Lincoln

Posted on November 8, 2012 at 6:00 pm

B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for an intense scene of war violence, some images of carnage, and brief strong language
Profanity: Some strong language, one f-word
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Battle violence with some graphic images, sad deaths, assassination
Diversity Issues: A theme of the movie
Date Released to Theaters: November 9, 2012
Date Released to DVD: March 25, 2013
Amazon.com ASIN: B009AMANH4

The first question about big, prestige films like “Lincoln” is always where it falls on what I call the spinach scale.  Will I tell people to see it because it is entertaining or because it is good for them.  For all its meticulous attention to historical verisimilitude and its extended depiction of people in rooms talking about a Constitutional amendment, “Lincoln” is not an eat-your-spinach-because-it’s-good-for-you movie.  It is a robust, engrossing story that illuminates our own time as well as the era of the 16th and arguably greatest President.

Task number one for director Steven Spielberg, screenwriter Tony Kushner (Angels in America), and star Daniel Day-Lewis is to make the icon into a human being, to show us his greatness but also his humanity.  In our hearts, this almost-literally larger than life man sounds like James Earl Jones — we can almost hear that deep voice reciting the Gettysburg address.  But those who actually heard Lincoln speak described his voice as high, thin, and reedy-sounding.  It may be jarring at first, but in an exceptionally well-designed introductory scene Day-Lewis deploys that timbre with such gentleness and modesty that it quickly becomes an asset not just to his performance but to our understanding of this man.

Lincoln is sitting quietly, talking to a small group of Union soldiers, two black and two white.  We see immediately that the soldiers respect him greatly — they can recite the Gettysburg address from memory — but that they feel completely comfortable being honest with him about their experiences and their recommendations.  What we feel immediately is that he is both respected and trusted, and that he has a rare ability to listen.  He may not be a modest man — at one point he thunders, “I am the President of the United States and clothed in immense power!”  But he is a humble man, who understands that he can best lead by allowing others to move forward with him.  He loves to share stories, more than others love to hear them.  But like a great preacher, he knows that it is the stories that persuade people.  Everyone softens a little for a story, especially one with a punchline.  And a story helps the listener toward the conclusion without feeling pushed.

A century and a half later, audiences may be surprised to see how little has changed.  Indeed, even the vilest insults of the Twitterverse and the shrillest complaints of Super-PAC ads do not touch the comments made by Members of Congress, who do not hesitate to question each other’s integrity or sanity.  “Fatuous nincompoop,” for example.

Audiences may be more surprised to find that “Democrat” and “Republican” seem to have switched places.  What has not changed is the way that politics attracts people of great cowardice and even greater courage, of people who hold on and people who reach forward, of people who want to help themselves and people who want to help others at great cost to themselves, including those who can never thank them.

When Lincoln decides that his most important priority is eradicating slavery through approval of the 13th Amendment to the Constitution, his team brings in a trio of lobbyists (John Hawkes, Tim Blake Nelson, and a wonderfully puckish James Spader) who are as cheerfully cynical as anyone on K Street today.  Through a combination of bribes and threats, they work to get the votes they need.  It is clear the Civil War is about to end, and if the South is readmitted to the Union, it will never pass.  Lincoln understood that the only way to keep the country together was to take its most divisive issue off the table.  He also understood that doing so would have its own terrible costs.  Even those who supported the Amendment had to make compromises, including its most ardent defender (a scene-stealing performance by Tommy Lee Jones as Pennsylvania’s Thaddeus Stevens).

Kushner and Spielberg, like their main character, recognize the power of story-telling, and this illuminating tale would make its subject proud and perhaps to inspire all of us to aspire to that as well.

Parents should know that this film has some battle scenes, graphic images in hospital including amputated limbs, some strong language including one f-word, sad losses, drinking, and smoking.

Family discussion: There are a lot of compromises in this movie and a lot of shading of the truth – which were the most difficult?  Why was the passage of the 13th amendment so important?  What moments in the film reminded you of today’s political debates and strategies?

If you like this, try: some of the other portrayals of Lincoln on film, including “Young Mr. Lincoln” and “Abe Lincoln of Illinois” and the musical about the Declaration of Independence, “1776”

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Based on a true story Biography Drama DVD/Blu-Ray Pick of the Week Epic/Historical Politics War

Skyfall

Posted on November 8, 2012 at 8:00 am

A-
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for intense violent sequences throughout, some sexuality, language, and smoking
Profanity: Strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Extended spy-style peril and violence with many characters injured or killed and some graphic images
Diversity Issues: Diverse characters, strong women
Date Released to Theaters: November 9, 2012
Date Released to DVD: February 11, 2013
Amazon.com ASIN: B007REV4YI

James Bond goes home in every sense in this ravishingly entertaining entry in the series.  Five decades later, it all of a sudden feels fresh, fun, and utterly engaging.  This is the best Bond in decades.We are in the middle of the action almost before the lights go down in the theater.  Two quick but unmistakable notes on the soundtrack as Bond (Daniel Craig in his third outing) enters a room with dead and dying agents.  He looks like a million bucks.  Or, I should say, a million pounds.  Sterling.

