’s “head, heart, hands, and health”).  They began with ten bright but bored high school juniors.  One of them says dryly that he hates school just as his father and grandfather did: “It’s a family tradition.”  And in one of the movie’s bleakest moments, we see some of them taking mind-numbing online classes, including, ludicrously, PE. “It’s not that I’m leaving here,” another says.  “There’s just nothing to keep me here.”  This project answers the age-old question: When will I ever need to use calculus?  And, in Emily’s words, it is a counter to the current approach, which has “the raw and unadulterated

None of them have ever made anything before.  None of them have ever been asked to look at what’s around them and think about design before.  Day one, Matt and Emily have them getting their hands dirty — very dirty, making water filtration systems out of mud and cow patties.  For the first time, they are asked to think with a pencil.  “Some of your sketches are ugly, and that’s okay,” Matt says to encourage the kids to stop self-censoring.  “The studio is a mess, which is fantastic,” Emily tells them.   After two preliminary projects, they work with the town to decide on what their big project will be.  It will be something the town will be proud of, something hopeful, something that will help the economy: a farmer’s market.

Design is about solving problems.  As Emily says, “Design allows creativity to have a structure.  And that allows you to come up with solutions you wouldn’t otherwise come up with.”  Making a bean bag toss or a chicken coop or even a farmer’s market is one thing.  Working with people is another.  The visionary school superintendent is fired immediately after Emily and Matt arrive.  The school board votes to keep their program but eliminate their salaries.  As Matt points out, while he can fit in, Emily is a triple outcast in the North Carolina rural community — half-Asian, female, and a designer.  As Emily points out, working together under so much stress puts a lot of pressure on their relationship.  And, as she also notes, they are trying to build something with a construction crew made up of teenagers.

This is a compelling narrative both in its own terms and as a metaphor of many of the core themes and conflicts in America today.  It is a compelling indictment of our failure to inspire our young people with meaningful educational opportunities and a thrilling glimpse of how easy it is to transform the way we think about education and re-connect to our sense of possibilities.  It is also a daunting portrayal of the entrenched mindsets and lack of courage that stands in the way.  Design can solve problems, but only if we let it.

Parents should know that this movie has some depictions of high-stress  economic circumstances, references to prejudice, and a dead animal.

Family discussion:  What was Matt and Emily’s biggest challenge?  Their biggest accomplishment?  Check out the movie’s website to see what happened to the students.

If you like this, try: “Waiting for Superman” and “Wordplay”

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Documentary Movies -- format

Tonight on PBS: Alice Walker

Posted on February 7, 2014 at 8:00 am

Tonight on most PBS stations is the premiere of a new episode of the American Masters series, “Alice Walker: Beauty in Truth,” in honor of the acclaimed author’s 70th birthday and Black History Month. Walker is the first African-American woman to win a Pulitzer Prize for fiction with her novel The Color Purple, which also won the National Book Award. Her other books include The Third Life of Grange Copeland, Meridian, The Temple of My Familiar, and Possessing the Secret of Joy. In her public life, Walker has worked to address problems of injustice, inequality, and poverty as an activist, teacher, and public intellectual.

Here, in an outtake from the film, Alice Walker talks about taking a segregated bus to go to Spelman College.

She was a major force in bringing public attention to the work of Zora Neale Hurston.

A sneak preview of the program is available online.

 

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Documentary Race and Diversity Television Writers

More on Paul Williams

Posted on January 27, 2014 at 9:01 am

paul williams grammysIf you saw Paul Williams on the Grammys last night and want to know more, take a look at the superb documentary Paul Williams Still Alive. Williams was ubiquitous in the 70’s, both on the music charts and the party scene.

He won Grammys and an Academy Award; wrote many #1 songs; starred in a Brian DePalma movie; put out his own hit records and albums; was a guest on The Tonight Show fifty times; and is the president of ASCAP… and you might not have heard of him. In the 1970’s, Paul Williams was the singer / actor / songwriter that emotional, alienated teenage boys all over the world wanted to be, a sex symbol before MTV, when sex symbols could be 5″2 and sing songs about loneliness with the Muppets.

And then…

Good to have him back.

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Documentary Music

Steve James Talks About His Roger Ebert Documentary

Posted on January 20, 2014 at 3:58 pm

Rogerebert.com editor Matt Zoller Seitz spoke to Steve James, one of Roger Ebert’s favorite filmmakers, and the man behind the crowd-funded documentary about Ebert, based in part on his autobiography, Life Itself: A Memoir.  Seitz writes

It seems fitting that two decades after Roger helped breathe commercial life into “Hoop Dreams,” James would return the favor by adapting Roger’s memoir “Life Itself,” and that it would premiere at Sundance, a festival that Roger’s attention helped legitimize.

In addition to telling the story of one man’s life and career, “Life Itself” recounts the decay of Roger’s body in the final months of his life, after the cancer he’d battled for years returned with a vengeance; it includes medical scenes of great frankness, filmed with the encouragement of Roger and his wife Chaz, this site’s publisher. The result is a testament to the fragility of flesh and the transformative effect of love. More than anything else, it’s a record of Roger’s generosity, the effects of which are still being felt.

The interview is a treat to read.  My favorite part is when James, one of the people behind the extraordinary “Hoop Dreams,” talks about what he loves about documentaries.

art of the reason that I love doing documentaries is that you start with ideas—and you hope good ideas—about what it’s about and who you’re following and all of that, but if it’s a really great experience it always deviates and deepens as it comes, and is more interesting than anything you could imagine. Because if I could imagine that well, then I should be doing more fiction than docs.

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