Idlewild

Posted on August 24, 2006 at 3:07 pm

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	Rated R for violence, sexuality, nudity and language.
Profanity:	Very strong language including the n-word
Alcohol/ Drugs:	Drinking, scenes in speakeasy, smoking
Violence/ Scariness:	Graphic violence, characters shot, injured, killed, scenes in mortuary with many dead bodies
Diversity Issues:	Strong, independent minority and female characters in an era when that was rare
Date Released to Theaters:	2006
Date Released to DVD:	2006
Amazon.com ASIN:	B000JJSL1W

Percival, a mortician by day/speakeasy piano player by night, sleeps under an assortment of singing cuckoo clocks and serenades a lovely corpse dressed as a bride. The engraved rooster on a silver liquor flask talks to its owner, also named Rooster. This stylized and stylish love and bullets prohibition-era story from Outkast is more of an extended music video than a movie, but it is eye- and ear-filling entertainment.

Andre (Andre 3000) Benjamin is Percival and Antwan A. (Big Boi) Patton is Rooster. The boisterously rowdy speakeasy is run by Sunshine Ace (Faison Love), a man of great appetites who is only too happy to feed them all at the illegal club called Church hidden behind his car repair shop. He gets his illegal liquor from Spats (Ving Rhames). Rooster performs at the club and helps manage it as well, causing his wife and the mother of his five daughters some distress. Like Ace, Rooster enjoys partaking of the pleasures of this Church, sometimes the very same one, in the person of the lovely Rose (Paula Jai Parker).

Spats wants to retire, and offers Ace the opportunity to buy him out for $25,000. Ace has a plan to get the money – he has arranged for the renowned singer Angela Davenport to perform. But Spats’ henchman, Trumpy (Terrence Howard) has plans of his own, and they involve his gun.

At times, it feels like the story is less an idea than a list made by Benjamin, Patton, and first time director/screenwriter Bryan Barber (director of Outkast’s most memorable videos) of what and who would be fun to shoot – either by film or by (pretend) gun.

As one might expect, the musical numbers are brilliantly handled, with music video-style sweeps and cuts that make the camera as much a part of the choreography as the dancers. Barber’s approach is to evoke rather than reproduce the 1920’s, with many modern touches in the look, script, and especially the sound, which has only the slightest connection to the music of the era. The evident affection for this romanticized vision of the era saturates the film like the warm sepia tones of its palette. There is something liberating about seeing a beautiful, elegant black woman buy a first class train ticket from a white man behind the ticket counter (the only white person in the film) in 1935 Georgia, without any concern that he might display any bigotry.

Barber achieves a dreamy synthesis that works very well, but has less of a sure hand at creating characters and directing actors. Even the experienced and superbly talented Howard, Cecily Tyson, Ben Vereen, and Rhames are not able to make their one-dimensional characters compete with the film’s visual flair. But that flair, with the dizzying mash-up of old and new, the embracing of some cliches and the turning inside out of others, makes this film entertaingnly audacious and highly watchable.

Parents should know that this movie has very strong language, explicit sexual references and situations, nudity, and a great deal of mobster-style violence. Much of the action takes place in a nightclub specializing in illegal alcohol and prostitution. Characters are shot and killed. A strength of the movie is the portrayal of confident, independent black characters in an era in which that would have been very difficult.

Families who see this movie should talk about why it was hard for Percival to do what he wanted and why it was too easy for Rooster to do what he wanted. They might like to find out more about the history of that era.

Families who enjoy this movie will also enjoy Chicago, Moulin Rouge, and O Brother Where Art Thou.

Material Girls

Posted on August 19, 2006 at 4:08 pm

F+

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for language and rude humor.
Profanity:	Some strong language for a PG, including the s-word
Alcohol/ Drugs:	Some social drinking, characters smoke
Violence/ Scariness:	Mild peril, references to sad offscreen death and divorce
Diversity Issues:	Diverse characters
Date Released to Theaters:	2006
Date Released to DVD:	2006
Amazon.com ASIN:	B000JFY05W

The problem with a movie about rich people learning about real life that is written by rich people who have no idea about real life is that you end up with something like this — a movie about two rich girls, heirs to a cosmetics fortune, who lose everything, discover what really matters, and end up demonstrating that by making the cosmetics affordable so that prostitutes can buy them.

