Sisters

Sisters

Posted on December 17, 2015 at 5:59 pm

Copyright 2015 Universal Pictures
Copyright 2015 Universal Pictures
BFFs Amy Poehler and Tina Fey clearly had a whale of a good time making this movie.  Watching it is another story, and not nearly as good. Yes, I suppose it’s fair to say that women’s humor can be as raunchy and crude and politically incorrect as men’s. But in both cases, it should not have to be pointed out, crude and raunchy are not enough. It has to be funny. There are some genuinely funny moments in “Sisters,” but unfortunately they are lost in an avalanche of gross-out gags. That’s gags in both senses of the word — plus there is literal gagging in the film, and probably in the audience as well.

If only they had trusted the original concept, based on screenwriter Paula Pell’s real life return to her parents’ home to get her stuff so the house could be put on the market. (You can see Pell in the film — she’s the one gagging in a brief appearance at the beginning.)

There’s a lot of comedy to be mined there, the bittersweet sort through the flotsam and jetsam of childhood and adolescence, the inevitability of the “What were we thinking!” moments as we look through old clothes, photos, and diary entries, and the sister dynamic, too, with the closeness and understanding only people who lived in your home and shared your parents have — and the competition and instant return to juvenile emotions that sometimes brings.

Fey and Poehler tried to add some interest by switching the roles from their last collaboration, with Fey as Kate Ellis, the wilder, less responsible sister, a beautician single mother with a teenaged daughter and Poehler as Maura Ellis, a compassionate nurse with a one-eyed rescue dog, divorced for two years and still feeling bruised and insecure.

The Ellis parents (James Brolin and Diane Wiest) have moved into a condo in a retirement community and want the girls to clear out their old room. They hate the idea of giving up the house, and so decide that what they need is one last big, wild party, like the “Ellis Island” parties Kate gave in high school. Kate pushes Maura to invite a handsome handyman neighbor (Ike Barinholtz, the moral and emotional center of the film and please put him in many more movies right now) and somehow he consents. Though Maura’s behavior around him is weird and off to the point of being disturbing, but for some reason he finds it appealing. They do not invite Kate’s old mean girl rival, Brinda (Maya Rudolph, one of the other bright spots), but she shows up anyway, on the policy that if you can’t beat ’em, join ’em, and if you can’t join ’em, call in a noise report to the police.

The fun includes the inevitable dance number and trying on clothes montage and some brief appearances by John Cena and “Crazy Ex-Girlfriend’s” Santino Fontana.

Here’s what’s not so fun (potential spoiler, but it’s in the trailer): a character falling backwards on a sharp, pointed object that gets lodged it his rear end for a supposedly hilarious scene of extraction that seems to go on forever, lots of humor about how getting drunk or smoking weed or having sex with someone you’ve just met is a sign of liberation, a guy who makes endlessly corny “jokes” so we are supposed to laugh at him for it, a mother whose teenager has to explain that it should not be her job to be the grown-up, condescendingly mistaking a construction worker for a homeless guy, condescendingly mistaking a nail technician for an oppressed person who never has any fun, a joke about “c–kblocking our parents,” and humorous ingestion of some very strong drugs. It’s more slumber party skit than movie, too slight for its running time and beneath the talents of America’s sweethearts.

Parents should know that this film has very explicit and crude sexual references and situations, gross-out comedy and graphic images, sexual situations, drinking and drug use, comic and slapstick peril and violence

Family discussion: Was there a house you were sorry to leave behind?  Why was it hard for Kate to do what her daughter wanted?  

If you like this, try: “Baby Mama” with Fey and Poehler

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Comedy
Alvin and the Chipmunks: The Road Chip

Alvin and the Chipmunks: The Road Chip

Posted on December 17, 2015 at 5:13 pm

Copyright Fox 2000 2015
Copyright Fox 2000 2015

About five minutes after it began, the long-suffering Dave (Jason Lee, looking tired and oh so over this) comes home to find that the irrepressable little singing chipmunks in the midst of a wild party with a half-pipe set up in the back-yard and LMFAO’s Redfoo working the turntables as DJ. Two-thirds of the dear little creatures experience flatulence, which middle chipmunk Theodore (the hungry, chunky one) describes as “pizza toots.” Sigh. Later on, when one of the chipmunks is hiding inside a character’s clothes as he goes through TSA, pee and poop come out the character’s pant leg. And another character gets pooped on by a bird. Yes, this is that movie. It’s so proud of its potty humor that most of it is featured in the trailer.

Once again our little scamps create chaos and destruction wherever they go. Dave wails, “AAAAAAAAlvin!” Then he scolds them. Then he forgives them. Rinse and repeat.

Dave has two developments in his life, and it is the task of the Chipmunks to create as many complications and catastrophes as possible to impede both of them. First, there is the release of a new album he produced from Taylor Swift-style pop artist Ashley (Bella Thorne), at a big, splashy event in Miami. Second, there is a new woman in Dave’s life. Her name is Shira (Kimberly Williams-Paisley), she is a heart surgeon (but so adorably ditzy that she keeps forgetting that her stethoscope is still around her neck), and she has a son named Miles (Josh Green, a welcome bright spot we hope to see in a better movie soon). When the chipmunks discover an engagement ring just before Dave and Shira are about to leave for Miami, they decide to hide the ring and, when that doesn’t work, they decide to go to Miami to prevent Dave and Shira from getting engaged. At this point, their relationship with Miles is one of outright hostility, but he shares the goal of keeping Dave and Shira apart, so they set off for Miami together.

