The Water-Horse

Posted on December 24, 2007 at 7:54 pm

B+

Lowest Recommended Age:	4th - 6th Grades
MPAA Rating:	Rated PG for some action/peril, mild language and brief smoking.
Profanity:	None
Alcohol/ Drugs:	Social drinking
Violence/ Scariness:	Wartime violence, references to offscreen wounds and sad death, guns, some peril
Diversity Issues:	Class issues
Date Released to Theaters:	December 25, 2007

In the grand tradition of “he followed me home — can I keep him?” movies, we have seen movies about children who are brought to adventure and understanding through dogs, horses, cats, a whale, a dolphin, dragons, geese, and an extra-terrestrial. But this imaginative family fantasy-adventure is the first movie in my memory about a boy and his very own Loch Ness monster.
Angus (Alex Etel) is a young boy in World War II Scotland, the son of the housekeeper of a large estate. He finds what he thinks is a rock but it turns out to be an egg. He calls the creature who hatches “Crusoe.”

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Sweeney Todd: The Demon Barber of Fleet Street

Posted on December 20, 2007 at 6:00 pm

B+

Lowest Recommended Age:	Adult
MPAA Rating:	Rated R for graphic bloody violence.
Profanity:	Brief strong language
Alcohol/ Drugs:	Drinking by adults, child gets drunk
Violence/ Scariness:	Extreme, graphic, explicit violence, serial killer, cannibalism, child is beaten, child sentenced to hang
Diversity Issues:	Class issues
Date Released to Theaters:	December 21, 2007

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There could be no better match for the gothic saga of the barber who slit men’s throats and the baker who made their bodies into pies than director Tim Burton, the master of the macabre. Here working with Johnny Depp, his favorite leading man, and Helena Bonham-Carter, his off- and on-screen muse, Burton creates a vast world of Victorian gothic menace that ideally sets off Stephen Sondheim’s grimly intricate lyrics.

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Stardust

Posted on December 18, 2007 at 12:14 pm

This is an enchanting story that lives up to the promise of a “once upon a time beginning,” filled with romance, adventure, magic, and wit. It has witch sisters who need to find a fallen star to make the potion that gives them eternal youth, prince brothers who want to find it because the jewel that knocked it out of the sky will determine which of them will be king, cloud pirates who sail in a flying ship, and a unicorn.

Tristan (Charlie Cox) promises to bring back a fallen star to win the hand of the girl he loves. To find it, he must cross the wall that divides his village from the magical land of Stormhold on the other side. It turns out that he has a connection to Stormhold that he did not know. And it turns out that the fallen star is not an it but a she — the star has a human form, a woman named Yvaine (Claire Danes). And so begins a journey that will include sword fights and transformations, captures and escapes, bickering and kisses, encounters with rascals, villains, and imprisoned princesses, and reunions with unexpected lost connections.
Director Matthew Vaughn (“Layer Cake”) blends romance, action, and comedy with brilliantly imagined visual effects, seasoning fairy tale enchantment with a splash of modern sensibility. Peter O’Toole as the dying king, Robert DeNiro as the pirate captain with a surprising hobby, and Ricky Gervais as a dealer in stolen goods, and Rupert Everett as one of a Greek chorus of murdered princes are high-spirited but never wink at the audience; the film is as sincere as its appealing lead characters. Pfeiffer has a blast as the witch, whether cooing at her restored beauty or blasting through its disintegration as she pursues the star.

Modern without being post-modern, ironic without air-quotes, romantic without apology, this is a fairy tale for our time because it takes us beyond time and reminds us that happily ever after is still a dream worth having.

Parents should know that this film includes fantasy violence, with characters injured and killed in a variety of ways, everything from having their throats cut to being thrown out of windows, poisoned, and drowned. There is some mild language and there are some mild sexual references and non-explicit sexual situations. A strength of the movie is unexpected acceptance of and support for a cross-dressing character.

Families who see this movie should talk about what drew Dunstan and Tristan to the other side of the wall. What is the difference between being a shop boy and a boy who works in a shop?

Families who enjoy this movie will also enjoy sumptuous fantasy classics The Princess Bride, Labyrinth, Time Bandits, and Ladyhawke (also featuring Pfeiffer). And they will enjoy the graphic novel by Neil Gaiman, illustrated by Charles Vess.

Harry Potter and the Order of the Phoenix

Posted on December 11, 2007 at 8:00 am

Everything is changing again for Harry Potter. Back when Hagrid explained to him for the first time at age 11 that his parents had not died in a car crash but in a battle with an evil wizard and that he was not an ordinary muggle but a wizard himself, Harry first began to learn that the world was not what he thought. Those lessons become more painful this time as in the fifth chapter of his saga he learns that the father he has idealized may not have been everything he thought, that the girl he has idealized may not be everything he hoped, that sometimes life is not fair and grown-ups can be cruel or unwilling to listen or unable to help him. In other words, Harry is 15 and that means that most of the time he is confused or angry or both.

Oh, and Voldemort is back, and stronger. Harry is getting stronger, too, but is he strong enough?

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The Golden Compass

Posted on December 4, 2007 at 11:38 am

B+

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for sequences of fantasy violence.
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Children and adults in peril, shooting, arrows, explosions, battle scenes, badly injured child (not graphic), some disturbing themes
Diversity Issues:	Diverse characters
Date Released to Theaters:	December 5, 2007

Lyra Belacqua (Dakota Blue Richards) is disobedient, obstinate, crafty, and skeptical. In other words, she challenges authority, she is is a creative thinker, and she is in the grand tradition of the heroes of classic adventure stories. And this is a grand adventure indeed, sweeping, imaginative, epic, thrilling.
Lyra lives in an alternate world that looks like 19th century Oxford. She is an orphan essentially being raised through the benign neglect of a group of academics, with occasional visits from her uncle, Lord Asriel (Daniel Craig), an explorer-scientist. She runs wild much of the time, playing with the servant’s children rather than sitting in classrooms. In her world, “souls walk beside our bodies” in the form of “daemons,” animal spirits that are invisibly connected to their humans. The daemons of children shift from one species to another as the circumstances inspire — or require. But daemons assume one form at puberty and retain it.
Lord Asriel arrives with news of “dust,” a mystical force he has been studying at the top of the world. There are mysterious rumors of children being snatched up and taken away. An imposing and mysterious woman named Mrs. Coulter invites Lyra to stay with her. And one of the scholars gives Lyra an important gift called an althiometer, a kind of compass with mysterious symbols that when read correctly — or rather, when read by the person who knows how to use it — tells the truth. All of these developments come together as Lyra goes on a journey in search of her captured friend, a journey that requires the assistance of a cowboy (gravel-voiced Sam Elliott), a witch (Eva Green), and an armored bear (voice of Ian McKellan).

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