I’m not kidding. I wish I was.

Real-life sisters Hillary (Lizzie Maguire) and Haylie (Napoleon Dynamite) Duff play Tanzy and Ava Marchetta, whose late father founded a successful cosmetics company. They are due to inherit when they come of age, but his best friend, the current CEO (Brent Spiner) recommends that they sell the company to its rival, run by Fabiella (Anjelica Huston). Before they can agree, a news report that one of the products caused severe skin damage throws the company into chaos. And the girls accidentally burn down their house and turn over their car to someone they assume is a valet but who turns out to be a thief.

They have nowhere to go but the apartment of Inez (Maria Conchita Alonso), their maid.

Ava’s TV star boyfriend dumps her — through his agent. Their fancy party friends don’t want to know them any more. Fabiella makes another offer, much lower. If they sell, the company their father built will no longer exist.

Yes, of course it all turns out fine and there’s a happily ever after ending complete with cute new boyfriends. But on the way there, the movie has a surprising number of bad choices ranging from the odd to the unfortunate, inappropriate, and downright ugly, considering the target audience and the PG rating.

For example, inspired by watching Erin Brocovich, Tanzy uses a skimpy outfit to entice a young man to let her look at some hidden records. She is arrested and put into a cell with three prostitutes who stroke her arm in a menacing fashion — then she turns it all around, using sand caught between the toes of one as she ran from the cops, to by teach them how to exfoliate their skin.

The girls also use some strong language for a PG movie. What is the purpose in a movie like this of a line like “screwier than Courtney Love?” Or “I’m so sorry I slept with your dad?” There is disturbing footage of skin disorders. Most important, the very values the movie purports to communicate are undermined by the approval it expects for its characters’ choices. The great revelations the girls have about the importance of helping the poor are supposed to be shown by their commitment to cheaper cosmetics and arranging for a friend’s children to be allowed into the country.

Superb actors like Anjelica Houston, Obba Babatunde, and Lukas Haas (Witness) are criminally wasted and only make the Duff sisters’ very limited acting skills look even weaker by comparison.

Parents should know that this movie has, as noted, very strong language and references for a PG, including the s-word, a reference to “white trash” (supposed to be funny), jokes about using Preparation H to get rid of eye bags (especially idiotic given that the girls are supposed to know all about cosmetics), “you practically jump each other,” “I heard that on the bus people pee on the seats,” “he was going to go straight for us,” and more. Character (briefly) drink and smoke (though one expresses horror at cigarettes). Characters are prostitutes. Tanzy wears skimpy clothes to get a young man to let her get what she wants. There is a reference to an overdose of birth control pills. A character has a nose job so she can look like Tanzy. Overall, even the supposedly reformed behavior of the girls is not what parents would like their children to imitate.

Families who see this movie should talk about why the girls were so spoiled and inconsiderate. Why does Tanzy say she wished her father had been harder on her? Why does Ava say she didn’t like how hard their father was on her?

Families who enjoy this movie will also enjoy Lizzie Maguire and the much better film Cow Belles.

The Illusionist

Posted on August 16, 2006 at 4:21 pm

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for some sexuality and violence.
Profanity:	Mild language and insults
Alcohol/ Drugs:	Drinking
Violence/ Scariness:	Off-screen violence
Diversity Issues:	Diverse characters
Date Released to Theaters:	2006
Date Released to DVD:	2007
Amazon.com ASIN:	B000K7VHQ4

This feels like a fairy tale, so I will begin: “Once upon a time…”

…there was a princess who loved a commoner but was engaged to a cruel prince.

The commoner and the princess played together as children, but when they were discovered, he had to disappear. Many years later, he returns, transformed. Even his name is different. Now, he is the famous Eisenheim (Edward Norton), a magician who thrills audiences with his illusions.