After various hijinks, they are put on the no-fly list by air marshall Benson (Tony Hale, slumming and looking glum about it) who makes it his personal vendetta to hunt them down as they make their way to Miami, finding (duh) that they and Miles kinda like each other.  This road trip, I mean road chip, provides opportunities for musical numbers. The choreography by Richmond and Anthony Talauega is joyously inventive.  Unfortunately, the “singing” is just the same sped-up buzzy drone sound that Dave Seville (Ross Bagdasarian) came up with for a novelty Christmas record back in 1958.

Parents should know that this movie includes potty humor and slapstick peril and violence. There are some issues of fears of parental abandonment and actual parental abandonment.

Family discussion: Why did Miles lie about his father? Why didn’t Miles want to like Dave and the chipmunks? Which is your favorite chipmunk and why?

If you like this, try: the earlier chipmunk movies and the “Garfield” movies

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Based on a television show Comedy Family Issues Scene After the Credits Series/Sequel Talking animals

It’s a Wonderful Life: The Phone Scene

Posted on December 17, 2015 at 8:00 am

This is my favorite scene in a movie that is just about everyone’s favorite at this time of year: It’s a Wonderful Life. George tries to pretend that he doesn’t love Mary and almost fools even himself. But when they have to stand so close together….

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Classic Great Movie Moments
Star Wars: The Force Awakens

Star Wars: The Force Awakens

Posted on December 16, 2015 at 3:01 am

A-
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for sci-fi action violence
Profanity: Mild language
Alcohol/ Drugs: Scene in a bar
Violence/ Scariness: Extensive sci-fi action-style violence with guns and explosions and many characters injured and killed, sad death
Diversity Issues: Diverse characters
Date Released to Theaters: December 16, 2015
Date Released to DVD: March 27, 2016
Amazon.com ASIN: B018FK66TU
Copyright Disney 2015
Copyright Disney 2015

The force is strong in this thrilling new chapter in the story set a long time ago in a galaxy far, far away. Fans will get goosebumps right from the start as the familiar logo and musical theme are followed by a scrolling summary to bring us up to date — without a single mention of a tariff or bureaucratic squabbling. Instead, it has words of near-incantatory power: Luke is missing. Leia is a General. An old ally has provided a clue to Luke’s whereabouts and the best pilot of the rebel forces has been sent to retrieve it.

That pilot is the irresistibly dashing Poe Dameron (Oscar Isaac, who finally seems on the brink of the superstardom he has long deserved). Like Leia in “A New Hope,” he stashes the information in a droid, the adorable B-88, and then he is captured by stormtroopers representing the dark side of the force.  Now called First Order, it is a group that has risen from the ashes of the Empire and threatens to take over again. And we know they’re evil because they mostly have plummy British accents and when they give speeches they dress like they’re appearing in a Leni Riefenstahl recruiting video.

Stormtroopers are indistinguishable in their white armor and helmets, but in the attack on a civilian village one stands out. He seems dazed and disoriented. He shows compassion for a downed member of his battalion.  After returning to the ship, he is ordered to reprogramming to make sure he will never again fail to carry out an order to kill and destroy.  He decides to run away. He does not know how to fly, but there is a prisoner who happens to be the best pilot of the rebel forces, our new friend Poe.  “Why are you helping me?” Poe asks with understandable suspicion.  “Because it’s the right thing to do.” Our Poe is not fooled.  “You need a pilot,” he wisely responds.

Whatever. They both want to get the heck out of there, and that is good enough for the moment. Plus, the defecting stormtrooper speaks with an American accent (even though he is played by British actor John Boyega), so he must be okay.

Meanwhile, a scavenger named Rey (Daisy Ridley, yes she has an English accent but is so obviously honorable and kick-ass great that it just sounds elegant, not evil) encounters B-88. And some old friends from the original trilogy show up for call-outs, tributes, and variations on beloved memories.

Co-writer/director J.J. Abrams has a deep understanding and respect for the original characters and themes going back to the very first episode, now chronologically chapter IV and retitled “A New Hope.” He co-wrote this film with Lawrence Kasdan, the screenwriter of Chapter V: “The Empire Strikes Back,” generally considered the strongest in the series.  They seamlessly bring the story forward with new characters who are vital and engaging. The special effects and mechanics are superbly designed and the action is brilliantly staged.

I wish I could tell you more but I can’t spoil the wonderful surprises, so just let me just say that this is the “Star Wars” you’ve been looking for. Be sure to check out the deleted scenes and other extras on the splendid DVD/Blu-Ray

Parents should know that this movie has extensive sci-fi peril and violence with many characters injured and killed and a very sad death. There are issues of totalitarianism, loss, and betrayal.

Family discussion: Why didn’t Finn have a name? How are Ren and Hux different? Who do you think Rey’s parents are?

If you like this, try: the original “Star Wars” trilogy

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3D Action/Adventure DVD/Blu-Ray Pick of the Week Fantasy Science-Fiction Series/Sequel
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