A quick communication and then a chase, and what a chase. Not since “Raiders of the Lost Ark” has a movie begun with such a knowing shot of adrenaline. It’s action as ontology recapitulating phylogeny.  On one level, it’s a world-class heart-thumper, brilliantly staged and paced. But it’s also a witty meta-take on chase scenes in general and Bond in particular, with everything from an exotic open market to a shootout and a motorcycle and hopping on a train.  And by that I mean hopping ON a train.  And a pretty girl.  With a gun.  And a missing hard drive.  He also stops to adjust his cuffs.

So, we’re good to go, and it just keeps getting better.

Things are not going so well back at MI-6, where M (Dame Judi Dench) is in a meeting with a rather stiff government official (Ralph Feinnes)  who is displeased about the way things are going.  “Are we to call this civilian oversight?” she asks with asperity.  “No, we’re calling this retirement planning,” he responds.  MI-6 itself is attacked and this time, as they say, it’s personal.

Bond has had a tough time of it lately.  The heightened stylization of the “Austin Powers” parodies made it more difficult to take Bond’s glossiness and the over-the-top total world domination-style bad guys seriously and the grittiness of the “Bourne” movies made the sophistication and brio of the series and its lead character seem superficial.  The series was in danger of becoming a parody of itself, with its over-the-top plot twists and villains.  And it was choking on product placement.  “Skyfall” is forthright in confronting the challenges of our time, with both spies and bureaucrats well aware that our enemies are harder to identify than they were in the Cold War era, and more damage can be done with a laptop than a bomb.

“Skyfall” kicks it old school, with more heart, meaning, and character — and a more deliciously twisted villain (Javier Bardem) than the last dozen in the series combined.  This is much more than the usual girl and a gun and a villain and only seconds to save the world from various exotic locations.  The locations are fabulously chosen, however, from MI-6’s transplanted underground lair to a deserted island city with a toppled Ozymandias-style statue, a motorcycle chase along Istanbul rooftops, and an estate in Scotland.  And Ben Wishaw (“Cloud Atlas”) makes a lovely young Q with mad computer skillz and madder hair.

Adele provides the best Bond theme song since the 60’s, her husky voice reminiscent of the Shirley Bassey era.  Director Sam Mendes is not known for action or genre but he has a great eye and he is totally up to the task here, delivering a story that gives depth to the characters and moral complexity to the storyline.  Mendes deftly explores variations on the themes of compromise, consequences, context, and choice, while never letting up on the action and glamour.  It wouldn’t be a Bond movie without some reason for our hero to don black tie for a visit to a swanky gambling den that happens to have a pit with Komodo dragons, any more than it would without some doomed beauty with time for one last romantic encounter.  “Skyfall” has tremendous understanding and affection for the legacy of Bond, but, more important, it makes us excited about the next 50 years.

Parents should know that this film has spy-type action and peril with chases, explosions, and guns, many characters injured and killed, sexual references and situations,some strong language,drinking, and smoking.

Family discussion: Characters in this film have to make some very tough choices that risk or sacrifice the lives of their colleagues. What factors do they consider? What are the consequences? How does what we learn about Bond and M change the way you think about them?  Why does MI-6 like orphans?

If you like this, try: the 23 other Bond films, especially “Goldfinger,” “You Only Live Twice,” and “Goldeneye”

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Action/Adventure Based on a book DVD/Blu-Ray Pick of the Week Series/Sequel Spies

The Mark

Posted on November 3, 2012 at 3:59 pm

The Mark is the first of a two-part Christian end times film starring Craig Sheffer.  He plays Chad Turner, a non-believer who gets caught up in the fight of his life and of his soul as a courier of a critically important biometric chip with world-changing powers.  On board an airplane with a businessman named Mr. Cooper (Eric Roberts), who will present the chip to the G20 summit, they are taken prisoner by Joseph Pike (Gary Daniels), a brutal man who has been hired by a billionaire to get the chip for him.

But Turner is not carrying the chip.  It has been implanted in his arm.  It is worthless unless he is alive.  Pike and Cooper are utterly ruthless but both have to find a way to fight each other without crashing the plane or killing Turner.  And then, somehow, some of the people on the plane just disappear, without their clothes and jewelry.  Everyone else is left behind.

Turner has lost his faith in just about everything, except perhaps for a lovely flight attendant named Dao (Sonia Couling).  But the brutality and corruption he sees in Cooper and Pike and the goodness he sees in Deo awaken the hero in him.

I have one copy to give away.  Send me an email at moviemom@moviemom.com with “Mark” in the subject line and don’t forget to include your address (US addresses only).  I’ll pick a winner at random on November 7.

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Action/Adventure Contests and Giveaways Drama Spiritual films
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