One night, the volunteer he brings on stage to assist turns out to be the same girl he knew as a boy. She is Sophie (Jessica Biel), and she is engaged to the cruel and arrogant Crown Prince Leopold (Rufus Sewell), not because he loves her but because an alliance with her will help him become emperor. And because he does not want anyone else to have her.

Leopold orders Chief Inspector Uhl (Paul Giamatti) to investigate Eisenheim.

Parents should know that the movie has a non-explicit sexual situation and offscreen violence. There is a murder with graphic injuries and a character commits suicide. Characters drink alcohol and one becomes intoxicated.

Families who see this movie should talk about why Leopold was so disturbed by Eisenheim’s illusions. What did Chief Inspector Uhl want from Eisenheim? How did he decide how far he would bend the rules for the prince? What situations present people with those kinds of pressures to compromise today?

Families who enjoy this movie will also enjoy Houdini.

Invincible

Posted on August 15, 2006 at 12:07 pm

B-

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for sports action and some mild language.
Profanity:	Mild language and insults
Alcohol/ Drugs:	Drinking, scenes in bar
Violence/ Scariness:	Sports violence, tense confrontations
Diversity Issues:	Diverse characters
Date Released to Theaters:	2006
Date Released to DVD:	2006
Amazon.com ASIN:	B000J3OTT6

In this movie, a father tells his son that one great touchdown by Steve Van Buren of the Philadelphia Eagles got him through 30 years of factory work. We often identify so completely with the teams and athletes we love that it feels like our hearts are in that ball as it crosses the goal line, swishes into the basket, or sails over the head of the guy in the outfield. Maybe our dreams don’t come true, but we can share the dreams of the guys on the field. And that is the stuff of movies.

Vince Papale, a part-time teacher and bartender became the oldest non-kicker rookie in NFL history when he joined the Philadelphia Eagles at age 30 in 1976. That sounds like a Disney movie.

And that’s just what it is, in the tradition of (and all too reminiscient of) The Rookie and Miracle. Not surprising — this film has the same producer and screenwriter.

Mark Wahlberg plays Papale, a passionate season-ticket-holding Eagles fan who is picked from an open try-out though he had never played college football. He was selected by coach Dick Vermeil (Greg Kinnear) and survived training camp to play on the team.

So, we know where it’s all going from the beginning, and how successful it is in making that journey work depends on whether it can make us care about the characters. Unforunately, while it has a nicely gritty sense of time and place, some touching moments, and many very bad 1970’s hairstyles, its beats are all too telegraphed and formulaic to fully engage us.

Wahlberg brings sincerity and an easy athleticism to the role of Papale, and Elizabeth Banks has a lovely centered quality and genuine sparkle as his love interest. But the script — the disapproving wife who exits just in time for him to meet the beautiful girl who knows all about football, the down-on-their-luck friends who want to make sure that he doesn’t forget about them, the coach with high standards who is willing to take a chance, the dad who cautions him not to try for something he can’t have and then watches damp-eyed as he makes it — there’s not enough to surprise and engage us. I couldn’t help thinking as I watched Papale run through the streets of 1976 Philadelphia that maybe he’d meet up with Rocky.

Parents should know that there are a few moments of sports violence and some references to sad deaths of family members. Wahlberg’s character is a bartender, and there are many scenes in the bar with characters drinking. A character refers to a married boyfriend. Characters kiss. Some audience members may be disturbed by the break-up of Vince’s marriage and the struggles to trust enough to start a new relationship.

A main theme of the film is the encouragement and support Papale receives from friends and family. Many of his friends are portrayed as supportive, but Papale is presented as having been driven by the handful of people in his life who told him he couldn’t do it. Why did he put his wife’s note in his locker? Families who see this film should talk about the importance of having a support network, and why sometimes adversity can be the strongest motivator. Do you agree that the team with character will find a way to be the team with talent? What current athletes do and don’t meet that standard?

Families who enjoyed this movie have a wealth of football and sport-oriented films to choose from, and many are filled with remarkable sequences and riveting drama. Recommendations would be Rudy, in which Sean Astin conquers his limitations to play for Notre Dame, Paper Lion, an older (1968) film featuring a journalist who goes undercover as a quarterback for the Detroit Lions (based on a true story), and Friday Night Lights, the story of a season with The Permian High Panthers, The Replacements (some mature material), a fictional story about an all-amateur team, and a similar real-life story about a teacher who became a major league pitcher in Disney’s The Rookie. They may also want to learn more about the history of the team. And families who want to know more about the real Vince Papale, who was voted Special Teams Captain and “Man of the Year” by the Eagles, can visit his website and read his book.

Related Tags:

Biography Drama Movies -- format Sports

Step Up

Posted on August 9, 2006 at 12:17 pm

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for thematic elements, brief violence and innuendo.
Profanity:	Some strong language
Alcohol/ Drugs:	None
Violence/ Scariness:	Character is shot and killed, some additional peril and violence
Diversity Issues:	Diverse characters have strong, loyal relationships
Date Released to Theaters:	2006
Date Released to DVD:	2006
Amazon.com ASIN:	B000J3OTSM

A ballet dancer needs a partner for the biggest show of the year. She sees a boy working off his community service time at her school showing some of his dance moves off to a friend. Could he do? Will he do it? Will they learn a great deal from each other and about themselves as they work together and will there be an issue right up until showtime about whether the big dance number will happen?

Yes to all of the above, and yes, too, to the really big question, which is: will it be fun to watch? Imagine a hip-hop version of High School Musical, some juvenile delinquency and a drive-by shooting added in to provide some street cred, but still a Disney-fied world where kisses are important and happy endings are guaranteed.

Ever since the days when Judy Garland and Mickey Rooney decided to put on a show, movies about kids working hard on song and dance numbers for the big night that will decide their futures have been a staple for showing off young talent to an appreciative young audience. Like the recent Save the Last Dance, this is the story of a mash-up, as the ballet dancer learns to loosen up and the boy from the streets learns discipline and technique.

Jenna Dewan is Nora, a senior at a Maryland high school for the arts. Tyler (Channing Tatum) is assigned 200 hours of community service at the school for vandalism. Nora is preparing for the big showcase that will determine whether she gets offered a job as a dancer. When her partner Andrew is injured, she asks Tyler if he will practice with her until Andrew is better.

The screenplay is so formulaic that it seems not just predictable but inevitable. The dialogue struggles mightily under its exposition-heavy burden until it collapses completely. Tatum and Dewan are about 10 years too old to be playing high school kids. These kids are about as “street” as a commercial for Target. But the dance numbers are energetically filmed and the underlying sweetness is impossible to resist. It’s been a long time since I’ve heard applause in a movie theater just because of a kiss. And it’s been an even longer time since I wanted to join in.

Parents should know that this movie has brief but disturbing violence. A young character is shot and killed. There are some other moments of peril and threatened violence. Characters use some strong language and engage in vandalism and car theft. A strength of the movie is its portrayal of committed and loyal friendships between diverse characters. And another is its portrayals of teenagers who are not sexually promiscuous and take kissing seriously. SPOILER ALERT: A young boy is killed because he wants to imitate and impress his older brother, who engages in risky and illegal behavior. The brother is told not to feel responsible, but in reality he is in part responsible for what happened and parents will want to discuss this issue with young teens who see the movie.

Families who see this movie should talk about why Tyler and Mac did not dare to dream of more for themselves and why that changed. What is likely to happen to them next? The characters in this movie talk about loyalty — who shows it? How do Nora’s, Tyler’s, and Mac’s home situations affect their perspectives?

Families who enjoy this movie will also enjoy High School Musical (suitable for all ages). There are many popular films about dancers who develop romantic relationships, from Dirty Dancing and Save the Last Dance (mature material) to the more family-friendly Shall We Dance and Strictly Ballroom.

Related Tags:

Drama Movies -- format Musical Romance